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UNDER ORDERS: War Crimes in Kosovo Order Online
UNDER ORDERS: War Crimes in Kosovo Order online Table of Contents Acknowledgments Introduction Glossary 1. Executive Summary The 1999 Offensive The Chain of Command The War Crimes Tribunal Abuses by the KLA Role of the International Community 2. Background Introduction Brief History of the Kosovo Conflict Kosovo in the Socialist Federal Republic of Yugoslavia Kosovo in the 1990s The 1998 Armed Conflict Conclusion 3. Forces of the Conflict Forces of the Federal Republic of Yugoslavia Yugoslav Army Serbian Ministry of Internal Affairs Paramilitaries Chain of Command and Superior Responsibility Stucture and Strategy of the KLA Appendix: Post-War Promotions of Serbian Police and Yugoslav Army Members 4. march–june 1999: An Overview The Geography of Abuses The Killings Death Toll,the Missing and Body Removal Targeted Killings Rape and Sexual Assault Forced Expulsions Arbitrary Arrests and Detentions Destruction of Civilian Property and Mosques Contamination of Water Wells Robbery and Extortion Detentions and Compulsory Labor 1 Human Shields Landmines 5. Drenica Region Izbica Rezala Poklek Staro Cikatovo The April 30 Offensive Vrbovac Stutica Baks The Cirez Mosque The Shavarina Mine Detention and Interrogation in Glogovac Detention and Compusory Labor Glogovac Town Killing of Civilians Detention and Abuse Forced Expulsion 6. Djakovica Municipality Djakovica City Phase One—March 24 to April 2 Phase Two—March 7 to March 13 The Withdrawal Meja Motives: Five Policeman Killed Perpetrators Korenica 7. Istok Municipality Dubrava Prison The Prison The NATO Bombing The Massacre The Exhumations Perpetrators 8. Lipljan Municipality Slovinje Perpetrators 9. Orahovac Municipality Pusto Selo 10. Pec Municipality Pec City The “Cleansing” Looting and Burning A Final Killing Rape Cuska Background The Killings The Attacks in Pavljan and Zahac The Perpetrators Ljubenic 11. -
Call for Applications the Age of Van Eyck in Context
Summer Course for the Study of the Arts in Flanders Call for applications Annually, the Summer Course for the Study of the Arts in Flanders brings a select group of 18 The Age of Van Eyck in Context highly qualified young researchers to Flanders. They are offered an intensive 11-day 21 June - 1 July 2020 programme of lectures, discussions and visits related to a specific art historical period of Flemish art. Deadline for applications: The Summer Course provides the participants 15 December 2019, 5 p.m. (CET) with a clear insight into the Flemish art collections from the period at hand, as well as www.summercourse.eu into the current state of research on the topic. The sixth edition of the Summer Course will focus on ‘The Age of Van Eyck in Context’. Excursions will be made to Bruges, Ghent, Antwerp, Brussels, Leuven, Kallo, Hoogstraten, Lille, Mons and Tournai. The language of the Summer Course is English. Programme* * subject to change Sunday 21 June 2020 - Bruges 13h30 Arrival of participants 14h00-14h15 Welcome by Till-Holger Borchert (Musea Brugge) 14h15-14h45 Introduction by Anne van Oosterwijk (Musea Brugge) on The history of the collection with works of art by Jan Van Eyck 14h45-14h55 Introduction and programme overview by An Seurinck (Flemish Art Collection) 14h55-15h05 Introduction about the institutional landscape in Belgium by Pascal Ennaert (Flemish Art Collection) 15h05-15h50 Pecha Kucha Research Topics by participants (part 1) 15h50-16h10 Coffee break 16h10-17h10 Pecha Kucha Research Topics by participants (part 2) 17h10-18h00 -
Ginsb & Weyers-Final
