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Salvador Dalí. De La Inmortal Obra De Cervantes
12 YEARS OF EXCELLENCE LA COLECCIÓN Salvador Dalí, Don Quijote, 2003. Salvador Dalí, Autobiografía de Ce- llini, 2004. Salvador Dalí, Los ensa- yos de Montaigne, 2005. Francis- co de Goya, Tauromaquia, 2006. Francisco de Goya, Caprichos, 2006. Eduardo Chillida, San Juan de la Cruz, 2007. Pablo Picasso, La Celestina, 2007. Rembrandt, La Biblia, 2008. Eduardo Chillida, So- bre lo que no sé, 2009. Francisco de Goya, Desastres de la guerra, 2009. Vincent van Gogh, Mon cher Théo, 2009. Antonio Saura, El Criti- cón, 2011. Salvador Dalí, Los can- tos de Maldoror, 2011. Miquel Bar- celó, Cahier de félins, 2012. Joan Miró, Homenaje a Gaudí, 2013. Joaquín Sorolla, El mar de Sorolla, 2014. Jaume Plensa, 58, 2015. Artika, 12 years of excellence Índice Artika, 12 years of excellence Index Una edición de: 1/ Salvador Dalí – Don Quijote (2003) An Artika edition: 1/ Salvador Dalí - Don Quijote (2003) Artika 2/ Salvador Dalí - Autobiografía de Cellini (2004) Avenida Diagonal, 662-664 2/ Salvador Dalí - Autobiografía de Cellini (2004) Avenida Diagonal, 662-664 3/ Salvador Dalí - Los ensayos de Montaigne (2005) 08034 Barcelona, Spain 3/ Salvador Dalí - Los ensayos de Montaigne (2005) 08034 Barcelona, España 4/ Francisco de Goya - Tauromaquia (2006) 4/ Francisco de Goya - Tauromaquia (2006) 5/ Francisco de Goya - Caprichos (2006) 5/ Francisco de Goya - Caprichos (2006) 6/ Eduardo Chillida - San Juan de la Cruz (2007) 6/ Eduardo Chillida - San Juan de la Cruz (2007) 7/ Pablo Picasso - La Celestina (2007) Summary 7/ Pablo Picasso - La Celestina (2007) Sumario 8/ Rembrandt - La Biblia (2008) A walk through twelve years in excellence in exclusive art book 8/ Rembrandt - La Biblia (2008) Un recorrido por doce años de excelencia en la edición de 9/ Eduardo Chillida - Sobre lo que no sé (2009) publishing, with unique and limited editions. -
Annual Report
ANNUAL REPORT Fiscal Year 2017: July 2016 – June 2017 Season 33 "I love to sing, I love connecting with my fellow members, and I love sharing our music with the community." — Jon Brockelman, Tenor 2 2 Welcome to CGMC Since 1985, Chicago Gay Men’s Chorus has been a leading voice of social justice, offering a safe and support- ive environment for LGBTQ+ performers to celebrate their talents and share our message of diversity and inclusivity through our shows. Fiscal year 2017 (from July 2016 – June 2017) included more than 40 public performances. In addition to our traditional programming, for the first time we also piloted a high school outreach program to share our message with the next generation. We plan to continue outreach programs like this in future years. The season kicked off in September 2016 with ourThe Great Gaymerican Songbook cabaret performance at Mayslake Peabody Estate in Oak Brook and the Uptown Underground on the north side of the city. Our holiday show Home for the Holidivas in December 2016 brought us to the Harris Theater, the North Shore Center for the Performing Arts in Skokie, and the Beverly Art Center. Lipsticks & Lyrics: The Dragtones, our live singing drag show in February 2017, featured several iconic girl groups, to the delight of our audience in four shows at Uptown Underground. Finally, our spring show *B-Town: From Barbershop to Boybands in May 2017 brought us back to rock the Harris Theater, North Shore Center for the Performing Arts, and the Beverly Arts Center. Outside of our regular mainstage shows, we performed at numerous community events across Chicagoland, including the Chicago AIDS Run/Walk opening ceremony, National Anthem for American Veterans for Equal Rights (AVER) memorial in Boystown and a Chicago Fire soccer game, Market Days, and Midsommarfest. -
An Amphitheater and Outdoor Exhibit Space for the Rock and Roll Hall of Fame
