Erwitt Elliott

Total Page：16

File Type：pdf, Size：1020Kb

ERWITT ELLIOTT Price list – April 1st 2016 La Galerie - 74 Hollywood Road, Central, Hong Kong - www.lagalerie.hk [email protected] ERWITT ELLIOTT (Born in 1928) CALIFORNIA KISS, 1955 Silver print Paper shit 40 x 50 cm Image size : 29 x 44 cm Frame size : 60 x 74,5, with Museum Glass® SigneD eDition 70.000 HK$ La Galerie - 74 Hollywood Road, Central, Hong Kong - www.lagalerie.hk [email protected] ERWITT ELLIOTT (Born in 1928) FELIX, GLADYS AND ROVER, NEW YORK, 1974 Silver print Paper shit 40 x 50 cm Image size : 29 x 44 cm Frame size : 60 x 74,5, with Museum Glass® SigneD eDition 70.000HK$ La Galerie - 74 Hollywood Road, Central, Hong Kong - www.lagalerie.hk [email protected] ERWITT ELLIOTT (Born in 1928) Erwitt Elliott was born in France of Russian émigré parents. He stood in Italy until the age of 10 when moveD with his family to France afterwarD immigrating to the UniteD States in 1939, settling in New York for 2 years then transferring to Los Angeles. While attending Hollywood High School Erwitt workeD in a commercial Darkroom processing « signed » prints for fans of movie stars. DrafteD into the US army in 1951 he continueD taking photographs for various publications totally apart from his military Duties while stationeD in New Jersey, Germany anD France. While looking for work in New York City prior to his military service, he met EDwarD Steichen, Robert Capa and Roy Stryker who liked his photographs and took personal guiDing interest becoming significant mentors. In 1953, Elliott Erwitt was invited to join Magnum as member by his founDer Robert Capa. In 1968, he became PresiDent of the prestigious agency for 3 terms. To Date, he continues to be an active member anD one of the leaDing figures in the competitive fielD of photography. In 1977, the photographer was exhibited at the Rencontres internationales d’Arles, in 2010 at La maison européenne de la photographie and in 2011 at the International Center of Photography in New York. Elliott Erwitt photographied Europe and US, children and Dogs, celebrities with always a lot of humour. He became famous for his photograph USA, North Carolina that became an icon of segregation. La Galerie - 74 Hollywood Road, Central, Hong Kong - www.lagalerie.hk [email protected] .

Copy Link

Recommended publications

Limited Edition Platinum Prints of Iconic Images by Robert Capa
PRESS RELEASE Contact : Amy Wentz Ruder Finn Arts & Communications Counselors [email protected] / 212-715-1551 Limited Edition Platinum Prints of Iconic Images by Robert Capa, Henri Cartier-Bresson, George Rodger and David Seymour to be Published in Unique Hand-Bound Collector’s Book Magnum Founders, In Celebration of Sixty Years Provides Collectors Once-in-a-Lifetime Opportunity to Own Part of Photographic History Santa Barbara, California, June 6, 2007 – Verso Limited Editions, a publisher of handcrafted books that celebrate the work of significant photographers, announced the September 2007 publication of Magnum Founders, In Celebration of Sixty Years . Magnum Founders will include twelve bound and one free-standing rare platinum, estate-stamped prints of iconic images by four visionary photographers who influenced the course of modern photographic history – Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour. The collector’s book celebrates the 60 th anniversary of Magnum Photos, a photographic co- operative founded by these four men and owned by its photographer-members. Capa, Cartier- Bresson, Rodger and Seymour created Magnum in 1947 to reflect their independent natures as both people and photographers – the idiosyncratic mix of reporter and artist that continues to define Magnum today. The first copy of Magnum Founders will be privately unveiled on Thursday, June 21 at the Museum of Modern Art, New York – birthplace of Magnum Photos – during the “Magnum Festival,” a month-long series of events celebrating the art of documentary photography. Magnum Founders will also be on view to the public at the Howard Greenberg Gallery, 41 East 52 nd St., New York, beginning on Friday, June 22.
