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Cois Coiribe 2016
COIRIBE COIS Rio The Magazine for GOLD NUI Galway Galway 2020 MedTech in Galway A Changing Campus Alumni & Friends Autumn 2016 NUI Galway Affinity Card. You get, we give. You get a unique credit card and we give back to NUI Galway when you register and each year your Affinity card is active. Our introductory offer gives you a competitive rate of 2.9%¹ APR interest on balance transfers for first 12 months. bankofireland.com/alumni 1890 365 100 Lending criteria terms and conditions apply to all credit cards. Credit cards are liable to Government Stamp Duty of €30. Credit cannot be offered to anyone under 18 years of age. Bank of Ireland is regulated by the Central Bank of Ireland. ¹Available if you don’t currently hold a credit card with Bank of Ireland, whether you have an account with us or not. At the end of the introductory period the annual interest rates revert back to 2 COIS COIRIBEthe standard rate applicable to your card at that time. OMI008172 - NUIG Affinity A4_Portrait Ad_v13.indd 1 03/08/2016 12:35 NUI Galway CONTENTS 2 FOCAL ÓN UACHTARÁN NEWS Affinity Card. 4 The Year in Pictures 6 Research Round-up 10 University News You get, we give. 14 Campus News 26 Student Success FEATURES 16 A New Direction for Sport 22 1916 – Centenary Year 4 24 NASA Mission 28 A Changing Campus - Capital Development 32 Giving Stem Cells a heartbeat 34 MedTech in Galway 24 41 TG4 @ 20 42 Galway 2020 GRADUATES 36 Aoibheann McNamara 37 Paul O’Hara 38 Grads in Silicon Valley 44 Graduations GALWAY UNIVERSITY FOUNDATION 46 Empowering Excellence ALUMNI 6 18 50 Alumni Awards 38 52 Alumni Events 56 Class Notes 64 Obituaries CONTRIBUTORS Jo Lavelle, John Fallon, Ronan McGreevy, Joyce McCreevy, Joe Connolly, Dónall Ó Braonáin, Conor McNamara, Liz McConnell, Ruth Hynes, Sheila Gorham. -
Index of Castlebar Parish Magazine 1971
Index of Castlebar Parish Magazine 1971 1. Parish Roundup & review of the past twelve months. Tom Courell 2. St. Gerald’s College – Short History Brother Vincent 3. Tribute to Walter Cowley, Vocational Teacher Sean O’Regan 4. Memories from School – Articles & Poems A) An old man remembers French Hill 1798. B) Poem “Old School Round the Corner” by pupils of 6th class, Errew School. C) Poem “ The Mall in Winter” by Ann Kelly, aged 12. D) Poem “ Nightfall in Sionhill” by Bridie Flannery, aged 12. E) Poem “Tanseys Bus Stop” by Gabrielle O’Farrell, aged 11. F) Poem “The Mall in November” by Kathryn Kilroy, aged 12. G) Poem “ The Station” by Eimear O’Meara, aged 11. H) Poem “St. Anthony’s School” by Mairin Feighan, aged 11. I) The Gossip in Town by Grainne Fadden, aged 12. J) Kinturk Castle by Ann Garvey, Carmel Mugan & Gabrielle Thomas. K) Description of Ballyheane by Geraldine Kelly, aged 12. L) Sean na Sagart by pupils of 5th class, Ballyheane N.S. M) Derryharrif by Bernadette Walsh. N) Ballinaglough by Ann Moran, aged 11. O) Murder at Breaffy by John Walsh & Liam Mulcahy. P) History of Charles Street, Castlebar by Raymond Fallon, aged 12. Photographs; 1) New St.Gerald’s College, Newport Road, Castlebar ( Front Cover ) 2) St.Gerald’s College, Chapel Street, Castlebar 3) Teaching Staff of St.Gerald’s College, Castlebar, 1971. Parish Sport : Gaelic Games, Rugby & Camogie. Castlebar Associations Review : London, Birmingham & Manchester Births, Deaths & Marriages for 1971 are also included. Index of Castlebar Parish Magazine 1972 1. Parish Review of the past twelve months. -
Irish Landscape Names
