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A Turf of Their Own
HAVERFORD COLLEGE HISTORY DEPARTMENT A Turf of Their Own The Experiments and Contradictions of 1960s Utopianism David Ivy-Taylor 4/22/2011 Submitted to James Krippner in partial fulfillment of History 400: Senior Thesis Seminar Table of Contents Abstract 3 Acknowledgements 4 INTRODUCTION 5 Historical Problem 5 Historical Background 7 Sources 14 AN AQUARIAN EXPOSITION 16 The Event 16 The Myth 21 Historical Significance 25 DISASTER AT ALTAMONT .31 The Event 31 Media Coverage 36 Historical Significance 38 PEOPLE'S PARK: "A TURF OF THEIR OWN" 40 The Event 40 Media Coverage 50 Historical Significance 51 THE SAN FRANCISCO DIGGERS, COMMUNES, AND THE HUMAN BE-IN 52 Communes 52 The Diggers 54 San Francisco 55 CONCLUSIONS 59 BIBLIOGRAPHY 61 2 ABSTRACT After WWII, the world had to adjust to new technologies, new scientific concepts, new political realities, and new social standards. While America was economically wealthy after the war, it still had to deal with extremely difficult social and cultural challenges. Due to these new aspects of life, there were increasing differences in both the interests and values of children and their parents, what we have learned to call the "generation gap". The "generational gap" between the youth culture and their parents meant a polarizing society, each hating and completely misunderstanding the other.. This eventually resulted in a highly political youth culture that was laterally opposed to the government. Through isolation, the counterculture began to develop new philosophies and new ways of thinking, and a huge part of that philosophy was the pursuit of a "Good Society", a utopian dream for world peace. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Rekordmange Vil Være Med I Dronning Sonjas Musikkonkurranse I År NTB Tema
Nyheter - Dronning Sonja Internasjonale Musikkonkurranse Uttak 26.08.2019 Rekordmange vil være med i Dronning Sonjas musikkonkurranse i år NTB Tema. 12.04.2019 NTB 304 sangere fra 49 nasjoner har søkt om å få være med når Dronning Sonja Internasjonale Musikkonkurranse arrangeres for 15. gang i august. Det er ny rekord, ifølge pressemeldingen. De som vil være med i konkurransen, som arrangeres annethvert år, er et internasjonalt toppsjikt av sangere på trappene til internasjonal karriere. Blant annet sender ledende operahus som Metropolitan Opera i New York, Bolsjoj Teater i Moskva, Royal Opera Covent Garden i London og La Scala Opera i Milano sine fremste aspiranter. – Konkurransen opplever nå betydelig internasjonal oppmerksomhet. Det gjenspeiler seg i den store søknadsmengden og de mange nasjonene som er representert på søkerlisten, sier daglig leder Lars Hallvard Flæten. Etter at en skandinavisk sammensatt jury har vurdert alle søknadene, basert på videomateriale, vil rundt 40 sangere inviteres til Oslo i august måned. Finalekonserten er i Operaen 23. august, der dronning Sonja selv deler ut prisene. Vinneren får nær en halv million kroner. 304 sangere har søkt om deltagelse i Dronning Sonja Internasjonale Musikkonkurranse 2019. Her er dronningen med 2017-vinner Seungju Bahg fra Sør-Korea. Foto: Terje Bendiksby / NTB scanpix © NTB Tema Alle artikler er beskyttet av lov om opphavsrett til åndsverk. Artikler må ikke videreformidles utenfor egen organisasjon uten godkjenning fra Retriever eller den enkelte utgiver. Les hele nyheten på http://ret.nu/P3nhQTcN Side 3 av 90 Nyheter - Dronning Sonja Internasjonale Musikkonkurranse Uttak 26.08.2019 Rekordmange vil være med i Dronning Sonjas musikkonkurranse i år Sunnmørsposten. -
VIPNEWSPREMIUM > VOLUME 225 > AUGUST 2019
15 14 7 16 3 VIPNEWS PREMIUM > VOLUME 225 > AUGUST 2019 4 13 6 19 12 9 2 VIPNEWS > AUGUST 2019 McGowan’s Musings So, how did you manage to get through resulting in emergency measures in France. the stage in 2069 I wonder – I’m pretty sure these summer months without us? A fair This year’s edition of Glastonbury was one of I’ll be otherwise engaged! amount has happened since we were last in the hottest ever. Then unusually high winds touch in June, heat waves, high winds, and had their effect on festivals and other events But maybe a festival encouraging alien for us, a new Prime Minister! I can’t quite and attractions. In the UK large events such as visitors may offer something different, express the deep joy and optimism I feel for Boardmasters and Houghton were cancelled, ‘Alienstock’, an Area 51 themed event has our European future now that Boris Johnson and In Winchester, at the Boomtown Fair, been announced to supposedly take place is at the helm – no, you’re right I’m not being dozens of tents were wrecked overnight close to the town of Rachel, (population 50!) serious! Anyway what was that? You think on Friday after 52 mile an hour winds tore Nevada, close to the US Air Force base, which I’m just going to use this intro as an excuse through the campsites. alienists believe houses alien technology. to talk about the bloody weather again…. Coordinators of the now-defunct “Storm well, actually yes I am, as it has to say the I was in Serbia for the EXIT Festival in early Area 51” are now planning a full-fledged least been more than erratic; The summer July, where Ruud Berends myself and others music festival supposedly to take place next kicked off in June , as I’m sure many of you cleverly managed to secure ourselves in month. -
