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Home , Chimes at Midnight, Dean Stockwell, Eric Ambler, F For Fake, Henry Jaglom, Irving Pichel

DECEMBER 25-31 ♦ One Week JANUARY 1-FEBRUARY 3 Five Weeks Celebrating his Centennial Year RSON ELLES OProgrammed by W Series Consultant: JOSEPH McBRIDE Mr. McBride’s book What Ever Happened to ?: A Portrait of an Independent Career 100 (University Press of Kentucky) will be on sale at our concession during the series. Presented with support from

JANUARY 1 8 Special thanks to Nicole Woods, Kristie Nakamura (Warner Bros.), Brian Belovarac, Laura Coxson (Janus Films), Paul Ginsburg, - Eight Days Janice Simpson (), Grover Crisp, Chris Lane, Michael Horne (), Julie Pearce, Charlie Bligh (BFI), Cristina Bernaldez (Filmoteca Española, Madrid), Andrea Kalas, Judy Nicaud (), Caitlin Robertson, Joe Reid ( Fox), Eric DiBernardo, Adrienne Halpern (Rialto Pictures), Chris Chouinard (Park Films), May Haduong, Cassie Blake (Academy Film Archive), Calantha Mansfield (Carlotta Films U.S.), Todd Wiener, Steven Hill (UCLA Film Archive), ’S Ron Simon (Paley Center), Lynanne Schweighofer (), Paolo Cherchi Usai, Daniel Bish (George Eastman House), Jake Perlin 4K (Maysles Films), Sharon Lester Kohn (Rainbow Releasing), Emiliana Piedra, Lola Piedra, Emma Piedra, Soledad Fox, and Joseph McBride. ORSON WELLES ON TELEVISION at RESTORATION Over two consecutive weekends (February 7-8 and February 14-15), The Paley Center for Media (215 W. 52nd St.), will present Welles television rarities, including his landmark TV of Youth; starring roles in The Man Who Came to Dinner and ; a compilation of classic interviews; and even an episode of . For complete schedule, go to paleycenter.org.

