DOCSLIB.ORG

Playing Puck: a Study of Performative Action in the Shaping of a ‘Legend Landscape’

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

PLAYING PUCK: A STUDY OF PERFORMATIVE ACTION IN THE SHAPING OF A ‘LEGEND LANDSCAPE’ ROBERT PETER IRVING A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol, for the Degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2014 Playing Puck: a study of performative action in the shaping of a ‘legend landscape.’ Abstract This thesis engages, through visual practice and written analysis, with the British tradition of ‘thin’ places that act as thresholds between everyday circumstantial reality and the otherworldly. It does so by focusing on the complex of prehistoric monuments that make up the Avebury ritual landscape because these have become a crucible of contemporary cultural significance and a site of mystical tourism concerned with allegedly paranormal phenomena. I argue that these circumstances produce a range of responses, often broadly religious or aesthetic, which involve ritualistic, artistic, and, above all, performed activity, where legends are re/enacted into being and presented as fact. My contention is that this activity not only revitalises and extends the legend as a form of cultural mediation but also stimulates a shared ‘sense of place’ that helps to enrich an existing narrative world. In this self-reinforcing cycle, memory, imagination, and artfulness together contribute to the shaping of ‘legend landscapes’ as sites of pilgrimage where otherworldly events are said to have occurred and spiritual presences (and absences) still dwell. The study is undertaken from the ‘insider’ perspective of a practitioner fully immersed in these processes. Following a statement of aims and objectives, and the theories and methodologies that underpin my approach to art practice (Chapter 1), I will describe the historical background to my subject (Chapter 2) before discussing how Avebury’s landscape is perceived today in the context of legend (Chapter 3), and the subtle collusion involved in reciprocal processes of ritual engagement through legend telling by action (Chapter 4). Overall, the argument proposes that concealment or anonymity is an essential tool of this creative practice, acting as a methodological principle that aligns the practitioner with the mythical figure of the Trickster. Thus the artist is presented here as an ‘operator of meaning,’ rather than as a sole ‘creator,’ encouraging a plurality of interpretations – a view that is consistent with my representation of the collusive nature of artistic activity. The thesis discloses a number of hitherto unknown, obscured, or otherwise unrecognized aspects of the legend landscape and of artistic activity within it. The original contributions to knowledge presented in this study are likely to be relevant to the theory and practice of art and cultural history, and the wider contemporary arts community. ii Playing Puck: a study of performative action in the shaping of a ‘legend landscape.’ Acknowledgements I would like to thank Dr Iain Biggs, my teacher and Director of Studies, whose depth of insight has inspired me throughout the period of my research. Also Dr Ruth Jones, Dr Victoria Walters, Dr Judith Ashton, and Dr Mary Modeen for their careful supervision, the University of the West of England (UWE), and the Arts and Humanities Research Council (AHRC) for their support. I am indebted to Peter Brookesmith for his editorial advice. My grateful thanks to Dr Chris Wright for his support, to Terry Hall and Davina Kirkpatrick for lending me their ears, to the Circlemakers (John, Rod, Wil, and Mark B.) for all the conversations over the years, to George Hansen for his pioneering research on the Trickster, to Richard Long for his question, and, not least, to Leslie Glenn Damhus for her love and forbearance. iii Playing Puck: a study of performative action in the shaping of a ‘legend landscape.’ Se non è ben trovato (Even if it is not true, it is well conceived). Anonymous, Late Renaissance Italian motto. iv Playing Puck: a study of performative action in the shaping of a ‘legend landscape.’ CONTENTS Title Page Abstract ii Acknowledgements iii Epigraph iv General Introduction viii 1 Aims, Objectives and Methodologies 1 1.1 Introduction 1 1.2 Aims and Objectives 1 1.3 Research and Cultural Context 3 1.3.1 Personal Background to the Project 3 1.3.2 Cultural Context 6 1.3.3 Legend as Flow 11 1.3.4 Constraints 12 1.4 The Thinking, Theory, and Method Behind my Research and Practice 13 1.4.1 Interdisciplinary Framework 13 1.4.2 Methodology: specific contingences 14 1.4.3 Theory 15 1.4.4 Method – action research in practice 17 1.4.5 Precedents 22 1.5 Towards a Theory of the Trickster as a Methodological Principle 26 1.5.1 Introduction 26 1.5.2 Antistructure 28 1.5.3 Playing Puck 31 1.5.4 Methodological Complications 34 1.5.5 Case Study: H-Glaze 38 1.6 Summary 39 2 Background to the Research 42 2.1 Introduction The post-rationalist re-emergence of the pre-modern 42 2.1.1 The Damned 46 2.2 Separating myth and legend 49 2.2.1 Myth 50 2.2.2 Legend 52 2.3 The Avebury Complex 54 2.3.1 The Power of Place 55 2.4 A ‘long-lost truth’ and its mythic association with the Avebury Complex 58 2.4.1 Aubrey, Stukeley, Newton, and Wood 59 2.4.2 Blake 65 2.5 A Long-lost Truth Reclaimed 67 v Playing Puck: a study of performative action in the shaping of a ‘legend landscape.’ 2.5.1 As Above, So Below 71 2.5.2 UFOs 72 2.5.3 The Warminster Mystery 76 2.5.4 Circular Evidence 81 3 Theatre of Schemes 86 3.1 Introduction 86 3.2 Crop Circles 91 3.3 Legend Landscapes 101 3.3.1 Introduction 101 3.3.2 A Haunted Landscape: legend performance as cultural re-membering 102 3.3.3 Harmony Blue 111 3.3.4 Place as Mediating Object 116 3.3.5 Darśan: The Pilgrim Gaze – landscape as temenos/theatre 117 3.3.6 Case Study: East and West Kennet crop circles 127 3.4 Summary 129 4 Ostension, Theatre, Hoaxing and Concealment: The Social Dynamics of Performance in the Legend Landscape 130 4.1 Introduction 130 4.2 Ostension 134 4.2.1 Ostension as Signs, Referents, Interpretants 139 4.2.2 Two Case Studies: Concerning the Normalisation/Inversion of a Legend 141 4.2.3 Subcategories of Ostension 148 4.3 Ostension as Dark Play 150 4.3.1 The ‘Hoax’ as a Theatrical Act of Ostension 152 4.4 The Legend Landscape as Perceptual Field 155 5 Why Give Martians All the Credit? 159 5.1 Anonymity as a Phenomenological Tool of Art Practice 159 5.2 Review 163 5.2.1 Intentionality, Anonymity, and ‘Art’ 167 5.3 Summary 171 6 Conclusion 173 Bibliography 179 Appendices 189 Fieldnotes: Special places, spectral traces Submitted as documentation of the practical element of my thesis DVD A1 Data: responses to my Questionnaire DVD vi Playing Puck: a study of performative action in the shaping of a ‘legend landscape.’ LIST OF FIGURES Figure 1: Miracle by S. Harris. 36 Figure 2: The Mowing Devil. 37 Figure 3: A map of the Avebury complex. 56 Figure 4: Silbury Hill. 57 Figure 5: Avebury Stone Avenue. 57 Figure 6: Avebury Henge. 57 Figure 7: Stukeley’s ‘serpent’ map of Avebury. 62 Figure 8: International Times: Flying Saucers. 68 Figure 9: The Flying Saucer Vision. 73 Figure 10: A depiction of the St Michael line. 81 Figure 11: Doug Bower’s sketch of the Chilcomb pictogram, 1990. 83 Figure 12: Alton Barnes pictogram, 1990. 83 Figure 13: Doug Bower & Dave Chorley in Bower’s studio. 1991. 84 Figure 14: A crop circle overlooking Silbury Hill. 92 Figure 15: A typical product from the sacred marketplace. 96 Figure 16: Clouties in an oak tree at West Kennet. 97 Figure 17: Ritual leavings at Swallowhead spring. 97 Figure 18: Red Collie with his notebook. 107 Figure 19: Red Collie on Facebook. 109 Figure 20: Web-like material at West Kennet. 115 Figure 21: Scanning Electron Microscopy of web-like material. 115 Figure 22: The sublime in the horizontal, Waden Hill. 124 Figure 23: West Kennet long barrow, on skyline. 124 Figure 24: View of Silbury Hill from site of stone avenue. 126 Figure 25: East Kennet crop circle from West Kennet long barrow. 126 Figure 26: A purported materialization of spirit phenomena. 138 Figure 27: A crop circle at Yatesbury, Wiltshire 2012. 142 Figure 28: Samples of wheat showing bent growth nodes. 144 Figure 29: One of Andrew Pyrka’s ‘aliens.’ 147 Figure 30: Another of Andrew Pyrka’s ‘aliens.’ 147 vii Playing Puck: a study of performative action in the shaping of a ‘legend landscape.’ General Introduction This project explores and analyses a particular set of beliefs and conjectures that arise from apparent encounters with the paranormal in a particular landscape – the area around Avebury, Wiltshire. I will show how these beliefs and the legendry that arises from them are inextricable from the perceived (but not orthodox) history of this specific landscape, and indeed that they are an extension and continuation of that alternative history.1 In this introduction I will survey the complex content of these legends, and discuss why they and the ‘paranormal’ phenomena that inspire them are an invitation to, as well as a manifestation of, performative artistic activity. These circumstances and their dynamics have informed and illuminated my own art practice. I will then lay the groundwork for the next chapter by deconstructing the title of my thesis, as it contains all the essential elements of my line of argument.
Recommended publications

