16—29 JULY 2018 Giaf.Ie NEVER MISS OUT
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The Flaming Lips Space Oddity Mp3, Flac, Wma
The Flaming Lips Space Oddity mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Space Oddity Country: US Released: 2017 Style: Indie Rock, Experimental MP3 version RAR size: 1625 mb FLAC version RAR size: 1390 mb WMA version RAR size: 1954 mb Rating: 4.4 Votes: 846 Other Formats: MOD MP4 WMA MMF APE VQF FLAC Tracklist A Space Oddity 5:12 B Jest (There Is...) 4:13 Companies, etc. Record Company – Warner Music Group Licensed To – Warner Bros. Records Inc. Copyright (c) – The Flaming Lips Phonographic Copyright (p) – The Flaming Lips Published By – Tro-Essex Music International, Inc. Published By – Lovely Sorts Of Death Music Mastered At – Tarbox Road Studios Credits Lacquer Cut By – ᶜB* Mastered By – Dave Fridmann Performer [The Flaming Lips] – Derek Brown , Jake Ingalls, Matt Duckworth, Michael Ivins, Nicholas Ley, Steven Drozd, Wayne Coyne Producer – Dave Fridmann, Scott Booker, The Flaming Lips Recorded By, Mixed By – Dave Fridmann, Dennis Coyne, The Flaming Lips Written-By – David Bowie (tracks: A), The Flaming Lips (tracks: B) Notes Indie store exclusive green 7". Space Oddity (David Bowie) Tro-Essex Music International, Inc. (ASCAP) Jest (There Is...) (The Flaming Lips) Lovely Sorts of Death Music (BMI) ©℗ 2017 The Flaming Lips under exclusive license to Warner Bros. Records, Inc. Printed in USA. Manufactured in The Netherlands. Barcode and Other Identifiers Barcode (Printed): 0 54391 96013 9 Barcode (Scanned): 0054391960139 Matrix / Runout (Side A, Stamped): 17993 1A Matrix / Runout (Side A, Etched): PRS-557926 P̷R̷-̷5̷5̷6̷5̷4̷3̷-A ᶜB Matrix / Runout (Side B, Stamped): 17993 1B Matrix / Runout (Side B, Etched): PRS-557926 P̷R̷-̷5̷5̷6̷5̷4̷3̷-B ᶜB Rights Society: ASCAP Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year The Flaming Space Oddity (File, none Warner Bros. -
Triskele Fall 2004.Pmd
TRISKELE A newsletter of UWM’s Center for Celtic Studies Volume III, Issue II Samhain, 2004 Fáilte! Croeso! Mannbet! Kroesan! Fair Faa Ye! Welcome! Midwest ACIS Comes to Milwaukee The annual Midwest Regional meeting of the American Conference for Irish Studies (ACIS) was held on the UWM campus from Thursday, October 14, through Saturday, October 16. ACIS is an interdisciplinary scholarly organization founded in 1960. The conference was organized by José Lanters, Nancy Walczyk, and John Gleeson, under the auspices of the Center for Celtic Studies. On Thursday evening, the meeting kicked off in great style with a reception for the delegates in County Clare Irish Inn, with Irish music by Cé. In the course of the evening, James Liddy’s autobiography, The Doctor’s House (Salmon Press, 2004), fresh off the plane from Ireland, was launched, read from, toasted, sold, and sanctioned by the presence of emeritus archbishop Rembert Weakland, who had joined us for the occasion. Friday was a full day, with an exciting academic program of eight panels of four speakers each, on topics ranging from literature and history to music, art and politics. Professor Seamus Caulfield’s Frank Gleeson, Tom Kilroy, James Liddy, plenary lecture, “Neolithic Rocks to Riverdance,” accompanied by Jose Lanters, Josephine Craven, Joe slides and presented with verve and humor, gave his enthusiastic Dowling and Eamonn O’Neill audience an insight into the many and varied aspects of the archaeological excavations at Céide Fields in Co. Mayo. A reception at the Irish Cultural and Heritage Center, hosted by Charles Sheehan, Irish Consulate of Chicago, concluded the day, and included even more delights, in the form of James Fraher’s photographic images of Ireland, and enchanting music by Melanie O’Reilly and Seán O Nualláin. -
Cois Coiribe 2016
