The Poets and Poetry of Scotland
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Florida Historical Quarterly
COVER British East Florida reached from the St. Marys River on the north to the Apalachicola River on the west and its capital stood at St. Augustine. The province of West Florida extended westward to the Mississippi River and to the thirty-first parallel on the north (and after 1764 to thirty-two degrees twenty-eight minutes). Pensacola served as its capital. Guillaume Delisle published his “Carte du Mexique et de la Floride des Terres Angloises et des Isles Antilles du Cours et des Environs de la Rivière de Mississippi,” in his Atlas Nouveau, vol. 2, no. 29 (Amsterdam, 1741[?]). The map first appeared in Paris in 1703. This portion of the map is repro- duced from a copy (1722 PKY 76) in the P. K. Yonge Library of Florida His- tory, University of Florida, Gainesville. THE FLORIDA HISTORICAL SOCIETY Volume LIV, Number 4 April 1976 THE FLORIDA HISTORICAL QUARTERLY SAMUEL PROCTOR, Editor STEPHEN KERBER, Editorial Assistant EDITORIAL ADVISORY BOARD LUIS R. ARANA Castillo de San Marcos, St. Augustine HERBERT J. DOHERTY, JR. University of Florida JOHN K. MAHON University of Florida WILLIAM W. ROGERS Florida State University JERRELL H. SHOFNER Florida Technological University CHARLTON W. TEBEAU University of Miami Correspondence concerning contributions, books for review, and all editorial matters should be addressed to the Editor, Florida Historical Quarterly, Box 14045, University Station, Gainesville, Florida 32604. The Quarterly is interested in articles and documents pertaining to the history of Florida. Sources, style, footnote form, original- ity of material and interpretation, clarity of thought, and interest of readers are considered. All copy, including footnotes, should be double-spaced. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Chester County Deed Book Index 1681-1865
Chester County Deed Book Index 1681-1865 Buyer/Seller Last First Middle Sfx/Pfx Spouse Residence Misc Property Location Village/Tract Other Party Year Book Page Instrument Comments Seller (Grantor) Cabber Charles East Brandywine Dec'd East Brandywine William Coyle 1858 K-6 116 Deed Seller (Grantor) Cadbury Joel Caroline W. Philadelphia New Garden Chandlerville Samuel Comly 1840 T-4 177 Deed Factory Seller (Grantor) Cadbury Joel Caroline W. Philadelphia Honey Brook John Cochran 1848 P-5 475 Deed Buyer (Grantee) Cadwalader Charles East Caln West Caln William Neally 1786 A-2 301 Deed Buyer (Grantee) Cadwalader Isaac Uwchlan Uwchlan Mary Norris 1791 F-2 325 Covenant Seller (Grantor) Cadwalader Isaac Sr. Sarah Uwchlan Uwchlan Isaac Cadwalader 1814 L-3 129 Deed Seller (Grantor) Cadwalader Isaac Sr. Sarah Uwchlan Uwchlan Isaac Thomas 1814 I-3 471 Deed Buyer (Grantee) Cadwalader Isaac Sr. Uwchlan Uwchlan Isaac Thomas 1814 M-3 438 Deed Buyer (Grantee) Cadwalader Isaac Jr. Uwchlan Uwchlan Isaac Cadwalader 1814 L-3 129 Deed Buyer (Grantee) Cadwalader Isaac Warwick Warwick Jesse Houck 1853 U-5 83 Deed Seller (Grantor) Cadwalader Isaac P. Susanna Warwick Warwick Abram Sivert 1860 P-6 232 Deed Seller (Grantor) Cadwalader John Sarah Uwchlan Uwchlan Joseph Phipps 1719 T-2 121 Deed Buyer (Grantee) Cadwalader John Newlin Newlin Isaac H. Bailey 1846 D-5 299 Deed Chester County Archives and Record Services, West Chester, PA 19380 Chester County Deed Book Index 1681-1865 Buyer/Seller Last First Middle Sfx/Pfx Spouse Residence Misc Property Location Village/Tract Other Party Year Book Page Instrument Comments Seller (Grantor) Cadwalader John Jane Newlin East Marlborough Marlborough John Huey Jr. -
Memoirs of the Life and Writings of James Montgomery : Including
