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Feminist Art, the Women's Movement, and History
Working Women’s Menu, Women in Their Workplaces Conference, Los Angeles, CA. Pictured l to r: Anne Mavor, Jerri Allyn, Chutney Gunderson, Arlene Raven; photo credit: The Waitresses 70 THE WAITRESSES UNPEELED In the Name of Love: Feminist Art, the Women’s Movement and History By Michelle Moravec This linking of past and future, through the mediation of an artist/historian striving for change in the name of love, is one sort of “radical limit” for history. 1 The above quote comes from an exchange between the documentary videomaker, film producer, and professor Alexandra Juhasz and the critic Antoinette Burton. This incredibly poignant article, itself a collaboration in the form of a conversation about the idea of women’s collaborative art, neatly joins the strands I want to braid together in this piece about The Waitresses. Juhasz and Burton’s conversation is at once a meditation of the function of political art, the role of history in documenting, sustaining and perhaps transforming those movements, and the influence gender has on these constructions. Both women are acutely aware of the limitations of a socially engaged history, particularly one that seeks to create change both in the writing of history, but also in society itself. In the case of Juhasz’s work on communities around AIDS, the limitation she references in the above quote is that the movement cannot forestall the inevitable death of many of its members. In this piece, I want to explore the “radical limit” that exists within the historiography of the women’s movement, although in its case it is a moribund narrative that threatens to trap the women’s movement, fixed forever like an insect under amber. -
Protest » Video- Collage
FemLink, the International Videos-Collage LIST OF VIDEOS in THE « PROTEST » VIDEO- COLLAGE 26 videos - 50 min. The videos inccluded in the collage was created for FemLink 01 - IT’S JUST A GAME, Maria Rosa Jijon (Ecuador) The word Game is indeed a trap: not only translates into play but, above all, in prey. In an era apparently facilitated by the invasion of computers and machines, the reality is that everything looks, more and more, like the locations of Orwell’s 1984. The removal of spatio- temporal boundaries is just a consolation prize, because the customs continue to exist and overcome them is always crooked at least as to live as emigrants once exceeded. Ilaria Giordano Drome Magazine CREDITS : Music: Mario Bross 02 - OVERFLOW. A NOTE OF SUICIDE, Sara Malinarich (Chile) A woman sacrifices herself in a technological scene, in front of virtual witnesses and streets coexisting in time in different places. The screen is the suicide note, the physical support of a protest that overflows through an invisible mechanics that activates the self-destruction sequence. It is the suicide note that burns and sets fire to the woman, becoming the bonfire of her protests. 'Overflow' is a videocreation made in real-time with automated machines and telepresence systems (and a veiled tribute to José Val del Omar.) Credits: Cast: CAROLINA PRIEGO. Technical Management: MANUEL TERÁN. Photography: MAKU LÓPEZ. Edition, Postproduction & Graphics: JORGE RUIZ ABÁNADES. 3D Motion: FRANÇOIS MOURRE. Music: EN BUSCA DEL PASTO Note: The audio of this piece is in Dia-phonic system, created by José Val del Omar in 1944. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
At a Glance Concert Schedule
At A Glance Concert Schedule SC- Supper Club CH- Concert Hall MB- Music Box Full Venue RT- Rooftop Deck RF- Riverfront Porch PDR- Private Dining Room Sun 4/23 CH Turning Point Church Presented by NEO Church Planting network Weekly Worship Service (View Page) Sun 4/23 SC BB King Brunch With Travis "The Moonchild" Haddix (View Page) Sun 4/23 CH Bob Mould Solo Electric Show with Hüsker Dü Frontman (Tickets) Wed 4/26 SC Topic: Cleveland Starts Here: History of Western Reserve Historical Society Storytellers: Kelly Falcone-Hall & Dennis Barrie Cleveland Stories Dinner Parties (View Page) Thu 4/27 SC Motown Night with Nitebridge Enjoy the jumpin' sounds of your favorite classic hits! (View Page) Thu 4/27 CH Dan Fogelberg Night with The Don Campbell Band (Tickets) Sun 4/30 CH Turning Point Church Presented by NEO Church Planting network Weekly Worship Service (View Page) Sun 4/30 SC Beatles Brunch With The Sunrise Jones (Tickets) Sun 4/30 SC Cleveland Songwriters Showcase Raymond Arthur Flanagan, Rebekah Jean, & Austin Stambaugh (View Page) Wed 5/3 SC Topic: Plans Made, Plans Changed: CLE’s Urban Design Storyteller: Chris Ronayne Cleveland Stories Dinner Parties (View Page) Thu 5/4 SC Rebels Without Applause One of Cleveland's Longtime Favorite Cover Bands Celebrating 35 Years! (View Page) Fri 5/5 CH Martin Barre of Jethro Tull Award-Winning Legendary Guitarist (Tickets) Fri 5/5 SC Tequila! Cinco de Mayo Party with Cats on Holiday Tequila Flights, Taco Features and more! (Tickets) Sat 5/6 SC Hey Mavis Northeast Ohio’s Favorite Americana Folk -
