The Shadow of the Glen the Playboy of the Western World
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Rte Guide Tv Listings Ten
Rte guide tv listings ten Continue For the radio station RTS, watch Radio RTS 1. RTE1 redirects here. For sister service channel, see Irish television station This article needs additional quotes to check. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Найти источники: РТЗ Один - новости газеты книги ученый JSTOR (March 2020) (Learn how and when to remove this template message) RTÉ One / RTÉ a hAonCountryIrelandBroadcast areaIreland & Northern IrelandWorldwide (online)SloganFuel Your Imagination Stay at home (during the Covid 19 pandemic)HeadquartersDonnybrook, DublinProgrammingLanguage(s)EnglishIrishIrish Sign LanguagePicture format1080i 16:9 (HDTV) (2013–) 576i 16:9 (SDTV) (2005–) 576i 4:3 (SDTV) (1961–2005)Timeshift serviceRTÉ One +1OwnershipOwnerRaidió Teilifís ÉireannKey peopleGeorge Dixon(Channel Controller)Sister channelsRTÉ2RTÉ News NowRTÉjrTRTÉHistoryLaunched31 December 1961Former namesTelefís Éireann (1961–1966) RTÉ (1966–1978) RTÉ 1 (1978–1995)LinksWebsitewww.rte.ie/tv/rteone.htmlAvailabilityTerrestrialSaorviewChannel 1 (HD)Channel 11 (+1)Freeview (Northern Ireland only)Channel 52CableVirgin Media IrelandChannel 101Channel 107 (+1)Channel 135 (HD)Virgin Media UK (Northern Ireland only)Channel 875SatelliteSaorsatChannel 1 (HD)Channel 11 (+1)Sky IrelandChannel 101 (SD/HD)Channel 201 (+1)Channel 801 (SD)Sky UK (Northern Ireland only)Channel 161IPTVEir TVChannel 101Channel 107 (+1)Channel 115 (HD)Streaming mediaVirgin TV AnywhereWatch liveAer TVWatch live (Ireland only)RTÉ PlayerWatch live (Ireland Only / Worldwide - depending on rights) RT'One (Irish : RTH hAon) is the main television channel of the Irish state broadcaster, Raidi'teilif's Siranne (RTW), and it is the most popular and most popular television channel in Ireland. It was launched as Telefes Siranne on December 31, 1961, it was renamed RTH in 1966, and it was renamed RTS 1 after the launch of RTW 2 in 1978. -
Issue 18 Midlands Arts 4:Layout 1
VISUAL ARTS MUSIC & DANCE ISSUE & FILM THEATRE FREE THE WRITTEN WORD A REVIEW OF THE ARTS IN LAOIS, LONGFORD, OFFALY AND WESTMEATH WINTER 2012 18 COVER PIC Laois teens explore life Kilbeggan through a lens gallery set page 8 in stone page 17 Offaly composer Longford girl celebrated for pursues international ballet dream success page 31 page 4 Toy Soldiers, wins at Galway Film Fleadh Midland Arts and Culture Magazine | WINTER 2010 Over two decades of Arts and Culture Celebrated with Presidential Visit ....................................................................Page 3 A Word Laois native to trend the boards of the Gaiety Theatre Midlands Offaly composer celebrated for international success .....Page 4 from the American publisher snaps up Longford writer’s novel andCulture Leaves Literary Festival 2012 celebrates the literary arts in Laois on November 9, 10............................Page 5 Editor Arts Magazine Backstage project sees new Artist in Residence There has been so Irish Iranian collaboration results in documentary much going on around production .....................................................................Page 6 the counties of Laois, Something for every child Mullingar Arts Centre! Westmeath, Offaly Fear Sean Chruacháin................................................Page 7 and Longford that County Longford writers honored again we have had to Laois teens explore life through the lens...............Page 8 up the pages from 32 to 36 just to fit Introducing Pete Kennedy everything in. Making ‘Friends’ The Doctor -
The Rendering of Irish Characters in Selected Plays by J.M. Synge Diplomarbeit
The Rendering of Irish Characters in Selected Plays by J.M. Synge Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Deborah SIEBENHOFER am Institut für Anglistik Begutachter: Ao. Univ.-Prof. Mag. Dr. phil. Martin Löschnigg Graz, 2010 I dedicate this thesis to my mother in profound gratitude for her endless patience, support, and encouragement. 1 Pastel drawing of J. M. Synge by James Paterson, 1906 And that enquiring man John Synge comes next, That dying chose the living world for text And never could have rested in the tomb But that, long travelling, he had come Towards nightfall upon certain set apart In a most desolate stony place, Towards nightfall upon a race Passionate and simple like his heart (W. B. Yeats, “In Memory of Major Robert Gregory”) 2 Table of Contents List of Abbreviations .............................................................................................................. 5 1. Introduction ........................................................................................................................ 6 1.1. The Irish National Theatre ........................................................................................... 8 1.2. The Stage Irishman .................................................................................................... 12 1.2.1. The Stage Irishman up to the 19th Century ......................................................... 12 1.2.2. The 19th Century ................................................................................................ -