STARRING JANUARY 15/16/17 THU/FRI/SAT Archival James Margaret JANUARY 28 WED 35mm (“Scottish” version) (Separate Admission) print STEWART SULLAVAN Orson Welles’ (1948, Orson Welles) In the gloomy, claustrophobic ♦ atmosphere of a studio- primitive world, a feudal lord (Welles in the title role) decides to go for the IT’S ALL TRUE (1993) See January 25. kingship, with horrifically fated results. Re-edited “CLOSE TO PERFECTION 12:40 pm — one of the most beautifully acted and paced romantic comedies!” by its studio — with the original Scottish brogues re- dubbed into American accents — this is Welles’ original – JANUARY 23/24 FRI/SAT JANUARY 29 THU THE MAGNIFICENT AMBERSONS 108-minute cut, as restored by UCLA Film Archive. HD. CITIZEN (See the original release “American” version on January H (Separate Admission) “LUBITSCH’S MASTERPIECE!” – TIME OUT () JANUARY 9/10 FRI/SAT 25.) “Pure cinema.” – Geoff Andrew, Time Out (London). THU 12:30, 2:40, 4:50, 10:00 THE LADY FROM THE MAGNIFICENT 12:30, 2:40, 4:50, 7:10*, 10:00 “ONE OF THE GREATEST ROMANTIC COMEDIES!” FRI DOUBLE FEATURE! (Release Version) – , THE GUARDIAN SAT 12:30, 7:45, 10:00 AMBERSONS SHANGHAI (1958, Orson Welles) *Friday’s 7:10 show introduced by (1948, Orson Welles) “If I’d only known where it (1942, Orson Welles) Turn-of-the-20th-century Mid- See January 14. This 93-minute (1940) “Psychologically, I’m very confused... But Welles historian Joseph McBride would end, I’d never have let anything start.” America: pursues lost love Dolores version, the cut shown in theaters personally, I don’t feel bad at all.” It’s just one big Footloose Irish sailor with literary aspirations Welles Costello, despite her imperious son — himself on first release, is now, ironically, happy family at pre-war Budapest leather goods store KANE gets mixed up in a murder with crooked lawyer Everett smitten with Cotten’s daughter — and the rarest. 7:00, 9:00 Matuschek’s. Every morning, ’s head salesman Sloane and his sultry wife (still Mrs. lovelorn spinster aunt (Best Actress, Mr. Kralik arrives to unlock the door for Felix Bressart’s friendly Welles at the time of shooting), as Byzantine plot NY Film Critics). Welles’ low-key, reflective follow-up family man Pirovitch, Joseph Schildkraut’s dapper Mr. Vadas complications ensue, highlighted by the legendary to Kane, adapted from ’s Pulitzer- (just where does he get all that money?), William Tracy’s Hall of Mirrors finale. 2:40, 6:35, 10:30 brash delivery boy Pepi, Sara Haden’s shy Flora, and of course winning novel, chronicles the decline of a family and Frank Morgan’s blustery but paternal Matuschek himself. the end of an era. Re-edited in Welles’ absence, its But then ’s feisty Miss Novak, turned down Pauline kael ending re-written and re-shot by others. But “even in THE THIRD MAN for a job by Mr. Kralik, sells a supposedly unsaleable “Ochi – this truncated form it’s amazing and memorable” (1949, ) Pulp novelist Joseph Cotten goes 12:30, 2:20, 4:10, 6:00, 7:50 Tchornya”-playing cigarette box right out from under his (Pauline Kael). to chaotic post-war , as zithers play and nose, beginning a long war of attrition; but what’s eating Mr. “May be more fun than any atmosphere drips from the screen, to find his old Matuschek? — has he hired a private detective? Oh well, Kralik at JANUARY 9/10 FRI/SAT buddy, Welles’ Harry Lime, is dead... or is he? “One of the most dramatic star entrances in the history of least looks forward to rendezvousing with his yet-unseen romantic (Separate Admission) 12:35, 4:30, 8:25 correspondent... Could this be the great Lubitsch’s greatest? — other great movie!” cinema.” – J. Hoberman. effortlessly transforming Mister America into a literature-loving THE STRANGER JANUARY 25/26 SUN/MON European; balancing the warmth with the heat between Stewart (1946, Orson Welles) I Married a Nazi War Criminal, as and Sullavan; drawing from champion ditherer Morgan (The War Crimes Commissioner Edward G. Robinson tracks MACBETH JANUARY 30/31 FRI/SAT Wizard of Oz) a rare multi-layered performance, both poignant and moving; making an off-screen suicide (1941) “.” From its Gothic opening at looming Xanadu, through the utterly convincing faked the supposed mastermind of the Final Solution to a JANUARY 15/17 THU/SAT attempt both shocking and subtle; all leading to a Christmas newsreel, through an investigative reporter’s quest through the conflicting accounts of the surviving quiet Connecticut village, the home of boys’ school prof (1952, Orson Welles) As Welles’ Othello lies dead, a Eve dinner that turns from lonely to merry; and perhaps, participants — friends, enemies, wives, bystanders — in the public rise and private fall of a newspaper Welles and all-American bride , as well as (Separate Admission) horrified is hoisted above the crowd in an iron THE TRIAL through this re-creation, returning in his imagination to the magnate (played throughout by 25-year-old Welles); with the overlapping dialogue; the low angle shots; the of a looming 124-foot clock tower, scene of a hair-raising cage — and then the play begins. Shakespeare’s NEW RESTORATION forever lost Berlin tailor’s shop of his father and his youth. “In no startling, radio-influenced use of sound; the ; the long takes; the whole course of a marriage limned climax. Welles’ only “very profitable” picture. 