Artists Respond: American Art and the Vietnam War, 1965-1975 March 15, 2019 – August 18, 2019 Publicity Images These images are approved only for publication in conjunction with promotion of Artists Respond: American Art and the Vietnam War, 1965-1975. Reproductions must include the full caption information adjacent to the image, and images may not be cropped or altered in any way or superimposed with any printing. Online images may be reproduced no larger than 1,400 pixels on the longest dimension. High-resolution image files are available through SAAM’s Dropbox account; email [email protected] to request a link.

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1. David Hammons, America the Beautiful, 1968, lithograph and body print, Collection of the Oakland Museum of California, the Oakland Museum Founders Fund. © David Hammons, Photo courtesy the Oakland Museum of California 2. Martha Rosler, Red Stripe Kitchen, from the series House Beautiful: Bringing the War Home, ca. 1967-72, photomontage, Art Institute of Chicago, through prior gift of Adeline Yates; exhibition copy provided by Mitchell-Innes & Nash, New York. © Martha Rosler, Courtesy of the artist and Mitchell-Innes & Nash, New York 3. Martha Rosler, Cleaning the Drapes, from the series House Beautiful: Bringing the War Home, ca. 1967-72, photomontage, Art Institute of Chicago, through prior gift of Adeline Yates; exhibition copy provided by Mitchell-Innes & Nash, New York. © Martha Rosler, Courtesy of the artist and Mitchell-Innes & Nash, New York

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4. Kim Jones, Wilshire Boulevard Walk, 1976, performance; photograph by Jeff Gubbins, printed 2016, Courtesy Zeno X Gallery, Antwerp. © Kim Jones, courtesy Gladstone Gallery, New York and Brussels & Zeno X Gallery, Antwerp, Photo by Mindy Barett 5. Mel (Melesio) Casas, Humanscape 43, 1968, acrylic on canvas, Mel Casas Family Trust. Photo courtesy Mel Casas Family Trust 6. Wally Hedrick, War Room, 1967-68/2002, oil on canvas, Courtesy of the Collection of Paul and Karen McCarthy. Image courtesy of the Wally Hedrick Estate and The Box, LA, Photo © Fredrik Nilsen Studio 7. Carlos Irizarry, Moratorium, 1969, screenprint, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.24.1A-B. ©1969 Carlos Irizarry, Photo by Gene Young 8. Corita Kent, right, 1967, screenprint, Corita Art Center, Immaculate Heart Community, Los Angeles, CA. © Corita Art Center, Immaculate Heart Community, Los Angeles, Photo by Arthur Evans

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9. Malaquias Montoya, Viet Nam/Aztlan, 1973, offset lithograph, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2015.29.3. © Malaquias Montoya, Photo by Mindy Barrett 10. Edward Kienholz, The Non-War Memorial, 1970/1972, military uniforms, sand, book, acrylic vitrine, plaque, and printed statement, Whitney Museum of American Art, New York; Gift of Nancy Reddin Kienholz 2003.14a-h. Copyright Kienholz. Courtesy of L.A. Louver, Venice, CA. Photo by Sheldan C. Collins 11. John Lennon and Yoko Ono, War is Over!, 1969, offset lithograph, Courtesy of Yoko Ono. © Yoko Ono 1969/2019 12. Corita Kent, yellow submarine, 1967, screenprint, Corita Art Center, Immaculate Heart Community, Los Angeles, CA. © Corita Art Center, Immaculate Heart Community, Los Angeles, Photo by Arthur Evans 13. Peter Saul, Target Practice, 1968, acrylic on canvas, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Joseph H. Hirshhorn Purchase Fund, 2016. ©Peter Saul, Photo courtesy Hirshhorn Museum and Sculpture Garden by Cathy Carver