  • The Works of Washington Irving

    ALFRED SANTEU KNICKERBOCKER S HISTORY OF NEW YORK WHEN THE RIVAL HEROES CAME FACE TO FACE. ffulton lEMtton THE WORKS OF WASHINGTON IRVING KNICKERBOCKER S HISTORY OF NEW YORK NEW YORK THE CENTURY CO. 1910 Stack Annex CONTENTS PAGE THE AUTHOR S APOLOGY ................ i ACCOUNT OF THE AUTHOR ............... 5 To THE PUBLIC .................... 15 BOOK I CONTAINING DIVERS INGENIOUS THEORIES AND PHILOSOPHIC SPECULATIONS, CONCERNING THE CREATION AND POPULA TION OF THE WORLD, AS CONNECTED WITH THE HISTORY OF NEW YORK CHAP. I. Description of the World ............ 21 II. or Creation of the World with a CHAP. Cosmogony, ; mul titude of excellent theories, by which the creation of a world is shown to be no such difficult matter as common folk would imagine ....................... 27 CHAP. III. How that famous navigator, Noah, was shamefully nicknamed; and how he committed an unpardonable over sight in not having four sons. With the great trouble of philosophers caused thereby, and the discovery of America . 35 CHAP. IV. Showing the great difficulty philosophers have had in peopling America and how the Aborigines came to be begotten by accident to the great relief and satisfaction of the Author ..................... 41 CHAP. V. In which the Author puts a mighty question to the rout, by the assistance of the Man in the Moon which not only delivers thousands of people from great embarrassment, but likewise concludes this introductory book ...... 47 BOOK II TREATING OF THE FIRST SETTLEMENT OF THE PROVINCE OF NIEUW-NEDERLANDTS CHAP. I. In which are contained divers reasons why a man should not write in a hurry Also of Master Hendrick Hudson, his discovery of a strange country and how he was vi CONTENTS PAGE magnificently rewarded by the munificence of their High Mightinesses 63 CHAP.
  • The Legend of Sleepy Hollow and Other Tales Free Encyclopedia

    The Legend of Sleepy Hollow and Other Tales Free Encyclopedia

    FREE THE LEGEND OF SLEEPY HOLLOW AND OTHER TALES PDF Washington Irving | 352 pages | 29 Oct 2015 | Thunder Bay Press | 9781626864672 | English | United States The Legend of Sleepy Hollow & Other Tales ~ Washington Irving & Arthur Rackham | eBay The Legend of Sleepy Hollow and Other Tales wear and minor marks to cover. Free shipping. Washington Irving April 3, — November 28, was an American short story writer, essayist, biographer, historian, and diplomat of the early 19th century. His historical works include biographies of George Washington, Oliver Goldsmith, and Muhammad, and several histories of 15th-century Spain dealing with subjects such as Christopher Columbus, the Moors and the Alhambra. Irving served as the U. He made his literary debut in with a series of observational letters to the Morning Chroniclewritten under the pseudonym Jonathan Oldstyle. After moving to England for the family business inhe achieved international fame with the publication of The Sketch Book of Geoffrey Crayon, Gent. He continued to publish regularly and almost always successfully throughout his life, and just eight months before his death at age 76, in Tarrytown, New Yorkcompleted a five-volume biography of George Washington. As America's first genuine internationally best-selling author, Irving advocated for writing as a legitimate profession and argued for stronger laws to protect American writers from copyright infringement. Skip to main content. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens The Legend of Sleepy Hollow and Other Tales a new window or tab Share on Pinterest - opens in a new window or tab.
  • Folk Sources and Analogues of Irving's "Alhambra"