[Show full text]
Notable Photographers Updated 3/12/19
Arthur Fields Photography I Notable Photographers updated 3/12/19 Walker Evans Alec Soth Pieter Hugo Paul Graham Jason Lazarus John Divola Romuald Hazoume Julia Margaret Cameron Bas Jan Ader Diane Arbus Manuel Alvarez Bravo Miroslav Tichy Richard Prince Ansel Adams John Gossage Roger Ballen Lee Friedlander Naoya Hatakeyama Alejandra Laviada Roy deCarava William Greiner Torbjorn Rodland Sally Mann Bertrand Fleuret Roe Etheridge Mitch Epstein Tim Barber David Meisel JH Engstrom Kevin Bewersdorf Cindy Sherman Eikoh Hosoe Les Krims August Sander Richard Billingham Jan Banning Eve Arnold Zoe Strauss Berenice Abbot Eugene Atget James Welling Henri Cartier-Bresson Wolfgang Tillmans Bill Sullivan Weegee Carrie Mae Weems Geoff Winningham Man Ray Daido Moriyama Andre Kertesz Robert Mapplethorpe Dawoud Bey Dorothea Lange uergen Teller Jason Fulford Lorna Simpson Jorg Sasse Hee Jin Kang Doug Dubois Frank Stewart Anna Krachey Collier Schorr Jill Freedman William Christenberry David La Spina Eli Reed Robert Frank Yto Barrada Thomas Roma Thomas Struth Karl Blossfeldt Michael Schmelling Lee Miller Roger Fenton Brent Phelps Ralph Gibson Garry Winnogrand Jerry Uelsmann Luigi Ghirri Todd Hido Robert Doisneau Martin Parr Stephen Shore Jacques Henri Lartigue Simon Norfolk Lewis Baltz Edward Steichen Steven Meisel Candida Hofer Alexander Rodchenko Viviane Sassen Danny Lyon William Klein Dash Snow Stephen Gill Nathan Lyons Afred Stieglitz Brassaï Awol Erizku Robert Adams Taryn Simon Boris Mikhailov Lewis Baltz Susan Meiselas Harry Callahan Katy Grannan Demetrius
[Show full text]
(DAVID SEYMOUR) Woman in the Crowd CAROLE NAGGAR 24 1936
INHALT Vorwort KRISTEN LUBBEN 8 1930-49 1933 HENRI CARTIER-BRESSON Sevilla 18 1936 CHIM (DAVID SEYMOUR) Woman in the Crowd CAROLE NAGGAR 24 1936 HERBERT LIST Man and Doq PEER-OLAF RICHTER 26 1938 ROBERT CAPA The Battie of Rio Segre CYNTHIA YOUNG 28 1940 WERNER BISCHOF Mountains MARCO BISCHOF 36 1940 GEORGE RODGER The Blitz 40 1941 GEORGE RODGER Western Desert 46 1944 ROBERT CAPA D-Day CYNTHIA YOUNG 50 1945 ROBERT CAPA Leipzig CYNTHIA YOUNG 56 1946 HERBERT LIST Plaster Casts at the Academy PEER-OLAF RICHTER 60 1948 CHIM (DAVID SEYMOUR) Girls Sewing CAROLE NAGGAR 62 1948 PHILIPPE HALSMAN Dah'Atomicus 64 1950-59 1951 WERNER BISCHOF Courtyard of the Meiji Temple MARCO BISCHOF 68 1953 ELLIOTT ERWITT Mother and Child 70 1953 MARC RIBOUD Eiffel Tower Painter 74 1955 CORNELL CAPA Fall of Peron CYNTHIA YOUNG 78 1956 ERICH LESSING Budapest 82 1957 BURT GLINN Little Rock, Arkansas 88 1957 INGE MORATH A Llama in Times Square JOHN JACOB 92 1959 EVE ARNOLD Joan Crawford 96 1959 ELLIOTT ERWITT Kitchen Debate 100 1959 BURT GLINN Fidel Castro 104 1959 MARILYN SILVERSTONE The Dalai Lama JAMES A.FOX 108 1960-69 1960 RENE BURRI Ministry of Health 114 1960 INGE MORATH Refugee Camps JOHN JACOB 118 1961 EVE ARNOLD Malcolm X 122 1961 CORNELL CAPA The White House CYNTHIA YOUNG 124 1961 BRUCE DAVIDSON Civil Rights Movement 130 1961 PHILIP JONES GRIFFITHS