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SPRAYNARD Street Date: FUNTITLED CD/LP 05/10/2011
SPRAYNARD Street Date: FUNTITLED CD/LP 05/10/2011 INFORMATION: Artist Hometown: WESTCHESTER, PA Key Markets: NEW YORK LONDON PHILADELPHIA WESTCHESTER BOSTON For Fans Of: -HARD GIRLS -OSKER -PLOW UNITED ARTIST: SPRAYNARD TITLE: FUNTITLED Spraynard started in the summer of 2008 when three friends CAT#: AM 215 (Patrick Graham, Patrick Ware, and Mark Dickinson) felt the need FORMAT: CD, LP for a resurgence of DIY music in their hometown. They combine GENRE: PUNK passionate & urgent vocals with infectious pop punk in the vein of BOX LOT: 50 PLOW UNITED and OSKER. This is their Asian Man debut called SRLP: CD $10.98, LP $13.98 “funtitled”. They have a released a slew of 7 inches and an LP on UPC: CD: 612851021525 Runner Up Records called “Cut and Paste” They continue to tour LP: 612851021518 EXPORT: NO RESTRICTIONS constantly and passionate about punk as a philosophy as much as a sound. TRACKLIST: Marketing Points: 1. I Care Not -Constant touring 2. The Denver Broncos -Produced by Mike Bardzik (EVERYONE EVERYWHERE, LIGHTEN UP) vs. The Denver Broncos -Played FEST 3. O.R. They? 4. Little Green Ghouls 5. We’re Pretty Nice Guys Any special scenes/markets this might appeal to: 6. Ah Gun That house show punk community 7. Damn You, A Box 8. Spooky, Scary 9. Homies Where the Heart Is 10. Quite Exciting, This Computer Magic 11. Not Good Enough, Gary 12. Joe Gallgher’s Fantasy Fun Camp Exclusively ilcdistro.com Distributed by [email protected] INDEPENDENT LABEL 804.592.1452 PH COLLECTIVE 866.382.2431 FX MISS DERRINGER Street Date: KING JAMES AND A COLT 45 CD 05/10/2011 INFORMATION: Artist Hometown: LOS ANGELES, CA Key Markets: LOS ANGELES NASHVILLE DETROIT LONDON SAN FRANCISCO For Fans Of: ???? Description needed. -
INITIALS C.C. Liner Notes
Chris Connelly : INITIALS C.C. Out-takes, Rarities and Personal Favourites 1982-2002 vol.1 01. Detestimony – Fini Tribe: This was the “A” side of an EP called “Let the Tribe Grow,” written and recorded when the Fini Tribe was going through great musical changes. We had acquired an Ensoniq ‘Mirage’ sampling keyboard, and as was the same for a lot of bands at the time, it changed everything, opened up a lot of doors, and led us into some very uncharted waters. The actual piece was whittled down from a fifteen-minute opus we had written. I remember being in Philip Pinsky’s bedroom one night with John Vick. Philip’s then-roommate, Lindsay, gave us an old quarter-inch reel of tape he had. On it was a beautiful recording of the church bells you hear on the song; we sampled them and came up with the melody. The EP actually did better than any of us had anticipated and became a sort of hit in the Ibiza clubs at the very advent of the acid house/rave phenomenon. We actually went ahead and re-wrote/re- structured the song for the WaxTrax! Records release (“Make it Internal/Detestimony Revisited”) a couple of years later. 02. Mania – Murder Inc.: Certainly what I feel is the most compelling song on the one and only album released by Murder Inc. The band was basically Killing Joke, minus Jaz Coleman (Killing Joke’s singer), plus me, as well as the original drummer, Paul Fergusson, and newer drummer, Martin Atkins. The sessions took place at Pachyderm Studios in rural Minnesota during September of 1991. -
Les Archives Du Sombre Et De L'expérimental
