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Li^^Ksehtarions PAGE 4 THE INDIANAPOLIS TIMES JAN. 15, 1936 Louise Essex Proves Idea Coming ,Here Friday on Screens and Stage of Moving Picture Theaters Thrills and That Musicians of State Chills Make Rank With World's Finest Movie Short Cellist, Appearing With Indianapolis Symphony, Presents Graphic Newsreel Pictures Saint-Saens Concerto, Bringing to Authority, It Catch Tragedy as Depth of Feeling, Fluent Dexterity. It Stalks. BY JAMES THRASHER This week has brought us two exceptional performances bv Indian- When a newsreel cameraman goes apolis musicians. They should help to dispel the false, but still prevalent, after his story he usually geta it. notion that the soil of artistic growth Is confined to continental Europe. But he also gets more than the Louise Essex, cellist and soloist with the Indianapolis Symphony Orches- censors or editors will allow in the tra last night, reaffirmed the impression created by Bomar Cramer's piano final reel. recital Sunday—that one may ascend the slopes of Parnassus from the What is left over is saved, and prairies of Indiana. some of the most interesting of theae Miss Essex delayed her debut in excerpts from the world’s pictorial public recital until last night, history are to be shown as “Camera though she had gained an enviable Thrills,” at the Circle beginning reputation in Europe and our East- Blueprints Friday. ern cities. It seems a wise decision, Aid Charles E. Ford, head of Universal for she came to us as a well- Newsreel, sponsored in Indianapolis equipped and gifted musician with- by Tiie Times, has arranged these out deficiencies which local pride in Film-Making many scenes of action and real life might seek to excuse. drama into a two-reel film. Among Her vehicle was the "A Minor Con- those to be seen are shots of the certo" of Saint-Saens, a work of bril- Detailed Planning Precedes assassination of Alexander of Yugo- liance and beauty, and a revealing slavia and Minister Barthou of test of Its performer’s ability. To it Actual Camera Work. France as they rode through Mar- Miss Essex brought authority, a seilles. depth of feeling, and fluent dexter- Timex Special Others were filmed at the burning ity. Her tone, while not of great HOLLYWOOD, Jan. 15.—When of the Morro Castle, the Chicago stockyards fire, the sonority, was a compelling expres- filming of “The Last of the Mo- hand-to-hand music’s fighting in the San Francisco strike. sion of the content, and in hicans” begins, Director Edward the lyric portions, sang with mellow Cameramen Shot, Beaten richness. Double stop 6, octaves and Small is to walk on the set carry- harmonies made ing a roll of 100 blue prints. They When the people of Cuba rose in she an integral revolt against govern- part the composition well the Machado of as as a are to give detailed plans for cam- ment in 1933. two of Universal’s ace means of technical display. era angles, lighting, exits and en- cameramen went to the scene to Fine Sweep and Flow trances and the placing of charac- transcribe lt in celluloid. The pair, ters in which may follow as armed only with cameras, started There is a sweep scenes fine and flow long as 40 days later. —¦— out to get scenes of the Machadist In Miss Essex’ playing, while each The procedure was tried several machine gunners who were speeding nuance is treated with meticulous months ago when Mr. Small matte through the city in automobiles, care, she retains her conception of his preparations for “The Count of shooting down the citizens gathered the music in its entirety; the re- Monte Cristo.” It worked with fair to - —* 111i ; at mass meetings on street corners. Recital Aid 7" S the fray, one of cam- sult is an artistic and satisfying success and was tried later during During the performance. some sequences of "The Red Salute” eramen was mowed down with 17 Sharing honors with the soloist and “Melody Lingers On.” but this machine gun bullets in his legs, and Memorial Fund the other received a fractured skull was the orchestra’s playing of the is to be the first picture which util- Memorial Fund ’EEjjffilk JHh| uflHl “Second Rumanian Rhapsody” of izes the system for an entire pro- when knocked over the head with a Enesco, under Ferdinand Schaefer’s duction. rifle butt. (?) able direction. Mr. Schaefer's read- No longer the Janeane Johnson Burroughs J For your amusement the nov- will director have |||||| film contains ing captured the warm intensity of to for to elty shots of tha ponder hours trying vis- 'ZZZ ~ the composition's Gypsy melodies, angles. Nor Announces Program. SjjM famous Ascot auto race crack-ups, ualize camera will the bull goring an American and drew from the strings a vibrant, spend matador, electrical chief