Evidence of Movement a Solo Musician Plays Several Instruments in Succession
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White on Blue Blue on White Grayscale JULY 10–OCTOBER 7, 2007 EVIDENCEWhite on Blue OF MOVEMENT Getty research InstitUte Streaming audio and a podcastBlue at on White www.getty.edu Close Radio From 1976 to 1979, Los Angeles radio station KPFK hosted Close Radio, a weekly half-hour program Grayscale that allowed artists to present sound and art projects via radio broadcast. Initially founded by artists (408) 794-0885 John Duncan and Neil Goldstein, the program was primarily organized by Duncan and Paul McCarthy, with Nancy Buchanan and Linda Frye Burnham also participating as organizers at various points in You can listen to a selection of original Close Radio broad- casts using any telephone, including your cell phone, home the program’s history. Over the course of more than one hundred broadcasts by more than ninety phone, or the phone in the gallery. To listen to a recording, artists, Close Radio challenged nearly every conceivable industry standard of radio broadcast, and call (408) 794-0885, enter the number of the broadcast collectively its projects present an encyclopedic array of strategies used by artists to present per- you want to hear, followed by the # key. Streaming audio formative art works using only sound. and a podcast are available at www.getty.edu. *May not be suitable for children **Edited to remove unlicensed material 1. Guy de Cointet 14. Eleanor Antin 27. Alexis Smith 40. Galerie Ecart workshop TSNX/C24Va7ME: A Play by Dr. Hun, Act 1, The Battle of the Bluffs The Emperor’s New Clothes October 6, 1977, 11 min. 9 sec. Scene 5N6 March 21, 1977, 12 min. 28 sec. (recorded live) July 21, 1977, 9 min. 15 sec. Composition of “chance systems” and improvisational exercises. November 15, 1976, 11 min. 25 sec. A monologue about life in Solana Beach. The artist recounts this well-known parable. 41. Galerie Ecart presents Giuseppe Chiari Excerpts from a play, including a monologue and a dialogue of 15. Newton and Helen Mayer Harrison 28. Michael LeDonne-Bhennett in concert at Ecart Gallery sounds, numbers, and letters. Meditations on the Sacramento River, San Diego Coronach October 6, 1977, 9 min. 9 sec. © Estate Guy de Cointet/Cirrus Gallery Is the Center of the World (recorded live) July 28, 1977, 13 min. 57 sec. A piano concert of randomly played notes. 2. Ant Farm April 4, 1977, 20 min. 16 sec. A sound composition of chimes. 42. Ecart Performance Group CarMen . The Opera The artists deliver an essay on water usage and irrigation 29. Paul McCarthy, Barbara T. Smith, and October 6, 1977, 10 min. 49 sec. November 22, 1976, 13 min. 22 sec. politics in California. Nancy Buchanan, Call-in Show Collage of sounds and noises. An opera in three acts featuring an orchestra of automobiles. 16. John Duncan (recorded live) August 4, 1977, 37 min. 8 sec. 43. Galerie Ecart presents Mary Harding, 3. Nancy Buchanan No Short anonymous performances by listeners who call in and a John Armleder, and Philippe Deléglise in CS Opera (recorded live) April 11, 1977, 16 min. 16 sec. discussion of the call-in format by its programmers. Wolf Vostell’s Regen November 29, 1976, 8 min. 50 sec. A Reichian breathing exercise provides the backdrop for a list 30. Susan Mogul October 6, 1977, 9 min. 21 sec. A conversational volley of nonsequiturs between a man and a of spoken psychological conditions. The AM Mogul in the PM on FM A recording of the artists talking while performing under out- woman. 17. Laurel Beckman August 11, 1977, 21 min. 50 sec. door showers in Vostell’s Regen. 4. Laurel Klick A Conversation, Let’s Dance, and Get Out** A DJ performance of Top Ten music, local weather, personal 44. Ecart Performance Group Secret for the Public, Part 2 April 18, 1977, 10 min. 10 sec. anecdotes, and trivia. Untitled (recorded live) December 6, 1976, 12 min. 36 sec. The artist converses with “voices” about an open-ended 31. Harry Kipper October 6, 1977, 5 min. 23 sec. The artist asks listeners to call in and share their personal dilemma. Sound Collage A sound piece played on a gong. secrets on the air. 18. Terry Fox August 18, 1977, 15 min. 28 sec. 45. Galerie Ecart presents John Armleder 5. Douglas Huebler and Donald Burgy Excerpts from Lunar Rambles Clips, music, and sound bites pieced together. Conversations Sound Drawings April 25, 1977, 15 min. 4 sec. 32. Norma Jean Deak October 6, 1977, 9 min. 35 sec. January 3, 1977, 13 min. 25 sec. Sustained sounds with slight tonal variations played on a metal Having a Wonderful Time A sound piece with the voices of John Cage, Dick Higgins, The artists discuss the scores of Huebler’s sound drawings. bowl and steel plow disk. August 25, 1977, 14 min. 41 sec. William Burroughs, George Brecht, Richard Huelsegheck, © Estate of Douglas Huebler 19. George Miller Letters and diary entries are used to describe a woman. Merce Cunningham, Kurt Schwitters, Naum Gabo, Marcel 6. Barbara T. Smith The Story of Uncle Curt Duchamp, and Raoul Hausmann. 