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A Turf of Their Own
HAVERFORD COLLEGE HISTORY DEPARTMENT A Turf of Their Own The Experiments and Contradictions of 1960s Utopianism David Ivy-Taylor 4/22/2011 Submitted to James Krippner in partial fulfillment of History 400: Senior Thesis Seminar Table of Contents Abstract 3 Acknowledgements 4 INTRODUCTION 5 Historical Problem 5 Historical Background 7 Sources 14 AN AQUARIAN EXPOSITION 16 The Event 16 The Myth 21 Historical Significance 25 DISASTER AT ALTAMONT .31 The Event 31 Media Coverage 36 Historical Significance 38 PEOPLE'S PARK: "A TURF OF THEIR OWN" 40 The Event 40 Media Coverage 50 Historical Significance 51 THE SAN FRANCISCO DIGGERS, COMMUNES, AND THE HUMAN BE-IN 52 Communes 52 The Diggers 54 San Francisco 55 CONCLUSIONS 59 BIBLIOGRAPHY 61 2 ABSTRACT After WWII, the world had to adjust to new technologies, new scientific concepts, new political realities, and new social standards. While America was economically wealthy after the war, it still had to deal with extremely difficult social and cultural challenges. Due to these new aspects of life, there were increasing differences in both the interests and values of children and their parents, what we have learned to call the "generation gap". The "generational gap" between the youth culture and their parents meant a polarizing society, each hating and completely misunderstanding the other.. This eventually resulted in a highly political youth culture that was laterally opposed to the government. Through isolation, the counterculture began to develop new philosophies and new ways of thinking, and a huge part of that philosophy was the pursuit of a "Good Society", a utopian dream for world peace. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
1967 APBA PRO FOOTBALL SET ROSTER the Following Players Comprise the 1967 Season APBA Pro Football Player Card Set
1967 APBA PRO FOOTBALL SET ROSTER The following players comprise the 1967 season APBA Pro Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. Players in bold are starters. If there is a difference between the player's card and the roster sheet, always use the card information. The number in ()s after the player name is the number of cards that the player has in this set. See below for a more detailed explanation of new symbols on the cards. ATLANTA ATLANTA BALTIMORE BALTIMORE OFFENSE DEFENSE OFFENSE DEFENSE EB: Tommy McDonald End: Sam Williams EB: Willie Richardson End: Ordell Braase Jerry Simmons TC OC Jim Norton Raymond Berry Roy Hilton Gary Barnes Bo Wood OC Ray Perkins Lou Michaels KA KOA PB Ron Smith TA TB OA Bobby Richards Jimmy Orr Bubba Smith Tackle: Errol Linden OC Bob Hughes Alex Hawkins Andy Stynchula Don Talbert OC Tackle: Karl Rubke Don Alley Tackle: Fred Miller Guard: Jim Simon Chuck Sieminski Tackle: Sam Ball Billy Ray Smith Lou Kirouac -
Honors & Awards
HONORS & AWARDS 1981 * Morten Andersen, placekicker (TSN, UPI, WC) SPARTAN FIRST-TEAM ALL-AMERICANS * James Burroughs, defensive back (TSN) 1915 #* Neno Jerry DaPrato, halfback (INS, Detroit Times) 1983 * Carl Banks, linebacker (AP, UPI, TSN) Blake Miller, end (Atlanta Constitution) * Ralf Mojsiejenko, punter (TSN) 1930 Roger Grove, quarterback (B) 1985 #* Lorenzo White, tailback (AP, UPI, FWAA, WC, AFCA, TSN) 1935 #* Sidney Wagner, guard (UP, INS, NYS, Liberty Magazine) 1986 * Greg Montgomery, punter (FWAA) 1936 Arthur Brandstatter, fullback (B) 1987 Tony Mandarich, offensive tackle (FN) 1938 * John Pingel, halfback (AP) Greg Montgomery, punter (FN, GNS, MTS) 1949 * Lynn Chandnois, halfback (INS, UP, CP, FN, Collier’s) #* Lorenzo White, tailback (FN, WC, FWAA, GNS, UPI, FCAK, MTS) Donald Mason, guard (PN, FN) 1988 #* Tony Mandarich, offensive tackle #* Edward Bagdon, guard (Look, UP, TSN, NYN, CP, NEA, Tele-News) (AP, UPI, FCAK, WC, FWAA, TSN, GNS, FN, MTS) 