Music in the Landscape: An amphitheater and outdoor exhibit space for the Rock and Roll Hall of Fame Undergraduate Thesis: Christopher L. Arnold Spring 2005 1 Table of Contents Overview Project Scope Manifesto Operational Objectives Users Activities Context Programming Activity Areas Case Studies Site Studies Installation Studies Technological Studies Site Introduction Analysis Pictures Clevelands Harborfront Plan Map References Concepts Analysis Schematic Master Plan Analysis Final Master Plan Detail perspectives Annotated Bibliography 2 Overview Information is flowing around us constantly passing through the air; transmitting information, phone calls and Emails. Our interaction with digital media is becoming increasingly prevalent in our day-to-day lives and continues to permeate our offices, homes and play spaces. Yet few designs begin to interface with media and the processing or transmittal of information between the user and the surfaces, which define our world. This study proposes to create an outdoor digital landscape, which is part of a larger performance area. This space utilizes digital media to allow speakers, musical groups, and other performers another dimension to express their material. The performance space and digital presentation area should be viewed as an entire experience away from that of reality. The goal of the project is to continue to blur the lines between information and form, and to play with what we conceive of as reality. The project will provide an outlet for digital artists as well as a chance to experiment with form, space and information and our ability as humans to influence process and transmit information between surfaces. Music will be the ignition for this process; extracting bits of data and information from musical pieces and applying that to the design of this space. -
DCASE Public Art Self-Guided Tour Packet (PDF)
DCASE Public Art Tour Works of art: Randolph/Garland Ct. (We Will) Millennium Park: Boeing Gallery North (Screenhouse) (Cloud Gate) Boeing Gallery South (Christine Tarkowski) (Crown Fountain) Chicago Cultural Center: 78 E. Washington (Bronze Cow) Garland Court (Rushmore) SW corner of Randolph & Garland Ct. • Title: We Will (2005) • Artist: Richard Hunt, (born 1935, Chicago.) • Artist info: o Graduated from School of the Art Institute of Chicago. o Over 150 commissioned works. o 1st African-American sculptor to have a major solo exhibition at the Museum of Modern Art in New York o 1968 appointed by Pres. Lyndon Johnson to serve on the National Council on the Arts. o In 2015 (his 80th bday) CCC exhibited 60 pieces of his work, representing his career. • About the work: o Welded stainless steel o 35’H x 8’W x 8’D o Commissioned by the developers of the Heritage building (condos/retail) o “Leaps from its stippled metal pedestal like a flame dancing in the breeze.”--Blogger o Artist quote: “In some works it is my intention to develop the kind of forms Nature might create if only heat and steel were available to her.” o The artist is currently creating a monument to Ida B. Wells, an early leader in the Civil Rights movement and a founder of the NAACP. (Walk to E side of CCC and cross Michigan Ave. at Washington to Boeing Gallery North, S. of Randolph, E. of Michigan) Millennium Park • Opened in 2004, the 24.5 acre Millennium Park was an industrial wasteland transformed into a world- class public park. -
Social Media and Popular Places: the Case of Chicago Kheir Al-Kodmany†
International Journal of High-Rise Buildings International Journal of June 2019, Vol 8, No 2, 125-136 High-Rise Buildings https://doi.org/10.21022/IJHRB.2019.8.2.125 www.ctbuh-korea.org/ijhrb/index.php Social Media and Popular Places: The Case of Chicago Kheir Al-Kodmany† Department of Urban Planning and Policy, University of Illinois at Chicago, USA Abstract This paper offers new ways to learn about popular places in the city. Using locational data from Social Media platforms platforms, including Twitter, Facebook, and Instagram, along with participatory field visits and combining insights from architecture and urban design literature, this study reveals popular socio-spatial clusters in the City of Chicago. Locational data of photographs were visualized by using Geographic Information Systems and helped in producing heat maps that showed the spatial distribution of posted photographs. Geo-intensity of photographs illustrated areas that are most popularly visited in the city. The study’s results indicate that the city’s skyscrapers along open spaces are major elements of image formation. Findings also elucidate that Social Media plays an important role in promoting places; and thereby, sustaining a greater interest and stream of visitors. Consequently, planners should tap into public’s digital engagement in city places to improve tourism and economy. Keywords: Social media, Iconic socio-spatial clusters, Popular places, Skyscrapers 1. Introduction 1.1. Sustainability: A Theoretical Framework The concept of sustainability continues to be of para- mount importance to our cities (Godschalk & Rouse, 2015). Planners, architects, economists, environmentalists, and politicians continue to use the term in their conver- sations and writings. -
