Souvenir of Paris Uniform with This Volume Is Also Issued the Souvenir of London
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Le Palais Du Luxembourg Sous Les Deux Empires
Le Palais du Luxembourg sous les deux Empires Direction de la Bibliothèque et des Archives Division des Archives Décembre 2019 Couverture : Auguste COUDER, Installation du Conseil d'État au palais du Petit-Luxembourg, le 25 décembre 1799 , huile sur toile, 1856. Photo © RMN-Grand Palais (Château de Versailles) / Hervé Lewandowski. Le peintre figure les trois consuls recevant, dans un des salons de Boffrand du Petit-Luxembourg, les serments des présidents de section du Conseil d’État. On peut apercevoir, par la fenêtre de gauche, l’aile Ouest du palais, et par la fenêtre de droite, la chartreuse. Ce dossier a été réalisé par Xavier LACROIX, qui prépare une thèse d’Histoire à Sorbonne Université sous la direction d’Éric ANCEAU. Stagiaire à la division des Archives du Sénat, il a rédigé cette brochure avec le concours de celle-ci. 2 Une visite du palais du Luxembourg sous les Napoléonides De l’envol à la chute de l’Aigle, le Palais du Luxembourg est lié au destin de Napoléon. Foyer, au seuil de l’année 1800, de la conjuration qui permit au général Bonaparte de clore la Révolution, le Luxembourg fut aussi son logis – et celui de Joséphine – durant les premiers mois du Consulat. On y rédigea, de surcroît, la Constitution de l’an VIII. Indissociablement lié à la geste napoléonienne, le Luxembourg subit profondément l’empreinte politique et réformatrice d’un régime dont il accueillit le Sénat, première chambre haute de l’histoire de France. À cette occasion, il fut restauré et adapté à la fonction de palais législatif, doté d’un nouvel et magistral escalier ainsi que d’un premier hémicycle. -
Copyrighted Material
14_464333_bindex.qxd 10/13/05 2:09 PM Page 429 Index Abacus, 12, 29 Architectura, 130 Balustrades, 141 Sheraton, 331–332 Abbots Palace, 336 Architectural standards, 334 Baroque, 164 Victorian, 407–408 Académie de France, 284 Architectural style, 58 iron, 208 William and Mary, 220–221 Académie des Beaux-Arts, 334 Architectural treatises, Banquet, 132 Beeswax, use of, 8 Academy of Architecture Renaissance, 91–92 Banqueting House, 130 Bélanger, François-Joseph, 335, (France), 172, 283, 305, Architecture. See also Interior Barbet, Jean, 180, 205 337, 339, 343 384 architecture Baroque style, 152–153 Belton, 206 Academy of Fine Arts, 334 Egyptian, 3–8 characteristics of, 253 Belvoir Castle, 398 Act of Settlement, 247 Greek, 28–32 Barrel vault ceilings, 104, 176 Benches, Medieval, 85, 87 Adam, James, 305 interior, viii Bar tracery, 78 Beningbrough Hall, 196–198, Adam, John, 318 Neoclassic, 285 Bauhaus, 393 202, 205–206 Adam, Robert, viii, 196, 278, relationship to furniture Beam ceilings Bérain, Jean, 205, 226–227, 285, 304–305, 307, design, 83 Egyptian, 12–13 246 315–316, 321, 332 Renaissance, 91–92 Beamed ceilings Bergère, 240, 298 Adam furniture, 322–324 Architecture (de Vriese), 133 Baroque, 182 Bernini, Gianlorenzo, 155 Aedicular arrangements, 58 Architecture françoise (Blondel), Egyptian, 12-13 Bienséance, 244 Aeolians, 26–27 284 Renaissance, 104, 121, 133 Bishop’s Palace, 71 Age of Enlightenment, 283 Architrave-cornice, 260 Beams Black, Adam, 329 Age of Walnut, 210 Architrave moldings, 260 exposed, 81 Blenheim Palace, 197, 206 Aisle construction, Medieval, 73 Architraves, 29, 205 Medieval, 73, 75 Blicking Hall, 138–139 Akroter, 357 Arcuated construction, 46 Beard, Geoffrey, 206 Blind tracery, 84 Alae, 48 Armchairs. -
WHAT Architect WHERE Notes Arrondissement 1: Louvre Built in 1632 As a Masterpiece of Late Gothic Architecture