1950 * Dorne Dibble, end (Look) Andre Rison, split end (GNS) * Sonny Grandelius, halfback (AP, INS, CP) * Percy Snow, linebacker (TSN) 1951 #* Robert Carey, end (UP, AP, TSN, NEA, NYN, B) 1989 Harlon Barnett, defensive back (TSN, MTS) #* Don Coleman, tackle #* Bob Kula, offensive tackle (FCAK, AP) (AP, UP, Collier’s, Look, TSN, NYN, FN, NEA, CP, Tele-News, INS, CTP, B) #* Percy Snow, linebacker (FCAK, AP, UPI, FWAA, FN, TSN, WC, MTS) * Albert Dorow, quarterback (INS) 1997 * Flozell Adams, offensive tackle (WC) James Ellis, halfback (CTP) Scott Shaw, offensive guard (GNS) 1952 * Frank -
YMCA Campaigners Go Over Top It All Depends Upon One's Point Of
^; a»" «K ^'"> :;': ''", • ,'"'*'.:,?<:; ,; B__I_R^-' • ^ HaHa_nH_wHHHMHBaa__HHHBaaHBaH ©8*0 STATE ttUSBtW LtBBARt %$t& '* BIOB ST* Arlisfs Fight TB c0Ly*3'JS» oaio YMCA Campaigners Go Over Top B JUSTIFIABLE PRIDE IN A JOB WELL DONE IS depicted In accompany U ing photos of workers participating in Columbus'. Spring St. YMCA annual mem- bershipilrive, whose arduous werk in behalf of the campaign saw them go over the top both in total memberships and financially. Detailed story appears else where in this edition. VOL. f>. No. 27 SATURDAY. DECEMBER 14, 1957 20 CENTS COLUMBUS. OHIO FROM LEFT: Shirley Joan Williams. Willie Williams; Lillian E. Taylor . Story on Page 2. THE KILLER THE VICTIM NEVYSPAPER CARTOONIST EUGENE CRAIG shows budding high achool artists how to design ef fective posters to further fight against tuberculosis. Health education programs of this type are carried on within Franklin county schools through Christmas seal funds. Christmas seal sale, now underway, also fi nances free chest X-rays, rehabilitation services and JAMES S. WADE, LEFT. GENERAL CHAIRMAN. SPRING ST. FMCA membership tuberculosis research. From left: Judy Brannan, roundup, presents Napoleon Bell, manager, Division B, with coveted general chairman's tro Holy Family school; Craig, Richard Isbell, Rosary; pin for reporting 1211 members and 04422 cash on a quote of IIto members and S4200. Looking Don'Yoho, Rosary. Students were selected to repre on left to right are Marie Mallory and James Thompson, associate managers of Division B. sent their schools "recently at TB Society where special interest session for artists highlighted afternoon con ference on TB. _____ Cheer Franklin To Victory • Story On Page 2 1 It All Depends Upon One's Point Of View - I :>». -
For Immediate Release
FOR IMMEDIATE RELEASE presents A TESTAMENT TO THE SHEER JOY OF LIVING A LIFE OF SERVICE TO HUMANKIND AND OUR PLANET THE WAVY GRAVY MOVIE: SAINT MISBEHAVIN' RELEASES NOVEMBER 15 ON DIGITAL AND DVD An unforgettable trip through the extraordinary life of a poet, clown, activist and FUNdraiser “’Saint Misbehavin’’ is an unabashed love letter to the world that defies the cynicism of our age.” – The New York Times September 19, 2011 – “Some people tell me I’m a saint, I tell them I’m Saint Misbehavin’.” Poet, activist, entertainer, clown. These are a few ways to describe Wavy Gravy, an activist and prominent figure during the Woodstock era who continues to spread a message that we can make a difference in the world and have fun doing it! THE WAVY GRAVY MOVIE paints a moving and surprising portrait of his lifelong passion for peace, justice and understanding. The film features extensive verité footage and interviews with Wavy telling his own stories: from communal life with The Hog Farm, to his circus and performing arts camp, Camp Winnarainbow, to the epic cross-continent bus trip through Europe and South Asia that led to the founding of the Seva Foundation. Award-winning director Michelle Esrick weaves together this compelling film with rare footage from key events: Greenwich Village beat poets and folk music, Woodstock, non- violent protests, and many seminal moments of the ‘60s and ‘70s, and Wavy’s present day life. The Gaslight Café The year was 1958. The Vietnam War had just begun. Born as Hugh Romney, Wavy commanded the stage as a poet, comedian “tongue dancer,” and MC at The Gaslight Café in New York City’s Greenwich Village. -