On the Formation of Canons: The Dynamics of Narratives in Art History Victor Ginsburgh ECARES, Université Libre de Bruxelles and CORE, Université catholique de Louvain and Sheila Weyers Université catholique de Louvain Abstract The paper illustrates the formation over time of the late 20th century canons of two schools that dominated all other European schools in their time: Italian Renaissance and Flemish Realism. Since most artists were discussed, some 400 years ago, by Vasari in the second edition of his Vite, and by van Mander in his Schilder-boeck, narratives by art historians can be followed over a long period of time. To explore the dynamic process of canon formation, we collected data on the presence and the greatness of a large number of artists in narrative works written by important art scholars at time intervals of roughly 75 years, so that the 400 years elapsed between 1600 and 2000 are spanned as best as possible. At least half of the artists in the two canons were already there 400 years ago. There are several cases of wrong attributions or of new technical discoveries that prevented some names to be canonical any sooner. There are also artists who art historians learnt to appreciate or to understand better, and who entered at much later times. Finally, the number of names that entered or were moved up in the canon because their works acquired new properties in the light of works by artists that followed them is not very large. This appears to be in contradiction with the frequent suggestion that canons are continuously moving and that no artist can survive forever. -
MB Kupershteyn TOWN of BAR: Jewish Pages Through
1 M. B. Kupershteyn TOWN OF BAR: Jewish Pages Through The Prism Of Time Vinnytsia-2019 2 The publication was carried out with the financial support of the Charity Fund " Christians for Israel-Ukraine” K 92 M. B. Kupershteyn Town of Bar: Jewish Pages Through The Prism Of Time. - Vinnytsia: LLC "Nilan-LTD", 2019 - 344 pages. This book tells about the town of Bar, namely the life of the Jewish population through the prism of historical events. When writing this book archival, historical, memoir, public materials, historical and ethnographic dictionaries, reference books, works of historians, local historians, as well as memories and stories of direct participants, living witnesses of history, photos from the album "Old Bar" and from other sources were used. The book is devoted to the Jewish people of Bar, the history of contacts between ethnic groups, which were imprinted in the people's memory and monuments of material culture, will be of interest to both professionals and a wide range of readers who are not indifferent to the history of the Jewish people and its cultural traditions. Layout and cover design: L. M. Kupershtein Book proofer: A. M. Krentsina ISBN 978-617-7742-19-6 ©Kupers M. B., 2019 ©Nilan-LTD, 2019 3 Table of Contents INTRODUCTION ........................................................................... 5 HISTORICAL BAR .......................................................................... 7 FROM THE DEPTHS OF HISTORY .................................................. 32 SHTETL .................................................................................... -
Performances of Peace
Performances of Peace Performances of Peace Utrecht 1713 Edited by Renger E. de Bruin, Cornelis van der Haven, Lotte Jensen and David Onnekink LEIDEN | BOSTON This is an open access title distributed under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported (CC-BY-NC 3.0) License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the origi- nal author(s) and source are credited. This research has been made possible with the generous support of The Netherlands Organisation for Scientific Research (NWO). Cover illustration: A meeting of the negotiators in the Utrecht city hall, Utrechtse Vrede, geslooten in ‘t jaar 1713 (Peace of Utrecht, concluded in the year 1713). Late-18th-century engraving by Simon Fokke from Jan Wagenaar, Vaderlandsche historie verkort en by vraagen en antwoorden voorgesteld (Amsterdam: By de Wed. Isaak Tirion, 1770). Utrechts Archief, Utrecht This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. isbn 978-9004-30477-2 (hardback) isbn 978-9004-30478-9 (e-book) Copyright 2015 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
