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Limited Edition Platinum Prints of Iconic Images by Robert Capa
PRESS RELEASE Contact : Amy Wentz Ruder Finn Arts & Communications Counselors [email protected] / 212-715-1551 Limited Edition Platinum Prints of Iconic Images by Robert Capa, Henri Cartier-Bresson, George Rodger and David Seymour to be Published in Unique Hand-Bound Collector’s Book Magnum Founders, In Celebration of Sixty Years Provides Collectors Once-in-a-Lifetime Opportunity to Own Part of Photographic History Santa Barbara, California, June 6, 2007 – Verso Limited Editions, a publisher of handcrafted books that celebrate the work of significant photographers, announced the September 2007 publication of Magnum Founders, In Celebration of Sixty Years . Magnum Founders will include twelve bound and one free-standing rare platinum, estate-stamped prints of iconic images by four visionary photographers who influenced the course of modern photographic history – Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour. The collector’s book celebrates the 60 th anniversary of Magnum Photos, a photographic co- operative founded by these four men and owned by its photographer-members. Capa, Cartier- Bresson, Rodger and Seymour created Magnum in 1947 to reflect their independent natures as both people and photographers – the idiosyncratic mix of reporter and artist that continues to define Magnum today. The first copy of Magnum Founders will be privately unveiled on Thursday, June 21 at the Museum of Modern Art, New York – birthplace of Magnum Photos – during the “Magnum Festival,” a month-long series of events celebrating the art of documentary photography. Magnum Founders will also be on view to the public at the Howard Greenberg Gallery, 41 East 52 nd St., New York, beginning on Friday, June 22. -
Oaxaca, Mexico 2018 with Alex Webb and Rebecca Norris Webb
FINDING YOUR VISION: OAXACA, MEXICO 2018 WITH ALEX WEBB AND REBECCA NORRIS WEBB FINDING YOUR VISION: OAXACA, MEXICO 2018 WITH ALEX WEBB AND REBECCA NORRIS WEBB This workshop will be about finding your own unique vision of the airy southern Mexico city of Oaxaca by using the camera to explore the region in a direct, spontaneous way. Open to both serious amateurs and professionals alike, from fine art photographers to documentary photographers, from college students to seasoned photographers, it is a workshop that will emphasize the development of your own personal way of seeing photographically. This workshop will also be about learning how to edit your work intuitively, and will include discussions about how to take your photography to the next level. NOTE: This is a workshop for photographers who collaborate with the world, not for those who dramatically alter their photographs digitally. DATES: ACCOMMODATIONS: Parador de Alcala Hotel. February 11-17, 2018 We have blocked rooms at Parador de Alcala Hotel, where Alex and Rebecca will stay. We strongly encourage students to stay in the same hotel. We have a special rate for the class that expires on Nov 10 so please make your reservation before that day. For more information about special rates and how to make your reservation with the discount please email [email protected]. photoxpeditions.com [ +1.888.741.3974 [email protected] ] 1 FINDING YOUR VISION: OAXACA, MEXICO 2018 WITH ALEX WEBB AND REBECCA NORRIS WEBB WORKSHOP SCHEDULE IN BRIEF MORE ABOUT THE SCHEDULE images on the wall; and how long-term projects can evolve into books and This schedule is subject to change at any There are two main components of this exhibitions. -
Alec Soth's Journey: Materiality and Time Emily Elizabeth Greer
Alec Soth’s Journey: Materiality and Time Emily Elizabeth Greer Introduction The photographer Alec Soth is known for series of images and publications that encapsulate his travels through time and place within the American landscape. Each grouping of photographs uses a specific medium and geographical orientation in order to explore unique journeys and themes, such as the loneliness and banality of strangers in a public park, religion and debauchery in the Mississippi Delta, and the isolation of hermits in the valleys of rural Montana. Yet how are we to understand the place of these smaller journeys within Soth’s larger artistic career? How are these publications and series connected to one another, and how do they evolve and change? Here, I will consider these questions as they relate to the specific materials within Soth’s work. Using material properties as a framework illuminates the way in which each series illustrates these specific themes, and also how each grouping of images holds a significant place within the artist’s larger photographic oeuvre. Throughout Alec Soth’s career, his movement between mediums has evolved in a