Abbreviations Used in the Notes

Total Page:16

File Type:pdf, Size:1020Kb

Abbreviations Used in the Notes ABBREVIATIONS USED IN THE NOTES The following list is for use in connection with the short-form citations in Notes to the Introduction (beginning at p. 148 below) and Notes to the Poems (beginning at p. 150 below). BL S. T. Coleridge, Biographia Literaria, 2 vols (London, 1817); ed. J. Shawcross, 2 vols (Oxford, 1907). EY The Letters of William and Dorothy Wordsworth: The Early Years, 1787-1805, ed. Ernest de Selincourt (Oxford, 1935); 2nd edn rev. Chester L. Shaver (Oxford, 1967). See also LY and MY, below. HD William Wordsworth, Poems in Two Volumes, ed. Helen Darbishire (Oxford, 1914; 2nd edn, 1952). Hutchinson William Wordsworth, Poems in Two Volumes, ed. Thomas Hutchinson, 2 vols (London, 1897). IF Notes dictated by Wordsworth to Isabella Fenwick. JDW Journals of Dorothy Wordsworth, ed. Mary Moorman (Oxford, 1971) - notably the Alfoxden and Grasmere Journals. LSTC Collected Letters of Samuel Taylor Coleridge, ed. E. L. Griggs, 6 vols (Oxford, 1956-71). LY I, II The Letters of William and Dorothy Wordsworth: The Later Years, 1821-1834, ed. Ernest de Selincourt (Oxford, 1938-9); 2nd edn rev. Alan G. Hill (Oxford, 1978-9). See also EY above, and MY below. MS.L. Longman MS, British Library Add. MS. 47864. [Cf. A Description of the Wordsworth and Coleridge Manuscripts in the Possession of Mr T. Norton Longman, ed. W. Hale White (London, 1897).] MYI The Letters of William and Dorothy Wordsworth: The Middle Years, Part I, 1806-1811, ed. Ernest de Selincourt (Oxford, 1936); 2nd edn rev. Mary Moorman (Oxford, 1969). MY II The Letters of William and Dorothy Wordsworth: The Middle Years, Part II, 1812-1820, ed. Ernest de Selincourt (Oxford, 1937); 2nd edn rev. Mary Moorman and Alan G. Hill (Oxford, 1970). See also EY and LY, above. NBSTC The Notebooks of Samuel Taylor Coleridge, ed. Kathleen Coburn, 3 vols (London, 1957- ). P2V William Wordsworth, Poems, in Two Volumes, Longman, Hurst, Rees and Orme, 2 vols (London, 1807). 146 ABBREVIATIONS 147 Prelude William Wordsworth, The Prelude, ed. Ernest de Selincourt (Oxford, 1926); 2nd edn rev. Helen Darbishire (Oxford, 1959). Prose The Prose Works of William Wordsworth, ed. W. J. B. Owen and Jane W. Smyser, 3 vols (Oxford, 1974). PSTC The Complete Poetical Works of Samuel Taylor Coleridge, ed. E. H. Coleridge, 2 vols (Oxford, 1912). PW The Poetical Works of William Wordsworth, ed. Ernest de Selincourt and Helen Darbishire, 5 vols (Oxford, 1940-9; 2nd edn rev. issues, 1952-9). Recollections 'Recollections of a Tour made in Scotland' , in J oumals of Dorothy Wordsworth, ed. Ernest de Selincourt (London, 1941). Reed I Mark L. Reed, Wordsworth: The Chronology of the Early Years, 1770-1799 (Cambridge, Mass., 1967). Reed II Mark L. Reed, Wordsworth: The Chronology of the Middle Years, 1800-1815 (Cambridge, Mass., 1975). WW(1815) Poems, 2 vols (London, 1815). WW(1820) The Miscellaneous Poems, 4 vols (London, 1820). WW(1827) The Poetical Works of William Wordsworth, 5 vols (London, 1827). WW(1836) The Poetical Works of William Wordsworth, 6 vols (London, 1836--7). WW(1838) The Sonnets of William Wordsworth (London, 1838). WW(1842) Poems, Chiefly ofEarly and Late Years (London, 1842). WW(1843) The Poetical Works, 6 vols (London, 1843). WW(1845) The Poems of William Wordsworth (London, 1845). WW(1849) The Poems of William Wordsworth (London, 1849). NOTES TO THE INTRODUCTION For fuller details of short-form citations used here, see the Abbreviations section, above. 1. MY I, 41. 2. MY I, 81. 3. EY,634. 