WHAT Architect WHERE Notes Arrondissement 1: Louvre Built in 1632 as a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also Church of Saint 2 Impasse Saint- chose the sanctuary as the location for his mother’s funeral. Among ** Unknown Eustace Eustache those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. Amazing façade. Mon-Fri (9.30am-7pm), Sat-Sun (9am-7pm) Japanese architect Tadao Ando has revealed his plans to convert Paris' Bourse de Commerce building into a museum that will host one of the world's largest contemporary art collections. Ando was commissioned to create the gallery within the heritage-listed building by French Bourse de Commerce ***** Tadao Ando businessman François Pinault, who will use the space to host his / Collection Pinault collection of contemporary artworks known as the Pinault Collection. A new 300-seat auditorium and foyer will be set beneath the main gallery. The entire cylinder will be encased by nine-metre-tall concrete walls and will span 30 metres in diameter. Opening soon The Jardin du Palais Royal is a perfect spot to sit, contemplate and picnic between boxed hedges, or shop in the trio of beautiful arcades that frame the garden: the Galerie de Valois (east), Galerie de Montpensier (west) and Galerie Beaujolais (north). However, it's the southern end of the complex, polka-dotted with sculptor Daniel Buren's Domaine National du ***** 8 Rue de Montpensier 260 black-and-white striped columns, that has become the garden's Palais-Royal signature feature. -
Riccardo Muti Conductor Mathieu Dufour
Program ONe huNDReD TWeNTy-FiRST SeASON Chicago symphony orchestra riccardo muti Music Director Pierre Boulez helen Regenstein Conductor emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Friday, September 23, 2011, at 1:30 Tuesday, September 27, 2011, at 7:30 riccardo muti conductor mathieu Dufour flute rota Music from Il Gattopardo (The Leopard) Title Music Journey to Donnafugata Angelica and Tancredi 1 Angelica and Tancredi 2 The Prince’s Dreams Tancredi’s Departure Love and Ambition The Rigged Vote Finale First Chicago Symphony Orchestra performances Ibert Flute Concerto, Op. 37 Allegro Andante Allegro scherzando Mathieu DufouR IntermIssIon tchaikovsky Symphony No. 5 in e Minor, Op. 64 Andante—Allegro con anima Andante cantabile con alcuna licenza Waltz: Allegro moderato Finale: Andante maestoso—Allegro vivace This concert series is generously sponsored by Alexandra and John Nichols. CSO Tuesday series concerts are sponsored by United Airlines. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. 31 CSO_Subscription_1_w1_11-12.indd 31 9/13/11 1:17 PM This concert series is generously sponsored by alexanDra anD John nIChols. 31A CSO_Subscription_1_w1_11-12.indd 1 9/13/11 1:17 PM Comments by PhiLLiP huSCheR nino rota Born December 3, 1911, Milan, Italy. Died April 10, 1979, Rome, Italy. music from Il Gattopardo (the leopard) hen Giuseppe di Lampedusa aristocracy—and in particular Wwas diagnosed with lung of the family of Don Fabrizio cancer in April 1957, he had been Corbera, prince of Salina—during trying to find a publisher for his the Risorgimento as Giuseppe historical novel Il Gattopardo (The Garibaldi, the leader for Italian leopard) for nearly a year. -
American History Tour in Paris, France (This Is a Proposed And/Or Sample Tour)
