Romantic Poetry
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{PDF EPUB} Rejected Addresses: and Other Poems by James Smith
Read Ebook {PDF EPUB} Rejected addresses: and other poems by James Smith Jun 25, 2010 · Rejected addresses, and other poems Paperback – June 25, 2010 by Epes Sargent (Author), Horace Smith (Author), James Smith (Author) › Visit Amazon's James Smith Page. Find all the books, read about the author, and more. See search results for this author. Are you an author?Author: Epes Sargent, Horace Smith, James SmithFormat: PaperbackRejected Addresses, and other poems. ... With portraits ...https://www.amazon.com/Rejected-Addresses...Rejected Addresses, and other poems. ... With portraits and a biographical sketch. Edited by E. Sargent. [Smith, James, Sargent, Epes, Smith, Horatio] on Amazon.com. *FREE* shipping on qualifying offers. Rejected Addresses, and other poems. ... With portraits and a biographical sketch. Edited by E. Sargent. Jun 22, 2008 · Rejected Addresses: And Other Poems by James Smith, Horace Smith. Publication date 1871 Publisher G. P. Putnam & sons Collection americana Digitizing sponsor Google Book from the collections of University of Michigan Language English.Pages: 441Rejected Addresses, and other poems. ... With portraits ...https://books.apple.com/us/book/rejected-addresses...The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collectio… Rejected addresses, and other poems Item Preview remove-circle Share or Embed This Item. EMBED. EMBED (for wordpress.com hosted blogs and archive.org item <description> tags) Want more? Advanced embedding details, examples, and help! ...Pages: 460Rejected addresses, and other poems. -
Horace Smith - Poems
Classic Poetry Series Horace Smith - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Horace Smith(31 December 1779 - 12 July 1849) Horace (born Horatio) Smith was an English poet and novelist, perhaps best known for his participation in a sonnet-writing competition with <a href="http://www.poemhunter.com/percy-bysshe-shelley/">Percy Bysshe Shelley</a>. It was of him that Shelley said: "Is it not odd that the only truly generous person I ever knew who had money enough to be generous with should be a stockbroker? He writes poetry and pastoral dramas and yet knows how to make money, and does make it, and is still generous." <b>Biography</b> Smith was born in London, the son of a London solicitor, and the fifth of eight children. He was educated at Chigwell School with his elder brother James Smith, also a writer. Horace first came to public attention in 1812 when he and his brother James (four years older than he) produced a popular literary parody connected to the rebuilding of the Drury Lane Theatre, after a fire in which it had been burnt down. The managers offered a prize of £50 for an address to be recited at the Theatre's reopening in October. The Smith brothers hit on the idea of pretending that the most popular poets of the day had entered the competition and writing a book of addresses rejected from the competition in parody of their various styles. James wrote the parodies of Wordsworth, Southey, Coleridge and Crabbe, and Horace took on Byron, Moore, Scott and Bowles. -
The River Duddon (End Underline)
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2007-11-29 Wordsworth's Evolving Project: Nature, the Satanic School, and (underline) The River Duddon (end underline) Kimberly Jones May Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation May, Kimberly Jones, "Wordsworth's Evolving Project: Nature, the Satanic School, and (underline) The River Duddon (end underline)" (2007). Theses and Dissertations. 1247. https://scholarsarchive.byu.edu/etd/1247 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. WORDSWORTH’S EVOLVING PROJECT: NATURE, THE “SATANIC SCHOOL,” AND THE RIVER DUDDON by Kimberly Jones May A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of English Brigham Young University December 2007 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Kimberly Jones May This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. November 16, 2007 Date Nicholas Mason, Chair November 16, 2007 Date Dan Muhlestein, Reader November 16, 2007 Date Matthew Wickman, Reader -
ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
Introduction
