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Lab 2019: in the Room
Lab 2019: In the Room Sunday, August 18th Victory Gardens Biograph, 2433 N. Lincoln Avenue 10:00-10:30am REGISTRATION AND ORIENTATION 10:30-1:00pm INTRODUCTIONS, ICE BREAKERS, AND SETTING GOOD INTENTIONS LUNCH BREAK 2:00-2:45pm THROUGHLINE PROJECT INTRODUCTION BREAK 3:00-3:30pm YOUR ROOM Lavina Jadhwani, Freelance Director 3:30-5:30pm FINDING THE NEXUS OF BEST WORK/BEST ROOM Laura Fisher, Not in Our House/Chicago Theatre Standards TRAVEL BREAK 7:00-8:00pm The Infinite Wrench Created by the Neo-Futurists The Neo-Futurist Theater, 5153 N. Ashland Avenue 8:30-10:00pm DINNER Reza’s, 5255 N. Clark Street Lab 2019: In the Room Monday, August 19th The Design Museum of Chicago, 72 E. Randolph Street 10:00-10:30am CHECK-IN AND QUESTIONS 10:30-11:45am SETTING THE STAGE Hallie Rosen, Chicago Architecture Center BREAK 12:00-1:00pm DOWNTOWN THEATRE HISTORY Melanie Wang, Dept. of Cultural Affairs and Special Events Mitchell J. Ward, Free Tours by Foot LUNCH AND TRAVEL BREAK/OPTIONAL CONTINUED TOUR The Second City, 230 W. North Avenue 2:00-5:00pm SATIRE AND THE SECOND CITY Rachael Mason, The Second City BREAK 5:00-6:00pm COMEDY TODAY & THE MAINSTAGE PROCESS Anthony LeBlanc, Jesse Swanson, Mick Napier, and others TBD, The Second City FREE NIGHT Lab 2019: In the Room Tuesday, August 20th Reva and David Logan Center for the Arts, 915 E. 60th Street 10:00-10:15am CHECK-IN AND QUESTIONS 10:15-11:15am THE BEND IN THE ROAD Lydia Milman-Schmidt, Parent-Artist Advocacy League Cassie Calderone, Love, Your Doula BREAK 11:30-12:30pm DIRECTING VIRTUALLY Alice Bever, Chang Nai Wen, Monty Cole, and Evan Tsitias, Freelance Directors and International Lab Affiliates LUNCH BREAK 1:30-2:30pm ROOM FOR ART IN ACADEMIA Tiffany Trent, Logan Center for the Arts BREAK 3:00-5:00pm CREATING A TRANS AFFIRMING WORKPLACE Carolyn Leach, Chicago House TransWorks 5:00-6:00pm PEER-LED SESSION TRAVEL AND DINNER BREAK 8:00pm THE BEST OF SECOND CITY Directed by Jonald Reyes UP Comedy Club, 230 W. -
Theater Events: Body Image at Play in Clockwise's 'Impenetrable'
dailyherald.com http://www.dailyherald.com/article/20141010/entlife/141019986/ Theater events: Body image at play in Clockwise's 'Impenetrable' Barbara Vitello Body image A spa billboard showing a gorgeous, bikini-clad woman with arrows pointing to her imperfections and how they could be improved provokes outrage in a Chicago suburb in "Impenetrable" by Mia McCullough. Judy Blue directs Clockwise Theatre's production of the 2012 play about body image and perception and how this advertisement affects men and women in the community. Opens at 8 p.m. Friday, Oct. 10, at 221 N. Genesee St., Waukegan. $12, $20. See clockwisetheatre.org. A sneak peek The Actors Gymnasium offers a glimpse of new works as part of its Circus in Progress series showcasing circus arts. Featured artists include Striding Lion dance theater along with trapeze artist Camille Swift and Akemi Berry on silks. Next up is "A Circus Night's Dream," written and directed by The House Theatre's Chris Mathews. 4:30 and 7:30 p.m. Saturday, Oct. 11, at the Noyes Cultural Arts Center, 927 Noyes St., Evanston. $15. (847) 328-2795 or actorsgymnasium.org. Devil has his 'Day' Signal Ensemble Theatre opens its season with the world premiere of "Devil's Day Off" by Jon Steinhagen ("Blizzard '67," "Dating Walter Dante"). Set during a record-breaking heat wave that is accompanied by massive power outages, "Devil's Day Off" chronicles the fear, humor and heroism of the event through multiple vignettes. Co-artistic director Ronan Mara directs the premiere, which features 13 actors playing 100 characters. -
Masters Thesis
