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Gillette Case Intrigues Renovators Author
GILLETTE CASE INTRIGUES RENOVATORS Associated Press lated over the years as one of the nation's leading actors. The resulting moisture problems haunted Gillette Most of Gillette's success had come from his portrayal, on long after the castle's completion by the renowned EAST HADDAM — Over the past two years, David stage and screen, of the fictional detective Sherlock Hartford firm of Porteus & Walker. And they continue Barkin has found himself investigating a mortar mys- Holmes, from the novels by Sir Arthur Conan Doyle. to this day, as workers feverishly rebuild stone walls tery perhaps only Sherlock Holmes could unravel. surrounding the castle and administrators prepare Barkin, a New Haven architect, has been lurking in a Gillette Castle — closed now for nearly three years as it and the surrounding 184 acres of state park grounds plans for a visitor's center, new exhibits and the re- damp and musty castle, muttering things like, "What introduction of Gillette's famed miniature railroad. did he mean here?" as he uncovers mustard, green, red, undergo a $10.1 million restoration and improvement program — had been intended by its eccentric first Most of the improvements will coincide with the cas- black and burgundy mortar — the gooey material that, tle's planned reopening on Memorial Day weekend once dry, holds stone walls together. owner to resemble a ruin on the Rhine River in Germa- ny. Part of the aesthetic, massive fieldstone walls un- "He had a leaking castle from the day he built it," PLEASE SEE GILLETTE, PAGE B5 Barkin says of William Gillette, the man who designed dulate unevenly, allowing water to pool in certain and paid nearly $1 million for the castle in 1919, using areas — especially around the windows, which display his ripe imagination and the money he had accumu- evidence of awnings once having been deployed. -
Sherlock Holmes: the Final Adventure the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival Sherlock Holmes: The Final Adventure The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2014, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Brian Vaughn (left) and J. Todd Adams in Sherlock Holmes: The Final Adventure, 2015. Contents Sherlock InformationHolmes: on the PlayThe Final Synopsis 4 Characters 5 About the AdventurePlaywright 6 Scholarly Articles on the Play The Final Adventures of Sherlock Holmes? 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: Sherlock Holmes: The Final Adventure The play begins with the announcement of the death of Sherlock Holmes. It is 1891 London; and Dr. Watson, Holmes’s trusty colleague and loyal friend, tells the story of the famous detective’s last adventure. -
Experts Urge English Heritage to Save Conan Doyle's Surrey Home
EMBARGO: 00.01 6 July 2006 4 July 2006 Experts urge English Heritage to save Conan Doyle’s Surrey home The Victorian Society has submitted an urgent application for upgrading Undershaw, the home of Sir Arthur Conan Doyle, to Grade I-listed status following an application to divide the house into thirteen dwellings. The society was contacted by John Gibson, a Conan Doyle bibliographer and local resident, who was concerned that the Grade II-listed house, commissioned by Conan Doyle in 1896, would fall prey to developers. Although planning permission for the original application was refused in May 2006, Listed Building Consent for subdivision may still be granted by Waverley Borough Council, leaving Undershaw vulnerable to future schemes. Enlisting the help of the Sherlock Holmes Society of London, and Conan Doyle experts around the world, the Victorian Society is encouraging fans to lobby the Council to refuse Listed Building Consent. ‘It’s vital that the Council refuses Listed Building Consent,’ said Dr Kathryn Ferry, Southern & Welsh Architectural Adviser of the Victorian Society. ‘Any scheme for subdivision could be hugely damaging and would mean that this vital part of our literary heritage is lost to the public. But this is just the start. This application certainly won’t be the last unless we can get Undershaw recognised as the internationally significant monument it is.’ The home of Sir Arthur Conan Doyle and his wife Louisa for almost ten years, Undershaw formed the backdrop for many significant literary and historical events. It was at Undershaw that Conan Doyle wrote his most famous work The Hound of the Baskervilles (1902) and two years later resurrected one of the most famous literary characters of all time in The Return of Sherlock Holmes. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
A Thematic Reading of Sherlock Holmes and His Adaptations
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr. -
Li^^Ksehtarions
