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The Works of Washington Irving
ALFRED SANTEU KNICKERBOCKER S HISTORY OF NEW YORK WHEN THE RIVAL HEROES CAME FACE TO FACE. ffulton lEMtton THE WORKS OF WASHINGTON IRVING KNICKERBOCKER S HISTORY OF NEW YORK NEW YORK THE CENTURY CO. 1910 Stack Annex CONTENTS PAGE THE AUTHOR S APOLOGY ................ i ACCOUNT OF THE AUTHOR ............... 5 To THE PUBLIC .................... 15 BOOK I CONTAINING DIVERS INGENIOUS THEORIES AND PHILOSOPHIC SPECULATIONS, CONCERNING THE CREATION AND POPULA TION OF THE WORLD, AS CONNECTED WITH THE HISTORY OF NEW YORK CHAP. I. Description of the World ............ 21 II. or Creation of the World with a CHAP. Cosmogony, ; mul titude of excellent theories, by which the creation of a world is shown to be no such difficult matter as common folk would imagine ....................... 27 CHAP. III. How that famous navigator, Noah, was shamefully nicknamed; and how he committed an unpardonable over sight in not having four sons. With the great trouble of philosophers caused thereby, and the discovery of America . 35 CHAP. IV. Showing the great difficulty philosophers have had in peopling America and how the Aborigines came to be begotten by accident to the great relief and satisfaction of the Author ..................... 41 CHAP. V. In which the Author puts a mighty question to the rout, by the assistance of the Man in the Moon which not only delivers thousands of people from great embarrassment, but likewise concludes this introductory book ...... 47 BOOK II TREATING OF THE FIRST SETTLEMENT OF THE PROVINCE OF NIEUW-NEDERLANDTS CHAP. I. In which are contained divers reasons why a man should not write in a hurry Also of Master Hendrick Hudson, his discovery of a strange country and how he was vi CONTENTS PAGE magnificently rewarded by the munificence of their High Mightinesses 63 CHAP. -
FALL 2017 “May God Keep Us Steadfast As He Kept Them Steadfast, and in Joy Or in Sorrow, May We Know, As They Knew, That Underneath Are the Everlasting Arms”
The Cross of Languedoc A Publication of the National Huguenot Society FALL 2017 “May God keep us steadfast as He kept them steadfast, and in joy or in sorrow, may we know, as they knew, that underneath are the Everlasting Arms”. COVER FEATURE – HUGUENOTS IN THE REVOLUTIONARY WAR By Editor Janice Murphy Lorenz, J.D. Cover Feature image: Infantry: Continental Army, 1779-1783, artist Henry Alexander Ogden; lithograph by G. H. Buek & Col, NY, c1897; edited by Janice Murphy Lorenz. Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. Expired copyright by Brig. Gen’l S.B. Holabird, Qr. Master Gen’l, U.S.A. Three of the most important values in Huguenot culture are freedom of conscience, patriotism, and courage of conviction. That is why so many men and women of Huguenot descent are prominent in the annals of early American history. One example is the many different ways in which Huguenots contributed to the American cause in the Revolutionary War. As might be imagined from regarding cover lithograph of four soldiers, which depicts the uniforms and weapons used during the period 1779 to 1783, fathers, sons, brothers and cousins fought in the war on both sides, according to their conscience. The following article from 1894 clearly emphasizes the Huguenots’ patriotic service to America’s freedom, while mentioning that some were Loyalists, too. On later pages, you will find a list prepared by Genealogist General Nancy Wright Brennan of approved Huguenot ancestors and their descendants whose patriotic service has been recognized in the patriots database maintained by the Daughters of the American Revolution (DAR). -
639 Bedford Rd Pocantico Hills, NY 10591 [email protected] Library