Detailed Reporting from Closing Survey (English)
Detailed Reporting from Closing Survey (English) Index Ship 1 Embodied/Thoughts 24 Beings 52 Past Experiences 62 Ship ● I saw colored lights behind Mark during the meditation. Also, a round moving light behind him. - Austin, Texas, USA ● I saw a little moving green and orange double-helix on the screen of the live-stream from the Day 10 culminating meditation (that’s actually the only part I ended up participating in). - Austin, Texas, USA ● I had my eyes open during the livestream, watching Mark and the sky on TV. I saw a definite revolving rainbow to Mark’s right in the sky about five minutes into the stream. If you video copied it look. - Waimea, Hawaii, USA ● Lights in the sky. - Lake Shore, Minnesota, USA ● I dreamed last night that I watched a ship being attacked by smaller vessels over the city. The ship was hit critically and fell into the ocean and caused a tidal wave. Then something in my room was knocked off of my dresser and woke me suddenly. - Carlsbad, California, USA ● I saw some amber lights that faded in the sky, they didn’t look like airplanes. - Coconut Creek, Florida ● We had a sighting on Sunday night. - Dallas,TX ● Beautiful Light Beings playing on the surface of the ocean. Two in particular last night that were green. - Oceanside, California, USA ● I saw a blinking light like from an aeroplane, but at random intervals it got really bright. - Lovelock, Nevada, USA ● A bright object flashed and moved about 6 times and changed colors. - Salt Lake City, Utah, USA ● We did our CE5 meditation on Monday, July 13th at 9 PM and as we were looking up to the sky during the quiet time after the meditation, we saw a bright, white-light orb appear from the south coming past Altair/Aquila and then it suddenly turned and went East. -
Survival Research Laboratories: a Dystopian Industrial Performance Art
arts Article Survival Research Laboratories: A Dystopian Industrial Performance Art Nicolas Ballet ED441 Histoire de l’art, Université Paris 1 Panthéon-Sorbonne, Galerie Colbert, 2 rue Vivienne, 75002 Paris, France; [email protected] Received: 27 November 2018; Accepted: 8 January 2019; Published: 29 January 2019 Abstract: This paper examines the leading role played by the American mechanical performance group Survival Research Laboratories (SRL) within the field of machine art during the late 1970s and early 1980s, and as organized under the headings of (a) destruction/survival; (b) the cyborg as a symbol of human/machine interpenetration; and (c) biomechanical sexuality. As a manifestation of the era’s “industrial” culture, moreover, the work of SRL artists Mark Pauline and Eric Werner was often conceived in collaboration with industrial musicians like Monte Cazazza and Graeme Revell, and all of whom shared a common interest in the same influences. One such influence was the novel Crash by English author J. G. Ballard, and which in turn revealed the ultimate direction in which all of these artists sensed society to be heading: towards a world in which sex itself has fallen under the mechanical demiurge. Keywords: biomechanical sexuality; contemporary art; destruction art; industrial music; industrial culture; J. G. Ballard; machine art; mechanical performance; Survival Research Laboratories; SRL 1. Introduction If the apparent excesses of Dada have now been recognized as a life-affirming response to the horrors of the First World War, it should never be forgotten that society of the 1960s, 70s, and 80s was laboring under another ominous shadow, and one that was profoundly technological in nature: the threat of nuclear annihilation. -
Jacaber-Kastor 2019.Pdf