PAGE 4 THE INDIANAPOLIS TIMES JAN. 15, 1936 Louise Essex Proves Idea Coming ,Here Friday on Screens and Stage of Moving Picture Theaters Thrills and That Musicians of State Chills Make Rank With World's Finest Movie Short Cellist, Appearing With Indianapolis Symphony, Presents Graphic Newsreel Pictures Saint-Saens Concerto, Bringing to Authority, It Catch Tragedy as Depth of Feeling, Fluent Dexterity. It Stalks. BY JAMES THRASHER This week has brought us two exceptional performances bv Indian- When a newsreel cameraman goes apolis musicians. They should help to dispel the false, but still prevalent, after his story he usually geta it. notion that the soil of artistic growth Is confined to continental Europe. But he also gets more than the Louise Essex, cellist and soloist with the Indianapolis Symphony Orches- censors or editors will allow in the tra last night, reaffirmed the impression created by Bomar Cramer's piano final reel. recital Sunday—that one may ascend the slopes of Parnassus from the What is left over is saved, and prairies of Indiana. some of the most interesting of theae Miss Essex delayed her debut in excerpts from the world’s pictorial public recital until last night, history are to be shown as “Camera though she had gained an enviable Thrills,” at the Circle beginning reputation in Europe and our East- Blueprints Friday. ern cities. It seems a wise decision, Aid Charles E. Ford, head of Universal for she came to us as a well- Newsreel, sponsored in Indianapolis equipped and gifted musician with- by Tiie Times, has arranged these out deficiencies which local pride in Film-Making many scenes of action and real life might seek to excuse. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Exsherlockholmesthebakerstre
WRITTEN BY ERIC COBLE ADAPTED FROM THE GRAPHIC NOVELS BY TONY LEE AND DAN BOULTWOOD © Dramatic Publishing Company Drama/Comedy. Adapted by Eric Coble. From the graphic novels by Tony Lee and Dan Boultwood. Cast: 5 to 10m., 5 to 10w., up to 10 either gender. Sherlock Holmes is missing, and the streets of London are awash with crime. Who will save the day? The Baker Street Irregulars—a gang of street kids hired by Sherlock himself to help solve cases. Now they must band together to prove not only that Sherlock is not dead but also to find the mayor’s missing daughter, untangle a murder mystery from their own past, and face the masked criminal mastermind behind it all—a bandit who just may be the brilliant evil Moriarty, the man who killed Sherlock himself! Can a group of orphans, pickpockets, inventors and artists rescue the people of London? The game is afoot! Unit set. Approximate running time: 80 minutes. Code: S2E. “A reminder anyone can rise above their backgrounds and past, especially when someone else respectable also respects and trusts them.” —www.broadwayworld.com “A classic detective story with villains, cops, mistaken identities, subterfuge, heroic acts, dangerous situations, budding love stories and twists and turns galore.” —www.onmilwaukee.com Cover design: Cristian Pacheco. ISBN: 978-1-61959-056-4 Dramatic Publishing Your Source for Plays and Musicals Since 1885 311 Washington Street Woodstock, IL 60098 www.dramaticpublishing.com 800-448-7469 © Dramatic Publishing Company Sherlock Holmes: The Baker Street Irregulars By ERIC COBLE Based on the graphic novel series by TONY LEE and DAN BOULTWOOD Dramatic Publishing Company Woodstock, Illinois • Australia • New Zealand • South Africa © Dramatic Publishing Company *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY, INC., without whose permission in writing no performance of it may be given. -
Scuttlebutt from the Spermaceti Press 2021
Jan 21 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) did not gather in New York to celebrate the Great Detective’s 167th birthday this year, but the somewhat shorter long weekend offered plenty of events, thanks to Zoom and other modern technol- ogy. Detailed reports will be available soon at the web-site of The Baker Street Irregulars <www.bakerstreetirregulars.com>, but here are few brief paragraphs to tide you over: The BSI’s Distinguished Speaker on Thursday was Andrew Lycett, the author of two fine books about Conan Doyle; his topic was “Conan Doyle’s Questing World” (and close to 400 people were able to attend the virtual lecture); the event also included the announcement by Steve Rothman, editor of the Baker Street Journal, of the winner of the Morley-Montgomery Award for the best article the BSJ last year: Jessica Schilling (for her “Just His Type: An Analysis of the Découpé Warning in The Hound of the Baskervilles”). Irregulars and guests gathered on Friday for the BSI’s annual dinner, with Andrew Joffe offering the traditional first toast to Nina Singleton as The Woman, and the program continued with the usual toasts, rituals, and pap- ers; this year the toast to Mrs. Hudson was delivered by the lady herself, splendidly impersonated by Denny Dobry from his recreation of the sitting- room at 221B Baker Street. Mike Kean (the “Wiggins” of the BSI) presented the Birthday Honours (Irregular Shillings and Investitures) to Dan Andri- acco (St. Saviour’s Near King’s Cross), Deborah Clark (Mrs. Cecil Forres- ter), Carla Coupe (London Bridge), Ann Margaret Lewis (The Polyphonic Mo- tets of Lassus), Steve Mason (The Fortescue Scholarship), Ashley Polasek (Singlestick), Svend Ranild (A “Copenhagen” Label), Ray Riethmeier (Mor- rison, Morrison, and Dodd), Alan Rettig (The Red Lamp), and Tracy Revels (A Black Sequin-Covered Dinner-Dress). -
The Adventure of the Shrinking Public Domain
