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Limited Edition Platinum Prints of Iconic Images by Robert Capa
PRESS RELEASE Contact : Amy Wentz Ruder Finn Arts & Communications Counselors [email protected] / 212-715-1551 Limited Edition Platinum Prints of Iconic Images by Robert Capa, Henri Cartier-Bresson, George Rodger and David Seymour to be Published in Unique Hand-Bound Collector’s Book Magnum Founders, In Celebration of Sixty Years Provides Collectors Once-in-a-Lifetime Opportunity to Own Part of Photographic History Santa Barbara, California, June 6, 2007 – Verso Limited Editions, a publisher of handcrafted books that celebrate the work of significant photographers, announced the September 2007 publication of Magnum Founders, In Celebration of Sixty Years . Magnum Founders will include twelve bound and one free-standing rare platinum, estate-stamped prints of iconic images by four visionary photographers who influenced the course of modern photographic history – Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour. The collector’s book celebrates the 60 th anniversary of Magnum Photos, a photographic co- operative founded by these four men and owned by its photographer-members. Capa, Cartier- Bresson, Rodger and Seymour created Magnum in 1947 to reflect their independent natures as both people and photographers – the idiosyncratic mix of reporter and artist that continues to define Magnum today. The first copy of Magnum Founders will be privately unveiled on Thursday, June 21 at the Museum of Modern Art, New York – birthplace of Magnum Photos – during the “Magnum Festival,” a month-long series of events celebrating the art of documentary photography. Magnum Founders will also be on view to the public at the Howard Greenberg Gallery, 41 East 52 nd St., New York, beginning on Friday, June 22. -
The Global Visual Memory a Study of the Recognition and Interpretation of Iconic and Historical Photographs
The Global Visual Memory A Study of the Recognition and Interpretation of Iconic and Historical Photographs Het Mondiaal Visueel Geheugen Een studie naar de herkenning en interpretatie van iconische en historische foto’s (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. H.R.B.M. Kummeling, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op woensdag 19 juni 2019 des middags te 2.30 uur door Rutger van der Hoeven geboren op 4 juni 1974 te Amsterdam Promotor: Prof. dr. J. Van Eijnatten Table of Contents Abstract 2 Preface 3 Introduction 5 Objectives 8 Visual History 9 Collective Memory 13 Photographs as vehicles of cultural memory 18 Dissertation structure 19 Chapter 1. History, Memory and Photography 21 1.1 Starting Points: Problems in Academic Literature on History, Memory and Photography 21 1.2 The Memory Function of Historical Photographs 28 1.3 Iconic Photographs 35 Chapter 2. The Global Visual Memory: An International Survey 50 2.1 Research Objectives 50 2.2 Selection 53 2.3 Survey Questions 57 2.4 The Photographs 59 Chapter 3. The Global Visual Memory Survey: A Quantitative Analysis 101 3.1 The Dataset 101 3.2 The Global Visual Memory: A Proven Reality 105 3.3 The Recognition of Iconic and Historical Photographs: General Conclusions 110 3.4 Conclusions About Age, Nationality, and Other Demographic Factors 119 3.5 Emotional Impact of Iconic and Historical Photographs 131 3.6 Rating the Importance of Iconic and Historical Photographs 140 3.7 Combined statistics 145 Chapter 4. -
Dossier De Presse Buradan