4. EY, 459. 5. MY I, 89. 6. MY I, 95. 7. MY I, 96. 8. MS.L. 9. Preface to The Excursion (1814). 10. MYI, 64. 11. LSTC, II, 103 (14 October 1803). 12. Preface to The Excursion (1814). 13. MY I, 103. 14. MY I, 104. 15. MY I, 105. 16. MY I) 121. 17. EY,303-4. 18. MY I, 108. 19. MY I, 122. 20. MY I, 140. 21. MY I, 123. 22. British Library, Ashley Collection 2258. A cutting in this copy refers to the discovery of the volume by J. R. Tutin of Hull; see the Academy, no. 946, p. 424 (21 June 1890). 23. MY I, 147. 24. See Spenser, Virgil's Gnat, lines 9-11. 25. Recent scholars largely agree that Culex was not in fact written by Virgil but by a writer simulating VirgiIian authorship. 26. LY,1907. 27. Poems of Wordsworth (Macmillan, London, 1879). 28. EY, 503. 29. MY I, 86, 87. 30. MY I, 101. 31. MS version, PSTC. 32. Bk XIII, 431. 33. BL, ch. XXII, 129. 34. NBSTC, II, 3231. 35. New Letters of Robert Southey, ed. K. Curry, 2 vols (New York, 1965): vol. I, 448--9 - R. S. to J. Rickman (mid April 1807). 36. MY I, 137. 37. MY I, 183. 38. Letter to Rickman, op. cit. 39. MY I, 103. 40. MY I, 112-20. 41. MY I, 108. 42. MY I, 135. 43. MY I, 124. 44. MY I, 184. 45. E.g., Monthly Literary Advertiser (10 Feb.); Records ofLiterature (March). 46. A similar notice appeared in Literary Panorama, II, para. 653 (June 1807). 47. Longman Joint Commission and Divide Ledger, 1803-7. 48. In the Sun, the British Press, the Courier (28 April); in the Star (29 April); in the Daily Advertiser, Oracle and True Briton (1 May); in the Monthly Literary Advertiser (9 May). 49. See John Edwin Wells, 'Wordsworth's Lyrical Ballads, 1820', in Philological Quarterly, XVII (1938), 398--402. 148 NOTES TO THE INTRODUCTION 149 50. MY I, 156--7. 51. W. J. B. Owen, 'Costs, Sales, and Profits of Longmans Editions of Wordsworth', in The Library, NS XII (1957), 94-6. 52. Preface, Poems of Wordsworth (London, 1879), p. v. 53. The Farington Diary, by Joseph Farington, R.A., ed. James Greig, 8 vols (London, 1922-8): vol. IV (13 May 1807), 135. 54. Monthly Literary Recreations, III (July 1807), 65-6. 55. Anon., in Critical Review, 3rd series XI (Aug. 1807),399-403. 56. Edinburgh Review, XI (Oct. 1807), 214-31. 57. The Simpliciad: A Satirico-Didactic Poem (London, 1808) - the reputed author Richard Mant (1776--1848). 58. MY 1,225. 59. MY I, 174. 60. MY I, 150. 61. The Farington Diary, op. cit.: vol. v (16 April 1808), 51. 62. MY II, 210. He was clearly gratified by the Grocer's opinion of his poems. 63. MY I, 150. 64. Preface, Poems of Wordsworth (London, 1879), p. vi. 65. See E. H. W. Meyerstein, 'Wordsworth's Ode', Times Literary Supplement (12 Oct. 1946), 500. 66. Reed II, Appendix VII, 687-99. 67. I am indebted to W. H. Kelliher for allowing me to see, before publication, an early draft of his introduction to The Manuscript of William Wordsworth's 'Poems, in Two Volumes' (1807), (British Library, London, 1984). 68. See also Thomas Hutchinson, 'On the Structure ofthe Sonnets of Wordsworth', Transactions of the Wordsworth Society, 2 (n.d.), 27-31. 69. In a letter to Francis Wrangham (4 Nov. 1807), Wordsworth requests that he take a pen and correct in his copy these and other 'gross blunders of the Press': MY I, 174-5. 70. See also HD, 345, where the Indexes are dated 1913. 71. PW, vol. II, 535 et seq. 72. MY I, 174. 