Strategic Plan
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Chef Cynthia Cooks for the Council Fees, Annual Deductible
FREE EACH VOLUME 28 MONTH ISSUE 7 A community-based newspaper serving the Puget Sound area since 1981 July 2009 Articles translated into six languages TheTheThe newspaper VoiceVoice of Neighborhood House Basic Health program preserved thanks to raised Chef Cynthia cooks for the council fees, annual deductible BY SHA STAFF Basic Health, a state-sponsored program providing low- cost health care coverage for the working poor through private health plans, last month announced that it will increase rates for its enrollees rather than force anyone off the program. Basic Health covers almost 100,000 Washington resi- dents, who pay a portion of the monthly premium based on their income. The program has been hit hard by budget cuts on the part of the Legislature and the Governor. The average enrollee currently pays $36 a month and the state pays the remaining $209. Last month the Health Care Authority, which administers the program, announced a rise in fees. The average enrollee will pay $61.60 in 2010, and the annual deductible, now $150, will increase to $250 on January 1, 2010. As many as 40,000 Basic Health members could have lost coverage under various options under review in the aftermath of the legislature’s 43 percent cut to the Basic Health budget. Those options, now off the table, included providing coverage to only the lowest-income members, cutting off members based on their time with the program, or con- ducting a lottery. In announcing the rate increases, Basic Health admin- PHOTO BY JEN CALLEJA istrator Steven Hill said the rates were raised to protect the High Point resident and volunteer Cynthia Clouser cooks a delicious and healthy meal for the Greenbridge Community Council prior to a recent meeting. -
National Register of Historic Places Multiple Property Documentation Form
NPS Form 10-900-b OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form This form is used for documenting property groups relating to one or several historic contexts. See instructions in National Register Bulletin How to Complete the Multiple Property Documentation Form (formerly 16B). Complete each item by entering the requested information. ___X___ New Submission ________ Amended Submission A. Name of Multiple Property Listing Seattle’s Olmsted Parks and Boulevards (1903–68) B. Associated Historic Contexts None C. Form Prepared by: name/title: Chrisanne Beckner, MS, and Natalie K. Perrin, MS organization: Historical Research Associates, Inc. (HRA) street & number: 1904 Third Ave., Suite 240 city/state/zip: Seattle, WA 98101 e-mail: [email protected]; [email protected] telephone: (503) 247-1319 date: December 15, 2016 D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation form meets the National Register documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. This submission meets the procedural and professional requirements set forth in 36 CFR 60 and the Secretary of the Interior’s Standards and Guidelines for Archeology and Historic Preservation. _______________________________ ______________________ _________________________ Signature of certifying official Title Date _____________________________________ State or Federal Agency or Tribal government I hereby certify that this multiple property documentation form has been approved by the National Register as a basis for evaluating related properties for listing in the National Register. -
Puget Sound) and Hyas Chuck (Lake Washington), the Hills Along This Part of the Bay Sloped Steeply Into the Waters