COIRIBE COIS Rio The Magazine for GOLD NUI Galway Galway 2020 MedTech in Galway A Changing Campus Alumni & Friends Autumn 2016 NUI Galway Affinity Card. You get, we give. You get a unique credit card and we give back to NUI Galway when you register and each year your Affinity card is active. Our introductory offer gives you a competitive rate of 2.9%¹ APR interest on balance transfers for first 12 months. bankofireland.com/alumni 1890 365 100 Lending criteria terms and conditions apply to all credit cards. Credit cards are liable to Government Stamp Duty of €30. Credit cannot be offered to anyone under 18 years of age. Bank of Ireland is regulated by the Central Bank of Ireland. ¹Available if you don’t currently hold a credit card with Bank of Ireland, whether you have an account with us or not. At the end of the introductory period the annual interest rates revert back to 2 COIS COIRIBEthe standard rate applicable to your card at that time. OMI008172 - NUIG Affinity A4_Portrait Ad_v13.indd 1 03/08/2016 12:35 NUI Galway CONTENTS 2 FOCAL ÓN UACHTARÁN NEWS Affinity Card. 4 The Year in Pictures 6 Research Round-up 10 University News You get, we give. 14 Campus News 26 Student Success FEATURES 16 A New Direction for Sport 22 1916 – Centenary Year 4 24 NASA Mission 28 A Changing Campus - Capital Development 32 Giving Stem Cells a heartbeat 34 MedTech in Galway 24 41 TG4 @ 20 42 Galway 2020 GRADUATES 36 Aoibheann McNamara 37 Paul O’Hara 38 Grads in Silicon Valley 44 Graduations GALWAY UNIVERSITY FOUNDATION 46 Empowering Excellence ALUMNI 6 18 50 Alumni Awards 38 52 Alumni Events 56 Class Notes 64 Obituaries CONTRIBUTORS Jo Lavelle, John Fallon, Ronan McGreevy, Joyce McCreevy, Joe Connolly, Dónall Ó Braonáin, Conor McNamara, Liz McConnell, Ruth Hynes, Sheila Gorham. -
Human Enhancement Technologies and Our Merger with Machines
Human Enhancement and Technologies Our Merger with Machines Human • Woodrow Barfield and Blodgett-Ford Sayoko Enhancement Technologies and Our Merger with Machines Edited by Woodrow Barfield and Sayoko Blodgett-Ford Printed Edition of the Special Issue Published in Philosophies www.mdpi.com/journal/philosophies Human Enhancement Technologies and Our Merger with Machines Human Enhancement Technologies and Our Merger with Machines Editors Woodrow Barfield Sayoko Blodgett-Ford MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Editors Woodrow Barfield Sayoko Blodgett-Ford Visiting Professor, University of Turin Boston College Law School Affiliate, Whitaker Institute, NUI, Galway USA Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Philosophies (ISSN 2409-9287) (available at: https://www.mdpi.com/journal/philosophies/special issues/human enhancement technologies). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Volume Number, Page Range. ISBN 978-3-0365-0904-4 (Hbk) ISBN 978-3-0365-0905-1 (PDF) Cover image courtesy of N. M. Ford. © 2021 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. -
Index of Castlebar Parish Magazine 1971
Index of Castlebar Parish Magazine 1971 1. Parish Roundup & review of the past twelve months. Tom Courell 2. St. Gerald’s College – Short History Brother Vincent 3. Tribute to Walter Cowley, Vocational Teacher Sean O’Regan 4. Memories from School – Articles & Poems A) An old man remembers French Hill 1798. B) Poem “Old School Round the Corner” by pupils of 6th class, Errew School. C) Poem “ The Mall in Winter” by Ann Kelly, aged 12. D) Poem “ Nightfall in Sionhill” by Bridie Flannery, aged 12. E) Poem “Tanseys Bus Stop” by Gabrielle O’Farrell, aged 11. F) Poem “The Mall in November” by Kathryn Kilroy, aged 12. G) Poem “ The Station” by Eimear O’Meara, aged 11. H) Poem “St. Anthony’s School” by Mairin Feighan, aged 11. I) The Gossip in Town by Grainne Fadden, aged 12. J) Kinturk Castle by Ann Garvey, Carmel Mugan & Gabrielle Thomas. K) Description of Ballyheane by Geraldine Kelly, aged 12. L) Sean na Sagart by pupils of 5th class, Ballyheane N.S. M) Derryharrif by