Introduction The Ladies, I should tell you, have been dealing largely and profitably at the shop of the Muses. And the Hon. Mrs. Norton ... has been proving that she has some of the true ink in her veins, and has taken down several big boys in Mr. Colburn's Great Burlington School. Mrs. Hemans, too, has been kindly noticed by Mr. Murray, and has accomplished the difficult feat of a second edition. Apollo is beginning to discharge his retinue of sprawling men-servants, and to have handmaids about his immortal person, to dust his rays and polish his bow and fire-irons. If the great He- Creatures intend to get into place again, they must take Mrs. Bramble's advice, and "have an eye to the maids." -John Hamilton Reynolds (1832) Although their influence and even their existence has been largely unac knowledged by literary scholars and critics throughout most of the twentieth century, women poets were, as their contemporary John Hamilton Reynolds nervously acknowledged, a force to be reckoned with in early-nineteenth century Britain.1 Not only Felicia Hemans and Caroline Norton but Letitia Elizabeth Landon and Mary Howitt were major players and serious competi tors in the literary marketplace of Reynolds's time. Their poetry was reviewed in the most prestigious journals, respected by discerning readers, reprinted, imitated, anthologized, sung, memorized for recitation, copied into com monplace books, and bought by the public. Before their time, prominent writers such as Joanna Baillie, Anna Letitia Barbauld, Hannah More, Mary Robinson, Anna Seward, Charlotte Smith, Mary Tighe, and others helped to change the landscape of British poetry both in style and in subject matter. -
The Poets and Poetry of Scotland
THE POETS AND POETRY OF SCOTLAND. PERIOD 1777 TO 1876. THOMAS CAMPBELL Born 1777 — Died 1844. THOMAS CAMPBELL, so justly and himself of the instructions of the celebrated poetically called the "Bard of Hope," was Heyne, and attained such proficiency in Greek bom in High Street, Glasgow, July 27, 1777, and the classics generally that he was re- and was the youngest of a family of eleven garded as one of the best classical scholars of children. His father was connected with good his day. In speaking of his college career, families in Argyleshire, and had carried on a which was extended to five sessions, it is prosperous trade as a Virginian merchant, but worthy of notice that Professor Young, in met with heavy losses at the outbreak of the awarding to Campbell a prize for the best American war. The poet was particularly translation of the Clouds of Aristophanes, pro- fortunate in the. intellectual character of his nounced it to be the best exercise which had parents, his father being the intimate friend of ever been given in by any student belonging the celebrated Dr. Thomas Reid, author of the to the university. In original poetry he Inquiry into the. Human Mind, after whom he was also distinguished above all his class- received his Christian name, while his mother mates, so that in 1793 his "Poem on Descrip- was distinguished by her love of general litera- tion" obtained the prize in the logic class. ture, combined with sound understanding and Amongst his college companions Campbell a refined taste. Campbell afforded early indi- soon became known as a poet and wit; and on cations of genius; as a child he was fond of one occasion, the students having in vain made ballad poetry, and at the age of ten composed repeated application for a holiday' in commem- verses exhibiting the delicate appreciation of oration of some public event, he sent in a peti- the graceful flow and music of language for tion in verse, with which the professor was so which his poetry was afterwards so highly dis- pleased that the holiday was granted in com- tinguished. -
A Manuscript Poem by Letitia Elizabeth Landon ("L.E.L.")
Connotations Vol. 3.2 (1993/94) Christmas as Humbug: A Manuscript Poem by Letitia Elizabeth Landon ("L.E.L.") F. J. SYPHER "L.E.L." -as she signed her work-enjoyed great popularity and esteem during the 1820s and 1830s, not only in England, but also in the United States and on the European Continent.1 Landon was a literary prodigy, who started to compose poems as a child and began publishing in March 1820, when she was seventeen years old. She died at the age of thirty-six, in West Africa, where she had gone to live after her marriage in June 1838 to George Maclean, governor of the British post at Cape Coast (in present-day Ghana). In her remarkably productive career, Landon wrote seventeen volumes of poetry, three substantial novels, two books of short stories, a tragedy, countless reviews and critical articles, and many other works, in addition to journals and letters. In