Ancient Mysteries Revealed on Secrets of the Dead A
NEW FROM AUGUST 2019 2019 NOVA ••• The in-depth story of Apollo 8 premieres Wednesday, December 26. DID YOU KNOW THIS ABOUT WOODSTOCK? ••• Page 6 Turn On (Your TV), Tune In Premieres Saturday, August 17, at 8pm on KQED 9 Ancient Mysteries A Heartwarming Shetland Revealed on New Season of Season Premiere!Secrets of the Dead Call the Midwife AUGUST 1 ON KQEDPAGE 9 XX PAGE X CONTENTS 2 3 4 5 6 22 PERKS + EVENTS NEWS + NOTES RADIO SCHEDULE RADIO SPECIALS TV LISTINGS PASSPORT AND PODCASTS Special events Highlights of What’s airing Your monthly guide What’s new and and member what’s happening when New and what’s going away benefits recommended PERKS + EVENTS Inside PBS and KQED: The Role and Future of Public Media Tuesday, August 13, 6:30 – 7:30pm The Commonwealth Club, San Francisco With much of the traditional local news space shrinking and trust in news at an all-time low, how are PBS and public media affiliates such as KQED adapting to the new media industry and political landscapes they face? PBS CEO and President Paula Kerger joins KQED President and CEO Michael Isip and President Emeritus John Boland to discuss the future of public media PERK amidst great technological, political and environmental upheaval. Use member code SpecialPBS for $10 off at kqed.org/events. What Makes a Classic Country Song? Wednesday, August 21, 7pm SFJAZZ Center, San Francisco Join KQED for a live concert and storytelling event that explores the essence and evolution of country music. KQED Senior Arts Editor Gabe Meline and the band Red Meat break down the musical elements, tall tales and true histories behind some iconic country songs and singers. -
For Immediate Release
FOR IMMEDIATE RELEASE presents A TESTAMENT TO THE SHEER JOY OF LIVING A LIFE OF SERVICE TO HUMANKIND AND OUR PLANET THE WAVY GRAVY MOVIE: SAINT MISBEHAVIN' RELEASES NOVEMBER 15 ON DIGITAL AND DVD An unforgettable trip through the extraordinary life of a poet, clown, activist and FUNdraiser “’Saint Misbehavin’’ is an unabashed love letter to the world that defies the cynicism of our age.” – The New York Times September 19, 2011 – “Some people tell me I’m a saint, I tell them I’m Saint Misbehavin’.” Poet, activist, entertainer, clown. These are a few ways to describe Wavy Gravy, an activist and prominent figure during the Woodstock era who continues to spread a message that we can make a difference in the world and have fun doing it! THE WAVY GRAVY MOVIE paints a moving and surprising portrait of his lifelong passion for peace, justice and understanding. The film features extensive verité footage and interviews with Wavy telling his own stories: from communal life with The Hog Farm, to his circus and performing arts camp, Camp Winnarainbow, to the epic cross-continent bus trip through Europe and South Asia that led to the founding of the Seva Foundation. Award-winning director Michelle Esrick weaves together this compelling film with rare footage from key events: Greenwich Village beat poets and folk music, Woodstock, non- violent protests, and many seminal moments of the ‘60s and ‘70s, and Wavy’s present day life. The Gaslight Café The year was 1958. The Vietnam War had just begun. Born as Hugh Romney, Wavy commanded the stage as a poet, comedian “tongue dancer,” and MC at The Gaslight Café in New York City’s Greenwich Village. -
How Greta Thunberg's Lone Strike Against Climate Change Became A
Subscribe HOME POLITICS POLITICS FEATURES MARCH 5, 2019 9:42AM ET How Greta Thunberg’s Lone Strike Against Climate Change Became a Global Movement The 16-year-old Swedish activist’s #FridaysForFuture protests have galvanized young people around the world By KATE ARONOFF Greta Thunberg at a nature reserve outside Stockholm in January Photograph by Anna Tärnhuvud At the end of a record-hot summer in Sweden last August, then-15-year-old Greta Thunberg decided she would not be going back to school. Frustrated by the lack of attention paid to the existential threat of global warming — not least by politicians campaigning for upcoming elections — she set up outside the Swedish parliament with a water bottle, her rucksack filled with books and snacks and