FROM THE LIBRARY OF REV. LOUIS FITZGERALD BENSON. D. D. BEQUEATHED BY HIM TO THE LIBRARY OF PRINCETONSCOTHEOLOGICAL SEMINARY "^ m - i OF (S-^ #>?ia/t Q/am&t & - 'jztxytite/? L OTSTDON : LONGMAN, BROWN. GREEN 8c LONGW I RJSTOSTER ROW. MEMOIKS U/ 31 THE LIFE AND WRITINGS JAMES MONTGOMERY, INCLUDING SELECTIONS FROM HIS CORRESPONDENCE, REMAINS IN PROSE AND VERSE, AND CONVERSATIONS ON VARIOUS SUBJECTS. BY JOHN HOLLAND AND JAMES EVERETT. VOL. II. ' There is a living spirit in the lyre, A breath of music and a soul of fire ; It speaks a language to the world unknown ; It speaks that language to the bard alone." World before the Flood. LONDON: LONGMAN, BROWN, GREEN, AND LONGMANS. 1855. London . A. and G. A. Spottiswoode, New-street- Square. — CONTENTS. CHAPTER XXIII. 1800—1801. Page State of English Poetry at the Close of the Eighteenth Cen- tury. — Montgomery writes an Address for the Theatre. — Mrs. Siddons. — New Feature of the " Iris." — Series of Paragraphs on the Affairs of Switzerland. — Epitaph " on Edwin and Emma," and " on a Youth." — The " Suffering Peasant," by Ignatius Montgomery. — Local Distress. — " - - - - A Fragment " - I CHAP. XXIV. 1801—1803. " Hannah." — Montgomery extends his poetical Claims. — Adopts the Signature of " Alcajus." — The " Lyre." — Blank Verse. — The " Poetical Register," and the " An- nual Review." — Dr. Aikin. — The Peace of Amiens. Letters to Aston and to Montgomery. — The " Pillow," the " Thunder Storm," and the " Joy of Grief." — Chat- terton. — Political Paragraphs. — Origin of the " Wan- derer of Switzerland" - - - - 13 CHAP. XXV. 1803—1804. Threatened French Invasion of Great Britain. — Volunteer Corps. — Firing of a Yorkshire Beacon, and consecpient Alarm. -
The Hazlitt Review
THE HAZLITT REVIEW The Hazlitt Review is an annual peer-reviewed journal, the first internationally to be devoted to Hazlitt studies. The Review aims to promote and maintain Hazlitt’s standing, both in the academy and to a wider readership, by providing a forum for new writing on Hazlitt, by established scholars as well as more recent entrants in the field. Editor Uttara Natarajan Assistant Editors James Whitehead, Phillip Hunnekuhl Editorial Board Geoffrey Bindman James Mulvihill David Bromwich Tom Paulin Jon Cook Seamus Perry Gregory Dart Michael Simpson A.C. Grayling Fiona Stafford Paul Hamilton Graeme Stones Ian Mayes John Whale Tim Milnes Duncan Wu We invite essays of 4,000 to 9,000 words in length on any aspect of William Hazlitt’s work and life; articles relating Hazlitt to wider Romantic circles, topics, or discourses are also expressly welcome, as are reviews of books pertaining to such matters. Contributions should follow the MHRA style and should be sent by email to James Whitehead ([email protected]) or Philipp Hunnekuhl ([email protected]). Submissions will be considered year- round, but must be received by 1 March to be considered for publication in the same year’s Review. We regret that we cannot publish material already published or submitted elsewhere. Contributors who require their articles to be open access (under the RCUK policy effective from the 1 April 2013) should indicate this, and they will be made freely available on this website on publication. Subscriptions, including annual membership of the Hazlitt Society, are £10 (individual) or £15 (corporate or institution) per annum. -
The Disciplinary Anthology and the Field of Literary History