9:45 WELLESIANA classic of jealousy and retribution becomes one (1962, Orson Welles) ’ Josef K enters other movie has this kind of love-hate been made so convincing. in a succession of breakfasts; to its legendary finale, this is the most electrifying debut in screen history — Presented by Joseph McBride of Welles’ most dazzling works, from its baroque a nondescript door and an immense crowd rises to its Venetian beginning to the stunning murder sequence feet; two detectives beat a third in a tiny room lit by a Stewart and Sullavan’s performances are full of grace notes; acting and directing — routinely voted by international critics as the greatest film ever, and acknowledged JANUARY 11 SUN Joseph McBride, author of three books on Welles, in a Turkish bath. Grand Prize, Cannes. single bulb; and in a gigantic office the desks stretch on, when you watch later James Stewart films, you may wonder influence and inspiration to the most disparate cineastes. As brilliant and startling today as in 1941,it presents this program of Welles rarities, including SUN 2:40, 7:00, 9:00 and on... Welles’ idiosyncratic view of Kafka’s classic of what became of this other deft, sensitive, pre-drawling Stewart. remained both Welles’ masterpiece and his nemesis. “It is one of the miracles of cinema that in 1941 a his early short film (made when MON 12:30, 2:20, 4:10, 6:00, 10:15 meaningless persecution unfolds against locations in As for Sullavan, this is a peerless performance: she makes the first-time director; a cynical, hard-drinking writer (Herman J. Mankiewicz); an innovative cinematographer (1979, James Frawley) Devoted Sesame Street fan he was 19), rushes, film cameos, TV and and stage and in ’ vast, deserted Gare (now Musée) shop girl’s pretenses believable, lyrical, and funny.” – Pauline (), and a group of stage and radio actors (Joseph Cotten, Agnes Moorehead, et al.) Welles (as a studio chief!) meets Kermit, Miss Piggy, appearances, trailers, and other ephemera spanning d’Orsay. With , and Kael. “Twice remade (as the musical In the Good were given the keys to a studio and total control, Fozzie, et al. 11:00 am* the director’s more than half-century career. Welles himself, on screen and 11 different Old Summertime, then as the -Meg Ryan vehicle and made a masterpiece. is more than *Part of our weekly Film Forum Jr. series. THU 7:10 SAT 2:45 12:30, 2:50, 5:10, 7:30, 9:50 You’ve Got Mail), Lubitsch’s a great movie; it is a gathering of all the lessons of All tickets $7.50 characters. SPEND 1940 original is the real thing. It’s funny, touching and beautifully paced the emerging era of sound.” – . “Welles JANUARY 17 SAT NEW YEAR’S EVE with numerous examples of the celebrated ‘Lubitsch touch.’” – Phillip was trying to make the Last Word in movies, looting FEBRUARY 1/2 SUN/MON (Separate Admission) JUST “AROUND French, The Observer. “There are no art deco nightclubs, shimmering for its finest techniques and technicians THE CORNER” silk gowns, or slamming bedroom doors to be seen, but this 1940 film is to build himself an immortal monument. It is the TOUCH OF EVIL one of Lubitsch’s finest and most enduring works, a of scope of his youthful presumption that keeps Kane THE MAGNIFICENT (1998 Reconstruction) Free bubbly to all dazzling range.” – . 7:00 and 9:15 perpetually fresh and exciting.” – Joseph McBride. AMBERSONS (1958, Orson Welles) See January 14. Reconstruction (by Walter Murch, Bob O’Neil, et al.) of many of ticketholders on DAILY (except Sun) 12:30, 2:40, 4:45, 7:00, 9:15 DAILY (except Sun) 12:30, 2:50, 5:10, 7:30, 9:50 (1942, Orson Welles) See January 9/10. 5:15* SUN 1:45, 4:00, 6:00, 8:15 SUN 2:50, 5:10, 7:30, 9:50 *Introduced by Joseph McBride, with analysis of Welles’ sound and picture intentions, as detailed in a Wednesday, OTHELLO Welles’ orignal cut following screening. legendary 58-page memo to the studio. December 31 A WARNER BROS. PICTURES RELEASE A WARNER BROS. PICTURES RELEASE JANUARY 25 SUN SUN 1:10, 3:20, 8:00 MON 12:30, 2:40, 4:50, 9:45