WHERE IS THE PUBLIC IN PUBLIC ART? A CASE STUDY OF MILLENNIUM PARK A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Corrinn Conard, B.A. ***** The Ohio State University 2008 Masters Examination Committee: Approved by Dr. James Sanders III, Advisor Advisor Professor Malcolm Cochran Graduate Program in Art Education ABSTRACT For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art? What is the role of that group believed to be the primary client of such public endeavors? How much power does the public have? Should they have? Do they want? In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. To reveal public opinion, I have conducted a total of 165 surveys at Millennium Park with both Chicago residents and tourists. I have also collected the voices of Chicagoans as I found them in Chicago’s major media source, The Chicago Tribune . The collection of data from my research reveal a glimpse of the Chicago public’s opinion on public art, its value to them, and their rights and roles in the creation of such endeavors. -
October 31, 2019 by ELECTRONIC MAIL Mark Kelly, Commissioner
October 31, 2019 BY ELECTRONIC MAIL Mark Kelly, Commissioner Chicago Department of Cultural Affairs and Special Events 78 E. Washington St., 4th Floor Chicago, IL 60602 [email protected] Re: Unconstitutional Regulation of Millennium Park Dear Mr. Kelly: I write regarding the conduct of security personnel at Refuse Fascism’s October 26, 2019 protest in Millennium Park (the “Park”). Based on witness accounts, Park security made unconstitutional demands of protesters, some of which were based on unconstitutional provisions of the August 26, 2019 Millennium Park Rules (the “Rules”) promulgated by the Department of Cultural Affairs and Special Events (DCASE). 1 I ask for your assurances that such restrictions will not be imposed at future protests, including Refuse Fascism’s demonstrations planned for the next three Saturdays. Public parks are traditional public forums that “have immemorially been held in trust for the use of the public and, time out of mind, have been used for purposes of assembly, communicating thoughts between citizens, and discussing public questions.” Perry Ed. Assn. v. Perry Local Educators' Assn., 460 U.S. 37, 45 (1983) (quoting Hague v. Committee for Industrial Organization, 307 U.S. 496, 515 (1939)). In such places, the government’s authority to restrict speech is limited to “regulations of the time, place, and manner of expression which are content-neutral, are narrowly tailored to serve a significant government interest, and leave open ample alternative channels of communication.” Perry, 460 U.S. at 45. On October 26, Park security officers went well beyond the government’s constitutional authority to regulate speech in a public park. -
Strategic Plan
STRATEGIC PLAN FOR REALIZING THE WATERFRONT SEATTLE VISION Prepared for the Mayor of Seattle and the Seattle City Council by the Central Waterfront Committee – July 2012 Created in collaboration with CONTRIBUTORS & CONTENTS “When you look at a city, it’s like reading the hopes, aspirations and pride of everyone who built it.” – Hugh Newell Jacobsen Contributors The Strategic Plan was developed by the volunteer community representatives and leaders who make up the Central Waterfront Committee. The Committee was created by the City of Seattle to advise the Mayor and City Council on the Waterfront Improvement Program, with broad oversight of design, financing, public engagement, and long-term operations and maintenance. Central Waterfront Committee Executive Committee Charley Royer, co-chair Charley Royer, co-chair Maggie Walker, co-chair Maggie Walker, co-chair Tom Bancroft Patrick Gordon Carol Binder Mark Reddington Mahlon Clements David Freiboth Toby Crittenden Ed Medeiros Bob Davidson Gerry Johnson Bob Donegan John Nesholm Rollin Fatland Carol Binder Erin Fletcher (Slayton) Bob Davidson Ben Franz-Knight David Freiboth Design Oversight Subcommittee Gary Glant Patrick Gordon, co-chair Patrick Gordon Mark Reddington, co-chair Craig Hanway Bob Donegan Gerry Johnson Cary Moon Greg Johnson Vlad Oustimovitch Bob Klein Brian Steinburg Alex Kochan Martha Wyckoff Ed Medeiros Rebecca Barnes, Advisor Dave Meinert Liz Dunn, Advisor Nate Miles Jeff Hou, Advisor Cary Moon Jon Houghton, Advisor John Nesholm Chris Rogers, Advisor Jan O’Connor Vlad Oustimovitch -