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14. Yoko Ono, Cut Piece, 1964, performance at Carnegie Hall, New York, 1964, performed March 21, 1965, 16 mm film by Albert and David Maysles transferred to video, black and white, sound, 8:27 minutes, Courtesy of the Artist. © Yoko Ono 1965/2019 15. Yoko Ono, Cut Piece, 1964, performance at Carnegie Hall, New York, 1964, performed March 21, 1965, 16 mm film by Albert and David Maysles transferred to video, black and white, sound, 8:27 minutes, Courtesy of the Artist. © Yoko Ono 1965/2019 16. Carol Summers, Kill for Peace, 1967, screenprint with punched holes, Courtesy of the International Center of Photography, Gift of the Artists' Poster Committee with funds provided by the ICP Acquisitions Committee, 2002. Photo courtesy of the International Center of Photography 17. May Stevens, Big Daddy Paper Doll, 1970, acrylic on canvas, Brooklyn Museum, Gift of Mr. and Mrs. S. Zachary Swidler, 75.73. © May Stevens, Courtesy of the artist and RYAN LEE Gallery, New York. 18. Paul Thek, Warrior's Leg from the series Technological Reliquaries, 1966-67, wax, leather, metal, and paint, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Joseph H. Hirshhorn Bequest Fund, 1990. © The Estate of George Paul Thek; courtesy Alexander and Bonin, New York, Photo courtesy Hirshhorn Museum and Sculpture Garden by Cathy Carver Smithsonian American Art Museum Publicity images – Artists Respond: American Art and the Vietnam War, 1965-1975 1/31/19/td Page 4

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19. Edward Kienholz, The Eleventh Hour Final, 1968, tableau: wood paneling, concrete TV set with engraved screen and remote control, furniture, lamp, ash trays, artificial flowers, TV Guide, pillows, painting, and wall clock, window and curtains, Glenstone Museum, Potomac, Maryland. Copyright Kienholz. Courtesy of L.A. Louver, Venice, CA 20. Edward Kienholz, The Eleventh Hour Final, 1968, tableau: wood paneling, concrete TV set with engraved screen and remote control, furniture, lamp, ash trays, artificial flowers, TV Guide, pillows, painting, and wall clock, window and curtains, Glenstone Museum, Potomac, Maryland. Copyright Kienholz. Courtesy of L.A. Louver, Venice, CA 21. Timothy Washington, 1A, 1972, etched aluminum, leather, metal studs, nail, draft card, Private Collection, courtesy of Tilton Gallery. Photo courtesy the artist and Tilton Gallery, New York 22. James Gong Fu Dong, Vietnam Scoreboard, 1969, embossed etching, San Francisco State College Art Department Collection. © Jim Dong, Courtesy of the Artist, Photo by Mindy Barrett

23. Kim Jones, Mudman Structure (large), 1974, sticks, mud, rope, foam rubber, shellac, and acrylic; shown with chair, boots, and bucket of mud, Courtesy of Zeno X Gallery, Antwerp. © Kim Jones, courtesy Gladstone Gallery, New York and Brussels & Zeno X Gallery, Antwerp 24. Philip Guston, San Clemente, 1975, oil on canvas, Glenstone Museum, Potomac, Maryland. © The Estate of Philip Guston, courtesy Hauser & Wirth, Photo by Christopher Burke Smithsonian American Art Museum Publicity images – Artists Respond: American Art and the Vietnam War, 1965-1975 1/31/19/td Page 5

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24. Martha Rosler, Balloons, from the series House Beautiful: Bringing the War Home, ca. 1967-72, photomontage, Art Institute of Chicago, through prior gift of Adeline Yates; exhibition copy provided by Mitchell-Innes & Nash, New York. © Martha Rosler, Courtesy of the artist and Mitchell-Innes & Nash, New York 25. Martha Rosler, Beauty Rest, from the series House Beautiful: Bringing the War Home, ca. 1967-72, photomontage, Art Institute of Chicago, through prior gift of Adeline Yates; exhibition copy provided by Mitchell-Innes & Nash, New York. © Martha Rosler, Courtesy of the artist and Mitchell-Innes & Nash, New York 26. Philip Jones Griffiths, Vietnam, 1967, gelatin silver print, The J. Paul Getty Museum, Los Angeles © The Philip Jones Griffiths Foundation/Magnum Photos, Photo courtesy the J. Paul Getty Museum 27. Rupert García, ¡Fuera de Indochina!, 1970, screenprint, The Fine Arts Museums of San Francisco, Gift of Mr. and Mrs. Robert Marcus © Rupert García, Courtesy Rena Bransten Gallery, Photo courtesy the Fine Arts Museums of San Francisco

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