73. Reed I, Reed II. NOTES TO THE POEMS For fuller details of short-form citations used here, see the Abbreviations section, above. The convention of the reversed square bracket - ] - is used to indicate both major variants between MS and printed texts, and also editorial rectification, in this edition of the poems, of printing and similar errors in P2V. VOL. I To the Daisy - 'In youth from rock to rock I went' (p. 7) Perhaps written between 16 April & July 1802. This Poem, and two others to the same Flower, which the Reader will find in the second Volume [ourpp.llO& 111 above], were written in the year 1802; which is mentioned, because in some of the ideas, though not in [the] manner in which those ideas are connected, and likewise even in some of the expressions, they bear a striking resemblance to a Poem (lately published) of Mr. Montgomery, entitled, a Field Flower. This being said, Mr. Montgomery will not think any apology due to him; I cannot however help addressing him in the words of the Father of English Poets. Though it happe me to rehersin - That ye han in your freshe songis saied, Forberith me, and beth not ill apaied, Sith that ye se I doe it in the honour Of Love, and eke in service of the Flour. [The Legende of Good Women, 78-82] P2V:WWn. 6 To gentle sympathies awake, MS.L. 45 brief] chance MS.L. 50 one] some MS.L. 59-60 Then, Daisy! do my spirits play; With chearful motion: MS.L. 62 The ground in modest thankfulness MS.L.; thankfulness,] thankfulness P2V 65-8 But more than all I number yet; 0 bounteous Flower! another debt; Which I to thee, wherever met,; Am daily owing; MS.L. 66 through,] throughP2V 77,80 'See, in Chaucer and the elder Poets, the honours formerly paid to this flower.' WW(1815) n. Louisa (p. 9) Written at Town-End by 9 Feb. 1802, perhaps between 23 & 27 Jan. 1802. Louisa has been variously associated with Dorothy Wordsworth, Mary Wordsworth & Joanna Hutchinson (Mary's younger sister). 150 NOTES TO THE POEMS VOL. I 151 Directions were given by Dorothy Wordsworth to the printer to include this poem towards the end of the second volume of the 1802 edition of Lyrical Ballads, but it was omitted.
Recommended publications
  • Wordsworth's Lyrical Ballads, 1800
    Butler University Digital Commons @ Butler University Scholarship and Professional Work - LAS College of Liberal Arts & Sciences 2015 Wordsworth's Lyrical Ballads, 1800 Jason N. Goldsmith Butler University, [email protected] Follow this and additional works at: https://digitalcommons.butler.edu/facsch_papers Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Poetry Commons Recommended Citation Goldsmith, Jason N., "Wordsworth's Lyrical Ballads, 1800" The Oxford Handbook of William Wordsworth / (2015): 204-220. Available at https://digitalcommons.butler.edu/facsch_papers/876 This Book Chapter is brought to you for free and open access by the College of Liberal Arts & Sciences at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - LAS by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. LYRICAL BALLADS, 1800 205 [tha]n in studying German' (CL, r. 459). Stranded by the weather, short on cash, and C H A P TER 11 unable to communicate with the locals, the poet turned inward, writing a series of auto­ biographical blank verse fragments meditating on his childhood that would become part one of the 1799 Prelude, as well as nearly a dozen poems that would appear in the second volume of the 1800 edition of Lyrical Ballads. WORDSWORTH'S L YRICAL Completed over the eighteen months following his return to England in May 1799, the 1800 Lyrical Ballads is the fruit of that long winter abroad. It marks both a literal and BALLADS, 1800 a literary homecoming. Living in Germany made clear to Wordsworth that you do not .......................................................................................................