Millennium Park Chicago, Illinois
2009 RUDY BRUNER AWARD: Silver Medal Winner Millennium Park Chicago, Illinois ©BRUNER FOUNDATION, INC. ~ www.brunerfoundation.org SILVER MEDAL WINNER MILLENNIUM PARK © City of Chicago / GRC Aerial view of Millennium Park 88 2009 RUDY BRUNER AWARD Millennium Park at-a-Glance WHAT IS MILLENNIUM PARK? PROJECT GOALS v A 24.5-acre park with venues for performance, art, v To transform the commuter railroad tracks, surface parking sculpture, architecture and landscape architecture, located and degraded parkland in the northwest corner of Grant Park between Chicago’s lakefront and the central business into a landscaped venue for free public programming, district (the Loop). concerts, and events v The transformation of a dilapidated ground-level parking v To create a permanent home for the Grant Park Music Festival lot and rail yard into what may be the world’s largest “green v To provide one-of-a-kind public art spaces as a “gift” to all roof,” covering two multi-level parking lots with a total of the citizens of Chicago from patrons who have made their 4,000 cars, and commuter rail line. fortunes in the city v A park with twelve installations created by well-known artists v To lay the foundation for future private residential and and designers that supports over 500 free cultural programs commercial development in the area each year, forming what the Chicago Tribune art reporter Chris Jones called “arguably the most expansive cultural project in Chicago since the 1893 Columbian Exposition.” v A catalyst for economic impacts, including estimated increases in nearby real estate values that total $1.4 billion and an increase in tourism revenues of $2.6 billion over a projected year period. -
Millenium Park Chicago – Smart Project & City
DOI: 10.4467/25438700SM.18.033.9198 KRYSTYNA PAPRZYCA* Millenium Park Chicago – Smart Project & City Millennium Park, Chicago – Smart Project & City Streszczenie W obliczu globalizacji istnieje ustawiczna konieczność poszukiwania nowych podejść do kształtowania miasta, z uwzględnie- niem przemian społeczno – ekonomicznych. Ciągła uwaga miast powinna dotyczyć przedsięwzięć zorientowanych na poprawę jakości przestrzeni miejskiej, również na zwiększenie jej atrakcyjności. Miasta atrakcyjne promują mieszkańcom nową jakość życia, kreują pozytywny wizerunek miasta, które to cechy mogą stać się motorem jego rozwoju. Przyspieszają również dopływ współczesnych czynników rozwoju : kapitału finansowego, innowacji, kreatywnych ludzi i technologii. Wprowadzenie nowych kreatywnych funkcji w przestrzeni miejskiej, powoduje nie tylko wzrost jej jakości, ale i wzrost wartości, które mają wpływ na człowieka użytkownika tej przestrzeni. Miejsca stają się atrakcyjne i unikatowe poprzez zwiększenie walorów użytkowych, spo- łecznych, kulturowych ekonomicznych. Jako przykład takiego miejsca może posłużyć Millenium Park w Chicago. Abstract Il. 1. Millenium Park Chicago http://www.greenroofs.com/projects/pview.php?id=459, dostęp: 20.08.2018 In the face of globalisation there exists a constant necessity to search for new approaches to shaping cities while taking into consideration socio-economic changes. Cities should constantly focus their attention on projects oriented towards improv- ing the quality of urban space, as well as increasing its attractiveness. Attractive cities promote a better quality of life for their ską akceptowalną społecznie. Nie bez znaczenia jest również come accepted by the public. The commercial di- residents and create a positive image of the city, with these qualities possibly becoming the motors of their development. wymiar komercyjny. Wymiar społeczny traktowany jest jako mension is also not without significance. -
Culturalupdate
