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REWIND a Guide to Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980

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REWIND a Guide to Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980 REWIND A Guide to Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980 REWIND A Guide to Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980 REWIND 1995 edition Editor: Chris Hill Contributing Editors: Kate Horsfield, Maria Troy Consulting Editor: Deirdre Boyle REWIND 2008 edition Editors: Abina Manning, Brigid Reagan Design: Hans Sundquist Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968–1980 1995 VHS edition Producer: Kate Horsfield Curator: Chris Hill Project Coordinator: Maria Troy Produced by the Video Data Bank in collaboration with Electronic Arts Intermix and Bay Area Video Coalition. Consultants to the project: Deirdre Boyle, Doug Hall, Ulysses Jenkins, Barbara London, Ken Marsh, Leann Mella, Martha Rosler, Steina Vasulka, Lori Zippay. On-Line Editor/BAVC: Heather Weaver Editing Facility: Bay Area Video Coalition Opening & Closing Sequences and On-Screen Titles: Cary Stauffacher, Media Process Group Preservation of Tapes: Bay Area Video Coalition Preservation Supervisor: Grace Lan, Daniel Huertas Special thanks: David Azarch, Sally Berger, Peer Bode, Pia Cseri-Briones, Tony Conrad, Margaret Cooper, Bob Devine, Julia Dzwonkoski, Ned Erwin, Sally Jo Fifer, Elliot Glass, DeeDee Halleck, Luke Hones, Kathy Rae Huffman, David Jensen, Phil Jones, Lillian Katz, Carole Ann Klonarides, Chip Lord, Nell Lundy, Margaret Mahoney, Marie Nesthus, Gerry O’Grady, Steve Seid, David Shulman, Debbie Silverfine, Mary Smith, Elisabeth Subrin, Parry Teasdale, Keiko Tsuno, Tanya Turkovich, Woody Vasulka, Stephen Vitiello, Tom Weinberg, Jud Yalkut Research Centers: Alternative Media Center at NYU, Anthology Film Archives, Antioch Library, Art Metropole, Asian Cinevision, Donnell Public Library, Downtown Community Television, Eastern Tennessee State University, Electronic Arts Intermix, Experimental Intermedia Foundation, Film/Video Arts, Global Village, The Kitchen, Intermedia Arts, Long Beach Museum of Art, Museum of Modern Art Video Study Center, National Endowment for the Arts, New York Public Library, New York State Council on the Arts, NYU Media Center and Library, Pacific Film Archive, Port Washington Public Library, Video Data Bank, Visual Studies Workshop Funding for the original VHS version of Surveying the First Decade was provided by the National Endowment for the Arts/Media Arts Program and the Andy Warhol Foundation. Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968–1980 2008 DVD edition Project Coordination: Tom Colley and Abina Manning Authoring and Design: Hans Sundquist Digitization and Production: Allied Vaughn VDB staff: Lindsay Bosch, Tom Colley, Abina Manning, Chris Naka, Brigid Reagan, Dewayne Slightweight, and Hans Sundquist Video Data Bank is supported in part by: Illinois Arts Council National Endowment for the Arts The School of the Art Institute of Chicago © 1995 original edition, Video Data Bank © 2008 DVD edition, Video Data Bank This pdf is free to print for educational use only. It cannot be sold, distributed, or used for public presentation without the expressed consent of Video Data Bank. Set the paper orientation to horizontal or ‘landscape’ when printing this book. Double sided printing is recommended. Contents Note on the Republication of Rewind in 2008 5 How to Use this Book Deirdre Boyle 6 Attention! Production! Audience!: Performing Video in its First Decade Chris Hill 8 Program Notes and Title Descriptions Chris Hill and Maria Troy 30 Volume 1 Program 1: Explorations of Presence, Performance, and Audience 30 Program 2: Investigations of the Phenomenal World — Space, Sound, and Light 36 Program 3: Approaching Narrative — “There are Problems to be Solved” 44 Program 4: Gendered Confrontations 48 Volulme 2 Program 5: Performance of Video-Imaging Tools 54 Program 6: Decentralized Communications Projects 64 Program 7: Critiques of Art and Media as Commodity and Spectacle 72 Program 8: Independents Address TV Audiences 78 New Partnerships, Strategic Alliances: Update on Video Preservation Deirdre Boyle 84 A Report from the Trenches: Video Preservation Maria Troy 90 Resources Resource Guide for Early Video 96 Biographies Julia Dzwonkoski 100 Videographies Julia Dzwonkoski 118 Bibliography 129 NOTE ON THE 2008 REPUBLICATION OF REWIND REWIND was first published in 1995 to accompany the VHS edition of Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980. Edited by Survey curator Chris Hill, REWIND included her introductory essay and interviews with artists, as well as writings about video preservation by Consulting Editor Deirdre Boyle and Contributing Editor Maria Troy. In addition, the original REWIND included an extensive Resources section that detailed information on institutions and organizations of particular relevance to those interested in early video art, artist biographies, artist videographies and an extensive bibliography. On the occasion of the relaunch of Survey as a DVD box set in 2008, we have extensively