FOR IMMEDIATE RELEASE August 2, 2017 Lollapalooza 2017 Tip Sheet Important Facts & Features of Lollapalooza
FOR IMMEDIATE RELEASE August 2, 2017 Lollapalooza 2017 Tip Sheet Important Facts & Features of Lollapalooza Lollapalooza returns with four full days in Grant Park August 3-6, 2017. This four-day extravaganza will transform the jewel of Chicago into a mecca of music, food, art, and fashion featuring over 170 bands on eight stages, including Chance The Rapper, The Killers, Muse, Arcade Fire, The xx, Lorde, blink-182, DJ Snake, and Justice, and many more. Lollapalooza will host 100,000 fans each day, and with so much activity, we wanted to provide some top highlights: •SAFETY FIRST: In case of emergency, we urge attendees to be alert to safety messaging coming from the following sources: • Push Notifications through The Official Lollapalooza Mobile App available on Android and iOS • Video Screens at the Main Entrance, North Entrance, and Info Tower by Buckingham Fountain • Video Screens at 4 Stages – Grant Park, Bud Light, Lake Shore and Perry’s • Audio Announcements at All Stages • Real-time updates on Lollapalooza Twitter, Facebook and Instagram In the event of a weather evacuation, all attendees should follow the instructions of public safety officials. Festival patrons can exit the park to the lower level of one of the following shelters: • GRANT PARK NORTH 25 N. Michigan Avenue Chicago, IL 60602 Underground Parking Garage (between Monroe and Randolph) *Enter via vehicle entrance on Michigan Ave. • GRANT PARK SOUTH 325 S. Michigan Avenue Chicago, IL 60604 Underground Parking Garage (between Jackson and Van Buren) *Enter via vehicle entrance on Michigan Ave. • MILLENIUM LAKESIDE 5 S. Columbus Drive Chicago, IL 60603 Underground Parking Garage (Columbus between Monroe and Randolph) *Enter via vehicle entrance on Michigan For a map of shelter locations and additional safety information, visit www.lollapalooza.com/safety. -
JAMES VINCENT MEREDITH SAG, AFTRA, AEA Height: 6’1” Hair Color: Brown Eye Color: Black
JAMES VINCENT MEREDITH SAG, AFTRA, AEA Height: 6’1” Hair Color: Brown Eye Color: Black TELEVISION FARGO Series Regular FX Chicago Med Guest Star (recurring) NBC Betrayal Recurring ABC Boss Recurring (7 Episodes) Starz Chicago Code Guest Star (Recurring) FOX Detroit 1-8-7 Co-Star ABC Law & Order: SVU Principal NBC David Platt Undercover Double Life Narrator/Host Discovery Channel The Beast Guest Star A & E ER Guest Star NBC BROADWAY/NATIONAL TOUR Book of Mormon Mafala Hatimbi Eugene O’Neil Theatre Book of Mormon Mafala Hatimbi Jumamosi Tour Superior Donuts (Broadway) James Music Box Theatre, NY, NY THEATRE Ski Dubai Shahab Steppenwolf Theatre Company The Tempest Antonio Steppenwolf Theatre Company Someone Who’ll Watch Over Me Adam Canning Piven Theatre Workshop Superior Donuts James Hailey Steppenwolf Theatre Company Carter’s Way Oriole Carter Steppenwolf Theatre Company The Crucible John Proctor Steppenwolf Theatre Company Othello Othello Writer’s Theatre The King and I The Kralahome Drury Lane Theater The Bluest Eye Daddy, Soaphead New Victory Theater (Manhattan, NY) The Bluest Eye Daddy, Soaphead Steppenwolf Theatre Company The Duchess of Malfi Antonio Writer’s Theatre Much Ado about Nothing Don Pedro Chicago Shakespeare Theatre The Pain and the Itch Mr. Hadid Steppenwolf Theatre Company Take Me Out Davey Battle About Face at Steppenwolf Measure for Measure Provost Chicago Shakespeare Theatre King John Lord Pembroke Chicago Shakespeare Theatre Romeo and Juliet Lord Capulet Chicago Shakespeare Theatre Julius Caesar Cinna, Titinius Chicago Shakespeare Theatre Othello Othello Michigan Shakespeare Festival The Hobbit Gandalf First Stage, Milwaukee, WI Othello Othello Journeymen Theatre King Lear Edgar Piven Theatre Workshop Master Harold…and the boys Sam Journeymen Theatre American Voices Joe Piven Theatre Workshop Raisin in the Sun Asagai Goodman Theatre Doo Lister’s Blues Cozy, Catfish Onyx Theatre Amistad Voices Covey, Reverend Duncan YMCA East Texas Hot Links Boochie Onyx Theatre Kids For President, etc. -