CONCIERGE UNLIMITED INTERNATIONAL December 2013 culturalupdate Volume XXIII—Issue XII Key In Arts/Museums A key client was in need of last-minute hotel accommodations near London Heathrow on a return trip from Cyprus. Luckily your CUI opens Concierge’s expert knowledge and international contacts secured 4 Cartier: Style & History Grand Palais, Paris a one-night stay in the Sofitel Heathrow in record time at the CUI 9 Before the Dinosaurs Field Museum discounted rate! No matter the time zone, CUI is At Your Service! 11 Ink Art: Contemporary China The Met, NY 17 Chicago Works: Lilli Carré MCA Chicago The holidays are approaching quickly and CUI is At Your Service to 21 Kelly Nipper: Black Forest Los Angeles, CA save your precious time and to obtain, arrange and secure anything you may need, including: through ♦ An exciting place for your Company or Private Holiday Party of any size. 31 Jellies Exhibit Shedd Aquarium ♦ Unique gifts from Tiffany & Co., Bloomingdale’s, Macy’s and other pro- 1/5 World’s Largest Snow Globe Adler Planetarium viders with CUI additional savings. 1/5 Allegro Barbaro: Hungarian Modernity Paris, France ♦ Best hotel rates in Chicagoland and other cities for seasonal getaways 1/8 Neapolitan Creche Art Institute to destinations around the globe! 1/8 Holidays 2013: Open Something Greater Art Institute ♦ Top tickets to sports, theatre, classical music, opera and concerts for 1/27 Art and Appetite Art Institute your Holiday Business Gifts to: The Joffrey Ballet’s Nutcracker, Wicked, A 3/2 The Surrealists Philadelphia, PA -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Public space in the Millennium Case study of Millennium Park, Chicago, IL A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of Requirements for the degree of Master of Community Planning in the School of Planning of the College of Design, Art, Architecture, and Planning August 17, 2006 by Sinem Metin B.A., City and Regional Planning, Istanbul Technical University, Turkey 2004 Committee Chair: Menelaos Triantafillou, MLA, AICP Committee Member: Frank Russell, March Reader: David Edelman, Ph.D., AICP ABSTRACT The purpose of this study is to explore meaningful places and clarify their importance in urban life in the 21st century. This research argues that the quality of urban life is based on the experience of urban open spaces. Such experience is what creates meanings and has not been given the necessary level of attention by many professionals in urban design. The outcome, therefore, may not always provide the user needs, which is the key factor for successful public places in the last couple of decades. This paper argues that the ambitions of designers should meet with the expectations of users to create meaningful public spaces. My interest in this study requires a phenomenological inquiry of necessary clarifications of terms. The research question, ‘Meaning for whom?’, needs to be answered by using empirical research method to identify what is conceived by outsiders as well as what is perceived by insiders. -
Chicago Chicago Le Plaisir De Mieux Voyager Irving Park Rd
Chicago le plaisir de mieux voyager Chicago Irving Park Rd. Graceland Sheridan Rd. Cemetery Chicago Grace St. Janssen Ave. Janssen Southport Ave. Southport Greenview Ave. Greenview À ne pas manquer Ravenswood Ave. Ravenswood Sheffield Ave. Sheffield Lake Shore Dr. Waveland Ave. Ave. Wilton Broadway St. Fremont St. Fremont Vaut le détour Addison St. Wrigley St. Halsted Intéressant Eddy St. Field B Paulina St. Paulina Hermitage Ave. Hermitage Marshfield Ave. Marshfield Bosworth Ave. Bosworth Wolcott Ave. Wolcott Cornelia Ave. e 0 2,5 5km Newport Ave. Newport Ave. lm o Roscoe St. n 0 1 2mi t Clark St. H Henderson St. Henderson St. Buckingham Pl. Aéroport a 94 r L School St. Aldine Ave. b O'Hare 14 Lake Shore Dr. o N a Melrose St. Melrose St. r 90 c Clifton Ave. Clifton Belmont Ave. Lawrence Ave. M Kenmore Ave. Kenmore Seminary Ave. Seminary Briar Pl. 19 Briar Pl. i c Barry Ave. LINCOLN PARK, 50 Lincoln h Lakewood Ave. Lakewood i LAKEVIEW ET St. Broadway Hamlin Fullerton Ave. 94 Park g Greenview Ave. Greenview Wellington Ave. 41 WRIGLEYVILLE a Park Ashland Ave. n Oakdale Ave. Oakdale Ave. 64 George St. Lincoln Surf St. OAK Division St. Wolfram St. Park PARK Diversey Pkwy. Hampden Ct. B Grant e 290 50 l 38 Park m Clybourn Ave. Ave. Mildred Schubert Ave. o Voir agrandissement n Orchard St. Orchard 22nd St. t H N Ogden Ave. Comiskey Wrightwood Ave. a o Park . r l r 41 P t b 55 Lill Ave. ing h Dem o P Washington r Jackson Altgeld St. -