HISTORY: PARK 11/6/76 When the Duwamish tribe inhabited the land between the Whulge (Puget Sound) and Hyas Chuck (Lake Washington), the hills along this part of the bay sloped steeply into the waters. The flat strip along the waterfront, from Yesler Way to Smith Cove is the result of fills. European explorers renamed many geographic features. In 1791 Captain Vancouver Puget Sound to honor Lt. Peter Puget of his crew. The Wilkes Expedition of 1841 honored a crew member; Edward Me any claims it was the chaplian. Rev. J. L. Elliott, but in 1954 Howard Hanson found that Midshipman Samuel Elliott was honored with the name for Elliott Bay. Lake Washington was in 1854 by Thomas Mercer, The Denny Party landed at Alki Beach in November of 1851 to establish a permanent settle- ment. They had scarcely finished construction of four cabins when a passing brig stopped, looking for a cargo of timber piles which the settlers eagerly provided. But it was obvious that water off shore was for a harbor. So they changed the site of the settle- ment to the shore of Elliott Bay. In 1853 Henry Yesler arrived and the commercial development of the waterfront with the construction of a sawmill. At first, skid roads, wagons and boats were able to supply the demands of the vessels from San Francisco and other ports of call, but when coal was discovered in the 1860's a faster means of overland transport was needed - the railroad. Tracks were laid from the growing town to the south end of Lake Union and by 1374 went to Renton and the mines of New Castle. -
Here the Innovation of Skateboarders Can Truly Flourish
PROJECT // RED BULL SKATE SPACE DATE: 07.12.2013 PROJECT // RED BULL SKATE SPACE DATE: 07.12.2013 WHAT IS SKATE SPACE?_ Red Bull, in cooperation with the Seattle Department of Parks and Recreation and [pro skater] Torey Pudwill, are building a permanent art sculpture for the city of Seattle that is skateable. The sculpture, titled Red Bull Skate Space, will be designed by seasoned artist C.J. Rench to create a truly unique public art experience that explores the creative nexus of public space, athletic skill and individual imagination. This will not be a skate park, it is first and foremost a work of art - but this is art that invites interaction and participation. 2 PROJECT // RED BULL SKATE SPACE DATE: 07.12.2013 WHY SEATTLE?_ Red Bull is drawn to Seattle because it is an influential art and architectural city in an extraordinary natural setting with spectacular views and vistas. “Seattle has really embraced public art and they have a great collection, which I’m excited to be a part of. I completely believe in art and what it can do for a city, and this is a whole new step for it,” says C.J. Rench, selected Skate Space artist. Seattle is an active city with a network of parks, trails and outdoor social spaces and a vibrant skateboarding scene. Seattle also has one of the countries most progressive city wide skate park plans. 3 PROJECT // RED BULL SKATE SPACE DATE: 07.12.2013 SEATTLE CITYWIDE SKATEPARK PLAN_ The city has done a tremendous amount of work with the local skate community to develop Seattle’s Citywide Skatepark Plan. -
Minutes – Annual Run/Walk/Ride Meeting Wednesday, November 13, 2019 10:00Am – 12:00Pm Seattle Municipal Tower, Room 4050/4060
Special Events Committee Meeting Minutes – Annual Run/Walk/Ride Meeting Wednesday, November 13, 2019 10:00am – 12:00pm Seattle Municipal Tower, Room 4050/4060 Special Events Committee Attendees: Angela Rae Department of Neighborhoods Glenn Bartolome KC Metro A/Lt. Morlon Malveaux Medic One Carl Bergquist Parks Rosemary Byrne Public Health Dan Powers SDCI Noise Abatement Mike Shea SDOT Gretchen Lenihan Seattle Center, Acting Chair Lt. Phil Hay SPD Traffic James Olson SPD Pat Kaufman Seattle Public Utilities Julie Borden Special Events Jonelle Mogi Special Events Capt. Tom Dixon WSLCB Lt. Rob Rieder WSLCB Run/Walk/Ride Organizer Attendees: Valerie Robinson American Cancer Society Carla Gochicoa American Heart Association Tom Anderson AndEvents, Inc Ashley Moise Arthritis Foundation Sue Verduin Ballard Foundation, Running of the Beavers P. Alex Comeau Cascade Bicycle Club David Douglas Cascade Bicycle Club Jared Lorganger Fizz Events Nancy Polichene Gray Day Events Aissa Perez Komen Puget Sound Lisa Miller Montlake Turkey Trot Lauren Kelly National MS Society Natalie Plutt National MS Society Ashley Lee Orca Running Danette Felt Resolution to End Homelessness Ilana Balint Run for Good Sue Verduin Running of the Beavers 700 5th Avenue, Suite 5752, PO Box 94708, Seattle, WA 98124 Tel: 206-684-8017 Fax: 206-684-7025 Seattle Special Events Committee Meeting – 11/13/2019 Grant Harrington Snohomish Running Company Jaclyn Rodriguez Swedish Amanda Schulte Swedish Chad Evans The Color Run Additional Attendees: Katy Willis – Visit Seattle Introduction The purpose of the annual run/walk/ride meeting is to (1) review dates, locations, and conflicts between the historic and proposed new events each year, and (2) identify construction, other events or work that may impact run/walk/ride events. -