Uzmqfr Miss Image Is Pictured Wrestlers of Past Therp Du in the “Dream Rod", One of the Fabu- Rest Which Said
Title Game SPORTS Mal<*hes Autorama 4£umi Lou Thesz Wp Offense vs Oef<k iise ( IIICAGO lt’s a Title At Stalin natural. rusking detent Green Huy yield I here is no hatter phrase to de- M rKc top spot in passing de favored to re- WORLD scribe the Dec. 29 world champ- Loo Tbes/ fi-iise to Chieag*. ionship game ‘»in b’s world heavy weight wrestl- between the* Chi- The 1963 cago Giants are the \t*c- mu championship when he bat- : j Bears and the- New York 7 MiH highest storing team in the tles Wilbur Snyder at the* Olym- £?. Giants. history W altvr ! of tht* NFL with 448 pia Stadium Saturday. Dee. 28 U»H<‘ At 12 noon that Sunday m points, an average of 32 per game but the olds are surprisingly Wrigley Field. Chicago, the Na- despite the faet that they suf short. Insiders agree lhat Sny- tional Foot ha'l League's No. t tereft one shutout Only the 1950, der has a solid chance of upsett- Roger Cro/ier. rookie goal ton So m e kin and he n tor! fan law Angeles Hams • appears to 1.0. yam ’y scored more it’ tb fabulous six-time title- dor for the Red Winns hhu’ taps to ex- 466 successor to Detroit's hs cli .m..y hotdei. h»» tho .'*!>e*s vuili ho.n The Hears permitted Snyder Hockey League's shut teams. onlv 114 In the expert s view. National joinO in 14 games this year, speed in his fjv- king Terry Sawchuk. -
The 6Os Communes Messianic Communities) Bus at Bellows Falls) Vermont
The 6os Communes Messianic Communities) bus at Bellows Falls) Vermont. Photograph by Timothy Miller. TIMOTHY MILLER The 60s Communes Hippies and Beyond Syracuse UniversityPress Copyright © 1999 by Syracuse UniversityPress, Syracuse, New York 13244-5160 AllRights Reserved First Edition 1999 02 03 04 05 06 6 5 4 3 2 The paper used in this publication meets the minimum requirements of American National Standard forInformation Sciences-Permanence of Paper for Printed Library Materials, ANS I z39.48-1984.@ LIBRARY OF CONGRESS CATALOG ING -IN-PUBLICATI ON DATA Miller, Timothy, 1944- The 6os communes : hippies and beyond/ Timothy Miller. p. cm. Includes bibliographical references and index. ISBN 0-8156-2811-0 (cloth: alk. paper) ISBN 0-8156-0601-x (pbk.: alk. paper) I. Communal living-United States. 2. United States-Social conditions- 1960-1980. I. Title. II. Title: Sixties communes. III. Title: Hippies and beyond. HQ97I.M55 1999 307.77'4'0973-dc21 99-37768 Manufactured in the United States of America For Michael) Gretchen) andJeffre y TIMOTHY MILLER is professor of religious studies at the University of Kansas. Among his previous publica tions is The Quest forUt opia in Twentieth-CenturyAm erica: 1900-1960) the first of three volumes on communal life to be published by Syracuse UniversityPress. Contents Acknowledgments IX Introduction xm I. Set and Setting: The Roots of the 196os-Era Communes I 2. The New Communes Emerge: 1960-1965 17 3. Communes Begin to Spread: 1965-1967 41 4. Out of the Haight and Back to the Land: Countercultural Communes after the Summer of Love 67 5. Searching for a Common Center: Religious and Spiritual Communes 92 6. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced withwith permissionpermission ofof the the copyrightcopyright owner. owner. Further Further reproduction reproduction prohibited prohibited without without permission. -
Warren RABB by Jeff Miller