1 Poetess Archive Journal 1.1 (12 April 2007) Putting Contents on the Table: The Disciplinary Anthology and the Field of Literary History © Laura Mandell, 2007 Contents re-cognizing a list . From the content, the table . Marjorie Welish, “Cities of the Table” This essay disputes John Guillory’s contention that the canon was formed in the medium of the school syllabus. I take to be exemplary of the canon the list of authors arranged by period found in the Norton Anthology, 4th ed. (Abrams). Not much changed in the Norton’s table of contents between the first edition, published in 1962, and the fourth, published in 1979.1 By the sixth edition of 1993, the editors began to add women writers to the predominantly male list, but, in doing so, they also added more men: in other words, at that moment, the Norton table of contents changed principles from giving us a canon of great authors and works organized by period to giving us historical information. Of the seventh edition under the new general editorship of Greenblatt, Leah Price wrote, “This latest Norton enables readers to engage in what Stephen Greenblatt has elsewhere called ‘speaking with the dead’ – not only the proverbial dead white males but a good many others.” One doesn’t add women to a canonical table of contents and get another, different canon: one gets a view of cultural rather than artistic poetics, that is to say, all kinds of writing, great and otherwise. In addition to disputing the medium of canon formation, I will also argue against many scholars’ dating of its emergence. -
Introduction 1 Knowledge and Power
Notes Introduction 1. Robert Maniquis, Lonely Empires: Personal and Public Visions of Thomas De Quincey (Madison: University of Wisconsin Press, 1976); Josephine McDonagh, De Quincey’s Disciplines (Oxford: Clarendon Press, 1994), pp. 42–65. 1 Knowledge and Power 1. Sigmund K. Proctor, Thomas De Quincey’s Theory of Literature (Ann Arbor: University of Michigan Press, 1943), pp. 107–22; John E. Jordan, Thomas De Quincey, Literary Critic: His Method and Achievement (Berkeley and Los Angeles: University of California Press, 1952), pp. 38–42. 2. William Hazlitt, “The Indian Jugglers” (Table-Talk, 1821; originally in The Examiner, Feb. 7, 1819), equates the distinction between “power” and “knowledge” with that which exists between “intellectual” and “mechan- ical excellence”; The Complete Works of William Hazlitt, 21 vols., ed. P. P. Howe (London: J. W. Dent & Sons, 1930–4), VIII: 77–89, esp. 83–6. 3. De Quincey did not write a “theory of theory itself.” He did, however, raise the question “What is Theory” (manuscript, Royal Institution of Cornwall MS ENYS 396). This fragment, written 1823 or early 1824, was a response to Kant’s essay, “Über den Gemeinspruch: das mag in der Theorie richtig sein, taugt aber nicht für die Praxis” (1793; On the Common Expression: that may be true in Theory, but it is useless in Practice); it anticipates De Quincey’s examination of Ricardo’s “theory of value” in the “Dialogues of Three Templars on Political Economy” (London Magazine IX, March, April, May, 1824). As in the opening to “Suspiria de Profundis,” De Quincey attempts to redress the overwhelm- ing social preoccupation with material and practical concerns by defend- ing the necessity of subjective deliberations. -
Literature and Print Culture, 1780–1840, 18 (Spring 2008)
ROMANTICT eXTUALITIES literature and print culture, 1780–1840 (previously ‘Cardiff Corvey: Reading the Romantic Text’) • Issue 18 (Summer 2008) centre for editorial and intertextual research cardiff university Romantic Textualities is available on the web @ www.cf.ac.uk/encap/romtext ISSN 1748-0116 Romantic Textualities: Literature and Print Culture, 1780–1840, 18 (Spring 2008). Online: Internet (date accessed): <www.cf.ac.uk/encap/romtext/issues/rt18.pdf>. © 2008 Centre for Editorial and Intertextual Research Published by the Centre for Editorial and Intertextual Research, Cardiff University. Typeset in Adobe Garamond Pro 11 / 12.5, using Adobe InDesign cs3; images and illustrations prepared using Adobe