Masters Thesis
WHERE IS THE PUBLIC IN PUBLIC ART? A CASE STUDY OF MILLENNIUM PARK A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Corrinn Conard, B.A. ***** The Ohio State University 2008 Masters Examination Committee: Approved by Dr. James Sanders III, Advisor Advisor Professor Malcolm Cochran Graduate Program in Art Education ABSTRACT For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art? What is the role of that group believed to be the primary client of such public endeavors? How much power does the public have? Should they have? Do they want? In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. To reveal public opinion, I have conducted a total of 165 surveys at Millennium Park with both Chicago residents and tourists. I have also collected the voices of Chicagoans as I found them in Chicago’s major media source, The Chicago Tribune . The collection of data from my research reveal a glimpse of the Chicago public’s opinion on public art, its value to them, and their rights and roles in the creation of such endeavors. -
October 31, 2019 by ELECTRONIC MAIL Mark Kelly, Commissioner
October 31, 2019 BY ELECTRONIC MAIL Mark Kelly, Commissioner Chicago Department of Cultural Affairs and Special Events 78 E. Washington St., 4th Floor Chicago, IL 60602 [email protected] Re: Unconstitutional Regulation of Millennium Park Dear Mr. Kelly: I write regarding the conduct of security personnel at Refuse Fascism’s October 26, 2019 protest in Millennium Park (the “Park”). Based on witness accounts, Park security made unconstitutional demands of protesters, some of which were based on unconstitutional provisions of the August 26, 2019 Millennium Park Rules (the “Rules”) promulgated by the Department of Cultural Affairs and Special Events (DCASE). 1 I ask for your assurances that such restrictions will not be imposed at future protests, including Refuse Fascism’s demonstrations planned for the next three Saturdays. Public parks are traditional public forums that “have immemorially been held in trust for the use of the public and, time out of mind, have been used for purposes of assembly, communicating thoughts between citizens, and discussing public questions.” Perry Ed. Assn. v. Perry Local Educators' Assn., 460 U.S. 37, 45 (1983) (quoting Hague v. Committee for Industrial Organization, 307 U.S. 496, 515 (1939)). In such places, the government’s authority to restrict speech is limited to “regulations of the time, place, and manner of expression which are content-neutral, are narrowly tailored to serve a significant government interest, and leave open ample alternative channels of communication.” Perry, 460 U.S. at 45. On October 26, Park security officers went well beyond the government’s constitutional authority to regulate speech in a public park. -
Full Beacher
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 20, Number 27 Thursday, July 15, 2004 Grand Afternoons in the Park by Barbara Stodola This summer, trib- ute is being paid to modern leisure in two important happenings along Chicago’s down- town lakefront. On July 16, the official opening will take place for the long-antici- pated Millennium The Art Institute of Chicago has owned Seurat’s Sunday on La Grande Jatte, 1884, since 1926, and this summer Park, with its daz- has mounted a major exhibit exploring the forces that contributed to the making of this masterpiece. zling Frank Gehry sculpture, and the question “Is it finished yet?” will be answered. In the meantime, just south of