Irish Landscape Names Preface to 2010 edition Stradbally on its own denotes a parish and village); there is usually no equivalent word in the Irish form, such as sliabh or cnoc; and the Ordnance The following document is extracted from the database used to prepare the list Survey forms have not gained currency locally or amongst hill-walkers. The of peaks included on the „Summits‟ section and other sections at second group of exceptions concerns hills for which there was substantial www.mountainviews.ie The document comprises the name data and key evidence from alternative authoritative sources for a name other than the one geographical data for each peak listed on the website as of May 2010, with shown on OS maps, e.g. Croaghonagh / Cruach Eoghanach in Co. Donegal, some minor changes and omissions. The geographical data on the website is marked on the Discovery map as Barnesmore, or Slievetrue in Co. Antrim, more comprehensive. marked on the Discoverer map as Carn Hill. In some of these cases, the evidence for overriding the map forms comes from other Ordnance Survey The data was collated over a number of years by a team of volunteer sources, such as the Ordnance Survey Memoirs. It should be emphasised that contributors to the website. The list in use started with the 2000ft list of Rev. these exceptions represent only a very small percentage of the names listed Vandeleur (1950s), the 600m list based on this by Joss Lynam (1970s) and the and that the forms used by the Placenames Branch and/or OSI/OSNI are 400 and 500m lists of Michael Dewey and Myrddyn Phillips. -
Ballinagare Seems to Be a Huddled Up, His Harp Was Found There
T FACE VALUE Ballinagare seems to be a huddled up, his harp was found there. It is now on display in ~ throng of houses, that the fast cars barely slow to Clonalis House, Castlerea, another O'Conor mansion. A acknowledge on the busy N5 east. However, Ballinagare Castle is very unusual in that it was built at a behind this seemingly quiet exterior is a colourful, exciting time when Catholics were prohibited from building and past, which reads like a chapter from an imaginative owning two-storey dwellings. To get around this, the adventure story. O'Conors house was designed in such a way that, although "Abhainn na Foraolse" is the river that flows through it had two storeys, it appeared to have only one. This was this peaceful village. At one stage, in the 1850s there were not the only way in which the O'Conors showed three mills in operation on the river; namely Kennedy's intelligence. They were making silage over one hundred Mill at Kilcorkey, Clarke's Mill at Ballinagare village and years ago, although to us it is a comparatively new concept. the Blackwood Mill at Drummin, behind the present day The grass was gathered with horses and carts and drawn graveyard. The river, which rises in Tully bog, serves to into a pit, which had sides of clay. Their effluent disposal divide Frenchpark from Rathcroghan and is a tributary of methods, however, would not meet with the approval of the Breedogue river. modem-day environmentalists. They simply dug a drain Tully bog is a part of the virgin boglands which surround from the pit to the nearby river. -
Irish Working-Class Poetry 1900-1960
Irish Working-Class Poetry 1900-1960 In 1936, writing in the Oxford Book of Modern Verse, W.B. Yeats felt the need to stake a claim for the distance of art from popular political concerns; poets’ loyalty was to their art and not to the common man: Occasionally at some evening party some young woman asked a poet what he thought of strikes, or declared that to paint pictures or write poetry at such a moment was to resemble the fiddler Nero [...] We poets continued to write verse and read it out at the ‘Cheshire Cheese’, convinced that to take part in such movements would be only less disgraceful than to write for the newspapers.1 Yeats was, of course, striking a controversial pose here. Despite his famously refusing to sign a public letter of support for Carl von Ossietzky on similar apolitical grounds, Yeats was a decidedly political poet, as his flirtation with the Blueshirt movement will attest.2 The political engagement mocked by Yeats is present in the Irish working-class writers who produced a range of poetry from the popular ballads of the socialist left, best embodied by James Connolly, to the urban bucolic that is Patrick Kavanagh’s late canal-bank poetry. Their work, whilst varied in scope and form, was engaged with the politics of its time. In it, the nature of the term working class itself is contested. This conflicted identity politics has been a long- standing feature of Irish poetry, with a whole range of writers seeking to appropriate the voice of ‘The Plain People of Ireland’ for their own political and artistic ends.3 1 W.B. -