639 Bedford Rd Pocantico Hills, NY 10591 [email protected] Library The Rollin G. Osterweis Washington Irving Collection Finding Aid Collection Overview Title: The Rollin G. Osterweis Washington Irving Collection, 1808-2012 (bulk 1808-1896) Creator: Osterweis, Rollin G. (Rollin Gustav), 1907- Extent : 159 volumes; 1 linear foot of archival material Repository: Historic Hudson Valley Library and Archives Abstract: This collection holds 159 volumes that make up the Rollin G. Osterweis Collection of Irving Editions and Irvingiana. It also contains one linear foot of archival materials related to the collection. Administrative Information Preferred Citation: Item title. (date) City: Publisher [if applicable]. The Rollin G. Osterweis Washington Irving Collection, 1808-2012, (Date of Access). Historic Hudson Valley Library and Archives. Historic Hudson Valley. Provenance: This collection was created by Rollin Gustav Osterweis and donated to Historic Hudson Valley by Ruth Osterweis Selig. 18 December 2012. Access: This collection is open for research with some restrictions based on the fragility of certain materials. Research restrictions for individual items are available on request. For more information contact the Historic Hudson Valley librarian, Catalina Hannan: [email protected]. Copyright: Copyright of materials belongs to Historic Hudson Valley. Permission to reprint materials must be obtained from Historic Hudson Valley. The collection contains some material copyrighted by other organizations and individuals. It is the responsibility of the researcher to obtain all permission(s) related to the reprinting or copying of materials. Processed by: Christina Neckles Kasman, February-August 2013 Osterweis Irving Collection - 1 Biographical Note Rollin Gustav Osterweis was a native of New Haven, Connecticut, where his grandfather had established a cigar factory in 1860. -
The Legend of Sleepy Hollow
University of South Carolina Scholar Commons Faculty Publications English Language and Literatures, Department of 2004 Troubling Our Heads about Ichabod: "The Legend of Sleepy Hollow," Classic American Literature, and the Sexual Politics of Homosocial Brotherhood David Greven University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/engl_facpub Part of the English Language and Literature Commons Publication Info Published in American Quarterly, Volume 56, Issue 1, 2004, pages 83-110. © American Quarterly 2004, John Hopkins University Press Greven, D. (2004). Troubling our heads about Ichabod: “The Legend of Sleepy Hollow,” classic American literature, and the sexual politics of homosocial brotherhood. American Quarterly, 56(1), 83-110. http://dx.doi.org/10.1353/aq.2004.0006 This Article is brought to you by the English Language and Literatures, Department of at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. 7URXEOLQJ2XU+HDGVDERXW,FKDERG7KH/HJHQGRI 6OHHS\+ROORZ&ODVVLF$PHULFDQ/LWHUDWXUHDQGWKH 6H[XDO3ROLWLFVRI+RPRVRFLDO%URWKHUKRRG 'DYLG*UHYHQ American Quarterly, Volume 56, Number 1, March 2004, pp. 83-110 (Article) 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV DOI: 10.1353/aq.2004.0006 For additional information about this article http://muse.jhu.edu/journals/aq/summary/v056/56.1greven.html Access provided by Lou __ACCESS_STATEMENT__ Beth Holtz Library Endowment (16 Jul 2015 15:23 GMT) TROUBLING OUR HEADS 83 Troubling Our Heads about Ichabod: “The Legend of Sleepy Hollow,” Classic American Literature, and the Sexual Politics of Homosocial Brotherhood DAVID GREVEN Boston University ANTEBELLUM AMERICAN MEN WERE SCOPOPHILIC SPECTACLES, PROJECTED ONTO vast social screens where they were perpetually scrutinized by innu- merable punitive eyes. -
The Legend of Sleepy Hollow and Other Tales Free Encyclopedia