Boy Destroying Piano BRIGITTE LARDINOIS 138 1962 CONSTANTINE MANOS Women at Graveside 142 1963 RENt BURRI Ernesto .Che' Guevara 146 1964 LEONARD FREED Martin Luther King 152 1964 DAVID HURN The Beatles 158 1965 DAVID HURN Jean Straker 162 1966 THOMAS HOEPKER Muhammad Ali 166 1967 PHILIP JONES GRIFFITHS Civilian Victim, Vietnam BRIGITTE LARDINOIS 170 1968 BRUNO BARBEY Paris Riots 172 1968 PAUL FUSCO Robert Kennedy Funeral Train 178 1968 JOSEF KOUDELKA Prague Invasion 184 1968 DENNIS STOCK California Rock Concert 190 http://d-nb.info/1051337445 1968 DENNIS STOCK Playa del Rey.
[Show full text]
Exhibition History, 1971 - Present
EXHIBITION HISTORY, 1971 - PRESENT The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and events organised by the Print Sales, the Education Department and the Digital Programme (Wall) are included. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited works and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exists they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of works by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development works – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive Room at the Photographers' Gallery. For more information, please contact the archive at tpg.archive@tpg. org.uk 1970s Group Exhibition Date: 13/01/1971
[Show full text]
Elliott Erwitt: Personal Best
Contact: Communications Department 212.857.0045 [email protected] media release Elliott Erwitt: Personal Best On view from May 20 through August 28, 2011 Media Preview May 19, 2011 11:30 am–1:00 pm RSVP: [email protected] 212.857.0045 Elliott Erwitt Santa Monica, California, 1955 © Elliott Erwitt/Magnum Photos An eyewitness to history and a dreamer with a camera, Elliott Erwitt has made some of the most memorable photographs of the twentieth century. A substantial retrospective exhibition of his work, Elliott Erwitt: Personal Best, will be on view at the International Center of Photography (1133 Avenue of the Americas at 43rd Street) from May 20 to August 28, 2011. The exhibition will include more than 100 of Erwitt’s favorite images, a selection of his documentary films produced over the past sixty years, as well as some previously unseen and unpublished prints from his early work. Erwitt will also be honored on May 10 as the Lifetime Achievement recipient at the 2011 ICP Infinity Awards. Born Elio Romano Erwitz to Russian Jewish émigrés in Paris in 1928, Erwitt spent his childhood in Italy, returned to France in 1938, and emigrated to the United States with his family in 1939. After moving to Los Angeles in 1941, Erwitt attended Hollywood High School and began working in a commercial darkroom processing photographs of movie stars. He studied filmmaking at the New School for Social Research in New York from 1949 to 1950, and worked as a documentary photographer on the Standard Oil Company project directed by Roy Stryker. After military service, Erwitt returned to New York, where he met Edward Steichen and Robert Capa, who became strong influences in his life.