(Separate Admission) IT’S ALL TRUE MEMBERSHIP BENEFITS! BENEFITS THE STRANGER (1993, Richard Wilson, Myron Meisel & Bill Krohn) Reconstruction of Welles’ aborted 1942 South SAVE $5.50 AT EVERY SCREENING! PRIVATE BACKSTAGE TOUR OF FF WITH JANUARY 11/12 SUN/MON American project, with his color footage of Carnival in Members pay just $7.50 rather than $13 at all times. DIRECTOR KAREN COOPER H Rio, the “blessing of the bull,” and the near-complete INVITATIONS TO SPECIAL EVENTS semi-documentary story of four fishermen’s 2,000-  I would like to become a Film Forum member at the following level: mile sea voyage to Rio on a tiny raft. “A seductive DVD BORROWING PRIVILEGES THE STRANGER footnote to a cinema legend.” – Vincent Canby,  $75  $125  $250  $550  $1,000  $2,500 (1946,DOUBLE Orson Welles FEATURE!) See January 9/10. THEATER SEAT PLAQUE New York Times. 12:50 pm  Seniors ( 65+) & Students may purchase a $75-level membership for $50. Send proof of age/student ID. SUN 1:00, 4:25, 7:50 MON 12:30, 3:00, 6:30, 10:00 INVITATIONS TO PRESS SCREENINGS  Enclosed is my check made payable to Film Forum. JANUARY 25 SUN  Please charge my credit card:  AMEX  MasterCard  Visa  Discover DIRECTOR’S FALL COCKTAIL RECEPTION JOURNEY INTO FEAR (Separate Admission) & FILM 2 tickets (1943, ) Joseph Cotten’s armaments Card # ______Expiration Date ______WEEKEND RESERVATION PRIVILEGES expert is saved from murder by his disappearance TOUCH OF EVIL JANE EYRE MACBETH Up to 4 seats (Fri–Sun) during a act, trapped on a blacked-out ship with FEBRUARY 1 SUN Signature (required) ______his nemesis, then held at gunpoint on a window ledge in (Original Release Version) FF LIMITED-EDITION ART JANUARY 18/19 SUN/MON a driving rain. Vintage intrigue, supervised (Separate Admission)  I cannot join at this time, but add me to or e-mail list (circle one or both). Priority offering & 10% discount H & RETURN TO GLENNASCAUL and partly directed by Welles, who co-stars in heavy (1948, Orson Welles) See January 15/16/17. The  Enclosed is $______as a donation (fully tax-deductible). WEEKDAY RESERVATION PRIVILEGES make-up as Turkish secret police chief Colonel Haki. 89-minute U.S. release version, with the actors’ voices  Up to 4 seats (Mon–Thurs) 2:55, 6:20, 9:45 2:25, 4:55, 8:25 (1965, Orson Welles) See January 26. 5:30 Enclosed is a matching gift form. SUN MON JANE EYRE dubbed with American accents. 35mm restored print (1943, Robert Stevenson) ’s Jane SPRING MOVIE BRUNCH 2 tickets DOUBLE FEATURE! courtesy UCLA Film & Television Archive. Restoration graduates from the Orphanage from Hell to be LISTING IN ANNUAL DONORS’ ROSTER funding provided by The Film Foundation and the NAME governess to the ward of Welles’ brooding Rochester. FEBRUARY 2 MON Hollywood Foreign Press Association. Plus Return to (as appears on credit card) GUEST PRIVILEGE MEMBERSHIP CARD “He strode on the set and proclaimed, ‘All right, Glennascaul (1952): in this Oscar-nominated short, (Separate Admission) ADDRESS (APT #) Save $11 on 2 tickets everyone turn to page eight’ and we did it, though he Orson Welles, on a drive in the Irish countryside, picks wasn’t the director.” – Joan Fontaine. FF’S OWN MERCHANDISE 20% discount up a man who relates a “strange story told in .” TOO MUCH CITY/STATE/ZIP DAYTIME TEL SUN 12:50, 4:50, 8:50 MON 12:35, 4:35 CALENDAR MAILINGS & E-MAIL UPDATES Print courtesy ConstellationCenter Collection at the A Premieres and retrospectives Academy Film Archive. 