a homemade sign announcing her “School Strike for Climate.” “I tried to bring people along to join me,” she says — she’d been inspired by the Parkland, Florida, students who walked out of class to protest gun violence — “but no one was really interested, and so I had to do it by myself.” ADVERTISEMENT Thunberg wasn’t alone for long. By the end of the first week, her strike had drawn coverage from Sweden’s biggest newspapers. As reporters flocked and she handed out fliers bearing the message “You grownups don’t give a shit about my future,” supporters dropped by to join the homespun protest on their lunch breaks. After three weeks of missed classes, Thunberg finally went back to school — mostly. She still strikes every Friday. Now she’s become the unexpected founder of an international youth movement. -
Sales Report
Sales Listing Report Page 1 of 167 McHenry County 05/04/2020 09:42:25 01/01/2019 - 12/31/2019 Township: DORR TWP Document Number Sale Year Sale Type Valid Sale Sale Date Dept. Study Selling Price Parcel Number Built Year Property Type Prop. Class Acres Square Ft. Lot Size Grantor Name Grantee Name Site Address 2019R0001408 2019 Multi Twp Sale N 01/04/2019 N $415,000.00 DANNY A. THOMPSON PAUL P. LETIZIA TRUDITH THOMPSON 150 TIPPERARY CT 13-01-227-006 0 LDG SINGLE FAM 0040 .00 0 WOODSTOCK, IL 600987869 SHANNON LETIZIA 150 TIPPERARY CT WOODSTOCK, IL 600987869 150 TIPPERARY CT WOODSTOCK, IL 60098 -7869 Legal Description: DOC 2019R0001408 W PT LT 7 PINE RIDGE SUB UNIT 3 2019R0004660 2019 Trustee Deed Y 01/24/2019 Y $280,000.00 ALGONQUIN STATE BANK, TRPHILIP PREWITT 304 WESTGATE ST 13-01-228-002 0 LDG SINGLE FAM 0040 .00 0 WOODSTOCK, IL 600987855 OLGA PREWITT 304 WESTGATE ST WOODSTOCK, IL 600987855 304 WESTGATE ST WOODSTOCK, IL 60098 -7855 Legal Description: DOC 2019R0004660 LT 17 PINE RIDGE SUB UNIT 3 2019R0028750 2019 Special Warranty DN 07/19/2019 N $186,795.00 BANK OF AMERICA NATIONA SAMUEL KENNETH WILDE AND RONALD L 100 OAK ST 13-02-151-003 0 GARAGE/ NO O O 0040 2.74 0 HURLEY, WI 545341013 10004 BULL VALLEY RD BULL VALLEY, IL 60098 - Legal Description: DOC 2019R0032979 PT W OF CEN HWY SW1/4 NW1/4 2019R0012296 2019 Warranty Deed Y 04/26/2019 Y $320,000.00 CUSTOM DEVELOPMENT LLCBRETT KAHL 915 S FLEMING RD 13-02-300-008 0 GARAGE/ NO O O 0040 2.90 0 BULL VALLEY, IL 600987967 ASHLEY KAHL 915 S. -
The 6Os Communes Messianic Communities) Bus at Bellows Falls) Vermont
The 6os Communes Messianic Communities) bus at Bellows Falls) Vermont. Photograph by Timothy Miller. TIMOTHY MILLER The 60s Communes Hippies and Beyond Syracuse UniversityPress Copyright © 1999 by Syracuse UniversityPress, Syracuse, New York 13244-5160 AllRights Reserved First Edition 1999 02 03 04 05 06 6 5 4 3 2 The paper used in this publication meets the minimum requirements of American National Standard forInformation Sciences-Permanence of Paper for Printed Library Materials, ANS I z39.48-1984.@ LIBRARY OF CONGRESS CATALOG ING -IN-PUBLICATI ON DATA Miller, Timothy, 1944- The 6os communes : hippies and beyond/ Timothy Miller. p. cm. Includes bibliographical references and index. ISBN 0-8156-2811-0 (cloth: alk. paper) ISBN 0-8156-0601-x (pbk.: alk. paper) I. Communal living-United States. 2. United States-Social conditions- 1960-1980. I. Title. II. Title: Sixties communes. III. Title: Hippies and beyond. HQ97I.M55 1999 307.77'4'0973-dc21 99-37768 Manufactured in the United States of America For Michael) Gretchen) andJeffre y TIMOTHY MILLER is professor of religious studies at the University of Kansas. Among his previous publica tions is The Quest forUt opia in Twentieth-CenturyAm erica: 1900-1960) the first of three volumes on communal life to be published by Syracuse UniversityPress. Contents Acknowledgments IX Introduction xm I. Set and Setting: The Roots of the 196os-Era Communes I 2. The New Communes Emerge: 1960-1965 17 3. Communes Begin to Spread: 1965-1967 41 4. Out of the Haight and Back to the Land: Countercultural Communes after the Summer of Love 67 5. Searching for a Common Center: Religious and Spiritual Communes 92 6. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced withwith permissionpermission ofof the the copyrightcopyright owner. owner. Further Further reproduction reproduction prohibited prohibited without without permission. -
Woodstock: the Creation and Evolution of a Myth
UNLV Retrospective Theses & Dissertations 1-1-1994 Woodstock: The creation and evolution of a myth Jo Raelene Sorrell University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Sorrell, Jo Raelene, "Woodstock: The creation and evolution of a myth" (1994). UNLV Retrospective Theses & Dissertations. 394. http://dx.doi.org/10.25669/hbla-mq2i This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microhlm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.