Guts Of Darkness Les archives du sombre et de l'expérimental avril 2006 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2008 Un sommaire de ce document est disponible à la fin. Page 2/249 Les chroniques Page 3/249 ENSLAVED : Frost Chronique réalisée par Iormungand Thrazar Premier album du groupe norvégien chz le label français Osmose Productions, ce "Frost" fait suite au début du groupe avec "Vikingligr Veldi". Il s'agit de mon album favori d'Enslaved suivi de près par "Eld", on ressent une envie et une virulence incroyables dans cette oeuvre. Enslaved pratique un black metal rageur et inspiré, globalement plus violent et ténébreux que sur "Eld". Il n'y a rien à jeter sur cet album, aucune piste de remplissage. On commence après une intro aux claviers avec un "Loke" ravageur et un "Fenris" magnifique avec son riff à la Satyricon et son break ultra mélodique. Enslaved impose sa patte dès 1994, avec la très bonne performance de Trym Torson à la batterie sur cet album, qui s'en ira rejoindre Emperor par la suite. "Svarte vidder" est un grand morceau doté d'une intro symphonique, le développement est excellent, 9 minutes de bonheur musical et auditif. "Yggdrasill" se pose en interlude de ce disque, un titre calme avec voix grave, guimbarde, choeurs et l'utilisation d'une basse fretless jouée par Eirik "Pytten", le producteur de l'album: un intemrède magnifique et judicieux car l'album gagne en aération. Le disque enchaîne sur un "Jotu249lod" destructeur et un Gylfaginning" accrocheur. -
Artist of the Year
THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come. -
9781317587255.Pdf
Global Metal Music and Culture This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philos- ophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom and Drone metal, Death metal, and Progressive metal. They interrogate production technologies, sound engi- neering, album artwork and band promotion, logos and merchandising, t-shirt and jewelry design, and the social class and cultural identities of the fan communities that define the global metal music economy and subcul- tural scene. The volume explores how the new academic discipline of metal studies was formed, while also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, social psychology and sociology, as well as those interested in metal communities around the world. Andy R. Brown is Senior Lecturer in Media Communications at Bath Spa University, UK. Karl Spracklen is Professor of Leisure Studies at Leeds Metropolitan Uni- versity, UK. Keith Kahn-Harris is honorary research fellow and associate lecturer at Birkbeck College, UK. -
Adolescents Brats in Battalions Mp3, Flac, Wma
Adolescents Brats In Battalions mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Brats In Battalions Country: US Released: 1987 Style: Hardcore, Punk MP3 version RAR size: 1204 mb FLAC version RAR size: 1615 mb WMA version RAR size: 1983 mb Rating: 4.9 Votes: 635 Other Formats: TTA DTS DMF AU MP2 MMF AU Tracklist Hide Credits Brats In Battalions A1 2:33 Written-By – R.Agnew*, Brandenburg* I Love You A2 4:14 Written-By – Soto*, Brandenburg* The Liar A3 1:59 Guitar – Mike McKnightWritten-By – F.Agnew*, Brandenburg* Things Start Moving A4 3:11 Written-By – F.Agnew*, Soto*, Brandenburg* Do The Freddy A5 0:57 Written-By – F.Agnew*, Brandenburg* Losing Battle A6 1:36 Written-By – F.Agnew*, Soto*, Brandenburg* House Of The Rising Sun A7 4:08 Harmonica – Vince MeghrouniWritten-By – Alan Price Peasant Song B1 2:42 Written-By – F.Agnew*, R.Agnew*, Brandenburg* Skate Babylon B2 2:50 Written-By – Soto*, Brandenburg* Welcome To Reality B3 2:02 Written-By – F.Agnew*, Soto*, Brandenburg* Marching With The Reich B4 2:05 Written-By – Soto*, Brandenburg* I Got A Right B5 2:46 Written-By – Osterburg* She Wolf B6 4:14 Written-By – Soto*, Brandenburg* Credits Bass – Steve Soto Drums – Sandy Hanson Engineer – Bob Brown , Mike Sessa Guitar – Alfie Agnew, Rikk Agnew Producer – Adolescents, Gordon R. Cox Vocals – Tony Montana Notes Limited to 500 on white vinyl All songs published by MIGHTY RING MUSIC exept A4, A6, A7, B3, B5. (P) & (C) 1991 TRIPLE X RECORDS. (C) 2007 NICKLE AND DIME RECORDS. Barcode and Other Identifiers Barcode: 6 14254 00091 6 Other versions Category Artist Title (Format) Label Category Country Year S.O.S. -
EBP-DA | Berkeley 1994: Paradise Lost Or Did the Drugs Just Finally Wear Off?
