Palestine, and Other Poems
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Representation and Spatial Practice in Varanasi (India)
Sacred Journeys and Profane Travellers: Representation and Spatial Practice in Varanasi (India) Cristiana Zara Degree of Doctor of Philosophy December 2011 DEPARTMENT OF GEOGRAPHY ROYAL HOLLOWAY, UNIVERSITY OF LONDON Declaration of Authorship I Cristiana Zara hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. 2 ABSTRACT This thesis is concerned with tourist representations and practices in India. Orientalist aesthetics have often associated this country with notions of spirituality and mysticism; tourist narratives sustain and reinforce such representations by describing India as a land of ancient rituals and timeless traditions. The visual construction of India’s ‘spiritual landscapes’ has been largely deployed as a powerful tool for subduing the unfamiliar Other within reassuring epistemological categories. However, tourism research has recently become interested in exploring the role of tourist practices in landscape production. Not only do tourists ‘gaze upon’ landscapes, they also script landscapes through practices and performances. By focusing on the case of Varanasi, the Indian pilgrimage city on the banks of the Ganges, this thesis shows how tourist practices (re)produce and make sense of the city’s ‘sacredscape’. Special attention is paid to the riverfront, which epitomizes the cultural and spiritual significance ascribed to the city. Both Hindu and tourist narratives depict the riverfront as embodying a special power, a unique meaning, whether this uniqueness is held to be a ‘spiritual’ or a ‘picturesque’ one. The thesis analyses the city’s riverfront as the place where tourist, ritual, and day-to-day activities are played out and negotiated, and where the aesthetics of landscape is confronted with the materialities and the practices inherent to this place. -
Introduction
Introduction The Ladies, I should tell you, have been dealing largely and profitably at the shop of the Muses. And the Hon. Mrs. Norton ... has been proving that she has some of the true ink in her veins, and has taken down several big boys in Mr. Colburn's Great Burlington School. Mrs. Hemans, too, has been kindly noticed by Mr. Murray, and has accomplished the difficult feat of a second edition. Apollo is beginning to discharge his retinue of sprawling men-servants, and to have handmaids about his immortal person, to dust his rays and polish his bow and fire-irons. If the great He- Creatures intend to get into place again, they must take Mrs. Bramble's advice, and "have an eye to the maids." -John Hamilton Reynolds (1832) Although their influence and even their existence has been largely unac knowledged by literary scholars and critics throughout most of the twentieth century, women poets were, as their contemporary John Hamilton Reynolds nervously acknowledged, a force to be reckoned with in early-nineteenth century Britain.1 Not only Felicia Hemans and Caroline Norton but Letitia Elizabeth Landon and Mary Howitt were major players and serious competi tors in the literary marketplace of Reynolds's time. Their poetry was reviewed in the most prestigious journals, respected by discerning readers, reprinted, imitated, anthologized, sung, memorized for recitation, copied into com monplace books, and bought by the public. Before their time, prominent writers such as Joanna Baillie, Anna Letitia Barbauld, Hannah More, Mary Robinson, Anna Seward, Charlotte Smith, Mary Tighe, and others helped to change the landscape of British poetry both in style and in subject matter. -
Oxford Book Fair List 2014