Brave Lions Two Alternate Views Hickie & Horgan Fashion - Page 16 Exclusive Interview Rud’S World - Page 22 Sport - Page 26
ISSUE 2 / VOLUME 19 4.10.05 METROSEXUALS BRAVE LIONS TWO ALTERNATE VIEWS HICKIE & HORGAN FASHION - PAGE 16 EXCLUSIVE INTERVIEW RUD’S WORLD - PAGE 22 SPORT - PAGE 26 gone.” Irish Students Destroy J1 Flat JACK CANE The College Tribune has not received any infor- “A PLACE TO CRASH mation as to whether the sub-leasers of the other AND PARTY, THAT’S IT, Some of the destruction caused There are no criminal proceedings in motion on apartments will be paying for damages incurred. WHO CARES ABOUT IT?” by former UCD students either side of the Atlantic. When a number of them were contacted, the stu- Maher’s hope that “the students involved will have dents alleged to have been involved declined to com- “This happens all the time.” These are Irish students are being held responsible some moral feelings to pay up what they owe” ment. the words of UCD Student Advisor Ronan Murphy, a former employee of UC Santa for approximately US$15,000 worth of appears to have had some success. However, the destruction of the Isla Vista apart- Barbara. damages to three apartments in Santa In an email sent to the College Tribune, Maher ments has already had a negative effect on the rep- Barbara, California. Former UCD students reported that the tenants of apartment #8 have paid According to Murphy, the latest reports were involved in the devastation of the utation of Irish students in Santa Barbara. of destruction of three apartments by Irish US$1,800 towards the damages in that residence. Katie Maher confirmed “if BDC do take Irish stu- three apartments. -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
Jackie Takes a Walk
/C /Z minutes — does have problems. They start even before the narrative begins. The top name on the acknowledgment list, spelled as "Barry" McPherson, special counsel to President Johnson, should be "Harry." The geography of the White House is loused up, with the Oval Office in the East Jackie Takes Wing and the press secretary's'office over- looking the Rose Garden. There are a few political errors of judge- 1 ment. Sen. Birch Bayh, one of the men a Walk who helped save Edward Kennedy when his plane crashed in the early '60s and a Jane Perlez Viking, since promoted to editor, Rebecca longtime Kennedy ally, is depicted as a Singleton, sees it. "Quitting the way she possible conspirator in the assassination Jackie Onassis, the publishing in- did wasn't a particularly classy thing to plot. So is Sen. Robert Byrd. Hubert dustry's most famous editor, seems to do. Humphrey is described as being a have a problem with books she doesn't "She never said anything about the Democratic kingmaker in 1981. read. book. From the time she came, Tom was First there was the William Manchester Shall We Tell . spans seven days of so consistently protective of her special plot action. In addition, there is the affair 10 years ago, when, the former First situation. She didn't tell Tom herself she Lady decided that a finely-researched ac- Inauguration chapter in which President was going to do it [quit]. There was no Ted Kennedy, wrapped in a bathtowel on count of JFK to which she had contributed personal discussion of the incident itself. -
Triskele Fall 2004.Pmd
TRISKELE A newsletter of UWM’s Center for Celtic Studies Volume III, Issue II Samhain, 2004 Fáilte! Croeso! Mannbet! Kroesan! Fair Faa Ye! Welcome! Midwest ACIS Comes to Milwaukee The annual Midwest Regional meeting of the American Conference for Irish Studies (ACIS) was held on the UWM campus from Thursday, October 14, through Saturday, October 16. ACIS is an interdisciplinary scholarly organization founded in 1960. The conference was organized by José Lanters, Nancy Walczyk, and John Gleeson, under the auspices of the Center for Celtic Studies. On Thursday evening, the meeting kicked off in great style with a reception for the delegates in County Clare Irish Inn, with Irish music by Cé. In the course of the evening, James Liddy’s autobiography, The Doctor’s House (Salmon Press, 2004), fresh off the plane from Ireland, was launched, read from, toasted, sold, and sanctioned by the presence of emeritus archbishop