-----i EBP-DA | www.eastbaypunkda.com Berkeley 1994: Paradise Lost or Did The Drugs Just Finally Wear Off? And in fact he let me think, or rather ing another Berkeley that no longer exists, a tricked me into thinking that I was getting away Berkeley that perhaps no longer can exist. with it. Barely breathing and at that the same I wonder about such things when I see the time trying to appear so nonchalant that if he hangdog expressions of the beggars, the hol turned around it would look as though I just low-eyed longings of those who seek nothing Sometimes I wonder whatever became of happened to be walking by, I crept to within more elaborate than oblivion, the stooped Flam. He was the first good friend I made in two or three feet of him, until I could clearly shoulder despair of the dazed refugees whose Berkeley that summer of 1968, a veritable see the page he was perusing. home is a downtown doorway, the defiant, beanpole of a boy, with impossibly thick and I couldn't understand a word of it, howev forced exuberance of the career drunkards, the bushy hair that billowed out from his emaciated er. It was all in Latin. I let out a sigh of exas obliquely prying glances of the professional face in the shape of an enormous lightbulb. peration, simultaneously intending it to be a predators. Was it always like this? Did the He seldom if ever ventured out of his signal for Flam to turn around and greet me. -
Punk Rock History Project Update Punk Planet—The Collection Is Complete
This is MutantMutant PopPop free! Mailorder Catalog AH free! http://members.aol.com/mutantpop/ Hey, we rolled the odometer! Hooray for all of us! If I didn’t use the occasion to tweak the typography a little bit, i wouldn’t be doing my job. Thanks to Jeff Wison for the outstanding New Release Info dancing kids drawing, originally created for the the Pizzafest T-shirts. That cat can draw... As you can recall from MP Days of Yore, Pizzafest was gonna be a big show and pizzafeed with participants getting a free shirt, but the venue got paranoid about security, costs escalated, band avail- abilities got shaky, and the event was cancelled. Fortunately, it was replaced by not one but two “Mutant Fest” type of events: Cincinnati, OH in August (hosted by Dave Spodie of The Connie Dungs) and Columbus, OH in October (hosted by Eddie of The Proms). The bottom line is this: if you wanna have pop-punk events to attend this summer, people need to Do It Yourself. Get out there and independently organize your own Mutant Fest-type of deal! It would seem that there would be enough people and bands in the NY/NJ/PA area and possibly also in the Pacific Northwest—in addition to room for shows in the heartland of the pop-punk world, the midwest. There are rumors of a possible Connie Dungs/Dirt Bike Annie mini-tour this summer, how great would it be to tie into that? It’s something for you The 40th Mutant Pop 7”er is now on the street! people in pop-punk bands to think about—make your own fun! MP-39 THE BEAUTYS “A#1 Sex Shop Em- ployee” EP finally made it to my doorstep from Bill Smith Custom Records in LA on January 4. -
KUCI 88.9 FM Fall Program Guide 1990
KUCI 88.9 FM IF YOU COULD ONLY SEE WHAT YOU HEAR KUCI Program Guide A Message From The Top is a non-profit radio station licensed to the gents of the University of California, and run by KUCI is 21 ! CI students and its affiliates. KUCI broadcasts at a Since KUCI's first broadcast in 1969, our staff of 88.9 Megahertz. Our transmitter is has grown from about a half a dozen people to over 100, ocated high atop the physical sciences building on our record library to more than 30,000 and an applicatg beautiful UCI campus. All donations to the ion for a license upgrade (to increase our broadcast are tax deductible. Our Mailing address is: signal) is in the works! KUCI 88.9 FM, University of California, P.O. Box The tremendous achievements and growth of Irvine, CA, 92716-4362. Requests: (714) 856 this station