BERNARD QUARITCH LTD OXFORD BOOK FAIR LIST including NEW ACQUISITIONS ● APRIL 2014 Main Hall, Oxford Brookes University (Headington Hill Campus) Gipsy Lane, Oxford OX3 0BP Stand 87 Saturday 26th April 12 noon – 6pm - & - Sunday 27th April 10am – 4pm A MEMOIR OF JOHN ADAM, PRESENTED TO THE FORMER PRIME MINISTER LORD GRENVILLE BY WILLIAM ADAM 1. [ADAM, William (editor).] Description and Representation of the Mural Monument, Erected in the Cathedral of Calcutta, by General Subscription, to the Memory of John Adam, Designed and Executed by Richard Westmacott, R.A. [?Edinburgh, ?William Adam, circa 1830]. 4to (262 x 203mm), pp. [4 (blank ll.)], [1]-2 (‘Address of the British Inhabitants of Calcutta, to John Adam, on his Embarking for England in March 1825’), [2 (contents, verso blank)], [2 (blank l.)], [2 (title, verso blank)], [1]-2 (‘Description of the Monument’), [2 (‘Inscription on the Base of the Tomb’, verso blank)], [2 (‘Translation of Claudian’)], [1 (‘Extract of a Letter from … Reginald Heber … to … Charles Williams Wynn’)], [2 (‘Extract from a Sermon of Bishop Heber, Preached at Calcutta on Christmas Day, 1825’)], [1 (blank)]; mounted engraved plate on india by J. Horsburgh after Westmacott, retaining tissue guard; some light spotting, a little heavier on plate; contemporary straight-grained [?Scottish] black morocco [?for Adam for presentation], endpapers watermarked 1829, boards with broad borders of palmette and flower-and-thistle rolls, upper board lettered in blind ‘Monument to John Adam Erected at Calcutta 1827’, turn-ins roll-tooled in blind, mustard-yellow endpapers, all edges gilt; slightly rubbed and scuffed, otherwise very good; provenance: William Wyndham Grenville, Baron Grenville, 3 March 1830 (1759-1834, autograph presentation inscription from William Adam on preliminary blank and tipped-in autograph letter signed from Adam to Grenville, Edinburgh, 6 March 1830, 3pp on a bifolium, addressed on final page). -
Holy, Holy, Holy
2 “Holy, Holy, Holy” Hymns Ancient and Modern in 1861, the text “Holy, Holy, Holy” has consistently been set to the Reginald Heber, an Anglican clergyman, wrote the tune NICAEA. Composed by John Bacchus Dykes, a hymn “Holy, Holy, Holy” for use on Trinity Sunday, child prodigy who at the age of ten became the the Sunday after Pentecost. Part of Heber’s collec- organist at his father’s parish church in Kingston tion of hymns for use with the Anglican Church upon Hull, NICAEA was written especially for “Holy, calendar, “Holy, Holy, Holy” was acclaimed by the Holy, Holy.” Dykes was born in 1823, the year British Poet Laureate, Alfred, Lord Tennyson, as Heber left England for Calcutta. He studied at “the world’s greatest hymn.” It is perhaps the best Cambridge, took ordination in 1847, continued his known of more than 50 hymn texts by Heber. education in music at the University of Durham, (Others include “From Greenland’s Icy Mountains,” and served various Durham congregations. The and “Brightest and Best of the Sons of the Morn- Oxford Movement, with its High Church tenden- It is illegal to photocopy this music. ing.”) cies and revitalization of Anglican worship, beck- The son of an Anglican rector, Heber came oned Dykes who soon became one of its principal from an illustrious Tory family noted through gen- composers. He provided some 300 singable tunes erations for loyalty to Church and crown. During Holy, Holy, Holy Holy, Holy, for England’s prolific hymn writers. Dykes’ tunes his years at Oxford, he distinguished himself in the quickly became standard repertory for major Ameri- study of Latin and Greek and was elected in 1804 a can hymnals. -
Reginald Heber's Arthurian Poems and His Poetic Struggle in the 1810S Sub Title レジナルド・ A
Title The 'Heroinic quest': Reginald Heber's Arthurian poems and his poetic struggle in the 1810s Sub Title レジナルド・ヒーバーのアーサー王物語詩と「ヒロインの探索譚」 Author 高橋, 勇(Takahashi, Isamu) Publisher 慶應義塾大学藝文学会 Publication year 2008 Jtitle 藝文研究 (The geibun-kenkyu : journal of arts and letters). Vol.95, (2008. 12) ,p.528(69)- 549(48) Abstract Notes 岩松研吉郎教授高宮利行教授退任記念論文集 Genre Journal Article URL http://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=AN00072643-00950001 -0549 Powered by TCPDF (www.tcpdf.org) The 'Heroinic Quest' : Reginald Heber's Arthurian Poems and his Poetic Struggle in the 1810s Isamu TAKAHASHI In a letter of 1819, Reginald Heber (1783-1826), an Anglican clergy man and later bishop of Calcutta, remembers 'a sort of epic poem on the subject of Arthur', which was abandoned because of the pressure of his parochial duties. 