[Show full text]
THROUGH the EYE of MAGNUM a ﬁlm by Sophie Bassaler © Eve Arnold Photos © Eve / Magnum
NOMINATED FOR TVFI EXPORT DOCUMENTARY AWARD 2020 Films à Cinq, ARTE France and Magnum Photos present CINEMA THROUGH THE EYE OF MAGNUM A ﬁlm by Sophie Bassaler © Eve Arnold Photos © Eve / Magnum CAPA FILMS à CINQ Rediscover cinema through a new lens: look at some of the most recognizable images from the greastest photographers of all time, including: ROBERT CAPA - EVE ARNOLD - DENNIS STOCK - HENRI CARTIN-BRESSON The most iconic stars as never seen them before, such as: MARYLIN MONROE - JAMES DEAN - INGRID BERGMAN - KATE WINSLET - SEAN PENN CINEMA THROUGH THE EYE OF MAGNUM A documentary written and directed by Sophie Bassaler Films à Cinq, Arte France, Magnum Photos Co-production 2017 - 1 x 52’ Genre Arts & Culture Available languages French / English / Spanish / Italian / © Elliott Erwitt I Magnum Photos_NYC37638 Portuguese / German SYNOPSIS For seventy years, the photojournalists of Magnum have observed the world of cinema as they would any conflict, social issue or country on the map. It was out of love for the actress Ingrid Bergman that Robert Capa took Magnum’s very first photo of cinema, on the set of Alfred Hitchcock’s Notorious, inaugurating the relationship between the agency and the world of films. Using original, unseen stories and interviews, Cinema Through the Eye of Magnum depicts this relationship over 70 years. It is a confrontation of two seemingly opposite worlds: fiction and reality, and a unique look behind the scenes of cinema in the making. From the Golden Age of Hollywood to its eventual decline, Europe’s Nouvelle Vague to the birth of the blockbuster, the story of Magnum is the story of cinema itself.
[Show full text]
18 Good Weekend December
18 Good Weekend December 8, 2007 Big shots: Richard Burton and Elizabeth Taylor, photographed in 1963 by Eve Arnold at the local pub in Shepperton, England, where Burton was filming Becket. Elizabeth’s packet of sausages would be cooked for her dinner by the chef at her hotel. A MOmeNT IN TIme A great photograph legant composition, coupled with the sensitive portrayal of often can open a window vulnerable human subjects. Com- on history for all of us, passion without sentimentality. and for 60 years many Since 1947, when the agency Ewas founded in New York, these have been the of the most famous hallmarks of a Magnum photograph. Today its images of all have been enormous archive, much of it in black and white, captured by members forms a catalogue of the critical events and catastrophes that have afflicted the world. of the photographic But Magnum Photos has been concerned co-operative Magnum with more than just politics and tragedy over the Photos. Robert past six decades. Photographers such as Elliott Erwitt leavened Magnum’s traditional appetite McFarlane reports. for social issues with their wry humour. The co-operative’s photographers also anticipated changing social and artistic currents after World War II – especially in cinema. When Frank Taylor, producer of John Huston’s The Misfits, invited Magnum photojournalists to visit the film’s Nevada desert location in 1960, it changed forever how films would be publicised, especially in America. Each Magnum photogra- pher, from Henri Cartier-Bresson to Elliott Erwitt and Inge Morath, brought an independent vision and, above all, sensitivity to covering the making of Huston’s enduring, elegiac film.
[Show full text]
Resource Guide 3
TABLE OF CONTENTS Steps of the Three-Part-Art Gallery Education Program 2 How to Use This Resource Guide 3 Making the Most of Your Gallery Visit 4 The Artful Thinking Program 6 Curriculum Connections 7 About the Exhibition 11 About the Artist 12 A Brief History of Photography 13 Basics of Photography 17 Pre-visit activities 18 Lesson One: An Introduction to Photography 19 Lesson Two: Tell Me a Story 21 Post-visit activities 22 Lesson Three: A World of Black and White 23 Lesson Four: Frame your Viewpoint 24 Lesson Five: Headlines! 26 Glossary 28 Resources 32 Appendix 36 W ILLIAM D. C ANNON A RT G ALLERY 1 STEPS OF THE THREE-PART-ART GALLERY EDUCATION PROGRAM Resource Guide: Classroom teachers will use the preliminary lessons with students provided in the Pre-visit section of the Elliott Erwitt: Dog Dogs resource guide. On return from your field trip to the Cannon Art Gallery the classroom teacher will use Post-visit Activities to reinforce learning. The resource guide and images are provided free of charge to all classes with a confirmed reservation and are also available on our website at www.carlsbadca.gov/arts. Gallery Visit: At the gallery, an artist educator will help the students critically view and investigate original art works. Students will recognize the differences between viewing copies and seeing original artworks and learn that visiting art galleries and museums can be fun and interesting. Hands-on Art Project: An artist educator will guide the students in a hands-on art project that relates to the exhibition.