D’ici Dossier de presse Buradan From here Hano Desde aquí Les journalistes exilés ont en effet rarement la A l’aube du 21ème siècle, ce même esprit de parole. Menacés et censurés chez eux, ils ont été coopération a poussé des journalistes fran- L’exposition « D’ici » obligés à se taire pour sauver leur vie (et sou- çais à fonder la Maison des journalistes. En aura lieu du 3 au 31 mai 2019 sur les grilles de vent celle de leur famille). Arrivés en France, ils constatant que leurs collègues étrangers, for- l’Hôtel de Ville de Paris. n’ont que rarement l’opportunité de continuer à cés à s’exiler ou menacés dans leur pays pour Elle donnera la possibilité au plus grand exercer leur métier. Certains d’entre eux sont avoir tenté d’exercer leur métier librement, nombre de venir s’imprégner de ces « histoires depuis Paris, d’ailleurs » racontées en mots et en images. D’ici, alors hébergés et accompagnés par la Maison arrivaient en France souvent sans la moindre 8 journalistes exilés et des pho- des journalistes, lieu refuge unique au monde. ressource et tombaient dans la grande préca- Elle a vocation à devenir itinérante en s’invi- tant dans les lycées de l’Hexagone et en par- tographes de Magnum Photos rité. Des hommes et des femmes engagés et, Le projet « D’ici » entend redonner un espace au premier plan les co-fondateurs, Danièle courant les festivals de journalisme. croisent leurs regards pour ra- d’expression à ces journalistes exilés pour qu’ils Ohayon et Philippe Spinau, ont décidé de se La scénographie s’inspirera de ces journaux conter des expériences très per- puissent à nouveau écrire, informer, dénoncer, mobiliser. -
Claude Cookman, IUB, 2011
Summary: Claude Cookman, April 9, 2010 Colleagues, Here is a summary of what I think are my most significant accomplishments since I presented my case for tenure in the fall of 1999. Thanks very much for your consideration. Teaching Peer-reviewed conference papers in teaching “The effects of Just in Time Teaching on motivation and engagement in a history of photography course,” lead author in a study with two graduate students, Sara Mandel and Mike Lyons. International Society for the Scholarship of Teaching and Learning conference, Washington, D.C., Nov 10, 2006. “A comparison of Just-in-Time Teaching across disciplines and course levels,” Laura A. Guertin, Claude Cookman, Sarah Zappe, Heeyoung Kim. International Society for the Scholarship of Teaching and Learning conference, Washington, D.C., Nov 10, 2006. Book chapters on teaching (Not peer-reviewed) “Using Just-in-Time Teaching to Foster Critical Thinking in a Humanities Course,” in Just In Time Teaching, eds. Scott Simkins, Mark Maier, Sterling, Va.: Stylus Publishing, 2009. (16 pages) Abstract. Details my use of the Just-in-Time Teaching method to foster motivation and engagement in students in my J462 History of Twentieth Century Photography course. It incorporates data collected across three semesters. “Transforming students into historical researchers: A Photographic Historian’s Perspective,” in The Scholarship of Teaching and Learning in Higher Education: Contributions of Research Universities, eds. William E. Becker, Moya L. Andrews, Bloomington: Indiana University Press, 2004. (22 pages) Abstract. Discusses my philosophy of teaching and learning and the methods I use to foster students’ development of critical thinking, creative practice and an historical consciousness. -
The Magnificent Eleven: the D-Day Photographs of Robert Capa
Men of the 16th Infantry Regiment seek shelter from German machine-gun fire in shallow water behind "Czech hedgehog" beach obstacles, Easy Red sector, Omaha Beach. © Robert Capa/Magnum Photos. The Magnificent Eleven: The D-Day Photographs of Robert Capa "The war correspondent has his stake — his life — in his own The Photographer: Bob Capa hands, and he can put it on this When soldiers of the 16th Regiment of the 1st horse or that horse, or he can put it back in his pocket at the Infantry Division landed at Omaha Beach on June 6, very last minute ... I am a 1944, photographer Robert Capa, in the employ of LIFE gambler. I decided to go in with Company E in the first wave." magazine, was among them. – Robert Capa Perhaps the best known of all World War II combat photographers, the Hungarian-born Capa The ten photos selected from the eleven surviving negatives had made a name for and published by LIFE on June himself well before 19, 1944 ... climbing into a landing craft with men of Company E in the early morning hours of D-Day. He risked his life on more than one occasion during the Spanish Civil War and had taken what is considered the most eerily fascinating of all war photographs. The famous image reportedly depicts the death of Spanish Loyalist militiaman Frederico Borrell Garcia as he is struck in the chest by a Nationalist bullet on a barren Iberian hillside. Capa was known to say, "If your pictures aren't good enough, you aren't close enough." On D-Day, he came close once again. -