Auction Books & Prints Veiling Boeken & Prenten Vente
AUCTION BOOKS & PRINTS VEILING BOEKEN & PRENTEN VENTE PUBLIQUE LIVRES & ESTAMPES Friday - Vendredi - Vrijdag Saturday - Samedi - Zaterdag 20.03.2020 - 13:00 h / u 21.03.2020 - 13:00 h / u TENTOONSTELLING - EXPOSITION - VIEWING Friday / Vendredi / Vrijdag 13.03 • 10:00 – 18:00 Saturday / Samedi / Zaterdag 14.03 • 10:00 – 18:00 Monday / Lundi / Maandag 16.03 • 10:00 – 20:00 Tuesday / Mardi / Dinsdag 17.03 • 10:00 – 18:00 Wednesday / Mercredi / Woensdag 18.03 • 10:00 – 18:00 Thursday / Jeudi / Donderdag 19.03 • 10:00 – 18:00 or by appointment - of na afspraak - ou sur rendez-vous Wolstraat 19/2 Rue aux Laines BRUSSEL 1000 BRUXELLES TEL 32(0)2 544 10 55 – FAX 32(0)2 544 10 57 [email protected] • www.arenbergauctions.com Live bidding a b x j ARENBERG AUCTIONS NV / SA Rédaction catalogue / Redactie catalogus / Editorial catalog Rue aux Laines 19/2 Wolstraat BRUXELLES 1000 BRUSSEL TVA-BTW-VAT: BE 0657 769 074 Renaud ADAM [email protected] Johan DEVROE [email protected] Loedja BISKUP [email protected] [email protected] Henri GODTS Isabelle CHIELENS [email protected] [email protected] [email protected] Karen DE COENE [email protected] Cinzia CASTIGNANI Photos & logistique / Foto’s & logistiek Carine DEPREZ [email protected] [email protected] Raphaël HERMAN Photos & logistique / Foto’s & logistiek Stijn GELDOF [email protected] [email protected] Sophie PECKEL Administration / Administratie / Office Oliver KIK [email protected] -
(IA Recordoffifteent00canniala).Pdf
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES GIFT OF COMMODORE BYRON MCCANDLESS ( Ricard Gan/WfcJisqr'. ^ ^^5iS^^2^- *- HISTORICAL RECORD OF THE FIFTEENTH, OR, THE YORKSHIRE EAST RIDING, REGIMENT OF FOOT, AN ACCOUNT OF THE FORMATION OF THE REGIMENT IN 1685, AND OF ITS SUBSEQUENT SERVICES TO 1848. COMPILED BV RICHARD CANNON, ESQ. ADJUTANT-GENERAL'S OFFICE, HORSE GUARDS. ILLUSTRATED WITH PLATES. LONDON : PARKER, FURNIVALL, & PARKER, 30 CHARING CROSS. '.ONDOK PR1KTKD BT W. CLOWES AND SONS, STAMFORD STRKKT. KOR HER MAJESTV'S STATIONERY OFFICE. THE FIFTEENTH, OR, THE YORKSHIRE EAST RIDING, REGIMENT OF FOOT, BEARS ON THE REGIMENTAL COLOUR THE WORDS " MARTINIQU E," AND " GUADALOUPE," IN COMMEMORATION OF THE GALLANTRY DISPLAYED IN THE CAPTURE OF THOSE ISLANDS IN THE YEARS 1809 AND 1810. A 2 FIFTEENTH EEGIMENT OF FOOT. CONTENTS. Year Page 1685 Formation of the Regiment at Nottingham . I 1686 Establishment 2 1687 Encamped on Hounslow Heath .... 4 1688 Revolution in Great Britain .... 5 Marched to Scotland 1689 Battle of Killicrankie 6 1690 at Cromdale Marched to Inverlochy 8 1691 Submission of the Highlanders to King William and Queen Mary 9 1694 Embarked for Flanders in . Engaged the capture of Huy . 10 1695 at Fort Kenoque at the surrender of Dixmude to the French 11 Colonel Sir James Lesley cashiered, and suc- ceeded by Colonel Emanuel Howe . 12 Garrison of Namur surrendered Released from prisoners of war .... 1696 Marched to Bruges 1697 Proceeded to Brussels 13 Treaty of Peace at Ryswick -_ for Embarked England . 14 Proceeded to Ireland . XXvi CONTENTS. Year PaSe France 14 1701 Preparations for Waf with .. -
Laurence Binyon and the Belgian Artistic Scene: Unearthing Unknown Brotherhoods