Bernadette Walsh. N) Ballinaglough by Ann Moran, aged 11. O) Murder at Breaffy by John Walsh & Liam Mulcahy. P) History of Charles Street, Castlebar by Raymond Fallon, aged 12. Photographs; 1) New St.Gerald’s College, Newport Road, Castlebar ( Front Cover ) 2) St.Gerald’s College, Chapel Street, Castlebar 3) Teaching Staff of St.Gerald’s College, Castlebar, 1971. Parish Sport : Gaelic Games, Rugby & Camogie. Castlebar Associations Review : London, Birmingham & Manchester Births, Deaths & Marriages for 1971 are also included. Index of Castlebar Parish Magazine 1972 1. Parish Review of the past twelve months. -
1 Taylor Bell the Search for Ronald Jones the Summer After I Turned Sixteen, I Wanted to Drive Everywhere
1 Taylor Bell The Search for Ronald Jones The summer after I turned sixteen, I wanted to drive everywhere. Every single night, after the moon had moved across half the sky, after everybody else had gone to bad, I would go pick Nolan and Hunter up from their houses and we would drive across town to the trailer park where Brandon lived. Brandon, Nolan, and Hunter had all been friends since they were in elementary school, but I had only become friends with them because I once told Nolan that I played guitar and listened to Ozma in a freshman class I had with him and he had interpreted it as a misplaced sense of camaraderie; like anybody that listened to indie pop had to form a legion against all other archetypes of people and music. Brandon's mom owned a standard double-wide among porch dioramas and birdbaths and yards that were more dirt than grass. The trailer had a tree growing straight up through the carport that they had to regularly maintain a hole for. We would bring our guitars over and sit in Brandon's room or on his porch trying to learn how to play The Unicorns, Modest Mouse, and The Pixies until Brandon's mom told us to learn Richie Valens or shut up. She never minded how loud we were, as long is it was something that she enjoyed. Discouraged, but still restless, we would then pile into my old Altima, go to the gas station down the street and buy energy drinks so we could drive until the sun rose and use the cans to create makeshift bongs. -
History of 3D Sound
HISTORY OF 3D SOUND BRAXTON BOREN American University Introduction The history of 3D sound is complicated by the fact that, despite how much the concept may appear to be a late-20th century technological buzzword, it is not at all new. Indeed, just as Jens Blauert famously reminded us that “there is no non-spatial hearing” (Blauert, 1997), so too due to the nature of our world all sound is inherently three-dimensional (Begault, 2000). For the majority of human history the listener – the hunter in the field, a singing congregant within a cavernous stone church, or the audience member at a live performance – perceived sound concomitantly with its spatial setting. In this sense it is the late-20th century view that is out of step with historical sound perception. The advent of audio recording in the 19th century led to the development of zero-dimensional (mono) sound, and later one-dimensional (stereo), and two-dimensional (quad and other surround formats) reproduction techniques. Due to the greater sensitivity of the human auditory system along the horizontal plane, early technology understandably focused on this domain. Our capability to mechanically synthesize full 3D auditory environments is relatively recent, compared to our long history of shaping sound content and performance spaces. The effect of physical space is not limited to the perceived physical locations of sounds – different spaces can also affect music in the time domain (e.g. late reflection paths) or frequency 1 domain (by filtering out high-frequency content). Often a listener’s experience of a space’s effect on sound – such as singing in the shower or listening to a choir in a reverberant stone church – is describing primarily non-localized qualities, which could be captured more or less in a monaural recording. -