valuable time Thursday night’snight's recital by Jane the tragic start and finish of De deep-colored tone which we have experimenting in lighting. Burroughs Marotr, —- Johnsonohnson Burroughs Inin Marott ball- JJ)rrT Pinedo’s attempted transcontinental long wished to hear. “Contrary to impression," Mr. l|l orchestral offer- roomoom offers the two-fold opportun- if air hop. The remaining Small said, “such a system will not Wagner’s ity of contributing to the Will \ Graham McNamee is the narrator. ings included overtures to bring mechanical handling of ‘‘Die “Tann- Rogerslogers Memorial FundFund and hearingheaving ' Meistersinger” and dramatic or art. It haeuser,” the Mozart “G Minor photographic a well chosen collection of rontrm-contem- V- Trained for Opera and will enhance the dramatic value ot J Symphony.’” poraryorary songs sung byby a capable local A Cecilia Parker, whose singing the picture, for it will relieve the artist. * ' has from Symphony Not So Happy director’s mind of worries voice never been heard caused by Accompanied by Walter Whit- ’>*s *-- the physical -.Vb screen, was educated to sing The rather details.” worth, Mrs. BurroughsBun .1 is to pre- pi- in grand complex construction mm opera. of the “Meistersinger” overture 1 sentmt groupscroups by English, German.German, J 9 failed to cloud the delightful qual- French,: cie l, Italian,I;.tli.ui SpanishSpam.handand Amer-tmn- |§f]jSH| sßj VH II Trained as Pianist composers. ¦ ity of Wagner’s music, as set forth ican:an composers. Norma Shearer, a brilliant pianist Desires The completecomplete program for the by Mr. Schaefer, with the assistance Fame The the f- f'vV'%i as a child, had passed examinations of the orchestra’s wood-wind play- concert, scheduled for 8:30, is: at the Royal Academy of Music by ers, who "did themselves proud.’' i the time she was 8 years old. happy To the 3ueen of Heaven Not so was the symphony on Own Merit Thomas F. DVtnhill Edward Everett Horton (above), which followed. Its lovely flow of A Feast of Lanterns Granville Bantocn veteran film funster, Is back on the melody by frequent Tears of God Dent Mowrey WHERE, WHAT, WHEN was broken and A Piper Michael Head screen and is In- distracting tempo, APOLLO to appear at the ' fluctuations of Brother of Gene Raymond II Plays Farmer definitely Return engagement ot “The Lit- diana Theater in “Her Master's 'M4 tV! “Ah Wilderness" which were not Mozart. Weigenlied Els, “Der 4 der from Schafz- tlest Rebel” with Shirley Temple, I 111 Days “IfYou Could Cook* The second and more familiar Changes for Screen. graeber” Franz Schreker John Boles and Jack Holt at 11. Voice,” along 'With Earl Carroll's Only Name Fruehlingssonne Richard TrunK 12:51, 2:42, 4:33, 6:24, 8:15 and overture of Wagner closed the pro- In Meiner Heimat Richard Trunk for First Time 10:06. “Vanities” on the stage Friday. gram, rounding out the most satis- Timex Special Ich atemef elnen Linden Dust CIRCLE Gustav Mahler Victor McLaglen (above, right), factory of this year’s performances HOLLYWOOD, Jan. 15—Bob Mar- Und gestern Hat er mir Rospn geb- “Dangerous,” featuring Bette Joseph Davis. Franchot and Margaret who made the biggest comeback of by local We can lowe is aspiring to a place in the racht Marx Lindsay, Tone our organization. Hat dlch die Liebe beruehrt ..Joseph Marx at 11:45. 1:50, 2:55. 6. ft a Hollywood constellation, but desires Fred Stone Is ’Cast in His and 10:00. any actor in the last year, is shown not leave “Tannhaeuser” without 111 special word of praise for those to attain film prominence on his INDIANA at the height of his glory in “Pro- of Hymne au soleil Alexander Georges Native Environment. fessional Soldier,” sterling Joseph Elliot own merits. He Is the brother Air champetre Francis Pohlenc ‘‘The Magnificent Obsession.” Him which starts musicians, on Lloyd C. Douglas’ novel, with Gene Raymond. Air romantique * Friday at and Hans Meuser. solo clarinetist Francis Poulenc Time Special Irene Robert Taylor. Betty the Apollo. A with Lt flute enenantee Maurice Ravel Dunne. and bassoonist with the Cincinnati visit Gene on the set of Chere null ..Alfred Bachelet HOLLYWOOD, Jan. 15.—For the Furness, at 11:30. 1:35. 3:40, 5:46. Major Bowes’ amateurs, lim- Bet 7:50 and 9:55. , Symphony Orchestra, who are filling “Don’t on Love” resulted in a first time in his 50 years in ited to radio lanes, have „*Ken to in picture the —lntermission the LOEWS the same posts this with the role that for star’s IV theatrical profession Fred Stone, the country, and Unit No. 3 of Mr. season brother. Not wishing to capitalize ''Ah. Wilderness!” with Lionel Indianapolis orchestra. Through the Nebbie Ottorino Respighi once a farm boy, is to play Barrymore.
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