    Folk Sources and Analogues of Irving's "Alhambra"

    MASTER'S THESIS M-919 STAHLMAN, M. Lucille. FOLK SOURCES AND ANALOGUES OF IRVING'S ALHAMBRA: A STUDY OF THREE REPRESENTATIVE TALES. The American University, M .A., 1966 Folklore University Microfilms, Inc., Ann Arbor, Michigan FOLK SOURCES AND ANALOGUES OF IRVING*S ALHAMBRAt A STUDY OF THREE REPRESENTATIVE TALES by M. Lucille Stahlman Submitted to the Faculty of the College of Arts and Sciences of The American University In Partial Fulfillment of the Requirements for the Degree of Master of Arts Signatures of Committee: Chal rman 1 Date : 1966 The American University AMEr^iCAN UN!vEr\3,, Washington, D. C. LIBRARY JHN Z Ü 1966 M^ASHJNGTON. d. c. ACKNOWLEDGMENTS I should first like to express my sincere appreciation to the members of my Thesis Committee of The American University for their valuable assistance during the writing of this thesis. Acknowledgments are due the following libraries and organizations whose staff members kindly assisted me in gaining access to valuable books and other materials: The Library of Congress, The Columbus Memorial Library of the Pan American Union, The American University Library, and Georgetown University Library, Washington, D. C,, as well as The Hispanic Society of America, New York, N. Y, TABLE OF CONTENTS CHAPTER PAGE INTRODUCTION 1 I. BACKGROUND OP IRVING'S INTEREST IN SPANISH FOLK SOURCES ........................... 8 II . FOLD SOURCES AND ANALOGUES OF THE ALHAMBRA . ^5 Sources and Analogues of the "Legend of the Moor's L e g a c y " ........................... 46 Sources and Analogues of the "Legend of the Two Discreet Statues" ............... 66 Sources and Analogues of the "Legend of the Rose Alhambra" .....................
  • Romanticism in America: the Great Awakening

    Romanticism in America: the Great Awakening

    Deep Blue Deep Blue https://deepblue.lib.umich.edu/documents Research Collections Library (University of Michigan Library) 1996 Romanticism in America: the Great Awakening Beam, Kathryn L. https://hdl.handle.net/2027.42/120275 Downloaded from Deep Blue, University of Michigan's institutional repository Nathaniel Hawthorne (1804-1864) ROMANTICISM IN AMERICA: THE GREAT AWAKENING Edgar Allan Poe (1809-1849) ROMANTICISM IN AMERICA: THE GREAT AWAKENING June 12 - August 28, 1996 Special Collections Library Unversity of Michigan Ann Arbor, Michigan INTRODUCTION Who were America's first men of letters? Were they Jonathan Edwards whose sermons were so powerful, Thomas Paine whose rh etoric aroused the emo­ ti ons of our nation-ta-be, Benjamin Fra nklin whose clear and eloquent prose was so ll15tru cti ve and persuasive" and Philip Frenea u whose poems, ballads and satires made him a pioneer in th e w riting of artistic literature in America? Perhaps they were; or maybe they could have been. Yet, in almost every casE', lack of readers, irwdequate financial and literary recognition, and even changing personal priorities prohibited these men from finding their luJi expression as authors. That they never attained the height of genius in the realm of belJes-Iettres is probably as m uch an accident of their times as of their talents. By the early nineteenth century, hm<\'€ver, the economic and political growth of the country was so far-reaching that a demand lor a national literature began to be heard. Political independence-reaffirmed by the War of 181 2-caJled lor indepen­ dence in cultural and intellectual matters as well.
  • Washington Irving