has been the result of the individual efforts 824. Business: (714) 856-6868. Fax: (714) 856 and visions of a unique group- a group committed to 673. If you could see what you hear! providing new and diverse programming to UCI and its t------------------- surrounding community. But, with our maturity comes more responsibil General Manager ity. In the future, you can expect KUCI to continue pro Katie Roberts viding words and sounds that inform and entertain as Music Director well as conflict and challenge. For, on a deeper level, Todd Sievers our role as a public service station is to respect and Promotions assert the First Ammendment, which gives you the right Danielle Michaelis to choose what you hear, what you say, and what you Program Director think. -
International Students by Michelle Mcmurray Editor Because They Believe It Is Safe Here
e Issue 741 CiNIVERSITY OF MISSOURI· ST. LOGIS October 19, 1992 University Senate Approves New Thefts Continue Education Requirements, Flexibility Aero,ss Campus by Thomas J, Kovach No increase in crimes against people -Senior seminar course in the programs will have to adapt to the of The Current staff student's major. new requirements. by Bill Farnsworth "We are working very harti But UM-St Louis officials are "For example, Engineering prob news editor and diligently on these thefts," said The good news from university worried about how they are going to ably .won't have to include a foreign UM-St. Louis Police Chief John senate officials is UM-St Louis will pay for the 'new requirements, espe language requirement," she said. Crime on the UM-St Louis Pickens, "we are trying to make an have greater "flexibility" to, install cially for new laboratory facilities. Recommendations for a change campus has continued ata rate that apprehension, not just put a ban new general education requirements. Martinich said he estimates the new in the University's general education the campus has never experienced. dage on the situation." "The bad news is that the Univer requirements could go "into the mil requirements came from 'an advisory In the past three weeks, 19 Some of the crimes, eight in sity of Missouri Board of Curators lions," committee on undergraduate educa crimes have been reported to the past four weeks, have involved has given us the rope. We can now do the theft of cash or credit cards. "But we can't do it through reallo tion. -
Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC. -
La Citta' E' Quieta… Ombre Parlano
Carlo Cannella LA CITTA’ E’ QUIETA… OMBRE PARLANO IO 11 1977 13 GLI ALTRI 17 TELEBOYS 21 SHINO 27 IL FLUSSO ELETTRICO 37 L’OLTRAGGIO 43 NO GESTAPO 49 DICTATRISTA 55 BELLADONNA 63 UN RECORD MONDIALE 65 UN GRAZIE 67 MAXIMUM ROCK’N’ROLL 69 PREAVVISATI... MA NON PREMUNITI 73 ESTREMO ATTO D’AMORE 77 LA VOLGARITA’ DEL SUCCESSO 85 SULLE TRACCE DEI DICTATRISTA 87 STIGE 91 L’ULTIMA VOLTA AL VIRUS 95 GODDAM CHURCH 99 PEOPLE OF THE PIT 103 NO-FRILLS STYLE 107 LASCIA O RADDOPPIA? 113 UNITI NELL’ABBRACCIO 117 MACELLO 123 GLI ADDII 127 LA FINE DEGLI STIGE 131 AFFLUENTE 135 DONNA, PARA IL CULO! 139 AGNOSTIC FRONT 141 UFO DIKTATORZ 145 CAZZI MOSCI E ALTRE STORIE 149 SLAPSHOT 153 L’ANNO DEGLI AFFLUENTE 155 DALLA DREAM MACHINE A VERI SUONI DELLA LIBERTA’ 159 CIAO 169 Per contatti: Carlo Cannella - [email protected] Lasciate che vi presenti la mia stupida piccola band. E’ duro da capire. Suoniamo anche se sappiamo che non verrà nessuno. Accenderemo i nostri Marshall di seconda mano, stupidi piccoli amplificatori che paghiamo con i nostri stupidi piccoli lavori. Il tipo al bar dice che siamo ok, gli ricordiamo un po’ i Green Day, ma siamo una stupida piccola band e non c’è molto da dire. Forse ci vedremo un giorno in qualche locale vuoto, noi facciamo un disco all’anno che tanto nessuno ascolta. Ogni anno ci distruggiamo un po’. Ci sciogliamo quando il batterista ci lascia. Quando lo convinciamo a fare ancora un concerto, ci lascia il bassista e ci sciogliamo di nuovo.