American History Tour in Paris, France (This is a proposed and/or sample tour) Discover American History in Paris by Mary Jo Once you have been on this tour, you will forever have a deeper emotion on each 4th of July as Americans celebrate our historic declaration of independence from England and the results of the American Revolution. You will have a deeper affection for Paris, one of the most beautiful cities in the world, because of the direct links between that city and our revolution. In addition, you will see the places where Benjamin Franklin, Thomas Jefferson, John Paul Jones and others lived and established themselves in both French and American history. While living in Paris, I learned much about the historic connections between France and the United States, especially in relation to the American Revolution. I discovered numerous plaques, statues, squares, streets, and churches all over Paris that refer to these historic connections. I was given a book by a friend that provides much information about these places and these connections. Now I am passionate that more Americans know where these places are, what the signs and plaques say (most of them are written in French), and why they are there. Come explore with me American History in Paris. You will see Paris in a different way – through the lens of American history. A Flexible Itinerary I have planned an itinerary that allows a good deal of free time so that you can fall in love with Paris in your own way. In addition, we will be a small group, no more than 12. -
Peter's Paris: Les Halles 16/05/09 11:12
Peter's Paris: Les Halles 16/05/09 11:12 RECHERCHER LE BLOG SIGNALER LE BLOG Blog suivant» PETER'S PARIS PARIS AS SEEN BY A RETIRED SWEDE. 17.4.09 LINK TO MY PREVIOUS BLOG Les Halles My previous blog, PHO, was in operation for a year as from March 2007. It contains similar posts as this one, basically talking about different well known or more secrete sites in Paris. You can reach it by clicking HERE. You can also see photos - only - on my photo-blogs (previous one, present one). You can also find some of my photos on IPERNITY. ABOUT ME PETER A retired Swede, living in Paris. This is a new blog, started in March 2008. My previous ones This is what until the 70's used to be can be reached on the following called the "belly of Paris", when for addresses: http://peter- hygienic and congestion reasons the olson.blogspot.com/ and http://peter- activities which used to take place here were transferred to new premises in the olson-photos.blogspot.com/ suburbs (Rungis). What usually goes under the name "Les Halles" was from VIEW MY COMPLETE PROFILE the 12th century until around 1970 Paris' central market (including wholesales) for fresh products. During the second half of OTHER BLOGS ABOUT PARIS the 19th century the so famous "Baltard pavilions" were constructed, thus D'HIER A AUJOURD'HUI demolished during the 70's. Several projects were planned and even launched Every Moment and abandoned for new activities on this large area. In the meantime, and for I Prefer Paris years, this was known as "le trou (the hole) des Halles". -
Joseph Vitta: Passion De Collection
Jane Van Nimmen exhibition review of Joseph Vitta: Passion de collection Nineteenth-Century Art Worldwide 13, no. 2 (Autumn 2014) Citation: Jane Van Nimmen, exhibition review of “Joseph Vitta: Passion de collection,” Nineteenth-Century Art Worldwide 13, no. 2 (Autumn 2014), http://www.19thc- artworldwide.org/autumn14/nimmen-reviews-joseph-vitta-passion-de-collection. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Nimmen: Joseph Vitta: Passion de collection Nineteenth-Century Art Worldwide 13, no. 2 (Autumn 2014) Joseph Vitta: Passion de collection Palais Lumière, Evian-les-Bains February 15–June 1, 2014 Curators: François Blanchetière and William Saadé Catalogue: Joseph Vitta: Passion de collection. Essays by Catherine Adam-Sigas, Réjane Bargiel, François Blanchetière, Jean-Paul Bouillon, Josiane Boulon, Mathurin Maison, Alessandra Montanera, William Saadé, and Qinghua Yin. Entries by Adam-Sigas, Valentina Barberis, Bargiel, Chantal Beauvalet, Blanchetière, Etienne Blondeau, Bouillon, Boulon, Denise Emery, Michel Giraud, Montanera, Ollivier Ramousse, Saadé, and Yin. Appendices by Jean-François Dumoulin and Marguerite Brun. Chronology by Saadé. Paris: Somogy Editions d’Art, 2014. 