Hyatt Hotels Corporation 2010 Annual Report Hyatt Hotels Corporation 2010 Annual Report Hyatt Hotels Corporation 2010 Annual
hyatthyatt hotelshotels corporationcorporation 20102010 annualannual reportreport `qYll`gl]dk[gjhgjYlagf*()(YffmYdj]hgjl ` qY ll ` gl] d k [g jh g jY l a g f* ( ) ( Yff m Ydj ] h g j l authentic experiences We are a global hospitality company with widely recognized leading brands and a tradition of innovation developed over our more than fi fty-year history. Our mission is to provide authentic hospitality by making a difference in the lives of the people we touch every day. We focus on this mission in pursuit of our goal of becoming the most preferred brand in each segment that we serve for our associates, guests, and owners. We pursue our mission and goal in an environment characterized by a set of core values that defi nes our culture. Thomas J. Pritzker Executive Chairman’s Letter to Shareholders Dear Fellow Shareholders: I want to take this opportunity to share my views on our Our strong capital base positions us to support our industry and discuss how those views inform our goals strategy and take informed risk in pursuit of creating and strategy at Hyatt. Let me start with the conclusion. long-term value through industry cycles. We have defined our goals and aligned our strategy for Our strategic focus on enhancing preference for our Hyatt around being the most preferred brand in each segment that we serve. We want to be preferred by our brands begins with driving preference among our associates, our guests and our hotel owners. We believe associates because our people are the key to our success. -
Daniel H. Burnham and Chicago's Parks
Daniel H. Burnham and Chicago’s Parks by Julia S. Bachrach, Chicago Park District Historian In 1909, Daniel H. Burnham (1846 – 1912) and Edward Bennett published the Plan of Chicago, a seminal work that had a major impact, not only on the city of Chicago’s future development, but also to the burgeoning field of urban planning. Today, govern- ment agencies, institutions, universities, non-profit organizations and private firms throughout the region are coming together 100 years later under the auspices of the Burnham Plan Centennial to educate and inspire people throughout the region. Chicago will look to build upon the successes of the Plan and act boldly to shape the future of Chicago and the surrounding areas. Begin- ning in the late 1870s, Burnham began making important contri- butions to Chicago’s parks, and much of his park work served as the genesis of the Plan of Chicago. The following essay provides Daniel Hudson Burnham from a painting a detailed overview of this fascinating topic. by Zorn , 1899, (CM). Early Years Born in Henderson, New York in 1846, Daniel Hudson Burnham moved to Chi- cago with his parents and six siblings in the 1850s. His father, Edwin Burnham, found success in the wholesale drug busi- ness and was appointed presidet of the Chicago Mercantile Association in 1865. After Burnham attended public schools in Chicago, his parents sent him to a college preparatory school in New England. He failed to be accepted by either Harvard or Yale universities, however; and returned Plan for Lake Shore from Chicago Ave. on the north to Jackson Park on the South , 1909, (POC). -
Somebody up There Likes Me