FREE THE LEGEND OF SLEEPY HOLLOW AND OTHER TALES PDF Washington Irving | 352 pages | 29 Oct 2015 | Thunder Bay Press | 9781626864672 | English | United States The Legend of Sleepy Hollow & Other Tales ~ Washington Irving & Arthur Rackham | eBay The Legend of Sleepy Hollow and Other Tales wear and minor marks to cover. Free shipping. Washington Irving April 3, — November 28, was an American short story writer, essayist, biographer, historian, and diplomat of the early 19th century. His historical works include biographies of George Washington, Oliver Goldsmith, and Muhammad, and several histories of 15th-century Spain dealing with subjects such as Christopher Columbus, the Moors and the Alhambra. Irving served as the U. He made his literary debut in with a series of observational letters to the Morning Chroniclewritten under the pseudonym Jonathan Oldstyle. After moving to England for the family business inhe achieved international fame with the publication of The Sketch Book of Geoffrey Crayon, Gent. He continued to publish regularly and almost always successfully throughout his life, and just eight months before his death at age 76, in Tarrytown, New Yorkcompleted a five-volume biography of George Washington. As America's first genuine internationally best-selling author, Irving advocated for writing as a legitimate profession and argued for stronger laws to protect American writers from copyright infringement. Skip to main content. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens The Legend of Sleepy Hollow and Other Tales a new window or tab Share on Pinterest - opens in a new window or tab. -
Legend Sleepy Hollow Story
The Legend Of Sleepy Hollow By: Washington Irving n the eastern shore of the Hudson River, nestled in upstate New York, lies a small village known as Tarry Town. And not two miles from this village is a little valley that is one of the quietest places in the whole world. A small brook glides through it with just a murmur. The occasional whistle of a quail or the tapping of a woodpecker are the only sounds to break the silence. This tranquil place has long been known as Sleepy Hollow. Some say the place is bewitched, causing the residents of Sleepy Hollow to fall into trances and see visions or hear music or voices in the air. Nightmares are frequent among the residents, and the local lore is rich with peculiar stories, strange superstitions, and tales of hauntings. The most horrible spirit that haunts the region is a horseman without a head. He is believed to have been a soldier whose head was carried away by a cannonball. He is seen by the country fold as he hurries along in the gloom of night, searching for his head. He is known as the Headless Horseman. One fateful year, a schoolteacher named Ichabod Crane moved to Tarry Town from Connecticut. He was tall and exceedingly thin, with narrow shoulders, hands that dangled a mile out of their sleeves, and feet that looked more like shovels. His head was small, with huge ears, a spindle neck, and a long beak of a nose. To see him in the distance on a windy day, with his clothes fluttering, you’d think he was a scarecrow. -
The Legend of Sleepy Hollow Adapted by Catherine Bush from the Short Story by Washington Irving *Especially for Grades 4-11
Study Guide prepared by Catherine Bush Barter Playwright-in-Residence The Legend of Sleepy Hollow Adapted by Catherine Bush from the short story by Washington Irving *Especially for Grades 4-11 By the Barter Players, Barter’s Smith Theatre Fall, 2019 On tour January thru March, 2020 (NOTE: standards are included for reading the story The Legend of Sleepy Hollow, seeing a performance of the play, and completing the study guide.) Virginia SOLs English – 4.1, 4.2, 4.4, 4.5, 4.7, 4.9, 5.1, 5.2, 5.4, 5.5, 5.7, 5.9, 6.1, 6.2, 6.4, 6.5, 6.7, 6.9, 7.1, 7,2, 7.4, 7.5, 7.7, 7.9, 8.1, 8.2, 8.4, 8.5, 8.7, 8.9, 9.1, 9.3, 9.4, 9.6, 9.8, 10.1, 10.3, 10.4, 10.6, 10.8, 11.1, 11.3, 11.4, 11.6, 11.8 Theatre Arts – 6.5, 6.7, 6.18, 6.21, 7.6, 7.18, 7.20, 