Jacaeber Kastor: Psychedelic Sun By Carlo McCormick In turns perplexing, disorienting, wondrous and utterly beguiling, Jacaeber Kastor’s drawings make you look, look again and then still more, trying to find your way in their miasmic magic until at last, well, you discover the special pleasure of being truly lost. And when you think you’re done, when you’ve decoded the esoteric and abstract, conjured all the forms and meanings from these oceans of latency, answered the call of otherness as if it were the sphinx’s riddle- turn the work or flip your head, around and around, because there is no single perspective to read Kastor’s psychedelic topography: it is an entwined and constantly unfolding omniverse that has no right side up or upside down. If, in the course of your wanderings through Kastor’s meandering poetics of line and space, you come across the unexpected, the oddly familiar or the impossibly alien- for indeed you surely will, quite possible all at once with overwhelming simultaneity- and you ask yourself how did you even come to get here, you might also ask how indeed did this artist arrive at just such a place him- self. Make no mistake about it, Jacaeber Kastor is an intrepid voyager of body and mind, an adventurer without destination or designation, a man without return for even when he has somehow been there before he understands it as different, everything nuanced with the subtle shifts of impercep tible change, actuality always just beyond the tiny grasp of appearance, reason or replication. His art, like the convolutions of a restless mind guiding the inspired hand of uncertainty, is the tracings of a mind- traveler, a map to the nowhere that is everywhere, something so personally idiosyncratic that it marks a shared commons where likeness meets in a zone of compatible dissimilarity. -
Survival Research Laboratories Featured in the Art Newspaper
r THE ART NEWSPAPER The Robot wars: Mark Pauline and Survival Research Laboratories The Bay Area artist and his team build massive machines that act in dangerous performances—and they are opening their first gallery show in New York HELEN STOILAS 5th January 2018 17:11 GMT Mark Pauline and the Running Machine (1992) Courtesy of Survival Research Laboratories For four decades, Mark Pauline has turned robotics into a performance art. In 1978, the Bay Area artist started Survival Research Laboratories (SRL), a collaborative project with the stated purpose of “re-directing the techniques, tools, and tenets of industry, science, and the military away from their typical manifestations in practicality, product or warfare”. Since then, Pauline and a team of “creative technicians” have been building an army of massive machines—the giant articulated Spine Robot that gingerly picks up objects with its mechanised arm, the dangerously powerful Pitching Machine that can hurl a 2 x 4 at 200mph, and of course Mr Satan, a blast furnace with a human face that shoots flames from its eyes and mouth. These are used in performances that inspire equal parts awe, excitement and fear. Pauline and the SRL team are in New York this week for their first major gallery show at Marlborough Contemporary, Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature, opening on Saturday 5 January, with performances starting at 4pm. We spoke to the artist from his studio in Petaluma. The Art Newspaper: These machines are meant to have their own life, they’re independent actors in a way? Mark Pauline: Actually, they’re just meant to replace human performers in the events that we stage. -
Courage of Lassie Ðктьор ÑпиÑ
Courage of Lassie ÐÐ ºÑ‚ьор ÑÐ ¿Ð¸ÑÑ ŠÐº (Cast) Donald Curtis https://bg.listvote.com/lists/film/actors/donald-curtis-3036004/movies Byron Foulger https://bg.listvote.com/lists/film/actors/byron-foulger-5004353/movies Catherine McLeod https://bg.listvote.com/lists/film/actors/catherine-mcleod-5052825/movies Morris Ankrum https://bg.listvote.com/lists/film/actors/morris-ankrum-2421148/movies Arthur Space https://bg.listvote.com/lists/film/actors/arthur-space-4800331/movies Carl Switzer https://bg.listvote.com/lists/film/actors/carl-switzer-1040783/movies Bill Wallace https://bg.listvote.com/lists/film/actors/bill-wallace-862637/movies Clancy Cooper https://bg.listvote.com/lists/film/actors/clancy-cooper-5125741/movies Minor Watson https://bg.listvote.com/lists/film/actors/minor-watson-3315571/movies Harry Davenport https://bg.listvote.com/lists/film/actors/harry-davenport-744955/movies Selena Royle https://bg.listvote.com/lists/film/actors/selena-royle-529503/movies Addison Richards https://bg.listvote.com/lists/film/actors/addison-richards-353142/movies Elizabeth Taylor https://bg.listvote.com/lists/film/actors/elizabeth-taylor-34851/movies Mitchell Lewis https://bg.listvote.com/lists/film/actors/mitchell-lewis-3317080/movies Frank Morgan https://bg.listvote.com/lists/film/actors/frank-morgan-200514/movies David Holt https://bg.listvote.com/lists/film/actors/david-holt-1174759/movies Tom Drake https://bg.listvote.com/lists/film/actors/tom-drake-552848/movies George Cleveland https://bg.listvote.com/lists/film/actors/george-cleveland-3101495/movies. -
Classical Gas Recordings and Releases Releases of “Classical Gas” by Mason Williams