    [Show full text]
  • The Routledge History of Literature in English
    The Routledge History of Literature in English ‘Wide-ranging, very accessible . highly attentive to cultural and social change and, above all, to the changing history of the language. An expansive, generous and varied textbook of British literary history . addressed equally to the British and the foreign reader.’ MALCOLM BRADBURY, novelist and critic ‘The writing is lucid and eminently accessible while still allowing for a substantial degree of sophistication. The book wears its learning lightly, conveying a wealth of information without visible effort.’ HANS BERTENS, University of Utrecht This new guide to the main developments in the history of British and Irish literature uniquely charts some of the principal features of literary language development and highlights key language topics. Clearly structured and highly readable, it spans over a thousand years of literary history from AD 600 to the present day. It emphasises the growth of literary writing, its traditions, conventions and changing characteristics, and also includes literature from the margins, both geographical and cultural. Key features of the book are: • An up-to-date guide to the major periods of literature in English in Britain and Ireland • Extensive coverage of post-1945 literature • Language notes spanning AD 600 to the present • Extensive quotations from poetry, prose and drama • A timeline of important historical, political and cultural events • A foreword by novelist and critic Malcolm Bradbury RONALD CARTER is Professor of Modern English Language in the Department of English Studies at the University of Nottingham. He is editor of the Routledge Interface series in language and literary studies. JOHN MCRAE is Special Professor of Language in Literature Studies at the University of Nottingham and has been Visiting Professor and Lecturer in more than twenty countries.
    [Show full text]
  • The River Duddon (End Underline)
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2007-11-29 Wordsworth's Evolving Project: Nature, the Satanic School, and (underline) The River Duddon (end underline) Kimberly Jones May Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation May, Kimberly Jones, "Wordsworth's Evolving Project: Nature, the Satanic School, and (underline) The River Duddon (end underline)" (2007). Theses and Dissertations. 1247. https://scholarsarchive.byu.edu/etd/1247 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. WORDSWORTH’S EVOLVING PROJECT: NATURE, THE “SATANIC SCHOOL,” AND THE RIVER DUDDON by Kimberly Jones May A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of English Brigham Young University December 2007 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Kimberly Jones May This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. November 16, 2007 Date Nicholas Mason, Chair November 16, 2007 Date Dan Muhlestein, Reader November 16, 2007 Date Matthew Wickman, Reader
    [Show full text]
  • Kimberley Page-Jones Writing from Hamburg: the Encounter With
    Pour citer cet article : Page-Jones, Kimberley, « Writing from Hamburg : The encounter with foreignness in the writings of Mary Wollstonecraft and S.T. Coleridge », Les Grandes figures historiques dans les lettres et les arts [en ligne], n° 10 (2021), URL : http://figures-historiques.revue.univ-lille.fr/10-2021- ISSN-2261-0871/ Kimberley Page-Jones Université de Bretagne Occidentale, HCTI (EA4249) Writing from Hamburg: The Encounter with Foreignness in the Writings of Mary Wollstonecraft and S.T. Coleridge This paper intends to examine the travel writings of a few late eighteenth-century travellers to northern Europe, with a closer look at those of Mary Wollstonecraft and S.T. Coleridge who journeyed to Germany and Scandinavia at the end of the eighteenth century (1795 and 1798) as the routes to France and Italy were made increasingly perilous. Mary Wollstonecraft’s public letters to her lover Imlay recounting her 1795 journey were well known even in her own days; less so, the narrative of Samuel Taylor Coleridge who travelled with William and Dorothy Wordsworth to Germany three years later, in September 1798. One simple reason for that: Coleridge’s travel account was not published following his journey as it would be expected from a travel writer. Coleridge recorded his travel experience in a notebook and a very large journal, extracts of which he then used in his letters to Tom Poole and Sara, his wife. His journal, unpublished and currently held in the Berg Collection at the New York Public Library, is composed of a travelogue recounting his sea journey from Yarmouth to Hamburg and ten letters to Tom Poole and Sara Coleridge, written from September 18, 1798 to May 17, 1799.