Rembert Weakland, who had joined us for the occasion. Friday was a full day, with an exciting academic program of eight panels of four speakers each, on topics ranging from literature and history to music, art and politics. Professor Seamus Caulfield’s Frank Gleeson, Tom Kilroy, James Liddy, plenary lecture, “Neolithic Rocks to Riverdance,” accompanied by Jose Lanters, Josephine Craven, Joe slides and presented with verve and humor, gave his enthusiastic Dowling and Eamonn O’Neill audience an insight into the many and varied aspects of the archaeological excavations at Céide Fields in Co. Mayo. A reception at the Irish Cultural and Heritage Center, hosted by Charles Sheehan, Irish Consulate of Chicago, concluded the day, and included even more delights, in the form of James Fraher’s photographic images of Ireland, and enchanting music by Melanie O’Reilly and Seán O Nualláin. -
Cois Coiribe 2016
COIRIBE COIS Rio The Magazine for GOLD NUI Galway Galway 2020 MedTech in Galway A Changing Campus Alumni & Friends Autumn 2016 NUI Galway Affinity Card. You get, we give. You get a unique credit card and we give back to NUI Galway when you register and each year your Affinity card is active. Our introductory offer gives you a competitive rate of 2.9%¹ APR interest on balance transfers for first 12 months. bankofireland.com/alumni 1890 365 100 Lending criteria terms and conditions apply to all credit cards. Credit cards are liable to Government Stamp Duty of €30. Credit cannot be offered to anyone under 18 years of age. Bank of Ireland is regulated by the Central Bank of Ireland. ¹Available if you don’t currently hold a credit card with Bank of Ireland, whether you have an account with us or not. At the end of the introductory period the annual interest rates revert back to 2 COIS COIRIBEthe standard rate applicable to your card at that time. OMI008172 - NUIG Affinity A4_Portrait Ad_v13.indd 1 03/08/2016 12:35 NUI Galway CONTENTS 2 FOCAL ÓN UACHTARÁN NEWS Affinity Card. 4 The Year in Pictures 6 Research Round-up 10 University News You get, we give. 14 Campus News 26 Student Success FEATURES 16 A New Direction for Sport 22 1916 – Centenary Year 4 24 NASA Mission 28 A Changing Campus - Capital Development 32 Giving Stem Cells a heartbeat 34 MedTech in Galway 24 41 TG4 @ 20 42 Galway 2020 GRADUATES 36 Aoibheann McNamara 37 Paul O’Hara 38 Grads in Silicon Valley 44 Graduations GALWAY UNIVERSITY FOUNDATION 46 Empowering Excellence ALUMNI 6 18 50 Alumni Awards 38 52 Alumni Events 56 Class Notes 64 Obituaries CONTRIBUTORS Jo Lavelle, John Fallon, Ronan McGreevy, Joyce McCreevy, Joe Connolly, Dónall Ó Braonáin, Conor McNamara, Liz McConnell, Ruth Hynes, Sheila Gorham. -
All We Say Is 'Life Is Crazy': – Central and Eastern Europe and the Irish
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title All we say is 'Life is crazy': - Central and Eastern Europe and the Irish Stage Author(s) Lonergan, Patrick Publication Date 2009 Lonergan, P. (2009) ' All we say is 'Life is Crazy': - Central and Publication Eastern Europe and the Irish Stage' In: Maria Kurdi, Literary Information and Cultural Relations Between Ireland and Hungary and Central and Eastern Europe' (Eds.) Dublin: Carysfort Press. Publisher Dublin: Carysfort Press Link to publisher's http://www.carysfortpress.com/ version Item record http://hdl.handle.net/10379/5361 Downloaded 2021-09-28T21:11:04Z Some rights reserved. For more information, please see the item record link above. All We Say is ‘Life is Crazy’: – Central and Eastern Europe and the Irish Stage Patrick Lonergan If you had visited the Abbey Theatre during 2007, you might have seen a card displayed prominently in its foyer. ‘Join Us,’ it says, its purpose being to convince visitors to become Members of the Abbey – to donate money to the theatre and, in return, to get free tickets for productions, to have their names listed in show programmes, and to gain access to special events. The choice of image to attract potential donors is easy to understand (Figure 1). The woman, we see, has reached into a chandelier to retrieve a letter, and we can tell from her expression that the discovery she’s made has both surprised and delighted her. Why is she so happy? What does the letter say? And who is that strange man, barely visible, holding her up at such an unusual angle? As well as being eye-catching, the image is also an interesting analogue for the experience of watching great drama. -
PGEG S3 02 (Block 1).Pdf