THE COFFIN CORNER: Vol. 28, No. 7 (2006) Bonus Issue Warren RABB By Jeff Miller The Buffalo Bills were entering their second year of their existence in 1961. The Bills' inaugural season of 1960 had been plagued by inefficiency at quarterback, with veteran Tommy O'Connell alternating playing time along with Johnny Green and the team's first-ever number one draft choice, "Riverboat" Richie Lucas of Penn State. The result? A less-thanstellar 5-8-1 record and a third-place finish in the AFL's Eastern Division. When the Bills opened training camp '61, Green was penciled in as the starter. But mid-way through camp, Green sustained a shoulder injury that forced the recently retired O'Connell back into action. Feeling somewhat insecure about their quarterback situation, the Bills' brought in an NFL castoff named Warren Rabb to bolster the depth chart. Rabb was a two-year starter at Louisiana State, and led the Tigers to an 11-0 record and the Southwestern Conference Title in 1958. LSU faced Clemson in the Sugar Bowl on January 1, 1959, and, playing part of the game with a broken handed, Rabb led the Tigers to a 7 to 0 victory and the National Championship. "I was running down the sideline and had the ball," Rabb recalls of the play in which he was injured. "The guy put his helmet right on the football when he tackled me, and 1 broke my hand pretty bad. 1 came out of the game and told the coach. 1 said, 'Coach, 1 think my hand's broken.' He looked at it and said, 'Aw, it's alright.' So we got back in the game, and we had an opportunity to try a field goal-35 yards or something like that. -
Woodstock: the Creation and Evolution of a Myth
UNLV Retrospective Theses & Dissertations 1-1-1994 Woodstock: The creation and evolution of a myth Jo Raelene Sorrell University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Sorrell, Jo Raelene, "Woodstock: The creation and evolution of a myth" (1994). UNLV Retrospective Theses & Dissertations. 394. http://dx.doi.org/10.25669/hbla-mq2i This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microhlm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Altered States: the American Psychedelic Aesthetic
ALTERED STATES: THE AMERICAN PSYCHEDELIC AESTHETIC A Dissertation Presented by Lana Cook to The Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April, 2014 1 © Copyright by Lana Cook All Rights Reserved 2 ALTERED STATES: THE AMERICAN PSYCHEDELIC AESTHETIC by Lana Cook ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University, April, 2014 3 ABSTRACT This dissertation traces the development of the American psychedelic aesthetic alongside mid-twentieth century American aesthetic practices and postmodern philosophies. Psychedelic aesthetics are the varied creative practices used to represent altered states of consciousness and perception achieved via psychedelic drug use. Thematically, these works are concerned with transcendental states of subjectivity, psychic evolution of humankind, awakenings of global consciousness, and the perceptual and affective nature of reality in relation to social constructions of the self. Formally, these works strategically blend realist and fantastic languages, invent new language, experimental typography and visual form, disrupt Western narrative conventions of space, time, and causality, mix genres and combine disparate aesthetic and cultural traditions such as romanticism, surrealism, the medieval, magical realism, science fiction, documentary, and scientific reportage. This project attends to early exemplars of the psychedelic aesthetic, as in the case of Aldous Huxley’s early landmark text The Doors of Perception (1954), forgotten pioneers such as Jane Dunlap’s Exploring Inner Space (1961), Constance Newland’s My Self and I (1962), and Storm de Hirsch’s Peyote Queen (1965), cult classics such as Tom Wolfe’s The Electric Kool-Aid Acid Test (1968), and ends with the psychedelic aesthetics’ popularization in films like Roger Corman’s The Trip (1967).