191 Abbas, Mahmoud 9, 11, 168 Abkhazia 195 Abraham, Ronny 130
Index Boyle, Peter 112 Budget, UN 76, 139, 146-147 A Buergenthal, Thomas 130 A Woman’s Voice Burma 2, 36-37, 62, 86, 116, 189 International (AWVI) 191 Burundi 21-22, 92-94, 191 Abbas, Mahmoud 9, 11, 168 Bush, George W. 1, 9, 23, 30, 74, Abkhazia 195 87, 106, 163-169 Abraham, Ronny 130, 175 AbuZayd, Karen 96 C Afghanistan 19-20, 67, 82-84, Cambodia 136-137, 192 116, 146, 164, 166, 171, 190, 195 Capital Master Plan (CMP) 145, African Union (AU) 2, 23-24, 32, 155, 159-160 34-35, 55-56, 142, 167, 191 Caribbean region 44, 77, 188 Ahlenius, Inga-Britt 154, 176 Central African Republic (CAR) Ahtisaari, Martti 42 22-23, 35, 149, 191 Al-Hussein, Prince Zeid Ra’ad Central America 72 50-51, 60 Chérif, Taïeb 108 Al-Khasawneh, Awn Shawkat Children and Armed Conflict 62, 130, 175 177 Al-Qaida 52, 55-56, 63, 163 Children’s Fund, UN 70-71, 98, Algeria 28, 36, 164, 175 113, 187 Arnault, Jean 42 China 8, 35, 37, 46, 75, 88-90, Arbour, Louise 176 103, 116, 140, 149, 158, 174 Arrears 148 Civilians in Armed Conflict 64 Atomic Radiation, UN Scientific Climate change 69, 74-75, 196, Committee on the Effects of 198 121-122, 190 Climate Change, UN Framework AU (African Union) 2, 23-24, 32, Convention on 74-75, 198 34-35, 55-56, 142, 167, 191 Codex Alimentarius Commission Aung San Suu Kyi 36 102, 191 Avian influenza 102-103 Colombia 87, 92-94, 116 Aviation Security Plan of Action Commission for Social 108 Development (CSocD) 78-79, 187 B Commission on Sustainable Banny, Charles Konan 24 Development (CSD) 69-70, 187 Beijing Women’s Conference 84 Commission on Human -
Photographers Women
WOMEN PHOTOGRAPHERS WOMEN BORIS FRIEDEWALD PHOTOGRAPHERS From Julia Margaret Cameron to Cindy Sherman PRESTEL Munich · London · New York In a profession like this it is both an advantage and a dis- advantage to be a woman … From time to time, I have been able to take photos where my male colleagues had failed … Not many women work as photo reporters, a profession that requires absolute health, patience, and curiosity, as well as an open approach, skill, and courage in completely unex - p ec ted situations: all qualities that women possess. Gisèle Freund, 1977 Contents 006 | Introduction 078 | Lady Clementina Hawarden 166 | Sarah Moon 082 | Florence Henri 170 | Inge Morath 086 | Candida Höfer 174 | Zanele Muholi 008 | Berenice Abbott 090 | Evelyn Hofer 178 | Madame d’Ora 012 | Eve Arnold 094 | Graciela Iturbide 182 | Bettina Rheims 016 | Anna Atkins 098 | Lotte Jacobi 186 | Viviane Sassen 020 | Ellen Auerbach 102 | Gertrude Käsebier 190 | Shirana Shahbazi 024 | Jessica Backhaus 108 | Rinko Kawauchi 194 | Cindy Sherman 028 | Tina Barney 112 | Herlinde Koelbl 198 | Dayanita Singh 034 | Lillian Bassman 118 | Germaine Krull 202 | Rosalind Solomon 038 | Sibylle Bergemann 122 | Dorothea Lange 206 | Grete Stern 042 | Margaret Bourke-White 126 | An-My Lê 210 | Ellen von Unwerth 046 | Claude Cahun 130 | Helen Levitt 214 | JoAnn Verburg 050 | Julia Margaret Cameron 134 | Vera Lutter 218 | Carrie Mae Weems 054 | Imogen Cunningham 138 | Vivian Maier 222 | Francesca Woodman 058 | Rineke Dijkstra 142 | Sally Mann 226 | Madame Yevonde 060 | Trude Fleischmann 146 | Hellen van Meene 064 | Martine Franck 150 | Susan Meiselas 068 | Gisèle Freund 154 | Lee Miller 231 | List of Images 070 | Nan Goldin 158 | Lisette Model 237 | Selected Literature 074 | Jitka Hanzlová 162 | Tina Modotti 240 | Imprint Introduction A woman. -
Iranian Support for Terrorism