ENP11011 Eavan Boland and Modern Irish Poetry
ENP11011 Eavan Boland and Modern Irish Poetry Module type Optional (approved module: MPhil in Irish Writing) Term / hours Hilary / 22 ECTS 10 Coordinator(s) Dr Rosie Lavan ([email protected]) Dr Tom Walker ([email protected]) Lecturer(s) Dr Rosie Lavan Dr Tom Walker Cap Depending on demand Module description Eavan Boland is one of the most significant Irish poets of the past century. In a career of more than 50 years, she persistently questioned, and radically expanded, the parameters of Irish poetry and the definition of the Irish poet. The course will examine a wide range of Eavan Boland’s poetry and prose. Seminars are structured around some of the poet’s major themes and modes. These will also be interspersed with seminars that seek to place Boland within the broader history of modern Irish poetry, via comparisons with the work and careers of Blanaid Salkeld, Patrick Kavanagh, Derek Mahon, Eiléan Ní Chuilleanáin and Paula Meehan. Also explored will be relevant historical and cultural contexts, and questions of poetics and ideology. Assessment The module is assessed through a 4,000-word essay. Indicative bibliography Students will need to purchase a copy of Eavan Boland, New Selected Poems (Carcanet/Norton) and Eavan Boland, Object Lessons: The Life of the Woman and the Poet in Our Time (Carcanet/Vintage/Norton) as the core course texts. Please note: it is expected that students will read Object Lessons in full before the start of the course. All other primary material needed through the term will be made available via Blackboard. This will include poems from Boland’s collections published since the appearance of New Collected Poems (Domestic Violence, A Woman Without A Country and The Historians) and the work of the other poets to be studied on the course, as well as various other relevant essays, articles and interviews. -
16—29 JULY 2018 Giaf.Ie NEVER MISS OUT
CULTUREFOX.IE GALWAY INTERNATIONAL ARTS FESTIVAL 16–29 JULY 2018 JULY 16–29 FESTIVAL ARTS INTERNATIONAL GALWAY 16—29 JULY 2018 giaf.ie NEVER MISS OUT The Arts Council’s new, upgraded CULTUREFOX events guide is now live. Free, faster, easy to use – and personalised for you. Never miss out again. Contents Theatre, Opera, Circus & Dance 4 Street Art & Spectacle 26 Music 30 Visual Arts 52 First Thought Talks 60 Comedy 68 Booking, Information & Festival Club 74 Venues & Map 75 Festival Diary 76 Festival Garden This year we introduce the new Festival Garden — the home Eyre Square of the Festival in the heart of Galway. Enjoy a chilled out 18–29 July, 12noon–10pm BOOK NOW at giaf.ie atmosphere at the new Festival Lounge with great food and Free In person from 18 June at drinks, occasional DJs and live sets from guest artists. With Festival Box Office, Galway Tourist Office, a Festival Information Centre & Box Office, the new Festival Forster Street, Galway, Ireland Garden is a great new space for artists and audiences alike Phone: +353 91 566 577 to come together and join in the celebration. IMAGE: MUSEUM OF THE MOON [SEE PAGE 27] – PHOTO: ED SIMMONS #GIAF18 1 Funding Agencies & Sponsors Government Support Corporate Support PRINCIPAL FUNDERS LEADERSHIP PARTNER EDUCATION PARTNER Festival Staff DRINKS PARTNER Chief Executive Selected John Crumlish Shelley Troupe, Manager ® Artistic Director Artist Liaison Paul Fahy Philip Sweeney, Michael Mulroy Hugh Lavelle, Liam Parkinson Financial Controller FESTIVAL PARTNERS Gerry Cleary Photography & Filming -
ACTA UNI VERSITATIS LODZIENSIS David Gilligan ONCE ALIEN HERE