[Show full text]
Players. Magnum Photographers Come out to Play
Páginas: 212 Players. Los fotógrafos de Magnum entran al Imágenes: 190 Idioma: Español / Inglés juego Formato: 21,4 x 25 cm Editorial: La Fábrica Año de edición: 2018 Para distanciarse de las reglas y la veneración que han marcado el pobre desarrollo de la fotografía desde sus Editores: Martin Parr y inicios, si la comparamos con otras disciplinas, es necesario transgredir, inventar, jugar y coquetear con la Cristina de Middel libertad. En este sentido, no ha habido históricamente muchos fotógrafos que se hayan atrevido a cuestionar el medio y darle la vuelta. Esto confirma la impresión de que, como lenguaje aún por consolidar, la fotografía no Los fotógrafos Magnum estaba para bromas. Pero siempre hay autores, especialmente en las nuevas generaciones, que rompen con las normas sin reivindicar nada, por pura curiosidad, buscando divertirse y retratar la diversión. entrar en el juego. Alrededor de esta idea del juego, Players —volumen que acompaña a la exposición homónima que podrá verse en el marco de PHotoEspaña 2018— presenta una selección de trabajos de fotógrafos de la agencia Magnum que tienen un enfoque lúdico, bien por su tratamiento del medio, bien porque retratan el juego y el ocio. Fotógrafos: Abbas, Christopher Anderson, Olivia Arthur. Bruno Barbey, Jonas Bendiksen, Ian Berry, Michael Christopher Brown, Cartier Bresson, Thomas Dworzak, Bruce Davidson, Karl de Keyzer, Raymond Depardon, Bieke Depoorter, Carolyn Drake, Elliott Erwitt, Martine Frank, Stuart Franklin, Leonard Freed, Cristina García Rodero, Bruce Gilden, Burt Glinn, Jim Goldberg, Harry Gruyaert, David Allan Harvey, David Hurn, Richard Kalvar, Hiroji Kubota, Guy Le Querrec, Erich Lessing, Alex Majoli, Peter Marlow, Steve Mc Curry, Susan Meiselas, Trent Parke, Martin Parr, Paolo Pellegrin, Gueorgui Pinkhassov, Mark Power, Eli Reed, Marc Riboud, Moises Saman, Alessandra Sanguinetti, Jerome Sessini, Jacob Aue Sobol, Alec Soth, Chris Steele Perkins, Dennis Stock, Matt Stuart, Mikhael Subotzky, Larry Towell, Peter Van Agtmael, Alex Webb, Patrick Zachmann.
[Show full text]
The Photograph Collector Information, Opinion, and Advice for Collectors, Curators, and Dealers N E W S L T R
THE PHOTOGRAPH COLLECTOR INFORMATION, OPINION, AND ADVICE FOR COLLECTORS, CURATORS, AND DEALERS N E W S L T R Volume XXXV, No. 6 June 2014 THE aipad PHotoGRAPHY SHOW by Stephen Perloff Tom Butler: Altered Victorian cabinet cards, $600 each at Gallery Fifty One, Antwerp, as seen at the AIPAD Photography Show (www.gallery51.com/index.php?navigatieid=9&fotograafid=143) AIPAD PHOTOGRAPHY SHOW REPORT continued The AIPAD Photography Show this year Bidwell, Michael and Elizabeth Marcus, Artur looked more elegant than it ever has as the vast Walther, Marjorie Ornston, Vicki Goldberg, Vince majority of exhibitors have learned how to stage Aletti, Philip Gefter, Lyle Rexer, Max Kozloff, attractive booths and as the signage and finish of Cheryl Dunn, Christiane Fischer, Malcolm Daniel, the booths has continually improved. The fair has Anne Tucker, Phyllis Galembo, Corey Keller, Nis- also seemed to strike a more perfect balance be- san Perez, Johan Sjöström, Sandra Phillips, Alison tween 19th-century, modernist, vernacular, and Nordstrom, Michelle Dunn Marsh, Lisa Hostetler, contemporary work. Katherine Bussard, and Jeff Rosenheim. Most of the exhibitors I spoke to were happy “AIPAD also drew a wide range of curators with the opening reception, the number of cura- from such institutions as The Museum of Modern tors they saw, as well as the number of buyers, and Art, New York; The Metropolitan Museum of Art, with their sales overall. New York; International Center for Photography, As AIPAD reported: New York; Solomon R. Guggenheim Museum, “A large and enthusiastic crowd attended the New York; The Morgan Library and Museum, opening night gala on April 9, which benefited New York; The Philadelphia Museum of Art; Los Her Justice, an organization that provides free le- Angeles County Museum of Art; The J.