271 pp.; 176 color illus., 6 b&w illus.; catalogue entries of exhibited works. €35 ISBN: 978-2-7572-0779-6 The collector and art patron Joseph Raphaël Vitta (1860–1942) can be described as all but forgotten. Yet for specialists at auction houses and other close readers of catalogues and frame labels, this generous museum donor remains a significant brand. An exhibition held in 2014 at the Palais Lumière in Evian-les-Bains matched a face to the name recorded so frequently in provenance lists. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not se^d UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiU indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this co^r for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Com pany 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Nimiber 9505207 E v a Gouzalès (1849— 1.883): A n examination of the artist’s style and subject matter. -
Les Hôtels De L'île Saint-Louis, De La Cité, De L'université Et Du
LES HÔTELS DE L'ILE SAINT-LOUIS DE LA CITÉ - DE L'UNIVERSITE ET DU LUXEMBOURG ITINÉRAIRE ÉDITIONS BELLENAND 6, rue Gît-le-Cœur, Paris (VI LES HÔTELS DE L'ILE SAINT-LOUIS DE LA CITÉ - DE L'UNIVERSITÉ ET DU LUXEMBOURG dans l'ordre de la visite ILE SAINT-LOUIS 1. Hôtel Lambert de Thorigny, 2, rue Saint-Louis-en-l'Ile. 2. Hôtel de Bretonvilliers, rue de Bretonvilliers. 3. Hôtel Chenizot, 51, rue Saint-Louis-en-l'Ile. 4. Hôtel de Boisgelin, 29, quai de Bourbon. 5. Hôtel de Jassaud, 19, quai de Bourbon. 6. Hôtel Le Charron, 15 et 13, quai de Bourbon. 7. Hôtel Lauzun, 17, quai d'Anjou. 8. Hôtel Hesselin, 24, quai de Béthune. 9. Hôtel Potard, 30, quai de Béthune. 10. Maisons canoniales, 8, rue Massillon et 13, rue Chanoinesse. CITÉ 11. Place Dauphine. UNIVERSITÉ 12. Hôtel des Monnaies et Petit hôtel de Conti, quai de Conti. 13. Hôtel de Chateauvieux, 49, rue Saint-André-des-Arts. 14. Hôtel de la Vieuville, 47, rue Saint-André-des-Arts. 15. Hôtel de la Bussière, 52, rue Saint-André-des-Arts. 16. Hôtel d'Hercule, 7, rue des Grands-Augustins. LES HÔTELS DE L'ILE SAINT-LOUIS DE LA CITÉ - DE L'UNIVERSITÉ ET DU LUXEMBOURG dans l'ordre de la visite ILE SAINT-LOUIS 1. Hôtel Lambert de Thorigny, 2, rue Saint-Louis-en-l'Ile. 2. Hôtel de Bretonvilliers, rue de Bretonvilliers. 3. Hôtel Chenizot, 51, rue Saint-Louis-en-l'Ile. 4. Hôtel de Boisgelin, 29, quai de Bourbon. 5. Hôtel de Jassaud, 19, quai de Bourbon. -
"Art and Industry" at the Pare Des Buttes Chaumont Ann E. Komara
"Art and Industry" at the Pare des Buttes Chaumont AnnE. Komara B.A., The Pennsylvania State University, 1980 M.L.A., The University of Virginia, 1984 A Thesis Presented to the Faculty Of the Department of Architectural History Of the School of Architecture School of Architecture University of Virginia May, 2002 Table of Contents List of Illustrations i Acknowledgements V Chapter I Introduction, including a history and description of the 1 Pare des Buttes Chaumont site Chapter Il The Exposition Universelle, Paris (1867): "Art and Industry" 13 Chapter ill Art: Picturesque Revelations at the Paredes Buttes Chaumont 30 Chapter IV Industry: Technology and Design Innovations at the Pare 55 des Buttes Chaumont Chapter V Conclusion 90 Bibliography 96 Appendices Appendix A: A chronological list of Alphand's works 104 Appendix B: List of the categories forthe Exposition Universelle 105 Appendix C: A list of Davioud's major works 106 Appendix D: Partial plant list forthe Pare des Buttes Chaumont 108 Illustrations 109 List of Illustrations Chapter I - Introduction 1. Vue des falaises, engraving, delineator E. Grandsire (1867) Alphand, Plate 2. Promenades de Paris, engraved plan. Alphand, Plate 3. Le site de Paris (contour plan) Demangeon, p. 11 4. City topography "Croquis orographique de Paris (1/25 000)" Rouleau, p. 132 5. Vue generale des moulins a vent de la butte de Chaumont Garric, p. 132 6. Plan de Paris et ses environs par Bullet et Blonde!, revise 1670 Garric, p. 129 7. Le Plan de Roussel ( 1731) Garric, n. p. 8. Horse yards near Montfaucon and the Buttes Chaumont Garric , p. -