ACTA UNI VERSITATIS LODZIENSIS FOLIA LITTER ARIA ANGLICA 4, 2000 David Gilligan University of Łódź ONCE ALIEN HERE: THE POETRY OF JOHN HEWITT John Hewitt, who died in 1987 at the age of 80 years, has been described as the “elder statesman” of Ulster poetry. He began writing poetry in the 1920s but did not appear in book form until 1948; his final collection appearing in 1986. However, as Frank Ormsby points out in the 1991 edition of Poets From The North of Ireland, recognition for Hewitt came late in life and he enjoyed more homage and attention in his final years than for most of his creative life. In that respect he is not unlike Poland’s latest Nobel Prize winner in literature. His status was further recognized by the founding of the John Hewitt International Summer School in 1988. It is somewhat strange that such a prominent and central figure in Northern Irish poetry should at the same time be characterised in his verse as a resident alien, isolated and marginalised by the very society he sought to encapsulate and represent in verse. But then Northern Ireland/Ulster is and was a strange place for a poet to flourish within. In relation to the rest of the United Kingdom it was always something of a fossilised region which had more than its share of outdated thought patterns, language, social and political behaviour. Though ostensibly a parliamentary democracy it was a de-facto, one-party, statelet with its own semi-colonial institutions; every member of the executive of the ruling Unionist government was a member of a semi-secret masonic movement (The Orange Order) and amongst those most strongly opposed to the state there was a similar network of semi-secret societies (from the I.R.A. -
Fairs and Assemblies in Ireland by John Lennon
Fairs and Assemblies in Ireland By John Lennon at the dawn of our My own experience of Irish fairs began when history. Fairs like those of were the last remnants my family lived in Church Street, Poyntzpass of which had their Poyntzpass. The first Saturday of every month was then truly great gatherings beginnings in the of Ireland. were the last the 'Pass fair day and that meant that from early pre-history They vestiges of the 'Aonachs' of ancient Ireland founded morning, farmers from miles around would be on the great by These were the assemblies at which the business streets. Indeed Poyntzpass fair attracted dealers from kings. ofthe whole was transacted far and near and there were regular visitors from district, province, country was a in the business and fields. overseas. Traffic not then major problem and legal, social, political ? ? as was the streets and pavements were packed with bunches The aonach loosely translated 'fair' often a event which lasted for of cattle, pens of sheep and lambs, and carts full of magnificent anything from a few to three weeks or more as in the case bonhams, to the furtherest ends of the village and days, of the 'Aonach Taillteann' held in Co. Meath. beyond. The village housewives tried in van to protect biennial or these the fronts of their dwellings from the liberal 'splashing' Annual, triennial, gatherings ranged from local to and national events. of cattle being driven down the streets and from those provincial Another of our oldest and related kept waiting all day. customs, strangely to is that of wakes. -
Copyrighted Material
Index Galway City, 340, 342–344 • A • Iveragh Peninsula, 284–285 AARP, 84 Killarney, 273, 275–276 Abbey Bed & Breakfast, 404 Kinsale, 257–260 Abbey House, 226 Limerick City, 312–313 Abbey Theatre, 165 North Antrim, 433–434 Abby Taxis, 340 prices of, 80–81 ABC Guesthouse, 116 Ring of Kerry, 284–285 Abocurragh Farm Guesthouse, 412 Tralee, 294–296 Accessible Journeys, 85 types, 76–80 accommodations West County Cork, 257–260 Adare, 312–313 Ace Cabs, 379 Aran Islands, 356 Achill Island, 374–375 Belfast, 421, 423–424 Adare, 310–318 best of, 13–15 Adare Heritage Centre and booking, 76–82 Desmond Castle, 316 budget planning for, 55 Adare Manor Hotel and Golf Resort, caravans, 80 312–313 Connemara, 358–361 Adelphi Portrush hotel, 433 Cork City, 241–243 Aer Arann, 355, 372, 379, 403 cost cutting, 57 Aer Lingus, 64, 67, 340, 456 County Clare, 321–324 Aghadoe Heights hotel, 273 County Derry, 404, 406, 408 Aherne’s restaurant, 243 County Donegal, 392–394 Ailwee Cave, 330–331 County Down, 441–442 Air Canada, 64, 456 County Fermanagh, 412–413 air travel. See also specific locations County Kildare, 193 airfare, getting best deal, 64–65 County Kilkenny, 226–227 airlines, 64, 456 County Louth, 170–171 airports, 63–64. See also specific County Mayo, 372–373 airports County Meath, 170–171 budget planning for, 55 County Sligo,COPYRIGHTED 379–380, 382 security, MATERIAL 97–98 County Tipperary, 220–221 AirCoach, 102 County Tyrone, 412–413 Airfarewatchdog (Web site), 65 County Waterford, 212–214 Alamo, 456 County Wexford, 202–203 Albert Memorial Clock, 429 County -