New City Stage Players 2015-The
Theater, Dance, Comedy and Performance in Chicago JAN 22 Players 2015: The Fifty People Who Really Perform for Chicago The steady expansion of the performing arts in Chicago continues its marvelous pace, with more and better theater, dance, comedy and opera gracing more and better stages each passing year. The upward progression is so steady that epic undertakings—a new campus at Steppenwolf, a bigger chunk of Navy Pier for Chicago Shakes—seem almost business as usual these days. And that is a marvelous thing. This year we again celebrat the lesser‐sung heroes offstage who deal with the less glamorous things like building those new stages, and paying those expanding payrolls withou which the stars would have nowhere to shine. Tragedy has been central to theater since the ancient Greeks first staged it, but the last year has brought a disproportionate volume of real‐ life tragedy to our community. No doubt, the expanding and maturing performing arts universe means that more members of its community will pass o each year, but the number of those struck down long before their expected hour was overwhelming these last twelve months and struck every corner of performing arts, from theater, to dance, to comedy, to opera. Molly Glynn, Jason Chin, Eric Eatherly, Bernie Yvon, Johan Engels, Julia Neary—and others we’ve unintentionally overlooked—we dim our collective marquee for you. (Brian Hieggelke) Players was written by Zach Freeman and Sharon Hoyer With additional contributions by Brian Hieggelke, Alex Huntsberger, Aaron Hunt, Hugh Iglarsh and Loy Webb All photos by Joe Mazza/Brave‐Lux, taken on location at Steppenwolf Theatre, Goodman Theatre, Lyric Opera of Chicago and Brave‐Lux Stud 1 Andrew Alexander CEO, co‐owner, Second City A few years ago, we lauded Andrew Alexander’s addition of the UP Comedy Club to the Second City realm on Wells Street. -
MILLENNIUM PARK EVENT PROPOSAL FORM This Application Is Required for All Park Rentals and Does Not Constitute Approval for Use
City of Chicago – Department of Cultural Affairs & Special Events MILLENNIUM PARK EVENT PROPOSAL FORM This application is required for all Park Rentals and does not constitute approval for use. Applications for public civic events are not accepted until the 1st business day of the event year. Submit this completed application to: MB Real Estate Services, Inc. Millennium Park Management Office 201 E. Randolph, Chicago, IL 60601 FAX: 312.744.6070 1. Location Request Check all that apply Jay Pritzker Pavilion: Includes use of the Stage, Seating Bowl and Great Lawn. Jay Pritzker Pavilion rental requests require a completed Millennium Park Event Proposal Form Addendum Pritzker Stage Only: Includes use of the Stage and the Choral Rehearsal Room only. Choral Rehearsal Room: Chase Promenade North: Wrigley Square: Chase Promenade South: Rooftop Terrace: McCormick Tribune Ice Rink: Beer Garden: (Summer dates available only) 2. Event Information Name of the event: ____________________________________________________________________________ Date of the Event:___________ Day of the Week:___________ Estimated Attendance: ____________ Load-in Start Time: __________ Event Start Time: ____________ Event End Time: __________ Circle all that apply: Free to the Public By Invitation Only Tickets for Purchase (tickets may not be sold on-site) Event Description: Outline basic flow of the event. List any notable aspects. For example: “Event is an elaborate cocktail reception and silent auction on the Rooftop Terrace followed by a seated dinner on the North Promenade.