    [Show full text]
  • Wordsworth's Double-Take William Galperin Rutgers University
    Wordsworth's Double-Take William Galperin Rutgers University "At issue ... is history as our own unassimilable alterity, our sequence when Wordsworth was about five years old: his sep- difference from the directions in which 'history' is pushing us aration from his riding companion and guide; his coming .... a different conception of history—one where historical upon a place wbere "a Murderer bad been htuig in former • thinking is the dimension in which thought becomes respon- times" (lL 288-89) and wbere someone had then "cai^ved tbe sible to what is other, lost, unconscious, or potential, yet to murderer's name" on tbe "turf' (11. 294, 292); and lastly, bis be." sighting of the woman with tbe pitcber upon "reascending Tilottama Rajan ("Imagining History," 428, 433). tbe bare common" (11. 303). Tbe tratimatic conjunction of these events, involving an encounter witb memorials of vio- "[T]he worlçl is Eden enough, all the Eden there can be, and lence in tbe wake of wbat seemed like abandonment to a what is more, all the world there is. ... Romanticism's work young boy, amply accounts for tbe additional freight tbat tbe . [is] the task of bringing the world back, as to life." "ordinary sigbt" is summoned to bear. But tbere is a sense, I Stanley Cavell, In Quest of the Ordinary (52-53) too, botb in the image of tbe woman, and in tbe poet's back- banded and retrospective wisb for painterly skills, tbat tbe peculiar excess of the only "ordinary" event of the three owes "It was, in truth, / An ordinary sight, but .
    [Show full text]
  • Wordsworth and Milton: the Prelude and Paradise Lost
    Providence College DigitalCommons@Providence English Student Scholarship English 12-19-2010 Wordsworth and Milton: The Prelude and Paradise Lost Colin McCormack Providence College Follow this and additional works at: https://digitalcommons.providence.edu/english_students Part of the Comparative Literature Commons, Feminist, Gender, and Sexuality Studies Commons, Literature in English, British Isles Commons, Literature in English, North America Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Modern Literature Commons, and the Other English Language and Literature Commons McCormack, Colin, "Wordsworth and Milton: The Prelude and Paradise Lost" (2010). English Student Scholarship. 1. https://digitalcommons.providence.edu/english_students/1 It is permitted to copy, distribute, display, and perform this work under the following conditions: (1) the original author(s) must be given proper attribution; (2) this work may not be used for commercial purposes; (3) users must make these conditions clearly known for any reuse or distribution of this work. Wordsworth and Milton: The Prelude and Paradise Lost Colin McCormack December 19, 2010 ENG-481 Dr. Graver McCormack 1 John Milton had an undeniable influence on the Romantic era writers, specifically Wordsworth. Wordsworth’s various works most notably The Prelude and the introduction to the grand work of The Recluse, known as The Prospectus. Both works contains details and images that show a strong connection between the writers, not only on the level of allusion, but clear rivalry between the two as Wordsworth presents. Through investigation it appears that there is an almost personal relationship between the two, characterized by Wordsworth’s life experiences. On one level the connection is based on Wordsworth turning towards Milton as another failed revolutionary, hoping to find solace in his writings.
    [Show full text]
  • Finding Meaning in the Poetry of William Wordsworth and Robert Frost
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2002 Floating Away or Staying Put: Finding Meaning in the Poetry of William Wordsworth and Robert Frost Mary McMillan University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation McMillan, Mary, "Floating Away or Staying Put: Finding Meaning in the Poetry of William Wordsworth and Robert Frost. " Master's Thesis, University of Tennessee, 2002. https://trace.tennessee.edu/utk_gradthes/2124 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Mary McMillan entitled "Floating Away or Staying Put: Finding Meaning in the Poetry of William Wordsworth and Robert Frost." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. B.J. Leggett, Major Professor We have read this thesis and recommend its acceptance: Nancy M. Goslee, Mary E. Papke Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Mary McMillan entitled “Floating Away or Staying Put: Finding Meaning in the Poetry of William Wordsworth and Robert Frost.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English.