The Beatles and the Counterculture
TCNJ JOURNAL OF STUDENT SCHOLARSHIP VOLUME XII APRIL, 2010 THE BEATLES AND THE COUNTERCULTURE Author: Jessica Corry Faculty Sponsor: David Venturo, Department of English ABSTRACT Throughout the 1960s, the Beatles exerted enormous influence not only as a critically acclaimed and commercially successful band, but also in the realm of social and cultural change. A number of factors facilitated the Beatles‟ rise to success, including the model of 1950s rock „n‟ roll culture, their Liverpudlian roots, and a collective synergy as well as a unique ability to adapt and evolve with their era. As both agents and models of change, the Beatles played a key role in establishing three main attributes of the embryonic counterculture: the maturing sensibility of rock music, greater personal freedom as expressed by physical appearance, and experimentation with drugs. United by the goal of redefining social norms, activists, protestors, hippies, and proponents of the growing counterculture found in the Beatles an ideal representation of the sentiments of the times. Embodying the very principle of change itself, the Beatles became a major symbol of cultural transformation and the veritable leaders of the 1960s youth movement. “All you need is love, love, love is all you need” (Lennon-McCartney). Broadcast live on the international television special, “Our World,” the Beatles performed “All You Need is Love” for an unprecedented audience of hundreds of millions around the world. As confetti and balloons rained down from the studio ceiling, the Beatles, dressed in psychedelic attire and surrounded by the eccentric members of Britain‟s pop aristocracy, visually and musically embodied the communal message of the 1967 Summer of Love. -
QUARTERLY PROGRAMMING REPORT the Current KCMP KMSE January 1 – March 31, 2015
QUARTERLY PROGRAMMING REPORT The Current KCMP KMSE January 1 – March 31, 2015 Issue: Health – Morning Show segment: Eating and Drinking James Norton: Adventurous New Offerings January 7, 2015 – 8:30AM (6:52) Today on The Morning Show's Eating and Drinking, James Norton chatted with Steve Seel and Jill Riley about some adventurous new dining experiences around the Twin Cities. Joe Alton: 2015 Beer Culture Predictions January 14, 2015 – 8:30AM (7:25) The Growler's managing editor Joe Alton joins the Current's Morning Show to talk about his Minnesota beer culture predictions for 2015. James Norton: What is MN food? January 21, 2015 – 8:30AM (7:57) Today on The Morning Show's Eating and Drinking, James Norton chatted with Steve Seel and Jill Riley about the food that really represents Minnesota culture. Dara Moskowitz‐Grumdahl: Surly Taproom January 28, 2015 – 8:30AM (6:11) This week Dara spoke to The Morning Show's Jill Riley and Steve Seel about her visit to the newly opened Surly Taproom. James Norton: Febgiving February 4, 2015 – 8:30AM (6:05) Today on The Morning Show's Eating and Drinking, James Norton chatted with Steve Seel and Jill Riley about his favorite holiday, Febgiving. Dara Moskowitz‐Grumdahl: Cocktail Rooms in Minnesota February 11, 2015 – 8:30AM (4:15) This week Dara spoke to The Morning Show's Jill Riley and Steve Seel about the new trend of distilleries opening cocktail rooms. James Norton: Ethical Eating February 18, 2015 – 8:30AM (6:30) Trying to define such concepts as 'fair trade', 'living wages' and 'sustainability' is always an interesting conversation in the context of local food. -
The Cd Central Staff
CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 WELL, HELLO! It’s been another fun year at CD Central! Certainly one filled with ups and downs (thinking about the Limestone road project here) but the bottom line is we’ve enjoyed bringing some great music to Lexington, both live and on disc. This booklet is our annual recap of some of the year’s brightest musical highlights. One of the great things we can look back at this year is our participation in Local First Lexington. All of the members of LFL are locally-owned, independent businesses who do great things for our community. These are the businesses that make Lexington a unique place among a sea of national chain stores. Please make it one of your New Year’s resolutions to “Think Local First” when making your buying decisions in the coming year. It feels good to shop local and it makes Lexington a better place. -
Graduate-Dissertations-21
Ph.D. Dissertations in Musicology University of North Carolina at Chapel Hill Department of Music 1939 – 2021 Table of Contents Dissertations before 1950 1939 1949 Dissertations from 1950 - 1959 1950 1952 1953 1955 1956 1958 1959 Dissertations from 1960 - 1969 1960 1961 1962 1964 1965 1966 1967 1968 1969 Dissertations from 1970 - 1979 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 Dissertations from 1980 - 1989 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 Dissertations from 1990 - 1999 1990 1991 1992 1994 1995 1996 1998 1999 Dissertations from 2000 - 2009 2000 2001 2002 2003 2005 2006 2007 2008 2009 Dissertations since 2010 2010 2013 2014 2015 2016 2018 2019 Dissertations since 2020 2020 2021 1939 Peter Sijer Hansen The Life and Works of Dominico Phinot (ca. 1510-ca. 1555) (under the direction of Glen Haydon) 1949 Willis Cowan Gates The Literature for Unaccompanied Solo Violin (under the direction of Glen Haydon) Gwynn Spencer McPeek The Windsor Manuscript, British Museum, Egerton 3307 (under the direction of Glen Haydon) Wilton Elman Mason The Lute Music of Sylvius Leopold Weiss (under the direction of Glen Haydon) 1950 Delbert Meacham Beswick The Problem of Tonality in Seventeenth-Century Music (under the direction of Glen Haydon) 1952 Allen McCain Garrett The Works of William Billings (under the direction of Glen Haydon) Herbert Stanton Livingston The Italian Overture from A. Scarlatti to Mozart (under the direction of Glen Haydon) 1953 Almonte Charles Howell, Jr. The French Organ Mass in the Sixteenth and Seventeenth Centuries (under the direction of Jan Philip Schinhan) 1955 George E. -
Schools Resource Pack
What is a Portrait? Schools Resource Pack Jennie Taylor & Catherine O’Donnell nationalgallery.ie/schools What is a portrait? Introduction A portrait is an artwork that tells a person’s story. The artwork can be made of any material from painting on canvas to a piece of performance art! People and portraits are at the heart of the Gallery’s collection. This schools resource has been designed as both an introduction to portraiture and an in-depth exploration of key works in the National Portrait Collection. Primary and Post-Primary teachers can use it as a starting point for What is a sitter? tailored lesson plans and all activities are adaptable for different ages and abilities. Looking and A sitter is someone who sits (or stands, or lies!) for a portrait. Sometimes the sitter commissions responding questions underpin the resource and enable students to develop visual literacy and the artist to make a portrait of them. A commission is when an artist is invited to make a portrait critical thinking skills. Each portrait is accompanied by suggested activities that allow for creative of someone in exchange for a fee and inclusion in a collection. Other times, the artist invites practical exploration of the work and encourage students to further develop their understanding someone to sit for them and makes their portrait as a part of their practice. of the diversity of portraiture. What is the subject of a portrait? In 2019 we launched the Zurich Young Portrait Prize, an inclusive art competition for children and The subject of the portrait is the person in the portrait.