Sector Property Reg Number Account Name Rating Address Line 1 Address Line 2 City/Town Eircode/Postal Code County Owner(S) Total No
Sector Property Reg Number Account Name Rating Address Line 1 Address Line 2 City/Town Eircode/Postal code County Owner(s) Total No. of Bedrooms Historic House HHL10005 Lorum Old Rectory Approved Kilgreaney Muine Bheag R21 RD45 Co. Carlow Bobbie Smith 4 Historic House HHL34194 Ballyportry Castle Approved Ballyportry North Corofin V95 KA47 Co. Clare Patrick F Wallace & Siobhan Cuffe Wallace 4 Historic House HHL10107 Newpark House Approved Newpark Roslevan Ennis V95 RD76 Co. Clare Declan Barron 6 Historic House HHL40386 Ballyvolane House Approved Ballyvolane Castlelyons P61 FP70 Co. Cork Justin Green 6 Historic House HHL10313 Creagh House Approved Main Street Doneraile P51 W25D Co. Cork Michael O'Sullivan 3 Historic House HHL10331 Glenlohane Approved Kanturk Kanturk P51 CK31 Co. Cork Mr Gordon Sharp Bolster 3 Historic House HHL10511 Frewin Approved Rectory Road Ramelton F92 DW77 Co. Donegal Regina Gibson 3 Historic House HHL10875 Screebe House Approved Screebe Camus H91 X5WY Co. Galway Marcus Carey 10 Historic House HHL40097 Sea Mist House Approved Seaview Clifden H71 NV63 Co. Galway Sheila Griffin 4 Historic House HHL10987 Muxnaw Lodge Approved Castletownbere Road Kenmare V93 H327 Co. Kerry Hannah Boland 5 Historic House HHL33307 Old Cable Historic House Approved 9 Iveragh Terrace Waterville V23 X862 Co. Kerry Margaret Brown 6 Historic House HHL28146 Martinstown House Approved Suncroft Curragh R56 KV78 Co. Kildare Edward Booth 5 Historic House HHL11288 Roundwood House Approved Roundwood House Roundwood Mountrath R32 TK79 Co. Laois Mr Padraic Flynn 10 Historic House HHL34558 Collon House Approved Ardee Street Collon A92 YT29 Co. Louth Michael McMahon 3 Historic House HHL32501 Clare Island Lighthouse Approved Ballytoohy More Clare Island F28 X073 Co. -
In 1967, Patrick Kavanagh Concluded His Bloomsday Speech by Recalling
TRANSGRESSIVE AND SUBVERSIVE: FLANN O’BRIEN’S TALES OF THE IN-BETWEEN FLORE COULOUMA In 1967, Patrick Kavanagh concluded his Bloomsday speech by recalling the 1954 anniversary, when he made a pilgrimage through Dublin with John Ryan, Brian O’Nolan, Anthony Cronin and a few others. The memorable event of that day, he said, was “the incomparable Myles pissing on Sandymount Strand”.1 This seemingly trivial anecdote presents Flann O’Brien, or rather, Myles na gCopaleen, as a transgressive character, symbolically desecrating the very monument to the cult of Joyce to which he himself had contributed. It also reveals the ambiguity inherent to the very act of transgression, in that it presupposes the normative frame it then proceeds to disregard. There is no doing away with the rules of transgression, and Myles na gCopaleen, however vocal he might have been in criticizing Joyce – “that refurbisher of skivvies’ stories”2 – never denied his admiration for the master. It was Myles na gCopaleen’s job to disrupt and mock received opinions in his satirical column from The Irish Times. The very name of Cruiskeen Lawn (“little brimming jug”) suggests the role and function of its nonsensical satire: it works by excess to emphasize the vacuity of its many targets. Such exuberance reflects a dominant mode of discourse that is defined by its polyphonic and intertextual dimension, sometimes akin to literary collage, and whose self- conscious quality always reminds the reader of the artificiality and arbitrariness of language. The constant polarity between exuberance and void in Flann O’Brien’s work echoes the deconstructive tensions of post-modern writing balancing proliferation of references on the 1 John Ryan, Remembering How We Stood, Dublin: Gill and Macmillan, 1975, 121.