the park, the Art Institute of Chicago has unveiled its summer show, a probing study of the steps gingerly taken by Georges-Pierre Seurat as he assem- bled his masterpiece, A Sunday On La Grande Jatte, 1884. Seurat Continued on Page 2 The Jay Pritzker Pavilion has fixed seating for 4,000 and a great lawn area to seat another 7,000. THE Page 2 July 15, 2004 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 • FAX 219/879-8070 In Case Of Emergency, Dial e-mail: News/Articles - [email protected] email: Classifieds - [email protected] http://www.bbpnet.com/ PRINTED WITH Published and Printed by TM Trademark of American Soybean Association THE BEACHER BUSINESS PRINTERS Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden 911 Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills. -
WATERFRONT Photographic Interlayer
• 61, 64 67 Seattle Cloud Cover, DENNY WAY Myrtle Teresita Fernández, 2006. Edwards Park Laminated glass wall with C1 WATERFRONT photographic interlayer. Seattle Art Museum BAY ST Collection. ON RAILROAD OVERPASS. • 63 MYRTLE EDWARDS PARK WATERFRONT, NORTH OF BAY STREET. • 62 EAGLE ST 68 Father and Son, Louise Olympic 61 Undercurrents, Laura 64 Adjacent, Against, Sculpture Bourgeois, 2005. Stainless Park Haddad and Tom Drugan, Upon, Michael Heizer, steel and aluminum • 67 BROAD ST 2003. Stainless steel, concrete, 1976. Concrete and granite • 66 • 65 fountain and bronze • 68 stone and landscaping. King sculpture. bell. Seattle Art Museum County Public Art Collection CLAY ST Collection. ALASKAN WAY AND (4Culture). BROAD STREET. CEDAR ST BELL STREET PIER VINE ST 69 Bell Harbor Beacon, Ron Fischer, 1996. Painted steel WALL ST and light sculpture. Port of Seattle Art Collection. BELL ST ALASKAN WAY BETWEEN LENORA AND VIRGINIA STREETS. BLANCHARD ST SEATTLE AQUARIUM ALASKAN WAY PIER 59 AND PIER 60. 70 The Wave Wall, Susan Zoccola, 2007. White paneling. Seattle Parks LENORA ST PHOTO: MICHAEL HEIZER. and Recreation Collection. RECEPTION AND FOYER. SEATTLE ART MUSEUM, OLYMPIC SCULPTURE PARK 69 • VIRGINIA ST 2901 WESTERN AVE. SELECTED ARTWORKS AT LOCATION. WATERFRONT PARK ALASKAN WAY AND UNION STREET. 62 Eagle, Alexander Calder, 65 Neukom Vivarium, Mark 1971. Dion, 2006. Painted steel sculpture. Mixed-media 71 Waterfront Fountain, Seattle Art Museum Collection. WATERFRONT installation and custom James Fitzgerald and Z-PATH BETWEEN NORTH AND WEST greenhouse. Seattle Art 1974. MEADOWS. Margaret Tompkins, Museum Collection. ELLIOTT AVE. Seattle 74 Aquarium • AND BROAD STREET. Bronze fountain. • 70 PIKE ST 63 Wake, Richard Serra, 2004. -
Context Statement
CONTEXT STATEMENT THE CENTRAL WATERFRONT PREPARED FOR: THE HISTORIC PRESERVATION PROGRAM DEPARTMENT OF NEIGHBORHOODS, CITY OF SEATTLE November 2006 THOMAS STREET HISTORY SERVICES 705 EAST THOMAS STREET, #204 SEATTLE, WA 98102 2 Central Waterfront and Environs - Historic Survey & Inventory - Context Statement - November 2006 –Update 1/2/07 THE CENTRAL WATERFRONT CONTEXT STATEMENT for THE 2006 SURVEY AND INVENTORY Central Waterfront Neighborhood Boundaries and Definitions For this study, the Central Waterfront neighborhood covers the waterfront from Battery Street to Columbia Street, and in the east-west direction, from the waterfront to the west side of First Avenue. In addition, it covers a northern area from Battery Street to Broad Street, and in the east- west direction, from Elliott Bay to the west side of Elliott Avenue. In contrast, in many studies, the Central Waterfront refers only to the actual waterfront, usually from around Clay Street to roughly Pier 48 and only extends to the east side of Alaskan Way. This study therefore includes the western edge of Belltown and the corresponding western edge of Downtown. Since it is already an historic district, the Pike Place Market Historic District was not specifically surveyed. Although Alaskan Way and the present shoreline were only built up beginning in the 1890s, the waterfront’s earliest inhabitants, the Native Americans, have long been familiar with this area, the original shoreline and its vicinity. Native Peoples There had been Duwamish encampments along or near Elliott Bay, long before the arrival of the Pioneers in the early 1850s. In fact, the name “Duwamish” is derived from that people’s original name for themselves, “duwAHBSH,” which means “inside people,” and referred to the protected location of their settlements inside the waters of Elliott Bay.1 The cultural traditions of the Duwamish and other coastal Salish tribes were based on reverence for the natural elements and on the change of seasons. -