1 This was the Morte D 'Arthur (hereafter Morte), posthumously published as a three-canto fragment in 1830.2 According to his widow Amelia, it was begun around 1812,3 a dating which places Heber as an Arthurian writer well before Alfred. Tennyson or even Waiter Scott (with his Bridal of Triermain in 1813). Henry Hart Milman writ ing in 1830 deems it as 'among the least successful [ ... ] of his poetical attempts' because it 'wants the stirring life of romance'. 4 We have to note, however, that Milman was writing eighteen years after Morte had been started. Its belated publication destroyed the impact it would have had on the public in the 181 Os. M o rte was one of the serious literary ventures he was drawing up in the 1810s, when he was struggling in search of his future as a poet, and its significance is to be sought prima rily in its novelty: he clearly pushed ahead with Waiter Scott's project of a poetry based on the medieval romance. -
VENICE in VARANASI Fluid Landscapes, Aesthetic Encounters and the Unexpected Geographies of Tourist Representation
VENICE IN VARANASI Fluid landscapes, aesthetic encounters and the unexpected geographies of tourist representation [Received January 29th 2021; accepted March 28th 2021 – DOI: 10.21463/shima.121] Cristiana Zara University of Verona <[email protected]> ABSTRACT: This article has developed from a broader research project on tourist representations and practices in Varanasi, India’s renowned sacred city and popular tourist destination situated by the ‘holy’ Ganges. Here, a recurring ‘sense of Venice’ emerged from Western travel narratives and landscape representations, evoked by both visual and more- than-visual encounters. Drawing on cultural geographies of landscape engaging postcolonial, representational and non-representational theories, the article unravels Venice’s capacity to exist beyond Venice and to mobilise affectual aesthetic connections across different social, material, spatial and temporal contexts. Through an empirical analysis of aesthetic experiences of ‘Venice-in-Varanasi’, it illuminates the ontological liminality of Venice as waterland and image and its epistemological capacity to navigate the entangled material, affective and representational modes through which we encounter the world. Advancing relational theories of landscape via an empirical focus on the waterscapes of Venice and Varanasi, the article contributes to water studies and critical tourism by proposing a fluid and mobile ontology of landscape which seeks to destabilise the representational/non-representational binary, thus feeding into growing research in this direction. KEYWORDS: Venice-Varanasi, waterscapes, more-than-representational, landscape-in- relation, more-than-visual-aesthetics Introduction Long walk at dusk from the orange Raj Ghat bridge shimmering in sunset water, along the ghats riverfront – huge walls & towers & rocks & balconies – a prospect along the bend of the river like Venice along Grand Canal or seen from Judecca. -
As Epistemic Strategy in Hemans's Records Of
R OMANTICT EXTUALITIES LITERATURE AND PRINT CULTURE, 1780–1840 • ISSN 1748-0116 ◆ ISSUE 23 ◆ SUMMER 2020 ◆ SPECIAL ISSUE : THE MINERVA PRESS AND THE LITERARY MARKETPLACE ◆ www.romtext.org.uk ◆ CARDIFF UNIVERSITY PRESS ◆ 2 romantic textualities 23 Romantic Textualities: Literature and Print Culture, 1780–1840, 23 (Summer 2020) Available online at <www.romtext.org.uk/>; archive of record at <https://publications.cardiffuniversitypress.org/index.php/RomText>. Journal DOI: 10.18573/issn.1748-0116 ◆ Issue DOI: 10.18573/romtext.i23 Romantic Textualities is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. Unless otherwise noted, the material contained in this journal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (cc by-nc-nd) Interna- tional License. See https://creativecommons.org/licenses/by-nc-nd/4.0/ for more information. Origi- nal copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Romantic Textualities is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. Find out more about the press at cardiffuniversitypress.org. Editors: Anthony Mandal, -