fact, considering the quantity and variety of her work, and the high regard accorded it by contempora- ries, one might make a case for Landon as one of the most prominent English poets during the period between the death of Byron in 1824 and the emergence of the great Victorians. Among specific reasons why her poetry is not better known today, is perhaps her early predilection for the now-obsolete genre of romantic verse narrative as, for instance, in The Improvisatrice (1824), or The Troubadour (1825), which were inspired by Sir WaIter Scott's poems. Furthermore, many of Landon's poems appeared in annual volumes like Forget Me Not, The Keepsake, or Fisher's Drawing Room Scrap Book-gift-books which enjoyed a great vogue at the time but went out of fashion in the 1840s, when Landon's work went out too, as if by association with an outmoded cultural phenomenon. -
Othello and Its Rewritings, from Nineteenth-Century Burlesque to Post- Colonial Tragedy
Black Rams and Extravagant Strangers: Shakespeare’s Othello and its Rewritings, from Nineteenth-Century Burlesque to Post- Colonial Tragedy Catherine Ann Rosario Goldsmiths, University of London PhD thesis 1 Declaration I declare that the work presented in this thesis is my own. 2 Acknowledgements Firstly, I want to thank my supervisor John London for his immense generosity, as it is through countless discussions with him that I have been able to crystallise and evolve my ideas. I should also like to thank my family who, as ever, have been so supportive, and my parents, in particular, for engaging with my research, and Ebi for being Ebi. Talking things over with my friends, and getting feedback, has also been very helpful. My particular thanks go to Lucy Jenks, Jay Luxembourg, Carrie Byrne, Corin Depper, Andrew Bryant, Emma Pask, Tony Crowley and Gareth Krisman, and to Rob Lapsley whose brilliant Theory evening classes first inspired me to return to academia. Lastly, I should like to thank all the assistance that I have had from Goldsmiths Library, the British Library, Senate House Library, the Birmingham Shakespeare Collection at Birmingham Central Library, Shakespeare’s Birthplace Trust and the Shakespeare Centre Library and Archive. 3 Abstract The labyrinthine levels through which Othello moves, as Shakespeare draws on myriad theatrical forms in adapting a bald little tale, gives his characters a scintillating energy, a refusal to be domesticated in language. They remain as Derridian monsters, evading any enclosures, with the tragedy teetering perilously close to farce. Because of this fragility of identity, and Shakespeare’s radical decision to have a black tragic protagonist, Othello has attracted subsequent dramatists caught in their own identity struggles. -
Abbreviations Used in the Notes
ABBREVIATIONS USED IN THE NOTES The following list is for use in connection with the short-form citations in Notes to the Introduction (beginning at p. 148 below) and Notes to the Poems (beginning at p. 150 below). BL S. T. Coleridge, Biographia Literaria, 2 vols (London, 1817); ed. J. Shawcross, 2 vols (Oxford, 1907). EY The Letters of William and Dorothy Wordsworth: The Early Years, 1787-1805, ed. Ernest de Selincourt (Oxford, 1935); 2nd edn rev. Chester L. Shaver (Oxford, 1967). See also LY and MY, below. HD William Wordsworth, Poems in Two Volumes, ed. Helen Darbishire (Oxford, 1914; 2nd edn, 1952). Hutchinson William Wordsworth, Poems in Two Volumes, ed. Thomas Hutchinson, 2 vols (London, 1897). IF Notes dictated by Wordsworth to Isabella Fenwick. JDW Journals of Dorothy Wordsworth, ed. Mary Moorman (Oxford, 1971) - notably the Alfoxden and Grasmere Journals. LSTC Collected Letters of Samuel Taylor Coleridge, ed. E. L. Griggs, 6 vols (Oxford, 1956-71). LY I, II The Letters of William and Dorothy Wordsworth: The Later Years, 1821-1834, ed. Ernest de Selincourt (Oxford, 1938-9); 2nd edn rev. Alan G. Hill (Oxford, 1978-9). See also EY above, and MY below. MS.L. Longman MS, British Library Add. MS. 47864. [Cf. A Description of the Wordsworth and Coleridge Manuscripts in the Possession of Mr T. Norton Longman, ed. W. Hale White (London, 1897).] MYI The Letters of William and Dorothy Wordsworth: The Middle Years, Part I, 1806-1811, ed. Ernest de Selincourt (Oxford, 1936); 2nd edn rev. Mary Moorman (Oxford, 1969). MY II The Letters of William and Dorothy Wordsworth: The Middle Years, Part II, 1812-1820, ed. -
COLLECTION NAME: Landon (Letitia) Collection. DETAILED CONTENTS: SECTION A. TEXTS. A:1. "The Legacy of the Lute." [Poe