    Washington Irving

    Washington Irving This article is about the writer. For the cricketer, see each named William, died in infancy, as did their fourth Irving Washington. child, John. Their surviving children were: William, Jr. (1766), Ann (1770), Peter (1772), Catherine (1774), Washington Irving (April 3, 1783 – November 28, Ebenezer (1776), John Treat (1778), Sarah (1780) and Washington.[1] 1859) was an American author, essayist, biographer, his- torian, and diplomat of the early 19th century. He is best known for his short stories "Rip Van Winkle" (1819) and "The Legend of Sleepy Hollow" (1820), both of which appear in his book The Sketch Book of Geoffrey Crayon, Gent.. His historical works include biographies of George Washington, Oliver Goldsmith and Muhammad, and sev- eral histories of 15th-century Spain dealing with sub- jects such as Christopher Columbus, the Moors and the Alhambra. Irving served as the U.S. ambassador to Spain from 1842 to 1846. He made his literary debut in 1802 with a series of ob- servational letters to the Morning Chronicle, written un- der the pseudonym Jonathan Oldstyle. After moving to England for the family business in 1815, he achieved in- ternational fame with the publication of The Sketch Book of Geoffrey Crayon, Gent. in 1819–20. He continued to publish regularly — and almost always successfully — throughout his life, and just eight months before his death (at age 76, in Tarrytown, New York), completed a five- volume biography of George Washington. Irving, along with James Fenimore Cooper, was among the first American writers to earn acclaim in Eu- rope, and Irving encouraged American authors such Watercolor of Washington Irving’s Encounter with George Wash- as Nathaniel Hawthorne, Herman Melville, Henry ington Wadsworth Longfellow, and Edgar Allan Poe.

  • Spanish Orientalism: Washington Irving and the Romance of the Moors

    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 11-26-2007 Spanish Orientalism: Washington Irving and the Romance of the Moors Michael S. Stevens Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Part of the History Commons Recommended Citation Stevens, Michael S., "Spanish Orientalism: Washington Irving and the Romance of the Moors." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/history_diss/8 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. SPANISH ORIENTALISM: WASHINGTON IRVING AND THE ROMANCE OF THE MOORS by MICHAEL STEVENS Under the Direction of Denise Davidson ABSTRACT Edward Said’s description of Orientalism as a constitutive element of the modern West is one of the enduring concepts of cultural history. The Orientalism thesis begins with the observation that in the 19th century Westerners began describing the "Orient," particularly the Middle East and India, as a place that was once gloriously civilized but had declined under the influence of incompetent Islamic governments. This construction was then employed to justify Western Imperialism and the expansion of Christianity into Asia. This dissertation examines a case of Orientalism with a twist. Between 1775 and 1830 a group of Anglophone writers and artists depicted Spain as a state with a cultural trajectory similar to that described by the Orientalists. But in the Spanish case, the glorious past was the age of the Islamic Moors who had ruled parts of the Iberian Peninsula from 700 until 1492, while the current Christian rulers were the backwards and religiously intolerant impediments to progress.
  • Washington Irving

    Washington Irving

    ^li^^ibH;;;.|.';^;.•,.. ^ v., ;ff' ^!;:v;ii':;;;';:h;-;: :;/:.;: :^ ;ri;i'':iv siiiifei ^IkI ^»rJ,'t'i:..,';'-S;:^<::t.)g;r.:-.,: Class Ix-S \B8l COPYRKiKT DEPOSIT Slmmtan ^tn of letters?. ^< WASHINGTON IRVING. CHARLES DUDLEY ^WARNER. BOSTON: HOUGHTON, MIFFLIN AND COMPANY. dL^c Eiijerfitlie Press, Camtritiffe, 1881. -H-.l : D-*^ V^ Copyright, 1S81, By CHARLES DLDLEY WARNER. All ingh^sjrest^rved. I The Rivcrsirle Prexx, Camhricis:f TElectrotyped and printed by II. 0. Ilougliton & Co CONTENTS. CHAPTER I. PAGS Prkliminabt 1 CHAPTER n. Boyhood 21 CHAPTER HI, Makhood : First Visit to Europe . .31 CHAPTER IV. Society AND "Salmagundi" 43 CHAPTER V. The E^ickebbocker Period 58 CHAPTER VI. Life in Europe : Literary Activity ... 94 CHAPTER VII. In Spain 141 yi CONTENTS. CHAPTER VIII. Return to America : Sunkyside : The Mission to filADRID 158 CHAPTER IX. The Characteristic Works . ... 190 CHAPTER X. Last Years: The Character of his Literature 282 WASHIS-GTOIT lEYma. CHAPTER I. PEELIMINAEY. It is over twenty years since the death of Washington Irving removed that per- sonal presence which is always a powerful, and sometimes the sole, stimulus to the sale of an author's books, and which strongly affects the contemporary judgment of their merits. It is nearly a century since his birth, which was almost coeval with that of the Republic, for it took place the year the British troops evacuated the city of New York, and only a few months before General Washington marched in at the head of the Continental army and took possession of the metropolis. For fifty years Irving charmed and instructed the American people, and was the author who held, on the whole, the first place in their affections.
  • Ldpd 6200073 000.Pdf