ROSENBLATT_FINAL (DO NOT DELETE) 2/12/2015 1:10 PM THE ADVENTURE OF THE SHRINKING PUBLIC DOMAIN ELIZABETH L. ROSENBLATT* Several scholars have explored the boundaries of intellectual property protection for literary characters. Using as a case study the history of intellectual property treatment of Arthur Conan Doyle’s fictional character Sherlock Holmes, this Article builds on that scholarship, with special attention to characters that appear in multiple works over time, and to the influences of formal and informal law on the entry of literary characters into the public domain. While copyright protects works of authorship only for a limited time, copyright holders have sought to slow the entry of characters into the public domain, relying on trademark law, risk aversion, uncertainty aversion, legal ambiguity, and other formal and informal mechanisms to control the use of such characters long after copyright protection has arguably expired. This raises questions regarding the true boundaries of the public domain and the effects of non-copyright influences in restricting cultural expression. This Article addresses these questions and suggests an examination and reinterpretation of current copyright and trademark doctrine to protect the public domain from formal and informal encroachment. * Associate Professor and Director, Center for Intellectual Property Law, Whittier Law School. The author is Legal Chair of the Organization for Transformative Works, a lifelong Sherlock Holmes enthusiast, and a pro bono consultant on behalf of Leslie Klinger in litigation discussed in this Article. I would like to thank Leslie Klinger, Jonathan Kirsch, Hayley Hughes, Hon. Andrew Peck, and Albert and Julia Rosenblatt for their contributions to the historical research contained in this Article. -
Special Issue ARTHUR CONAN DOYLE
Special Issue on ARTHUR CONAN DOYLE FEBRUARY 2015 EDITOR’S INTRODUCTION An Adventure, A Magic Door and The Detective: An Invitation to Sir Arthur Conan Doyle’s Wide-Ranging Œuvre Sarah E. Maier University of New Brunswick “Conan Doyle…. Doyle…. Isn’t that the guy who wrote the series with Benedict Cumberbatch in it?” When one encounters such a response from a group of upper-level English students who have enrolled in my class on “Jack the Ripper & Co: Neo-Victorian Narratives of Crime,” it rather deflates the enthusiasm. Once I convinced them that in fact “the guy” was Sir Arthur Conan Doyle who had, in fact, written the “series” of stories about the detective, Sherlock Holmes, and his faithful doctor friend, Doctor Watson, I was able to reach back through history to the nineteenth century and introduce them to the original, marvelous texts.1 I boldly asserted that “the guy” had, in addition, written many, many other narratives in other genres that were absolutely worth reading. But alas, they did not feature Cumberbatch. The purpose of this special issue is to give a nod to the modern adaptations of Conan Doyle’s work, but to investigate via a series of essays his other works that seem too often to get left behind in the race after the cases of Holmes and Watson. Now to the man himself; Arthur Ignatius Conan Doyle was the eldest son and third of nine children born into the Irish Catholic family of Mary née Foley (1838-1921) and Charles Altamont Doyle (1832-1893) on 22 May 1859 in Edinburgh, Scotland. -
The Wicked Beginnings of a Baker Street Classic!
The Wicked Beginnings of a Baker Street Classic! by Ray Betzner From The Baker Street Journal Vol. 57, No. 1 (Spring 2007), pp. 18 - 27. www.BakerStreetJournal.com The Baker Street Journal continues to be the leading Sherlockian publication since its founding in 1946 by Edgar W. Smith. With both serious scholarship and articles that “play the game,” the Journal is essential reading for anyone interested in Sherlock Holmes, Sir Arthur Conan Doyle, and a world where it is always 1895. www.BakerStreetJournal.com THE WICKED BEGINNINGS OF A BAKER STREET CLASSIC! by RAY BETZNER In the early 1930s, when pulps were the guilty pleasures of the American maga- zine business, Real Detective was just another bedsheet promising sex, sin, and sensationalism for a mere two bits. With a color cover that featured a sultry moll, a gun-toting cop, or a sneering mobster, it assured the reader that when he got the magazine back to his garage or basement, he would be entertained by the kind of delights not found in The Bookman or The Atlantic Monthly. And yet, for a moment in December 1932, a single article featuring the world’s first consulting detective elevated the standards of Real Detective to something approaching respectability. Starting on page 50, between “Manhattan News Flash” (featuring the kidnapping of little John Arthur Russell) and “Rah! Rah! Rah! Rotgut and Rotters of the ’32 Campus” (by Densmore Dugan ’33) is a three-quarter-page illustration by Frederic Dorr Steele showing Sherlock Holmes in his dressing gown, standing beneath the headline: “Mr. Holmes of Baker Street: The Discovery of the Great Detective’s Home in London.” Com- pared with “I am a ‘Slave!’ The Tragic Confession of a Girl who ‘Went Wrong,’” the revelations behind an actual identification for 221B seems posi- tively quaint.