The Senate the Luxembourg Palace
EUROPEAN HERITAGE DAYS WELCOME TO THE SENATE HERITAGE AND CITIZENSHIP 17TH-18TH SEPTEMBER 2016 9.30 am - 6.00 pm JOURNEESDUPATRIMOINE.FR #JEP2016 MORE INFORMATION ON PALAIS DU LUXEMBOURG www.senat.fr/evenement/patrimoine/2016 15 et 15 ter rue de Vaugirard Contact: [email protected] 75006 PARIS Phone: +33 (0)1 42 34 45 45 02 I WELCOME TO THE SENATE ocusing on the theme of “Heritage and Citizenship”, these 33rd European Heritage Days will offer an opportunity to discover Fthe emblematic places and monuments where the concept of citizenship was built and continues to be. As President of the Senate, I am particularly pleased to announce that this year’s events will thus honour the Senate and the Parliament at large. Visitors from France and from the whole world, including future citizens, will have access to those symbols of heritage and democracy that are the Luxembourg Palace and the Petit Luxembourg. For GÉRARD LARCHER, the second year in a row, digital innovation will be at the heart of PRESIDENT OF THE SENATE the proposed tour. Past, present and future will merge during these two highly popular days. On behalf of all my senator colleagues, I invite you to discover the estate chosen by Marie de Medicis in the early 17th century for her royal residence. The layout of the Luxembourg Palace, now home of the Senate, was modifi ed several times to adapt to the evolution of French institutions and suit the needs of a modern parliamentary assembly, all the while respecting the exceptional architectural details which make up the splendour of this emblem of our heritage. -
The Journal of Bahá'í Studies
THE JOURNAL OF BAHÁ’Í STUDIES La Revue des études bahá’íes/La Revista de estudios bahá’ís Volume 28, number 1-2 Spring-Summer 2018 A Publication of the Association for Bahá’í Studies–North America THE JOURNAL OF BAHÁ’Í STUDIES LA REVUE DES ÉTUDES BAHÁ’ÍES/LA REVISTA DE ESTUDIOS BAHÁ’ÍS Volume 28 Number 1-2 Spring-Summer 2018 Publications Mail Registration No. 09448 EDITOR John S. Hatcher POETRY EDITOR Peter E. Murphy EDITORIAL COORDINATOR Nilufar Gordon EDITORIAL COMMITTEE Roshan Danesh, Gwendolyn Etter-Lewis, Mehran Kiai, Pierre-Yves Mocquais, Mary Sobhani, Bahhaj Taherzadeh The Journal of Bahá’í Studies (USPS #013-468) is published by the Association for Bahá’í Studies–North America. The views expressed in this Journal are those of the authors and do not necessarily represent the opinions of the Editorial Board or Executive Committee of the Association for Bahá’í Studies, or authoritative explications of Bahá’í teachings. Periodicals postage paid at Champlain, NY, and additional mailing offices. Postmaster: Address changes should be sent to IMS of NY, 100 Walnut St. #3, P.O. Box 1518, Champlain, NY, USA 12919-1518. For details call IMS at 1(800) 428-3003. Articles in The Journal of Bahá’í Studies are available on EBSCO Publishing’s aggregated database. This journal is abstracted in Science of Religion Abstracts, Religion Index One: Periodicals, Index Islamicus, and Index to Book Reviews in Religion, and catalogued at the Institut de L’Information Scientifique et Technique. Annual subscription fees (in Canadian funds): Individual subscriptions: Canada $50; United States: $70; International: $80.