Illustrator cs3 and Adobe PhotoShop cs3; final output rendered with Adobe Acrobat 8 Professional. Editor: Anthony Mandal, Cardiff University, UK Associate Editor: Issue 19–: Tim Killick, Cardiff University, UK Reviews Editor: Issue 18: Tim Killick, Cardiff University, UK Issue 19–: Nicola Lloyd, Cardiff University, UK Advisory Editors Peter Garside (Chair), University of Edinburgh, UK Jane Aaron, University of Glamorgan, UK Stephen Behrendt, University of Nebraska, USA Emma Clery, University of Southampton, UK Benjamin Colbert, University of Wolverhampton, UK Edward Copeland, Pomona College, USA Gillian Dow, University of Southampton / Chawton House Library, UK Caroline Franklin, University of Swansea, UK Isobel Grundy, University of Alberta, Canada David Hewitt, University of Aberdeen, UK Gillian Hughes Claire Lamont, University of Newcastle, UK Robert Miles, University of Victoria, Canada Rainer Schöwerling, University of Paderborn, Germany Christopher Skelton-Foord, University of Durham, UK Kathryn Sutherland, University of Oxford, UK Aims and Scope: Formerly Cardiff Corvey: Reading the Romantic Text (1997–2005), Romantic Textualities: Literature and Print Culture, 1780–1840 is an online journal that is committed to fore- grounding innovative Romantic-studies research into bibliography, book history, intertextuality, and textual studies. -
Washington Irving
Washington Irving This article is about the writer. For the cricketer, see each named William, died in infancy, as did their fourth Irving Washington. child, John. Their surviving children were: William, Jr. (1766), Ann (1770), Peter (1772), Catherine (1774), Washington Irving (April 3, 1783 – November 28, Ebenezer (1776), John Treat (1778), Sarah (1780) and Washington.[1] 1859) was an American author, essayist, biographer, his- torian, and diplomat of the early 19th century. He is best known for his short stories "Rip Van Winkle" (1819) and "The Legend of Sleepy Hollow" (1820), both of which appear in his book The Sketch Book of Geoffrey Crayon, Gent.. His historical works include biographies of George Washington, Oliver Goldsmith and Muhammad, and sev- eral histories of 15th-century Spain dealing with sub- jects such as Christopher Columbus, the Moors and the Alhambra. Irving served as the U.S. ambassador to Spain from 1842 to 1846. He made his literary debut in 1802 with a series of ob- servational letters to the Morning Chronicle, written un- der the pseudonym Jonathan Oldstyle. After moving to England for the family business in 1815, he achieved in- ternational fame with the publication of The Sketch Book of Geoffrey Crayon, Gent. in 1819–20. He continued to publish regularly — and almost always successfully — throughout his life, and just eight months before his death (at age 76, in Tarrytown, New York), completed a five- volume biography of George Washington. Irving, along with James Fenimore Cooper, was among the first American writers to earn acclaim in Eu- rope, and Irving encouraged American authors such Watercolor of Washington Irving’s Encounter with George Wash- as Nathaniel Hawthorne, Herman Melville, Henry ington Wadsworth Longfellow, and Edgar Allan Poe. -
The Restoration Movement's Attitude Toward Slavery