PGEG S3 02 Modern Drama SEMESTER III ENGLISH BLOCK 1 KRISHNA KANTA HANDIQUI STATE OPEN UNIVERSITY Modern Drama: Shaw and Synge (Block 1) 1 Subject Experts 1. Prof. Pona Mahanta, Former Head, Department of English, Dibrugarh University 2. Prof. Ranjit Kumar Dev Goswami, Former Srimanta Sankardeva Chair, Tezpur University 3. Prof. Bibhash Choudhury, Department of English, Gauhati University Course Coordinator : Dr. Prasenjit Das, Associate Professor, Department of English, KKHSOU SLM Preparation Team UNITS CONTRIBUTORS 1 Dr. Manab Medhi Department of English, Bodoland University 2-3 Pallavi Gogoi, KKHSOU & Dr. Prasenjit Das 4-5 Dr. Prasenjit Das Editorial Team Content (Unit 1) : In house Editing (Unit 2-5) : Prof. Robin Goswami, Former Senior Academic Consultant, KKHSOU Structure, Format and Graphics : Dr. Prasenjit Das July, 2018 ISBN : This Self Learning Material (SLM) of the Krishna Kanta Handiqui State Open University is made available under a Creative Commons Attribution-Non Commercial-ShareAlike4.0 License (International) : http.//creativecommons.org/licenses/by-nc-sa/4.0 Printed and published by Registrar on behalf of the Krishna Kanta Handiqui State Open University. Head Office : Patgaon, Rani Gate, Guwahati-781017; Web : www.kkhsou.in/web_new City Office: Housefed Complex, Dispur, Guwahati-781006 The University acknowledges with thanks the financial support provided by the Distance Education Bureau, UGC, New Delhi, for preparation of this study material. 2 Modern Drama: Shaw and Synge (Block 1) SEMESTER 3 MA IN ENGLISH COURSE 2: -
A Music Critic on His First Love, Which Was Reading
them over, and get its mitts on record distribution in the bargain. Nor is it all about the Benjamins. If by popular music you mean domestic palliatives from “Home Sweet to Celine Dion, OK, that’s another realm. But most of what’s now played in concert halls and honored at the Kennedy Center has its roots in antisocial impulses—in a carpe diem hedonism that is a way of life for violent men with money to burn who know damn well they’re destined for prison or the morgue. Most music books assume or briefly acknowledge these inconvenient facts when they don’t ignore them altogether. But they’re central to two recent histories and two recent memoirs, all highly recommended. Memphis-based Preston Lauterbach’s The Chitlin’ Circuit and the Roots of Rock ’n’ Roll For anyone who cares about the history of pop—and also, in a better world, anyone relishes the criminal origins of a mostly southern black club scene from the early ’30s to who cares about the history of the avant-garde—Between Montmartre and the Mudd the late ’60s. Journalist-bizzer Dan Charnas’s history of the hip-hop industry, The Big has a big story to tell. Popular music is generally identified with the rise of Payback, steers clear of much small-timeClub thuggery and leaves brutal LA label boss Suge Knight to Ronin Ro’s Have Gun, Willsong Travel, publishing butROBERT plenty and of piano crime manufacture stories rise up inas theprofits mid-nineteenth century. But starting snowball. Ice-T’s Ice devotes twenty-fivein the 1880s, steely artists pages toand the other lucrative fringe-dwelling heisting operation weirdos have been active as pop the rapper-actor ran before he madeperformers, music his composers, job. -
Challenging the People, the State and the Patriarchy in 1980S Irish Theatre
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Provoking performance: challenging the people, the state and the patriarchy in 1980s Irish Theatre Author(s) O'Beirne, Patricia Publication Date 2018-08-28 Publisher NUI Galway Item record http://hdl.handle.net/10379/14942 Downloaded 2021-09-27T14:54:59Z Some rights reserved. For more information, please see the item record link above. Provoking Performance: Challenging the People, the State and the Patriarchy in 1980s Irish Theatre Candidate: Patricia O’Beirne Supervisor: Dr. Ian Walsh School: School of Humanities Discipline: Drama and Theatre Studies Institution: National University of Ireland, Galway Submission Date: August 2018 Summary of Contents: Provoking Performance: Challenging the People, the State and the Patriarchy in 1980s Irish Theatre This thesis offers new perspectives and knowledge to the discipline of Irish theatre studies and historiography and addresses an overlooked period of Irish theatre. It aims to investigate playwriting and theatre-making in the Republic of Ireland during the 1980s. Theatre’s response to failures of the Irish state, to the civil war in Northern Ireland, and to feminist and working-class concerns are explored in this thesis; it is as much an exploration of the 1980s as it is of plays and playwrights during the decade. As identified by a literature review, scholarly and critical attention during the 1980s was drawn towards Northern Ireland where playwrights were engaging directly with the conflict in Northern Ireland. This means that proportionally the work of many playwrights in the Republic remains unexamined and unpublished.