MS COLLECTION NAME: Landon (Letitia) collection. 223 Page 3 DETAILED CONTENTS: SECTION A. TEXTS. • A:1. "The Legacy of the Lute." [poec --draft] 4 pieces. p. 1: "The <Legacy of the> Lute. Come take the lute-- the lute I touch ••• " p. 2: "The Minstrel lute! oh, touch it not •.• " p. 3: "Away upon the autumn wind; • • • \-/hose only music was thy nan:e. L.E.L." p. 3[b]: "The shades of past delight Fling down the wreath, and break the lute They mock our souls tonight. L.E.L". [This scrap is tipped onto the foot of p. 3, and is also marked 3.] p. 3 docketed: "L.E.L. -- Poetry. ~~g WJ Early proof" A:2. The Sailor. [poem -- late draft] 2 pieces. p. [1]: "The Sailor~e-LePe [?]. He was their last and their only child ••• p. [2]: "That night it was a servant's hand ••• And the wan waves were breaking. L.E.L." Originally written on a long "galley-proof" slip (20.5 x 4.5"); then cut into 2 pieces ca 10" high. p. 2 docketed: "The Sailor's [illegible]" Published as "The Sailor" in Friendship's Offering 25:238, ace. to Boyle. A:3. [The Altered River.] [poe~-- fair copy.] 1 p., in two columns. {1 piece) "Thou lovely river, thou ar't now .•. and when have dreams not flown. L.E.L." • Marked in pencil "310" and "3[4?]3". Published as "The Altered River" in Keepsake 29:310, ace. to Eoyle. A:4. "Farewell." [poem-- gift copy.] 1 p. and docketing. -
Issue 130 (April 200
26 The 2005 Elian Birthday Toast By DICK WATSON The 2005 Elian Birthday Toast was held on Saturday, 19 February at the Royal College of General Practitioners, South Kensington, London ON AN OCCASION SUCH AS A BIRTHDAY LUNCH, it is natural to think of anniversaries. It is this which was in my mind when I reflected that exactly two hundred years ago, to the day, on 19 February 1805, Charles Lamb was writing to William Wordsworth. It was the second letter in two days, referring to the death of Wordsworth’s brother John in the shipwreck of the Earl of Abergavenny off Portland. It was an event which affected the poet, and indeed the whole family, very deeply, and which was only partially resolved in the ‘Elegiac Stanzas’ which Wordsworth wrote after seeing Sir George Beaumont’s picture of Peele Castle in a Storm. As Richard E. Matlak has shown in Deep Distresses, John Wordsworth had, by dint of hard work and good conduct, risen to become the captain of an East Indiaman. A captain in such a position stood to gain much from a voyage, and John had hoped to get enough money to set the family up in comfort. He required capital from the venture, and both William and Dorothy invested money in it. The ship set sail from Portsmouth on 1 February, and ran into bad weather. The pilot tried to run for shelter, but the ship struck a rock at four o’clock in the afternoon of 5 February. According to one account, John Wordsworth is supposed to have said, ‘Oh Pilot! Pilot! You have ruined me!’ Some of the crew and passengers got ashore in boats, but of the 402 passengers on board only 100 were saved. -
Palestine, and Other Poems
o 4 ^ < H O ,<y , o « ) 'o, k PALESTINE, AND OTHER POEMS BY THE LATE RIGHT REV. REGINALD HEBER, D. D. LORD BISHOP OF CALCUTTA. NOW FIRST COLLECTED. WITH A MEMOIR OF HIS LIFE. PHILADELPHIA: CAREY, LEA AND CAREY—CHESNUT STREET, . SOLD IN NEW YORK BY G. & C. CARVILL BOSTON BY MUNROE & FRANCIS. 1828. : : xf Eastern District of Pennsylvania, to uit Be it Remembered, that on the nineteenth day of May, in the fifty-second year of the Independence of the United States of America, A. D. 1828, Carey, Lea, and Carey, of the said District, have deposited in this office the title of a book, the right whereof they claim as pro- prietors, in the words following, to wit Palestine, and other Poems. By the late Right Rev. Reginald Heber, D. D. Lord Bishop of Calcutta. Now first collected. With a Memoir of his Life. In conformity to the Act of Congress of the United States, entitled " An Act for the encouragement of learn- ing, by- securing the copies of maps, charts, and books, to the authors and proprietors of such copies, during the times therein mentioned"—and also to the Act, entitled " An Act supplementary to an Act, entitled ' An act for the encouragement of learning, by securing the copies of maps, charts, and books, to the authors and proprietors of such copies during the times therein mentioned,' and extending the benefits thereof to the arts of designing, engraving, and etching historical and other prints." D. CALDWELL, Clerk of the Eastern District of Pennsylvania. Adam Waldic & Co. Printers.