Uptown Neighborhood Report
City of Seattle Department of Planning & Development D. M. Sugimura, Director EARLY DESIGN GUIDANCE OF THE QUEEN ANNE/ MAGNOLIA DESIGN REVIEW BOARD _______________________________________________________________________________ Project Number: 3012878 Address: 315 1st Avenue North Applicant: Brian Runberg Date of Meeting: March 21, 2012 Board Members Present: David Delfs (Chair) Mindy Black Jacob Connell Jill Kurfirst Lipika Mukerji Bo Zhang DPD Staff Present: Shelley Bolser _______________________________________________________________________________ SITE & VICINITY Neighborhood Commercial Three with a Site Zone: 65’ height limit (NC3-65) Nearby Zones: North: NC3-65 South: NC3-65 East: NC3-85 West: NC3-65 A site occupying most of a ½ block, measuring 36,000 square feet, bordered by Harrison St, 1st Ave N, Thomas St, Lot Area: and an alley. The site slopes slightly, with approximately 10’ of grade change from north down to south. Current A one-story, commercial structure built in 1970 occupies the site. Surface Development: parking lots surround this structure and occupy most of the site. Access: Existing curb cuts and alley access. The site is located in the Uptown Urban Center. This neighborhood includes multifamily housing, community services, restaurants, entertainment and shopping. Directly adjacent to the east side of the site is Key Arena and Seattle Center. East of the site on 1st Avenue North there are residential and retail buildings. Within walking distance from the site there are banks, grocery stores, schools, medical offices, book stores, movie theaters, restaurants, and the Seattle Center. Natural amenities in the area include Lake Union, the park like grounds of the Seattle Center, Kinnear Park, Myrtle Edwards Park and the Olympic Sculpture garden. -
Millennium Park Chicago, Illinois
2009 RUDY BRUNER AWARD: Silver Medal Winner Millennium Park Chicago, Illinois ©BRUNER FOUNDATION, INC. ~ www.brunerfoundation.org SILVER MEDAL WINNER MILLENNIUM PARK © City of Chicago / GRC Aerial view of Millennium Park 88 2009 RUDY BRUNER AWARD Millennium Park at-a-Glance WHAT IS MILLENNIUM PARK? PROJECT GOALS v A 24.5-acre park with venues for performance, art, v To transform the commuter railroad tracks, surface parking sculpture, architecture and landscape architecture, located and degraded parkland in the northwest corner of Grant Park between Chicago’s lakefront and the central business into a landscaped venue for free public programming, district (the Loop). concerts, and events v The transformation of a dilapidated ground-level parking v To create a permanent home for the Grant Park Music Festival lot and rail yard into what may be the world’s largest “green v To provide one-of-a-kind public art spaces as a “gift” to all roof,” covering two multi-level parking lots with a total of the citizens of Chicago from patrons who have made their 4,000 cars, and commuter rail line. fortunes in the city v A park with twelve installations created by well-known artists v To lay the foundation for future private residential and and designers that supports over 500 free cultural programs commercial development in the area each year, forming what the Chicago Tribune art reporter Chris Jones called “arguably the most expansive cultural project in Chicago since the 1893 Columbian Exposition.” v A catalyst for economic impacts, including estimated increases in nearby real estate values that total $1.4 billion and an increase in tourism revenues of $2.6 billion over a projected year period.