CORE Metadata, citation and similar papers at core.ac.uk Provided by Ghent University Academic Bibliography Laurence Binyon and the Belgian Artistic Scene: Unearthing Unknown Brotherhoods Marysa Demoor and Frederick Morel On September 11, 2008, at 10:11am, at a New York City ceremony honouring victims of the 9/11 terrorist attacks, New York former mayor Rudy Giuliani concluded his speech with a quote from the poem ―For the Fallen.‖ Mr. Giuliani spoke the words with a certain flair, respecting the cadence, stressing the right words, and honouring the pauses: They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning We will remember them.1 ―For seven years,‖ Mr. Giuliani continued, ―we‘ve come back here to be together, to feel how the entire world is linked in our circle of sorrow. And mostly to remember, those we lost, who are never lost. The poem reminds us how brightly their memories burn.‖2 Ever since Laurence Binyon wrote these four lines in north Cornwall in 1914, they have been recited annually at Remembrance Sunday services worldwide, and people will keep on doing so to commemorate tragic events, even those still to come because they capture the right feelings unerringly. But, ironically, if the lines have become immortal and they are there to commemorate the dead, their author, Laurence Binyon, is all too often unknown. Binyon, poet and art historian, was born in Lancaster on the 10th of August, 1869, to an Anglican clergyman, Frederick Binyon, and his wife Mary. -
Project Aneurin
The Aneurin Great War Project: Timeline Part 5 - Imperial Wars, 1662-1763 Copyright Notice: This material was written and published in Wales by Derek J. Smith (Chartered Engineer). It forms part of a multifile e-learning resource, and subject only to acknowledging Derek J. Smith's rights under international copyright law to be identified as author may be freely downloaded and printed off in single complete copies solely for the purposes of private study and/or review. Commercial exploitation rights are reserved. The remote hyperlinks have been selected for the academic appropriacy of their contents; they were free of offensive and litigious content when selected, and will be periodically checked to have remained so. Copyright © 2013-2021, Derek J. Smith. First published 15:00 GMT 1st December 2013. This version 09:00 GMT 20th January 2021 [BUT UNDER CONSTANT EXTENSION AND CORRECTION, SO CHECK AGAIN SOON] This timeline supports the Aneurin series of interdisciplinary scientific reflections on why the Great War failed so singularly in its bid to be The War to End all Wars. It presents actual or best-guess historical event and introduces theoretical issues of cognitive science as they become relevant. UPWARD Author's Home Page Project Aneurin, Scope and Aims Master References List BACKWARD IN TIME Part 1 - (Ape)men at War, Prehistory to 730 Part 2 - Royal Wars (Without Gunpowder), 731 to 1272 Part 3 - Royal Wars (With Gunpowder), 1273-1602 Part 4 - The Religious Civil Wars, 1603-1661 FORWARD IN TIME Part 6 - The Georgian Wars, 1764-1815 Part 7 - Economic Wars, 1816-1869 Part 8 - The War Machines, 1870-1894 Part 9 - Insults at the Weigh-In, 1895-1914 Part 10 - The War Itself, 1914 Part 10 - The War Itself, 1915 Part 10 - The War Itself, 1916 Part 10 - The War Itself, 1917 Part 10 - The War Itself, 1918 Part 11 - Deception as a Profession, 1919 to date The Timeline Items 1662 [19th May] The English Parliament passes the Act of Uniformity, which enforces Episcopalian Anglicanism as the established "Church of England". -
Dutch Royal Family
Dutch Royal Family A Wikipedia Compilation by Michael A. Linton PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 08 Nov 2013 22:31:29 UTC Contents Articles Dutch monarchs family tree 1 Chalon-Arlay 6 Philibert of Chalon 8 Claudia of Chalon 9 Henry III of Nassau-Breda 10 René of Chalon 14 House of Nassau 16 Johann V of Nassau-Vianden-Dietz 34 William I, Count of Nassau-Dillenburg 35 Juliana of Stolberg 37 William the Silent 39 John VI, Count of Nassau-Dillenburg 53 Philip William, Prince of Orange 56 Maurice, Prince of Orange 58 Frederick Henry, Prince of Orange 63 Amalia of Solms-Braunfels 67 Ernest Casimir I, Count of Nassau-Dietz 70 William II, Prince of Orange 73 Mary, Princess Royal and Princess of Orange 77 Charles I of England 80 Countess Albertine Agnes of Nassau 107 