[Show full text]
International Photography Hall of Fame Announces 2019 Inductees
International Photography Hall of Fame Announces 2019 Inductees Eight inductees and a special Lifetime Achievement Award recipient will be honored at special induction ceremony on November 1, 2019 in St. Louis ST. LOUIS, April 3, 2019 – The International Photography Hall of Fame and Museum (IPHF) is pleased to announce its 2019 class of Photography Hall of Fame inductees, and will honor them at its 2019 Hall of Fame Induction and Awards Ceremony on Friday, November 1 at .ZACK in the Grand Center Arts District in St. Louis. The IPHF annually awards and inducts notable photographers or photography industry visionaries for their artistry, innovation, and significant contributions to the art and science of photography. 2019 Honorees to be inducted into the Hall of Fame include the following eight photographers or photography industry visionaries who demonstrate the artistry, passion and revolution of the past and present art and science of photography: • Bruce Davidson, Social/Civil Rights photographer • Elliott Erwitt, Advertising/Documentary photographer • Ralph Gibson, Art photographer • Mary Ellen Mark, Documentary/Portrait photographer • Steve McCurry, Award-winning photographer • Paul Nicklen, Conservationist photographer • Olivia Parker, Still-life photographer • Tony Vaccaro, Photojournalist/WWII photographer The 2019 Lifetime Achievement Award honoree will be named at a later date. "The diversity of work and offerings from this year's awardees provides for a full range of fabulous photography. We are proud to bring them into the Hall of Fame," said Richard Miles, Chairman of the Board of IPHF. A nominating committee of IPHF representatives and notable photographic leaders with a passion for preserving and honoring the art of photography selected the inductees.
[Show full text]
Print Sales Gallery 14 Sep–20 Oct 2018
PRINT SALES GALLERY 14 SEP–20 OCT 2018 Steam Train Press, Wyoming, 1954 © Elliott Erwitt/ Magnum Photos PLANES,TRAINS & AUTOMOBILES PLANES, TRAINS & AUTOMOBILES 14 SEP–20 OCT 2018 Print Sales presents a group show exploring our enduring fascination with man-made transportation and the journeys they evoke: metaphoric, philosophical and literal. The images in Planes, Trains and Automobiles span the 20th century, crossing continents, technological developments, urban and rural landscapes and the new rituals and behaviours provoked by these ‘travelling machines’. Yet despite the photogenic allure of the vehicles themselves, the artistic focus here is on the human condition. From departures to arrivals, the station forecourt to the open road, the back seat of the car to the back carriage of a train, the courting couple to the lone figure, the works on display portray love, life, encounters, betrayal and loss through the lens of such international luminaries as Bruce Davidson, Elliott Erwitt, Jacques-Henri Lartigue, O Winston Link, Louis Stettner and Sebastião Salgado. O Winston Link, NW1103 Hot Shot East Bound at Iaeger, West Virginia, 1956 BRUCE DAVIDSON Brooklyn Gang (couple kissing in backseat), 1956 US Magnum Photographer, Bruce Davidson is best known for his candid photographs, which document post-war youth culture with unparalleled directness and seeming spontaneity. His work has come to define a distinctive style of socially conscious photo-documentation, which fuses journalistic enquiry with a deep interest in human connection. He is considered to be one of the first photographers to produce what we now refer to as photo-essays, where a series of linked images trace a theme or offer in-depth visual studies of communities and groups.
[Show full text]