8.5, 8.12, 8.18, 8.22, TI.10, TI.11, TI.13, TI.17, TII.9, TII.12, TII.15, TII.17, TIII.12 Tennessee/North Carolina Common Core State Standards English Language Arts – Reading Literature: 4.3, 4.4, 4.5, 4.7, 5.4, 5.9, 6.4, 6.7, 6.10, 7.4, 7.7, 7.10, 8.4, 8.7, 8.10, 9-10.4, 9-10.10, 11-12.4, 11-12.7, 11-12.10 English Language Arts – Writing: 4.3, 4.7, 5.3, 5.9, 6.1, 6.4, 6.6, 6.7, 7.1, 7.3, 7.7, 8.1, 8.3, 8.7, 9-10.1, 9-10.3, 9-10.7, 11-12.2, 11-12.1, 11-12.3, 11-12.7 Tennessee Fine Arts Curriculum Standards Theatre –4.T.P3, 4.T.Cr2, 4.T.Cr3, 4.T.R1, 4.T.Cn1, 5.T.P3, 5.T.Cr2, 5.T.R1 Theatre 6-8 – 6.T.Cr2, 6.T.R1, 6.T.R3, 7.T.P3, 7.T.Cr2, 7.T.R3, 8.T.P3, 8.T.R1, 8.T.R3 Theatre 9-12 – HS3.T.Cr3, HS1.T.R1, HS2.T.R1, HS1.T.R1, HS1.T.R2, HS1.T.R3 North Carolina Essential Standards Theatre Arts – 4.C.1, 4.A.1, 5.A.1, 6.A.1, 6.C.2, 6.CU.2, 7.C.2, 7.A.1. -
The Legend of Sleepy Hollow Study Guide.Pdf
Classroom The Legend of Sleepy Hollow Connections For teachers and students grades K - 5 Script, lyrics & music © 1996 & 2006 by Paul Deiss; based on the story by Washington Irving Teacher Resources In the Classroom Theatre IV’s The Legend of Sleepy Hollow and the Classroom Connections Study Guide are produced in support of the teaching of states’ standards, as well as national standards set forth by the National Council of Teachers of English (NCTE). Activities provided support curriculum in grades K-5 www.hudsonvalley.org/education/ Background/abt_irving/abt_irving.html At the Library Chorpenning, Charlotte B. Rip Van Winkle; A Play for Young People from the Story by Washington Irving. Chicago, IL: Coach House Press, 1954. Irving, Washington. The Legend of Sleepy Hollow and Rip Van Winkle. New York: Dover Publications, Inc., 1995. (in easy-to-read type) On the Web The following web sites have activities and information related to Washington Irving and The Legend of Sleepy Hollow. Audio recording of the story: www.scifi.com/set/playhouse/sleepy/ Upper Elementary Lesson Plan tied to National Standards www.hudsonvalley.org/education/ LessonPlans/Storytelling/storytelling.html Smithsonian American Art Museum http://americanart.si.edu/art_ info/1001/2000/10/103100.htmlWe Set the Stage for Learning™ Theatre IV, Richmond, VA Background on Washington Irving John Quidor, 1801–81, Perhaps Brom had something to do with his disappearance. Perhaps he was the The Headless victim of a cruel prank. Or perhaps a headless ghost spirited him away, as Horseman Pursuing legend has it. Ichabod Crane, 1858, oil, Smithsonian American Art Museum Play Synopsis: Based on the original story by Washington Irving, The Legend of Sleepy Hol- low tells the story of Tarry Town, a place where strange things happen and the townsfolk seem entranced by spirits. -
University Microfilms
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating' adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
1 Object No. Class. Attribution Title Date Medium CGA.00.10 Painting
Object No. Class. Attribution Title Date Medium CGA.00.10 Painting Carl Gutherz Susan B. Anthony 1985 oil on canvas CGA.01.10 Painting William T. Mathews William McKinley 1900 oil on canvas CGA.03.9 Painting William Garl Brown Jr. General Zachary Taylor 1847 oil on canvas CGA.09.14 Painting Gilbert Stuart Samuel Miles c. 1800 oil on panel CGA.1974.28 Drawing Abraham Rattner Self-Portrait 1967 black ink and brush on white paper CGA.1974.63 Sculpture Peter Lipman-Wulf Bust of Pablo Casals 1946 bronze CGA.1980.61 Photograph Rosalind Solomon Rosalynn Carter, Air Force 2 1978 gelatin silver print CGA.1981.71 Painting Pietro Bonnani Jane Cocking Glover 1821 oil on canvas CGA.1982.3.60 Photograph Stephen Shore Catfish Hunter, Fort 1978 color photograph Lauderdale Yankee Stadium, Fort Lauderdale, Florida CGA.1986.45.11 Photograph Harold Eugene Edgerton Densmore Shute Bends The 