    Ldpd 6200073 000.Pdf

    IMI^f^JSMI^IS^IM^ 1 THE LIBRARIES i 1 COLUMBIA UNIVERSITY 1 1 1 1 1 I I 1 1 1 1 GENERAL LIBRARY i 1 1 i^pju[ruOrrini|rinilTuiJ|]uOf^ ''•^•^r'rmm' The " Half-Moon'' on the Hudson— 1609. From the painting by L. W, SEAYEY. LITERARY NEW YORK Its Landmarks and Associations o <» e . .J- ' .c,«»oOO o •,,,,-.• o o o o o Charles Hemstreet O^f«A <J5 Illustrations G. P. Putnam's Sons New York and London ITbe Iknickerbocker pvcsB 1903 COPYRIGHT, 1903 BY CHARLES HEMSTREET Published, November. 1903 ttbe linicherbochcr ipic^e. tic\r ycrh Contents CHAPTER PAGB I. WRITERS OF NEW AMSTERDAM . i II. BEFORE THE REVOLUTION . 25 III. THE POET OF THE REVOLUTION 45 IV. IN THE DAYS OF THOMAS PAINE 67 V. THE CITY THAT IRVING KNEW 87 VI. WITH PAULDING, DRAKE, AND HALLECK .... 106 VII. COOPER AND HIS FRIENDS 125 VIII. THOSK WHO O.ATnKRF.D ABOUT POE 145 iX. AT THE CLOSE OF THE KNICKER­ BOCKER DAYS . .167 X. HALF A CENTURY AGO 189 XI. TWO FAMOUS MEETING-PLACES 209 XII. SOME OF THE WRITERS OF TO- DAY -30 o KJ i '•00 4 Full-Page Illustrations PAGE THE " HALF MOON " ON THE HUDSON, 1609 . , . Frontispiece From the painting by L. W. Seavey. THE STADT HUYS .... 8 BROAD STREET, 1642 .... 30 KING'S COLLEGE, ABOUT 1773 . 42 THE DEBTORS' PRISON ... 48 WILLIAM SMITH ^ PETER STUYVESANT | PHILIP FRENEAU )- . .60 THOMAS PAINE JOEL BARLOW THE FIRST TAMMANY WIGWAM, COR­ NER NASSAU AND SPRUCE STREETS . 70 MAP OF STREETS IN THE CITY OF NEW YORK IN 1827 .
  • The Legend of Sleepy Hollow and Other Stories 1St Edition Pdf, Epub, Ebook

    The Legend of Sleepy Hollow and Other Stories 1St Edition Pdf, Epub, Ebook

    THE LEGEND OF SLEEPY HOLLOW AND OTHER STORIES 1ST EDITION PDF, EPUB, EBOOK Washington Irving | 9780143107538 | | | | | The Legend of Sleepy Hollow and Other Stories 1st edition PDF Book Search Search Search Browse menu. Sold Items. In brodart. Special Attributes. European 1 Items 1. If you're still having trouble, follow these steps to sign in. Famous Ghost Stories: Legends and Lore. Little wear. Illustrated by uss lint. Classics 3 Items 3. Softcover, Wraps 3 Items 3. English 6 Items 6. Description Creators Details With his beloved Gothic tales , Washington Irving is said to have created the genre of the short story in America. Condition: New. Shipping not specified. More information about this seller Contact this seller 3. Leather 2 Items 2. Kindle Book Release date: August 19, Published by Philomel Books, New York For some items, we can also email digital photographs. Condition: Used - Like New. Next-day or second-day air service is available upon request. Free Local Pickup. About this Item: Ideals Childrens Books. From: P. Retrieved 27 October Dust jacket is a little worn and torn, but otherwise in great reading condition. We do ask that if you are not satisfied with the item, you contact us by phone as quickly as possible and return the item within ten days. Although the true nature of both the Headless Horseman and Ichabod's disappearance that night are left open to interpretation, the story implies that the Horseman was really Brom an extremely agile rider in disguise, and suggests that Crane survived the fall from Gunpowder and immediately fled Sleepy Hollow in horror, never to return but to prosper elsewhere, or perhaps was killed by Brom himself.
  • Washington Irving