    [Show full text]
  • Issue 130 (April 200
    26 The 2005 Elian Birthday Toast By DICK WATSON The 2005 Elian Birthday Toast was held on Saturday, 19 February at the Royal College of General Practitioners, South Kensington, London ON AN OCCASION SUCH AS A BIRTHDAY LUNCH, it is natural to think of anniversaries. It is this which was in my mind when I reflected that exactly two hundred years ago, to the day, on 19 February 1805, Charles Lamb was writing to William Wordsworth. It was the second letter in two days, referring to the death of Wordsworth’s brother John in the shipwreck of the Earl of Abergavenny off Portland. It was an event which affected the poet, and indeed the whole family, very deeply, and which was only partially resolved in the ‘Elegiac Stanzas’ which Wordsworth wrote after seeing Sir George Beaumont’s picture of Peele Castle in a Storm. As Richard E. Matlak has shown in Deep Distresses, John Wordsworth had, by dint of hard work and good conduct, risen to become the captain of an East Indiaman. A captain in such a position stood to gain much from a voyage, and John had hoped to get enough money to set the family up in comfort. He required capital from the venture, and both William and Dorothy invested money in it. The ship set sail from Portsmouth on 1 February, and ran into bad weather. The pilot tried to run for shelter, but the ship struck a rock at four o’clock in the afternoon of 5 February. According to one account, John Wordsworth is supposed to have said, ‘Oh Pilot! Pilot! You have ruined me!’ Some of the crew and passengers got ashore in boats, but of the 402 passengers on board only 100 were saved.
    [Show full text]
  • Cooper and Wordsworth
    Studies in English, New Series Volume 10 Article 5 1-1-1992 Cooper and Wordsworth Lance Schachterle Worcester Polytechnic Institute Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Schachterle, Lance (1992) "Cooper and Wordsworth," Studies in English, New Series: Vol. 10 , Article 5. Available at: https://egrove.olemiss.edu/studies_eng_new/vol10/iss1/5 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Schachterle: Cooper and Wordsworth COOPER AND WORDSWORTH Lance Schachterle Worcester Polytechnic Institute To modern readers, James Fenimore Cooper and William Wordsworth exemplify important but quite different facets of Romanticism. To contemporaries, they ranked among the foremost writers in English in the first half of the nineteenth century. Yet these similarities pale before their apparent differences. Wordsworth’s lyric art and his introspective range of mind are far from what we usually think of as Cooper’s strengths—exciting narratives and ambiguous characters like the Leatherstocking who provoke us to contemplate the distinctiveness of American stock. Further, Cooper’s distaste for personal reflection (even in his letters) or for critical inquiry about the nature of literature differs strikingly from Wordsworth’s probings, in prose and poetry, about his art. Documentary evidence does exist, however, to indicate that Cooper read Wordsworth, and from that evidence we can begin to look more closely at both common traits and even literary influence.
    [Show full text]
  • Unit 4 BRITISH LITERATURE LIFEPAC 4 the NINETEENTH CENTURY (1798–1900) CONTENTS I
    Unit 4 BRITISH LITERATURE LIFEPAC 4 THE NINETEENTH CENTURY (1798–1900) CONTENTS I. THE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • • • • • 1 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 1 William Blake • • • • • • • • • • • • • • • • • • • • • • • • • • • • 5 William Wordsworth • • • • • • • • • • • • • • • • • • • • • • • 9 Samuel Taylor Coleridge • • • • • • • • • • • • • • • • • • • • 14 Sir Walter Scott • • • • • • • • • • • • • • • • • • • • • • • • • • 26 II. THE LATE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • 40 Jane Austen • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 40 Charles Lamb • • • • • • • • • • • • • • • • • • • • • • • • • • • • 47 George Gordon–Lord Byron • • • • • • • • • • • • • • • • • • 52 Percy Bysshe Shelley • • • • • • • • • • • • • • • • • • • • • • 58 John Keats • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 63 III. THE VICTORIAN ERA • • • • • • • • • • • • • • • • • • • • • • • 71 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 71 Thomas Carlyle • • • • • • • • • • • • • • • • • • • • • • • • • • • 75 John Henry Cardinal Newman • • • • • • • • • • • • • • • • 80 Alfred, Lord Tennyson • • • • • • • • • • • • • • • • • • • • • • 84 Charles John Huffman Dickens • • • • • • • • • • • • • • • • 90 Robert Browning • • • • • • • • • • • • • • • • • • • • • • • • • 100 George Eliot (Mary Ann Evans) • • • • • • • • • • • • • • • 103 Oscar Wilde • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 109 Lewis Carroll (Charles Lutwidge Dodgson)
    [Show full text]
  • Yew-Trees, Facsimile from Poems 1815 by William Wordsworth, Courtesy of the Wordsworth Trust
    WORDSWORTH AND THE FAMOUS LORTON YEW TREE ii Wordsworth and the famous Lorton yew tree Edited by Michael Baron Derek Denman Lorton & Derwent Fells Local History Society September 2004 iii Front and back covers: The yew tree at Lorton, photographs by David Herrod, 2004 Inside front and back covers: Yew-Trees, facsimile from Poems 1815 by William Wordsworth, courtesy of the Wordsworth Trust Re-published in this open-access e-book version in 2019, under a Creative Commons licence. This book may be downloaded and shared with others for non-commercial uses provided that the source www.derwentfells.com is credited and the work is not changed. No commercial re-use. Citation: Baron M G & Denman D, Eds, Wordsworth and the famous Lorton yew- tree, Lorton & Derwent Fells LHS, Lorton, 2004 Copyright © 2004, Lorton & Derwent Fells Local History Society All rights reserved. First published in 2004 Published and distributed by the Lorton and Derwent Fells Local History Society www.derwentfells.com Printed in Great Britain by Titus Wilson, Kendal ISBN 0-9548487-0-5 iv Contents Preface vii Dr Robert Woof Introduction 1 The Lorton yew tree in early records 3 The Wordsworths’ visit in 1804 7 The poem 11 The Lorton yew tree in guidebooks and histories from 1800 19 The life of the Lorton yew tree 41 Photographs for the bicentenary 43 David Herrod A poem for the bicentenary 49 Jacob Polley The common yew 51 John Spedding ‘A famous yew-tree’ Canon H D Rawnsley 1903 55 Contributors 65 Bibliography 66 Subscribers 69 v vi Preface Dr Robert Woof – Director, The Wordsworth Trust A landscape with a ruin, preferably a picturesque ruin, is quintessentially a Romantic image.
    [Show full text]
  • The Poetical Works of William Wordsworth
    THE POETICAL WORKS OF WILLIAM WORDSWORTH. : THE POETICAL WORKS WILLIAM WORDSWORTH, D.C.L., POET ILAUREATE, HONORARY MEMBER OF THE ROYAL SOCIETY OF EDINBURGH, AND OF THE ROYAL IRISH ACADEMY, ETC. ETC. IN SEVEN VOLUMES. VOL. I. A NEW AND REVISED EDITION. LONDON EDWARD MOXON, DOVER STREET. MDCCCXLIX. — 1 f thou indeed derive thy light from Heaven, Then, to the measure of that heaven-born light, : Shine, Poet ! in thy place, and he content The stars pre-eminent in magnitude, And they that from the zenith dart their beams, (Visible though they be to half the earth, Though half a sphere be conscious of their brightness) Are yet of no diviner origin, No purer essence, than the one that burns, Like an untended watch-fire, on the ridge Of some dark mountain ; or than those which seem Humbly to hang, like twinkling winter lamps, Among the branches of the leafless trees ; All are the undying offspring of one Sire : Then, to the measure of the light vouchsafed, Shine, Poet ! in thy place, and be content. DEDICATION, PREFIXED TO THE EDITION OF 1815. TO SIR GEORGE HOWLAND BEAUMONT, BART. MY DEAR SIR GEORGE, Accept my thanks for the permission given me to dedicate these Volumes to you. In addition to a lively pleasure derived from general considerations, I feel a particular satisfaction ; for, by inscribing these Poems with your Name, I seem to myself in some degree to repay, by an appropriate honour, the great Vlll DEDICATION. obligation which I owe to one part of the Collection —as naving been the means of first making us per- sonally known to each other.
    [Show full text]