The Poet and the Woman: a Study of Felicia Hemans's Letters
The poet and the woman : a study of Felicia Hemans’s letters Marie-Joshua Huet To cite this version: Marie-Joshua Huet. The poet and the woman : a study of Felicia Hemans’s letters. Humanities and Social Sciences. 2017. dumas-02110525 HAL Id: dumas-02110525 https://dumas.ccsd.cnrs.fr/dumas-02110525 Submitted on 25 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Table of contents. Acknowledgments. ...........................................................................................................4 Introduction.......................................................................................................................5 FELICIA HEMANS AND HER LETTERS......................................................................9 1. Felicia Hemans's biography..................................................................................10 2. Presentation of the three primary sources.............................................................13 -
Quaritch Catalogue 1430 Philosophy, Politics and Economics
QUARITCH CATALOGUE 1430 PHILOSOPHY, POLITICS AND ECONOMICS (a simple thematic index is provided at the end of the catalogue) BERNARD QUARITCH 40 South Audley Street London W1K 2PR [email protected] QUARITCH CATALOGUE 1430 PHILOSOPHY, POLITICS AND ECONOMICS A MEMOIR OF JOHN ADAM, PRESENTED TO THE FORMER PRIME MINISTER LORD GRENVILLE BY WILLIAM ADAM 1. [ADAM, William (editor).] Description and Representation of the Mural Monument, Erected in the Cathedral of Calcutta, by General Subscription, to the Memory of John Adam, Designed and Executed by Richard Westmacott, R.A. [?Edinburgh: ?William Adam, circa 1830]. 4to, pp. [4 (blank ll.)], [1]-2 (‘Address of the British Inhabitants of Calcutta, to John Adam, on his Embarking for England in March 1825’), [2 (contents, verso blank)], [2 (blank l.)], [2 (title, verso blank)], [1]-2 (‘Description of the Monument’), [2 (‘Inscription on the Base of the Tomb’, verso blank)], [2 (‘Translation of Claudian’)], [1 (‘Extract of a Letter from … Reginald Heber … to … Charles Williams Wynn’)], [2 (‘Extract from a Sermon of Bishop Heber, Preached at Calcutta on Christmas Day, 1825’)], [1 (blank)]; mounted engraved plate on india by J. Horsburgh after Westmacott, retaining tissue guard; some light spotting, a little heavier on plate; contemporary straight-grained [?Scottish] black morocco [?for Adam for presentation], endpapers watermarked 1829, boards with broad borders of palmette and flower-and-thistle rolls, upper board lettered in blind ‘Monument to John Adam Erected at Calcutta 1827’, turn-ins roll-tooled in blind, mustard- yellow endpapers, all edges gilt; slightly rubbed and scuffed, otherwise very good; provenance: William Wyndham Grenville, Baron Grenville, 3 March 1830 (1759-1834, autograph presentation inscription from William Adam on preliminary blank and tipped-in autograph letter signed from Adam to Grenville, Edinburgh, 6 March 1830, 3pp on a bifolium, addressed on final page). -
Sacred and Profane in the Religiosity of Brahmanical Banaras: Past to Present
Journal of Historical Archaeology & Anthropological Sciences Research Article Open Access Sacred and profane in the religiosity of Brahmanical Banaras: past to present Abstract Volume 4 Issue 3 - 2019 Banaras or Varanasi, name of ancient city Kasi, located on the western bank of the Ganges is known as unique ancient historical city; one of the oldest continuously settled cities of Vijaya Laxmi Singh the world. Its origin is considered to be timeless. The vast cultural zone of Varanasi has Associate Professor, Faculty of Social Sciences, University of been divided into two tendencies of occupation: the banks of the major river Ganga and Delhi, India the habitats and the habitats of the inland of the smaller river streams. These two have been termed as the “Kasi Varanasi” and the “Varanasi-Sarnath” regions and both these regions Correspondence: Vijaya Laxmi Singh, Associate Professor, Faculty of Social Sciences, University of Delhi, Delhi, India, appear to have historical and religious significance. We do have Islamic and other religions Email presence in Banaras but our task as present is to discuss the sacred and profane in the religiosity of Brahmanical Banaras and it’s linkages since ancient times. This subject has Received: March 07, 2019 | Published: June 13, 2019 been approached with a dynamic perspective; through assimilation of past and present in reference to the archaeology, mythology, geography, art and history and cultures as well as other sources of information on the lives and history of people: men and women. The study focuses on data collection, ranging from theoretical to narrations, storytelling, observation of rituals, site visits (City, Temples, Ghats and Punchakoshi pilgrimage) which becomes important to integrate complex issues of religion and socio-economic culture, specific objects, and landscapes and structures. -
The Poet and the Profits: Felicia Hemans and the Literary Marketplace
University of South Carolina Scholar Commons Faculty Publications English Language and Literatures, Department of 1997 The oP et and the Profits: Felicia Hemans and the Literary Marketplace Paula R. Feldman University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/engl_facpub Part of the English Language and Literature Commons Publication Info Published in Keats-Shelley Journal, Volume 46, 1997, pages 148-176. Feldman, P.R. (1997). The oeP t and the Profits: eF licia Hemans and the Literary Marketplace. Keats-Shelley Journal, 46, 148-176. © 1997 Keats-Shelley Association of America, Inc. This Article is brought to you by the English Language and Literatures, Department of at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Poet and the Profits: Felicia Hemans and the LiteraryMarketplace PAULA R. FELDMAN HAT did it mean-in financial terms-to be a success- ful Romantic woman poet? What were the economic realities and possibilities of her life? What standard of living could she achieve? Was it possible to maintain a middle-class household on poetry writing alone? What were the most lucrative sources of income from poetry production, and how did financial considerations affect a poet's literary decisions? To what extent might a woman poet participate in negotiating terms with publishers and even in making marketing decisions about her work? How might economic decisions affect her poetic reputation? We are remarkably ignorant about such matters. -
Abdul Masih: Icon of Indian Indigeneity Graham Kings
Abdul Masih: Icon of Indian Indigeneity Graham Kings ho is this sea ted In its subject.7 This famous, early, W dian so sere ne an d dignified convert from Islam calm ? What is he reading, wi th became a medical missionary concentrated med itation, that and evangelist amonghis own is so eviden tly precio us? What people.He was the firs t Indian are those books and bottles in to be employed as a catechis t the background? Why was he (evangelist) bythe Church Mis celebrated wi th sucha comm is sionary Society and in 1825 be sioned portrait?Wh o is this man came the second Indian or whospans the centuries, speaks dained Anglican clergyman," to us in his silence, and draws The portrai t directs atten tion us into studying w ha t he him to the particular items that re self is reading? , late to Masih's significa nce as The re is no written clue on an icon of Indian indigene ity: th e front of the pai nting, buton his turban,his open Scriptures, tu rn ing it over the wordscanbe his books, and his medicine seen in ink: "The Revd. Abd ul bottles. Masseeh. Henr y Martyn's one convert- orda ine d by Bish op The Turban: A Heber. Revd. G. E.Corrie,Jesus Muslim Convert Coli : Cambridge. Luggage Train." Shaikh Salih cho se the name I first saw this portrait in '" , Abdul Masih, Servan t of the 1993. Graha m Cray, the princi Mes siah, at his baptism in the palof Ridley Ha ll, the evangeli Old Church, Calcutta, on the cal Ang lican theological college d ay of Pen tecost, 1811.