    Washington Irving

    Washington Irving Charles Dudley Warner The Project Gutenberg EBook of Washington Irving, by Charles Dudley Warner This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Washington Irving Author: Charles Dudley Warner Release Date: October 10, 2004 [EBook #3101] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK WASHINGTON IRVING *** Produced by David Widger WASHINGTON IRVING By Charles Dudley Warner 1891 EDITOR'S NOTE WASHINGTON IRVING, the first biography published in the American Men of Letters Series, came out in December, 1881. It was an expansion of a biographical and critical sketch prefixed to the first volume of a new edition of Irving's works which began to appear in 1880. It was entitled the Geoffrey Crayon edition, and was in twenty-seven volumes, which were brought out, in most cases, in successive months. The first volume appeared in April. The essay was subsequently published during the same year in a volume entitled "Studies of Irving," which contained also Bryant's oration and George P. Putnam's personal reminiscences. "The Work of Washington Irving" was published early in August, 1893. Originally it was delivered as a lecture to the Brooklyn Institute of Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. Arts and Sciences on April 3, 1893, the one hundred and tenth anniversary of Irving's birth.
  • University Microfilms, Inc., Ann Arbor, Michigan the POLITICAL APPOINTMENT of AMERICAN WRITERS

    University Microfilms, Inc., Ann Arbor, Michigan the POLITICAL APPOINTMENT of AMERICAN WRITERS

    This dissertation has been microfilmed exactly as received ® 7-2422 BRUBAKER, Bill Ray, 1933- THE POLITICAL APPOINTMENT OF AMERICAN WRITERS. The Ohio State University, Ph.D., 1966 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan THE POLITICAL APPOINTMENT OF AMERICAN WRITERS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By B ill R.a^Brubaker, B.S, in Ed., M.A. The Ohio S tate U niversity 1966 Approved by Adviqer Department ACKNOWLEDGMENTS In this study of patronage it is fitting that I acknowledge my pa­ trons. During my preparation for the general examination, I received the aid of Professor Claude M. Simpson, Jr., who tutored and buoyed me. In preparation of this study I received the assistance of the late Professor William Charvat. To him I am indebted for documents from the Massachu­ setts Historical Society and for assistance in securing materials other­ wise unknown to me. To Professor Matthew J . Bruccoli I am indebted for assuming the directorship of my dissertation and for advice in its pre­ paration. I am indebted to the Graduate Committee of the Department of English for purchasing microfilms and photostats of official documents and letters. I am grateful to the Department of English under the chairman­ ships of Professors Robert Estrich and Albert J. KUhn for continued en­ couragement and support. I owe thanks to many libraries and library services. Among them are the Interlibrary Loan Desk, the Ohio State University Center for Textual Studies, and the Rare Books Room, all of the Ohio State University Li­ braries.
  • Read About Newark's Literary Lights

    Read About Newark's Literary Lights

    ERSEY W J CE E NT N ER N F O E R W T H J E E B R S O E O Newark’s LiteraryY Lights K L IT E R K AR AR Y LANDM Newark’s Literary Lights By April L. Kane New Jersey Information Center, The Newark Public Library Published on the occasion of the designation of the Newark Public Library as a New Jersey Literary Landmark by the New Jersey Center for the Book on October 2, 2002. Copyright © 2002 by The Newark Public Library Introduction ewark has different connotations to different people. N America’s third oldest major city evokes images of a 17th century Puritan settlement, an 18th century farm town, a 19th century industrial and commercial center and a 20th century metropolis dealing with all the complexities of a modern and changing world. Newark has hosted a dozen major immigrant ethnic groups and contributed outstanding men and women to varied fields of endeavor. Its sons and daughters have helped weave part of the American mosaic. From its very beginning Newark has valued the printed word. Robert Treat carried books with him up the Passaic River to that tiny settlement long ago, and a variety of mercantile libraries preceded the 19th century Newark Library Association. The present Newark Public Library was established in 1888 and opened its present structure as one of the City’s first important public buildings in 1901. Soon it was filled with a wealth of information for both the curious and the serious. The purpose of this publication is to bring to you some names of writers associated with Newark who have produced books, short stories, plays, monographs, and poetry as well as periodicals and newspaper columns and articles.