1938 B+W photograph Shaft CGA.1986.45.15 Photograph Harold Eugene Edgerton Pete Desjardin Diving 1940 B+W photograph CGA.1986.45.17 Photograph Harold Eugene Edgerton Gussie Moran 1949 B+W photograph CGA.1986.45.23 Photograph Harold Eugene Edgerton Gus Solomons 1960 B+W photograph CGA.1989.13.1 Photograph Mariana Cook Katharine Graham born 1955 B+W photograph CGA.1990.16.2 Photograph Arthur Grace Robert Dole, February 2, 1988 B+W photograph 1988, Plymouth, New Hampshire CGA.1993.11.85 Print Alphonse Legros Longfellow lithograph CGA.1995.10.3 Photograph Crawford Barton Harvey Milk, 18th & Castro 1973 gelatin silver print Streets, San Francisco CGA.1996.50.18 Print Rupert Garcia David Alfaro Sequeiros 1974 silkscreen CGA.1996.57 Photograph Unknown Jackie Coogan c. -
Washington Irving's Use of Historical Sources in the Knickerbocker History of New York
WASHINGTON IRVING’S USE OF HISTORICAL SOURCES IN THE KNICKERBOCKER. HISTORY OF NEW YORK Thesis for the Degree of M. A. MICHIGAN STATE UNIVERSITY DONNA ROSE CASELLA KERN 1977 IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII 3129301591 2649 WASHINGTON IRVING'S USE OF HISTORICAL SOURCES IN THE KNICKERBOCKER HISTORY OF NEW YORK By Donna Rose Casella Kern A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of English 1977 TABLE OF CONTENTS INTRODUCTION . CHAPTER I A Survey of Criticism . CHAPTER II Inspiration and Initial Sources . 15 CHAPTER III Irving's Major Sources William Smith Jr. 22 CHAPTER IV Two Valuable Sources: Charlevoix and Hazard . 33 CHAPTER V Other Sources 0 o o o o o o o o o o o o o o o o 0 Al CONCLUSION 0 O C O O O O O O O O O O O 0 O O O O O 0 53 APPENDIX A Samuel Mitchell's A Pigture 9: New York and Washington Irving's The Knickerbocker Histgrx of New York 0 o o o o o o o o o o o o o c o o o o 0 56 APPENDIX B The Legend of St. Nicholas . 58 APPENDIX C The Controversial Dates . 61 APPENDIX D The B00k'S Topical Satire 0 o o o o o o o o o o 0 6A APPENDIX E Hell Gate 0 0.0 o o o o o o o o o o o o o o o o 0 66 APPENDIX F Some Minor Sources . -
October 9 Update 2FALL 2018 SYLLABUS Engl E 182A POETRY
Poetry in America: From the Mayflower Through Emerson Harvard Extension School: ENGL E-182a (CRN 15383) SYLLABUS | Fall 2018 COURSE TEAM Instructor Elisa New PhD, Powell M. Cabot Professor of American Literature, Harvard University Teaching Instructor Gillian Osborne, PhD ([email protected]) Teaching Fellows Field Brown, PhD candidate, Harvard University ([email protected]) Jacob Spencer, PhD, Harvard University ([email protected]) Course Manager Caitlin Ballotta Rajagopalan, Manager of Online Education, Poetry in America ([email protected]) ABOUT THIS COURSE This course, an installment of the multi-part Poetry in America series , covers American poetry in cultural context through the year 1850. The course begins with Puritan poets—some orthodox, some rebel spirits—who wrote and lived in early New England. Focusing on Anne Bradstreet, Edward Taylor, and Michael Wigglesworth, among others, we explore the interplay between mortal and immortal, Europe and wilderness, solitude and sociality in English North America. The second part of the course spans the poetry of America's early years, directly before and after the creation of the Republic. We examine the creation of a national identity through the lens of an emerging national literature, focusing on such poets as Phillis Wheatley, Henry Wadsworth Longfellow, Edgar Allen Poe, and Ralph Waldo Emerson, among others. Distinguished guest discussants in this part of the course include writer Michael Pollan, economist Larry Summers, Vice President Al Gore, Mayor Tom Menino, and others. Many of the course segments have been filmed in historic places—at Cape Cod; on the Freedom Trail in Boston; in marshes, meadows, churches, and parlors, and at sites of Revolutionary War battle.