OUTLAW REGIME: A CHRONICLE OF IRAN’S DESTRUCTIVE ACTIVITIES Iran Action Group U.S. DEPARTMENT OF STATE “America will not be held hostage to nuclear blackmail.” PRESIDENT DONALD J. TRUMP, MAY 2018 In recognition of the increasing menace posed by the Iranian regime, President Trump announced a new strategy to address the full range of the regime’s destructive actions. OUTLAW REGIME: A CHRONICLE OF IRAN’S DESTRUCTIVE ACTIVITIES A Letter From Executive Chapter One: 4 Secretary of State 6 Summary 8 Iran’s Support Michael R. Pompeo for Terrorism 18 Chapter Two: 22 Chapter Three: 26 Chapter Four: Iran’s Missile Illicit Financial Iran’s Threat to Program Activities in Iran Maritime Security Chapter Five: Chapter Six: Chapter Seven: 30 Iran’s Threat to 34 Human Rights 40 Environmental Cybersecurity Abuses in Iran Exploitation AP PHOTO OUTLAW REGIME: A CHRONICLE OF IRAN’S DESTRUCTIVE ACTIVITIES | 3 A LETTER FROM U.S. SECRETARY OF STATE MICHAEL R. POMPEO I am pleased to release the State Department’s new report detailing the scope of the Iranian regime’s destructive behavior at home and abroad on the eve of the Islamic Revolution’s 40th anniversary. On May 8, 2018, President Donald J. Trump announced his decision to cease U.S. participation in the Joint Comprehensive Plan of Action (JCPOA), commonly referred to as the Iran deal. The Iran deal was proving to be a failed strategic bet that fell short of protecting the American people or our allies from the potential of an Iranian nuclear weapon. The futility of entrusting our long term security to an agreement that will quickly expire was underscored by the recent bombshell that Iran had secretly preserved its past nuclear weapons research after the implementation of the JCPOA. -
Engaged Observers: Documentary Photography Since the Sixties
OBJECT LIST Engaged Observers: Documentary Photography since the Sixties At the J. Paul Getty Museum, the Getty Center June 29–November 14, 2010 1. Leonard Freed (American, 1929 - 2006) 5. Leonard Freed (American, 1929 - 2006) Demonstration, New York City, 1963 Georgia, 1965 Gelatin silver print Gelatin silver print Image: 25.9 x 35.4 cm (10 3/16 x 13 15/16 Image: 38.3 x 25.6 cm (15 1/16 x 10 1/16 in.) in.) Gift of Brigitte and Elke Susannah Freed. The Gift of Brigitte and Elke Susannah Freed. The J. Paul Getty Museum, Los Angeles, J. Paul Getty Museum, Los Angeles, 2008.59.3 2008.59.9 2. Leonard Freed (American, 1929 - 2006) 6. Leonard Freed (American, 1929 - 2006) March on Washington, Washington, D.C., Political Meeting, Harlem, 1963 August 28, 1963 Gelatin silver print Gelatin silver print Image: 33.2 x 25.2 cm (13 1/16 x 9 15/16 Image: 37.8 x 25.4 cm (14 7/8 x 10 in.) in.) Gift of Brigitte and Elke Susannah Freed. The The J. Paul Getty Museum, Los Angeles, J. Paul Getty Museum, Los Angeles, 2008.62.3 2008.59.4 7. Leonard Freed (American, 1929 - 2006) 3. Leonard Freed (American, 1929 - 2006) New York City, 1963 Johns Island, South Carolina, 1964 Gelatin silver print Gelatin silver print Image: 33.2 x 25.2 cm (13 1/16 x 9 15/16 Image: 25.7 x 34.9 cm (10 1/8 x 13 3/4 in.) in.) Gift of Brigitte and Elke Susannah Freed. -
Notable Photographers Updated 3/12/19
Arthur Fields Photography I Notable Photographers updated 3/12/19 Walker Evans Alec Soth Pieter Hugo Paul Graham Jason Lazarus John Divola Romuald Hazoume Julia Margaret Cameron Bas Jan Ader Diane Arbus Manuel Alvarez Bravo Miroslav Tichy Richard Prince Ansel Adams John Gossage Roger Ballen Lee Friedlander Naoya Hatakeyama Alejandra Laviada Roy deCarava William Greiner Torbjorn Rodland Sally Mann Bertrand Fleuret Roe Etheridge Mitch Epstein Tim Barber David Meisel JH Engstrom Kevin Bewersdorf Cindy Sherman Eikoh Hosoe Les Krims August Sander Richard Billingham Jan Banning Eve Arnold Zoe Strauss Berenice Abbot Eugene Atget James Welling Henri Cartier-Bresson Wolfgang Tillmans Bill Sullivan Weegee Carrie Mae Weems Geoff Winningham Man Ray Daido Moriyama Andre Kertesz Robert Mapplethorpe Dawoud Bey Dorothea Lange uergen Teller Jason Fulford Lorna Simpson Jorg Sasse Hee Jin Kang Doug Dubois Frank Stewart Anna Krachey Collier Schorr Jill Freedman William Christenberry David La Spina Eli Reed Robert Frank Yto Barrada Thomas Roma Thomas Struth Karl Blossfeldt Michael Schmelling Lee Miller Roger Fenton Brent Phelps Ralph Gibson Garry Winnogrand Jerry Uelsmann Luigi Ghirri Todd Hido Robert Doisneau Martin Parr Stephen Shore Jacques Henri Lartigue Simon Norfolk Lewis Baltz Edward Steichen Steven Meisel Candida Hofer Alexander Rodchenko Viviane Sassen Danny Lyon William Klein Dash Snow Stephen Gill Nathan Lyons Afred Stieglitz Brassaï Awol Erizku Robert Adams Taryn Simon Boris Mikhailov Lewis Baltz Susan Meiselas Harry Callahan Katy Grannan Demetrius -