re-edited REWIND. While some information contained in the writings is now outdated, we have republished them here mostly in their original form because of their growing historical interest, as well as the insight they offer into the state of the media arts field in the early nineties. We have comprehensively updated the Resource Guide to Early Video by utilizing the many sources of information on early video now available on the Internet. The sections detailing artist Biographies and Videographies contain information up to 1980; recent updates can be found on the www.vdb.org website. The Bibliography section has been reprinted in its totality with the knowledge that many of the books, articles and interviews cited are now available on the Internet in addition to the original publications listed here. We would like to thank the original editors for their enthusiasm and assistance in the task of re-editing REWIND. Abina Manning, Director, Video Data Bank Brigid Reagan, Assistant Director, Video Data Bank December 2008 Mayday Realtime David Cort and Curtis Ratcliff How to Use this Book* interesting avenues and lesser known byways of video history. And for zealous researchers looking beyond these lists, a more Deirdre Boyle extensive bibliography can be found at the end of this book. The eight programs in Surveying the First Decade can be used effectively in a semester-long history of video course or as a reference collection for museums, galleries or media arts centers. Some teachers may wish to use the programs exactly as they have been configured, but others may want to create their own structure. One can begin a study of early video with any Readers of this book will find their way to it along many different program. For instructors who have only one session in which to avenues of interest. Although teachers and students of video art present early video art history or who are using this collection to history and video production are the most obvious users, many supplement study in other disciplines, judicious selection of titles others will find in these pages and in the titles in the collection and readings can be made to suit your course goals and time valuable resources and inspiration. Whether you are interested constraints. If you do not have time to preview all the titles in in American studies, feminism, television, the documentary, time the collection, reading the annotations will steer you to preview arts, the history of radicalism, or art and technology—to name a those that seem most likely for your purpose. few likely subjects—you will find important primary and secondary sources here. We encourage you to unpack this material to suit For example, if you are teaching a course on feminism and your own needs, creatively selecting from the titles in the collec- searching for visual documents on the rise of the feminist move- tion and the resources in this book, ordering both according to ment in the late ‘60s and early ‘70s, you could preview tapes your own design. from several programs. In addition to all the works in program 4, “Gendered Confrontations,” you could consider: The Politics Begin with Chris Hill’s introductory essay, Attention! Production! of Intimacy and Women’s Liberation March NYC, from program Audience! which offers an overview of the social, political and 6; My Father, Exchange, and Vertical Roll, from program 1; and cultural context of the late ‘60s and ‘70s when portable video Fifty Wonderful Years and Technology/Transformation: Wonder became a leading medium for art and activism in the United Woman, from program 7. Readings by Sylvia Bovenschen and States. Where you go next is up to you. Martha Gever, among others, will help illuminate the movement and many of these titles. The video collection has been organized into programs around eight broad themes. These programs are accompanied by If you are teaching a production class in video documentary, the introductory notes and followed by annotations for each tape, following works could highlight the development of a documen- providing descriptions supplemented by artist remarks and tary video aesthetic: all the titles in program 6, “Decentralized historic commentary by curators and critics. Even if you do Communications Projects,” and in program 8, “Independents not have access to viewing the titles, the program notes and Address TV Audiences;” The Continuing Story of Carel and tape annotations create a more detailed picture of this early Ferd, from program 3; Ama L’Uomo Tuo (Always Love Your Man), work and why it was made. Each program is accompanied by a from program 4; and from program 7, Fifty Wonderful Years, reading list, which is divided in two parts: firstly, Recommended Proto Media Primer, The Business of Local News, and About * This essay was originally published in Texts—recommended outside readings germane to the titles and Media. Readings from “Radical Software,” “The Videotape Book,” 1995. It has been edited for the 2008 artists in each program; and secondly, Background Texts—addi- and those by Arthur Ginsberg, Juan Downey, and Raymond DVD edition of Survey.
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