William Frederick, Prince of Nassau-Dietz 110 William III of England 114 Mary II of England 133 Henry Casimir II, Prince of Nassau-Dietz 143 John William III, Duke of Saxe-Eisenach 145 John William Friso, Prince of Orange 147 Landgravine Marie Louise of Hesse-Kassel 150 Princess Amalia of Nassau-Dietz 155 Frederick, Hereditary Prince of Baden-Durlach 158 William IV, Prince of Orange 159 Anne, Princess Royal and Princess of Orange 163 George II of Great Britain 167 Princess Carolina of Orange-Nassau 184 Charles Christian, Prince of Nassau-Weilburg 186 William V, Prince of Orange 188 Wilhelmina of Prussia, Princess of Orange 192 Princess Louise of Orange-Nassau 195 William I of the Netherlands -
The Nafziger
THE NAFZIGER ORDERS OF BATTLE COLLECTION FINDING A ID DOCUMENTS AVAILABLE IN PDF FORMAT AT: http://www.cgsc.edu/carl/nafziger.htm This collection contains a compilation of orders of battle from 1600 to 1945. Sources range from published works to primary archival documents. Most orders of battle break down to the regimental level and many contain information regarding the availability of strength figures and artillery equipment. FILE NAME: DOCUMENT TITLE: 625XAA Distribution, Imperial Forces of Holy Roman Empire, 1625 625XHRA Army of the Holy Roman Empire, 1625 626XAA Distribution, Imperial Forces of Holy Roman Empire, 1626 626XHRA Army of the Holy Roman Empire, 1626 627XHRA Army of the Holy Roman Empire, 1627 628XAA Distribution, Imperial Forces of Holy Roman Empire, 1628 628XHRA Army of the Holy Roman Empire, 1628 629XHRA Army of the Holy Roman Empire, 1629 630XHRA Army of the Holy Roman Empire, 1630 631BAA Distribution of the Imperial Army in Northern Germany, February 1631 631CAA Swedish Army, 7 March 1631 631IAA Swedish and Saxon Forces, Battle of Breitenfeld, 17 September 1631 631IAB Imperial Forces, Battle of Breitenfeld, 17 September 1631 631JAA Swedish and Associated Protestant Armies, October-November 1631 631XAA Swedish Reinforcements Sent to Germany 1631 631XHRA Army of the Holy Roman Empire, 1631 632CAA Protestant Army, Donauworth, March 1632 632CAB Tilly's (Catholic) Army on the Danube, March 1632 632HAA Swedish Main Army, Battle of Alte Veste, (by Nurnberg) 29 August 1632 632KAA Catholic Army in Germany, November 1632 632KAB -
Introduction
Introduction In , prior to the outbreak of the conict over the Spanish succession, the combined landforces of the kingdoms of England, Scotland and Ireland numbered approximately , men. At that time an entity called the “British Army” did not exist yet. Instead, each of the three kingdoms had its own, national, mil itary establishment. ese establishments were ocially legally independent, though they owed allegiance to the same monarch as their supreme commander. In reality the English Establishment was the more dom inant one, and under the reign of Charles II regiments raised in Ireland and Scotland could serve on the English Establishment in time of war. During the Nine Years’ War, under the reign of William III, the three establishments became even more intermingled, resulting in a de facto British Army. Aer this war the Irish Establishment became roled as the stacking place for (English) regiments otherwise reduced, a process that had been started already under Charles II. e English Establishment numbered just , men in , organised in four troops of guards, seven regi ments of horse, three regiments of dragoons and ve regiments of foot. In Scotland there were about , men in one troop of guards, two regiments of dragoons and four regiments of foot. e Irish Establishment was the largest with , men in two regiments of horse, three of dragoons, and twenty regiments of foot with twentyone battalions between them. In early the number of regiments had risen to six troops of guards, eleven regiments of horse, twentytwo regiments of dragoons and regiments of foot (of which three of guards).