MasonMason WilliamsWilliams Full Biography with Awards, Discography, Books & Television Script Writing Releases of Classical Gas Updated February 2005 Page 1 Biography Mason Williams, Grammy Award-winning composer of the instrumental “Classical Gas” and Emmy Award-winning writer for “The Smothers Brothers Comedy Hour,” has been a dynamic force in music and television circle since the 1960s. Born in Abilene, Texas in 1938, Williams spent his youth divided between living with his 1938 father in Oklahoma and his mother in Oregon. His interest in music began when, as a teenager, he to 1956 became a fan of pop songs on the radio and sang along with them for his own enjoyment. In high Oklahoma school, he sang in the choir and formed his first group, an a capella quartet that did the 1950’s City style pop and rock & roll music of the era. They called themselves The Imperials and The to L.A. Lamplighters. The other group members were Diana Allen, Irving Faught and Larry War- ren. After Williams was graduated from Northwest Classen High School in Oklahoma City in 1956, he and his lifelong friend, artist Edward Ruscha, drove to Los Angeles. There, Williams attended Los Angeles City College as a math major, working toward a career as an insurance actuary. But he spent almost as much time attending musical events, especially jazz clubs and concerts, as he did studying. This cultural experience led him to drop math and seek a career in music. Williams moved back to Oklahoma City in 1957 to pursue his interest in music by taking a crash course in piano for the summer. -
Menlo Park Juvi Dvds Check the Online Catalog for Availability
Menlo Park Juvi DVDs Check the online catalog for availability. List run 09/28/12. J DVD A.LI A. Lincoln and me J DVD ABE Abel's island J DVD ADV The adventures of Curious George J DVD ADV The adventures of Raggedy Ann & Andy. J DVD ADV The adventures of Raggedy Ann & Andy. J DVD ADV The adventures of Curious George J DVD ADV The adventures of Ociee Nash J DVD ADV The adventures of Ichabod and Mr. Toad J DVD ADV The adventures of Tintin. J DVD ADV The adventures of Pinocchio J DVD ADV The adventures of Tintin J DVD ADV The adventures of Tintin J DVD ADV v.1 The adventures of Swiss family Robinson. J DVD ADV v.1 The adventures of Swiss family Robinson. J DVD ADV v.2 The adventures of Swiss family Robinson. J DVD ADV v.2 The adventures of Swiss family Robinson. J DVD ADV v.3 The adventures of Swiss family Robinson. J DVD ADV v.3 The adventures of Swiss family Robinson. J DVD ADV v.4 The adventures of Swiss family Robinson. J DVD ADV v.4 The adventures of Swiss family Robinson. J DVD ADV v.5 The adventures of Swiss family Robinson. J DVD ADV v.5 The adventures of Swiss family Robinson. J DVD ADV v.6 The adventures of Swiss family Robinson. J DVD ADV v.6 The adventures of Swiss family Robinson. J DVD AGE Agent Cody Banks J DVD AGE Agent Cody Banks J DVD AGE 2 Agent Cody Banks 2 J DVD AIR Air Bud J DVD AIR Air buddies J DVD ALA Aladdin J DVD ALE Alex Rider J DVD ALE Alex Rider J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALI Alice in Wonderland J DVD ALICE Alice in Wonderland J DVD ALL All dogs go to heaven J DVD ALL All about fall J DVD ALV Alvin and the chipmunks. -
Final Mirror of the Series Is Literally a Mirror on Which Grey Has Inscribed the Word “GOD,” Representing the Pinnacle of the Viewer’S Spiritual Journey
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... A New Way of Approaching the Absolute through Art: The Sacred Mirrors of Alex Grey A Thesis Presented by Julie M. Gilbert to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History and Criticism Stony Brook University May 2010 Stony Brook University The Graduate School Julie Gilbert We, the thesis committee for the above candidate for the Master of Arts degree, hereby recommend acceptance of this thesis. Dr. Donald Kuspit – Thesis Advisor Distinguished Professor of Art and Philosophy Helen Harrison – Committee Member Lecturer of Art History and Director of Pollock-Krasner House and Study Center Dr. Gary Mar – Committee Member Associate Professor of Philosophy This thesis is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Thesis A New Way of Approaching the Absolute through Art: The Sacred Mirrors of Alex Grey by Julie Gilbert Master of Arts in Art History and Criticism Stony Brook University 2010 A connection with the viewer is a crucial aspect of art which addresses the spiritual. In order for this type of art to be successful, it must transform its viewer, enabling them to see the ultimate truth, of the Absolute nature of all things. Contemporary artist Alex Grey sees himself as a visionary, believing that the purpose of his art is to reunite humanity with its own collective spirituality—to help people realize their true nondual nature and interconnectedness.