4:30 ONLY JOHNSON E-MAIL TOMORROW IS (1938) Shot on now-vanished SPECIAL FILM MEMBERSHIP CARD locations, Welles’ AND Membership benefits are valid for one year from date of purchase. Membership cards Save $5.50 on a single ticket are non-transferable. Film Forum qualifies for many matching gift programs. Please check FOREVER first professional film (featuring LIVE ACTOR with your employer. Questions? Call the Membership Coordinator: 212-627-2035. $75 $125 $250 $550 $1,000 $2,500 MEMBERSHIP LEVELS (1946, ) Listed among the dead of WWII, Joseph Cotten, Welles and Mail to: Film Forum, attn: Membership, 209 W. Houston St., NY, NY 10014 ($75) ($125) ($221) ($453) ($903) ($2,403) (Tax-deductible portion) Welles, sporting a new face, returns anyway, only to his then-wife Virginia Nicolson, PRESENTATION! find wife now remarried to George among others) was intended to JOURNEY INTO FEAR Brent. Easy choice? With 7-year-old as be used in conjunction with his Mercury JANUARY 13 TUE H Welles’ adopted daughter. Theatre adaptation of ’s Non-Profit Org. SUN 2:45, 6:45 MON 2:30 1894 farce. But using the film proved too complicated and the idea was scrapped. Long U.S. Postage MAN IN thought lost, a rough cut assembled by Welles PAID NEW RESTORATIONDOUBLE FEATURE! was miraculously discovered in August 2013 (1957, Jack Arnold) Modern big-time rancher Orson CHIMES AT MIDNIGHT in a warehouse in Pordenone, . Tonight the 209 WEST HOUSTON STREET, NEW YORK, NY 10014 Permit #3 Welles’ henchmen go a little too far disciplining a JANUARY 26 MON Film Forum Players will perform a reading of the New York, NY bracero migrant worker, but Sheriff isn’t play, with the footage integrated into the action, RETURN SERVICE REQUESTED (Separate Admission) falling for the resulting cover-up. Welles’ character and as Welles had originally intended. Preserved make-up anticipate Touch of Evil’s “Hank Quinlan” the by George Eastman House, Cinemazero, and following year. 12:35, 4:20, 8:10 CHIMES AT MIDNIGHT Cineteca del Friuli, with partial funding from the NEW RESTORATION National Film Preservation Foundation. Special (1965, Orson Welles) A Shakesperean wintry lament thanks to Paolo Cherchi Usai. 7:30 ONLY BLACK MAGIC for the “death of Merrie ,” with Welles’ (1949, Gregory Ratoff) Welles’ real-life 18th-century “plump Jack ” and the forces of life and love con-man/magician/hypnotist Cagliostro helps bring versus ’s icily ruthless , with down the French monarchy amid a cast of characters ’s King Henry the moral center. “Welles’ including Louis XV and XVI, Marie Antoinette, Madame masterpiece.” – Joseph McBride. DCP restoration du Barry, et al. Print courtesy Library of Congress. JANUARY 20 TUE H courtesy Filmoteca Española. 8:00 ONLY 2:15, 6:00, 9:50 COMPULSION JANUARY 27 TUE H (1959, ) FictionalizedDOUBLE FEATURE! version of FILM FORUM the Leopold-Loeb case, with Welles arriving late as PRINCE OF FOXES Free Mobile App! the figure, his summing up for the (1949, ) Italy, 1500:DOUBLE Welles’ CesareFEATURE! Borgia ORSON defense of thrill-killers and Bradford (real-life model for Machiavelli’s “prince”) goes a bit too Now Available on iPhone Dillman an electrifying tour de force. Collective far when he orders to break up Wanda Cannes Best Actor Award to Stockwell, Dillman, and Hendrix’s marriage to elderly Felix Aylmer. 3:00, 7:30 REVIVALS Welles. 12:45, 5:10, 9:30 WELLES & REPERTORY CALENDAR THE LONG, (1950, ) In medieval Cathay, Welles’ FEBRUARY 3 TUE JANUARY 1- Mongol warrior “Bayan of the Hundred Eyes” leads NOVEMBER 2014- FEBRUARY 3 HOT SUMMER the hordes, aided by far-from-home Saxon bowmen A MAN FOR ALL FEBRUARY 2015 (1958, Martin Ritt) “You’re gonna like me,” MACBETH BUY TICKETS ONLINE: www.filmforum.org Tyrone Power and . 12:40, 5:10, 9:35 smirks itinerant handyman and alleged barn-burner SEASONS to Mississippi baron Welles, in this (1966, ) Crimson-garbed Welles guest