100 GREAT STREET PHOTOGRAPHS David Gibson PRESTEL Munich • London • New York
100SP-24_rl.indd 2 24.02.17 16:36 100 GREAT STREET PHOTOGRAPHS David Gibson PRESTEL Munich • London • New York 100SP-24_rl.indd 3 24.02.17 16:36 © 2017 Prestel Verlag, Munich · Editorial direction: Lincoln Dexter London · New York, a member of Copy-editing: Malcolm Imrie Verlagsgruppe Random House Design and layout: Hoop Design GmbH, Neumarkter Straße 28, Production management: Friederike 81673 Munich Schirge Separations: Reproline Mediateam, © for the texts, David Gibson, 2017 Munich © for the works reproduced is held Printing and binding: DZS Grafik, by the individual photographers, their d.o.o., Ljubljana heirs or assigns, with the exception Paper: Profisilk of the following images: p. 31, © Alex Webb/Magnum Photos; p. 35, © Martin Parr/Magnum Photos; p. 61, © Harry Gruyaert/ Magnum Photos; p.91, © Nikos Verlagsgruppe Random House FSC® Economopoulos/Magnum Photos; N001967 and p. 137, © Trent Parke/Magnum Photos ISBN 978-3-7913-8313-2 In respect to links in the book the www.prestel.com Publisher expressly notes that no illegal content was discernible on the linked sites at the time the links were created. The Publisher has no influence at all over the current and future design, content or authorship of the linked sites. For this reason the Publisher expressly disassociates itself from all content on linked sites that has been altered since the link was created and assumes no liability for such content. Front cover: detail of photograph by Marcin Ryczek, see pp. 161 Frontispiece: detail of photograph by Dan Szpara, Shinjuku, Tokyo, July 2016, see p. 181 Back cover: detail of photograph by Shin Noguchi, see pp. -
The Great Empires of Asia the Great Empires of Asia
The Great Empires of Asia The Great Empires of Asia EDITED BY JIM MASSELOS FOREWORD BY JONATHAN FENBY WITH 27 ILLUSTRATIONS Note on spellings and transliterations There is no single agreed system for transliterating into the Western CONTENTS alphabet names, titles and terms from the different cultures and languages represented in this book. Each culture has separate traditions FOREWORD 8 for the most ‘correct’ way in which words should be transliterated from The Legacy of Empire Arabic and other scripts. However, to avoid any potential confusion JONATHAN FENBY to the non-specialist reader, in this volume we have adopted a single system of spellings and have generally used the versions of names and titles that will be most familiar to Western readers. INTRODUCTION 14 The Distinctiveness of Asian Empires JIM MASSELOS Elements of Empire Emperors and Empires Maintaining Empire Advancing Empire CHAPTER ONE 27 Central Asia: The Mongols 1206–1405 On the cover: Map of Unidentified Islands off the Southern Anatolian Coast, by Ottoman admiral and geographer Piri Reis (1465–1555). TIMOTHY MAY Photo: The Walters Art Museum, Baltimore. The Rise of Chinggis Khan The Empire after Chinggis Khan First published in the United Kingdom in 2010 by Thames & Hudson Ltd, 181A High Holborn, London WC1V 7QX The Army of the Empire Civil Government This compact paperback edition first published in 2018 The Rule of Law The Great Empires of Asia © 2010 and 2018 Decline and Dissolution Thames & Hudson Ltd, London The Greatness of the Mongol Empire Foreword © 2018 Jonathan Fenby All Rights Reserved. No part of this publication may be reproduced CHAPTER TWO 53 or transmitted in any form or by any means, electronic or mechanical, China: The Ming 1368–1644 including photocopy, recording or any other information storage and retrieval system, without prior permission in writing from the publisher.