THE RESTORATION MOVEMENT'S ATTITUDE TOWARD SLAVERY A Thesis Presented to the Faculty of the Graduate School Morehead State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Warren Ray Kelley May, 1971+ - .. Accepted by the faculty of the School of Social Science , Morehead State University, in partial fulfillment of the requirements for the Master of Arts in History degree . ?JJ;..irectorof~ Thesis.6i~ " Master' s Committee: 1fh Uri <t/]~airman ~~ k'11~ 0 M J. v 2 . Jt/7'1- 7 (date{) The Restoration Movement's Attitude Toward Slavery I. The Background and Principles of the Restoration Movement. 1 II. Slavery and the Restoration Movement 7 III. Is Colonization the Answer?. 33 IV. Missions and Slavery. 43 V. Education and Slavery. 57 VI. Politics and the Restoration Movement. 63 VII. The Bible and Slavery. 82 VIII. Conclusion ,106 Bibliography ... .110 ii CHAPTER ONE THE BACKGROUND AND PRINCIPLE_S OF THE RESTORATION' MOVEMENT The ~e~toratio~ Movement is 'a term used' -'tc,' describe a religious movement of the early nineteenth century. This movement was concentrat~d in the. Ohio Valley from Pennsyl~ania to Kentucky and Illinois, with some congregations scattered throughout the rest of the United States. During the early development of this movement, the congregations used three names: Disciples of Christ, Christian ' 1 Church, and Churci). of Christ. These groups had little conflict over the various names, which were generally used interchangeably. The Background of the Restoration Movement Although the Restoration Movement can trace its history as far back as.the Reformation, it is sufficient for the purposes of this study to state that four groups emerged to make up the backbone 2 of the Restoration Movement. -
The Poetical Works Op Thomas Campbell
fl&%./. 75.313 X THE POETICAL WORKS OP THOMAS CAMPBELL. THE POETICAL WORKS THOMAS CAMPBELL. WITH NOTES, AND A BIOGRAPHICAL SKETCH, BY THE EEV. W. A. HILL, M.A., Of Worcester College Oxford. ILLUSTRATED BY THIRTY-SEVEN WOOD-CUTS. FROM DESIGNS BY HARLEY. LONDON: ROUTLEDGE, WARNE, AND ROUTLEDGE, FARRINGDON STREET. NEW YORK: 56, WALKER STREET. 1863. LONDON BRADBURY AND EVANS, PRINTERS, WHITEFRIARS- o. B «22-J*NQ? % '9 74 ^/v a PREFACE. The Editor of this new edition of “ Campbell's Poetical Works” has felt great diffidence, almost reluctance, to offer any obseryations upon the productions of a bard so well known and venerated—one who has so long been admitted “ a poet of the first order of genius, and a critic of competent judgment and taste.” He has, however, been emboldened to present to the public a few notes to some of the chief poems, com- pressed as much as possible, prefaced by a short Biographical Sketch of their Author, (portions of it in the Poet’s own words,) from a belief that those who have rejoiced in the soft breathings of Mr. Campbell’s lyre, will not fail to experience some in- crease of pleasure in ascertaining under what circum- stances those effusions which have been recurred to again and again, with fresh and ever-increasing zest, VI PREFACE. first suggested themselves to his mind ; and, further, that the force of his melody of diction and purity of style will be heightened by a knowledge of the sweet- ness of his natural disposition, the singular gentleness and modesty of his whole character, and the realisa- tion that he “liked to be loved,” and had a most affectionate heart. -
History of the Campbell Family
TAB LE OF CO NT ENTS Chapte r I — ’ Or i gi n of th e n am e of Ca mpb e ll D ia rmid o Du i bh n e — — —“ ’ The Cl an Ca mpbell Th e Fi er y Cross It s a F a r — h a Cry to L och A w e T e C mpb ell Country . Chapte r II — E a rly H istory of th e Ca mpb e lls of Argyll M a cChai llan or — o n a e F r t Ea r o r —Th e M e C li C mpb ll , i s l f A gyll ” L ordship of L o rn E a rl of Guil e an d L ord Forlorn — w Th e Argyll To e r . Chapte r III Th a e o B r ea a a ne L o o n an d a w or e C mpb lls f d lb , ud u , C d — — Oth e r B ra nch e s of th e Cl a n Th e Cla n M acI ver a n d h a n M A r h r —Th i h n t e Cl ac t u e Go b ean . Chapt er IV Nota e a n ot an r n 1 th n d bl C mp—bells i S c l d—du i g the 7 a 1 8th Ce nturi es H ighland M a ry The B rooch of L orn —“ The Campbe lls a r e Coming.