33. Martha Rosler Vaya con dios May 2, 1977, 13 min. What’s Your Name Little Girl? 46. Galerie Ecart presents Claude Rychner January 10, 1977, 14 min. 50 sec. The speaker recounts the experiences of a young boy interact- September 1, 1977, 37 min. 17 sec. Driving to Zurich The artist reads a series of grammar school lessons in Spanish ing with his physically challenged great uncle. October 6, 1977, 5 min. 22 sec. and then interacts with Spanish-speaking students. A reading of names and their origins and meanings, as well as 20. Robert Wilhite a discussion on naming. A recording of the artist traveling by motorcycle. 7. Chris Burden History of the One-String 34. John White 47. Galerie Ecart presents Ben Vautier Wiretap May 9, 1977, 14 min. 8 sec. Close Call For Close January 17, 1977, 14 min. 14 sec. The artist tells back stories and plays excerpts from his one- September 8, 1977, 9 min. 43 sec. October 6, 1977, 14 min. 55 sec. The artist secretly tapes phone conversations with his New string-instrument concerts. Instructional English-language tapes play during a lecture on York dealer and a European gallery owner. Short examples of semantics, including a dialogue, reading, 21. Suzanne Lacy repetition, and cat’s meow. nationalism and multiculturalism. Continued in #48. 8. Tom Recchion Three Weeks in May* © Artists Rights Society (ARS), New York/ADAGP, Paris Excerpt from 35. Nancy Angelo The Doo-Dooettes (recorded live) May 16, 1977, 10 min. 59 sec. Untitled Parts 48. Galerie Ecart presents Ben Vautier January 24, 1977, 14 min. 7 sec. The artist reads police blotter entries of sexual assaults and September 15, 1977, 15 min. 56 sec. For Close (continued) A composition of abstract sounds. rapes of women in Los Angeles in the past week. An exercise that invokes self-reflection and awareness. October 13, 1977, 12 min. 15 sec. 9. Linda Montano 22. Ronald Benom Part 2 of #47. 36. Bob Parks When You Hear This I Will Be 35 Room, Part 1 Big Nose** 49. Galerie Ecart presents Endre Tót January 31, 1977, 13 min. 17 sec. June 9, 1977, 14 min. 35 sec. (recorded live) September 22, 1977, 13 min. 2 sec. I Am Glad if I Can Say a Sentence One After Two stories told by children about exotic animals. Stories about a particular room from multiple perspectives. the Other © Estate of Ronald Benom A variety show of zealous presentations of love, faith, self- 10. Cheri Gaulke respect, and gospel. October 20, 1977, 15 min. 6 sec. 23. Bart Thrall The artist repeats the title of the work. The Red Shoes 37. Barry Markowitz February 7, 1977, 14 min. 21 sec. Two Stories with Junior and a Japanese Dinner Untitled 50. Ecart Performance Group While dancing, the artist reads The Red Shoes, by Hans June 23, 1977, 13 min. September 29, 1977, 11 min. 7 sec. Rowing from One Point to Another on Christian Andersen. Fishing and hunting stories told by two good ol’ boys with instruments. While the artist waits for a friend to get ready, the listener is Lake Geneva 11. John Baldessari transported to a film shoot where extras are given specific October 27, 1977, 12 min. 53 sec. Second Language, 24. Tom Jenkins directions. A recording of the artists rowing a boat. Untitled Trying for the Worst with Dorit Cypis* 38. Galerie Ecart workshop 51. Los Angeles Free Music Society February 17, 1977, 13 min. 53 sec. July 7, 1977, 11 min. 37 sec. October 6, 1977, 7 min. 22 sec. Close Radio The artist asks a friend to say insults in a foreign language and A “sculpture of sounds” by instruments made from found Collage of sounds, words, noise, and music. (recorded live) November 3, 1977, 44 min. 19 sec. to explain them. materials. 39. Galerie Ecart presents Maurizio A concert of experimental music and performance. 12. Paul McCarthy 25. Paul McCarthy interviews Gene Nannucci 52. The Monitors Paid Strangers Youngblood Colours (recorded live) November 10, 1977, 16 min. 55 sec. (recorded live) February 21, 1977, 13 min. 6 sec. (recorded live) July 7, 1977, 1 hr. 4 sec. October 6, 1977, 5 min. 4 sec. Punk rock music by an L.A. band. The artist pays strangers to speak their minds on the air. Youngblood, an electronic media arts scholar, discusses six new technologies that artists are using. An artist reads the names of several colors, and sometimes the © Humaneer Music, BMI 13. Allan Kaprow names overlap.