TRIBECA FILM in partnership with AMERICAN EXPRESS presents a FALIRO HOUSE and M-13 PICTURES presentation a BOB BYINGTON film SOMEBODY UP THERE LIKES ME Run Time: 75 Minutes Rating: Not Rated Available On Demand: March 12, 2013 Select Theatrical release March 8 Chicago Music Box March 15 Los Angeles Cinefamily March 22 San Francisco Roxie Theater March 29 Denver Denver Film March 29 Brooklyn BAM April 5 Austin Violet Crown Distributor: Tribeca Film 375 Greenwich Street New York, NY 10011 Jennifer Holiner ID-PR 212-941-2038 [email protected] [email protected] [email protected] Starring Keith Poulson as Max Nick Offerman as Sal Jess Weixler as Lyla Stephanie Hunt as Clarissa Marshall Bell as Lyla's Dad Jonathan Togo as Adult Lyle Kate Lyn Sheil as Ex-Wife Ted Beck as Steakhouse Patron and Homeless Man Anna Margaret Hollyman as Paula Chris Doubek as Businessman Bob Schneider as Wedding Singer Alex Ross Perry as First Customer Gabriel Keller as Lyle Age 5 Ian Graffunder as Lyle Age 10 Jake Lewis as Lyle Age 15 with Kevin Corrigan as Memorial Man and Megan Mullally as Therapist SYNOPSIS Bob Byington’s smart, subversive comedy skips through 35 years in the life of Max Youngman (Keith Poulson), his best (and only) friend Sal (Nick Offerman, “Parks and Recreation”), and the woman they both adore (Jess Weixler, Teeth). As they stumble in and out of hilariously misguided relationships — strung together with animated vignettes by Bob Sabiston (A Scanner Darkly) and an original score by Vampire Weekend’s Chris Baio — Max never ages, holding on to a mysterious briefcase that may or may not contain the secret to life. -
Theatrical Lighting Designer Resume
SELECTED PROFESSIONAL EXPERIENCE 2014-2017 Vortex Lighting, Inc. – Hollywood, CA Studio Assistant/Draftsman (Owner: Anne Militello) 2016 LA Opera – Los Angeles, CA Lighting Assistant Intern (Moby-Dick | Lighting Designer: Gavan Swift) Lighting Assistant Intern (Gianni Schicchi | Lighting Designer: York Kennedy) Lighting Assistant Intern (Pagliacci | Lighting Designer: York Kennedy) MATTHEW BAYE | lighting designer 2011-2012 BravO! Dance and Talent Competition Lighting Engineer (Technical Director: Jeff O’Brien) 308.440.4126 [email protected] 2010 Chicago Dance Festival – Museum of Contemporary Art, Pritzker Pavilion, Harris Theater www.matthewbayelighting.com Assistant Lighting Director (Lighting Director: Laurel Shoemaker) Assistant Production Director (Production Director: Todd Clark) Master of Fine Arts LIGHTING DESIGNER Lighting Design DATE TITLE LOCATION DIRECTOR California Institute of the Arts 2017 NEXT Dance The Sharon Disney Lund Eva Flores Graduated - May 2017 Dance Theater 2016 Dreamlandia CalArts Coffeehouse Theater Mark Valdez Bachelor of Fine Arts 2016 The Glass Mountain Walt Disney Modular Theater Jongee Woo Design and Technical Production 2015 Debysi American Cement Building Kira Blazek (Emphasis in Lighting) 2015 Another Troy CalArts E407 Dan Bonnell University of Nebraska-Lincoln Graduated - May 2012 2015 The Bear CalArts BB2 Rachel Shull 2014 Three Old Women CalArts F100 Paola Pilnik 2014 Student Dance Concert The Sharon Disney Lund Kira Blazek CONSOLES SOFTWARE Dance Theater Eos Vectorworks 2014 The Lockout -
Art and Economics in the City
Caterina Benincasa, Gianfranco Neri, Michele Trimarchi (eds.) Art and Economics in the City Urban Studies Caterina Benincasa, art historian, is founder of Polyhedra (a nonprofit organi- zation focused on the relationship between art and science) and of the Innovate Heritage project aimed at a wide exchange of ideas and experience among scho- lars, artists and pratictioners. She lives in Berlin. Gianfranco Neri, architect, teaches Architectural and Urban Composition at Reggio Calabria “Mediterranea” University, where he directs the Department of Art and Territory. He extensively publishes books and articles on issues related to architectural projects. In 2005 he has been awarded the first prize in the international competition for a nursery in Rome. Michele Trimarchi (PhD), economist, teaches Public Economics (Catanzaro) and Cultural Economics (Bologna). He coordinates the Lateral Thinking Lab (IED Rome), is member of the editoral board of Creative Industries Journal and of the international council of the Creative Industries Federation. Caterina Benincasa, Gianfranco Neri, Michele Trimarchi (eds.) Art and Economics in the City New Cultural Maps An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-4214-2. More information about the initiative and links to the Open Access version can be found at www.know- ledgeunlatched.org. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-No- Derivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commer- cial purposes, provided credit is given to the author.