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directors of board

MAXINE SCHAFFER & SHARON FAY FAY SHARON & SCHAFFER MAXINE

PAULA WAGNER WAGNER PAULA FOR THE ARTS ARTS THE FOR sleight-of-hand.

J. KERRY CLAYTON & PAIGE ROYER PAIGE & CLAYTON KERRY J. the three versions circus magnate, to ’s swish antiques

design

NATIONAL ENDOWMENT ENDOWMENT NATIONAL IRA M. RESNICK FOUNDATION, INC. INC. FOUNDATION, RESNICK M. IRA MICHAEL & DONNA STERNBERG STERNBERG DONNA & MICHAEL 2:00, 5:10, 8:20 BRUCE GOLDSTEIN BRUCE

$50,000 - $149,999 - $50,000 showing in dealer, to ’s retired crime boss.

MICHAEL JECK JECK MICHAEL

LYNN H. RATNER RATNER H. LYNN

ROHAUER COLLECTION FOUNDATION, INC. FOUNDATION, COLLECTION ROHAUER

programming this series Plus Orson Welles in Spain (1966, David & PUBLIC FUNDERS PUBLIC

MARGARET MURPHY MURPHY MARGARET FOUNDATION FOUNDATION, INC FOUNDATION,

descriptions film repertory of

director Albert Maysles): Welles dazzles potential backers

FAMILY KING LUCILLE & CHARLES THE THE HARRY S. THOMSON THOMSON S. HARRY THE FREDERICK MEYER MEYER FREDERICK

BRUCE GOLDSTEIN BRUCE COOPER KAREN

WILLIAM AND MARY GREVE FOUNDATION FOUNDATION GREVE MARY AND WILLIAM of a bullfighting picture that would evolve into RICHARD & RONAY MENSCHEL MENSCHEL RONAY & RICHARD these past 12 months. 12 past these

OSTROVSKY FAMILY FUND FAMILY OSTROVSKY

editor calendar director

FJJ FOUNDATION FJJ

PETER MELHADO MELHADO PETER The Other Side of the Wind.

supporters of our operating budget budget operating our of supporters THE KAPLEN BROTHERS FUND BROTHERS KAPLEN THE

FAMILY/ CONSTANTINER THE

ABHISHEK MEHTA MEHTA ABHISHEK TOUCH OF EVIL F FOR FAKE WED 2:30, 4:40, 7:00, 9:20 THU 12:30, 2:40, 4:50 MR. ARKADIN (CONFIDENTIAL REPORT)

$150,000 $150,000

these thanks FILM FORUM FILM CON EDISON EDISON CON FRANCES MCDORMAND & JOEL COEN COEN JOEL & MCDORMAND FRANCES

$10,000 - $14,999 - $10,000 CONTRIBUTORS PRIVATE GREGORY MACEK & LESLEY BLUME BLUME LESLEY & MACEK GREGORY