manner that mirrors the progression of themes and subject matter within his larger body of work as a whole. From his earliest photographic forays in black and white film to his most recent digital video projects, Soth creates images that depict a meandering passage through time and place.1 His portraits, still lifes, and landscapes work together to suggest what one might call a stream of conscious wandering. The chronological progression of materiality in his works, from early black and white photography to large format 8x10 color images to more recent explorations in digital photography and film, illuminates the way in which each medium is used to tell a story of temporality and loneliness within the American landscape. -
Our Choice of New and Emerging Photographers to Watch
OUR CHOICE OF NEW AND EMERGING PHOTOGRAPHERS TO WATCH TASNEEM ALSULTAN SASHA ARUTYUNOVA XYZA BACANI IAN BATES CLARE BENSON ADAM BIRKAN KAI CAEMMERER NICHOLAS CALCOTT SOUVID DATTA RONAN DONOVAN BENEDICT EVANS PETER GARRITANO SALWAN GEORGES JUAN GIRALDO ERIC HELGAS CHRISTINA HOLMES JUSTIN KANEPS YUYANG LIU YAEL MARTINEZ PETER MATHER JAKE NAUGHTON ADRIANE OHANESIAN CAIT OPPERMANN KATYA REZVAYA AMANDA RINGSTAD ANASTASIIA SAPON ANDY J. SCOTT VICTORIA STEVENS CAROLYN VAN HOUTEN DANIELLA ZALCMAN © JUSTIN KANEPS APRIL 2017 pdnonline.com 25 OUR CHOICE OF NEW AND EMERGING PHOTOGRAPHERS TO WATCH EZVAYA R © KATYA © KATYA EDITor’s NoTE Reading about the burgeoning careers of these 30 Interning helped Carolyn Van Houten learn about working photographers, a few themes emerge: Personal, self- as a photographer; the Missouri Photo Workshop helped assigned work remains vital for photographers; workshops, Ronan Donovan expand his storytelling skills; Souvid fellowships, competitions and other opportunities to engage Datta gained recognition through the IdeasTap/Magnum with peers and mentors in the photo community are often International Photography Award, and Daniella Zalcman’s pivotal in building knowledge and confidence; and demeanor grants from the Pulitzer Center on Crisis Reporting altered and creative problem solving ability keep clients calling back. the course of her career. Many of the 2017 PDN’s 30 gained recognition by In their assignment work, these photographers deliver pursuing projects that reflect their own experiences and for their clients without fuss. Benedict Evans, a client interests. Salwan Georges explored the Iraqi immigrant says, “set himself apart” because people like to work with community of which he’s a part. Xyza Bacani, a one- him. -
Notable Photographers Updated 3/12/19
Arthur Fields Photography I Notable Photographers updated 3/12/19 Walker Evans Alec Soth Pieter Hugo Paul Graham Jason Lazarus John Divola Romuald Hazoume Julia Margaret Cameron Bas Jan Ader Diane Arbus Manuel Alvarez Bravo Miroslav Tichy Richard Prince Ansel Adams John Gossage Roger Ballen Lee Friedlander Naoya Hatakeyama Alejandra Laviada Roy deCarava William Greiner Torbjorn Rodland Sally Mann Bertrand Fleuret Roe Etheridge Mitch Epstein Tim Barber David Meisel JH Engstrom Kevin Bewersdorf Cindy Sherman Eikoh Hosoe Les Krims August Sander Richard Billingham Jan Banning Eve Arnold Zoe Strauss Berenice Abbot Eugene Atget James Welling Henri Cartier-Bresson Wolfgang Tillmans Bill Sullivan Weegee Carrie Mae Weems Geoff Winningham Man Ray Daido Moriyama Andre Kertesz Robert Mapplethorpe Dawoud Bey Dorothea Lange uergen Teller Jason Fulford Lorna Simpson Jorg Sasse Hee Jin Kang Doug Dubois Frank Stewart Anna Krachey Collier Schorr Jill Freedman William Christenberry David La Spina Eli Reed Robert Frank Yto Barrada Thomas Roma Thomas Struth Karl Blossfeldt Michael Schmelling Lee Miller Roger Fenton Brent Phelps Ralph Gibson Garry Winnogrand Jerry Uelsmann Luigi Ghirri Todd Hido Robert Doisneau Martin Parr Stephen Shore Jacques Henri Lartigue Simon Norfolk Lewis Baltz Edward Steichen Steven Meisel Candida Hofer Alexander Rodchenko Viviane Sassen Danny Lyon William Klein Dash Snow Stephen Gill Nathan Lyons Afred Stieglitz Brassaï Awol Erizku Robert Adams Taryn Simon Boris Mikhailov Lewis Baltz Susan Meiselas Harry Callahan Katy Grannan Demetrius -
Erwitt Elliott
ERWITT ELLIOTT Price list – April 1st 2016 La Galerie - 74 Hollywood Road, Central, Hong Kong - www.lagalerie.hk [email protected] ERWITT ELLIOTT (Born in 1928) CALIFORNIA KISS, 1955 Silver print Paper shit 40 x 50 cm Image size : 29 x 44 cm Frame size : 60 x 74,5, with Museum Glass® SigneD eDition 70.000 HK$ La Galerie - 74 Hollywood Road, Central, Hong Kong - www.lagalerie.hk [email protected] ERWITT ELLIOTT (Born in 1928) FELIX, GLADYS AND ROVER, NEW YORK, 1974 Silver print Paper shit 40 x 50 cm Image size : 29 x 44 cm Frame size : 60 x 74,5, with Museum Glass® SigneD eDition 70.000HK$ La Galerie - 74 Hollywood Road, Central, Hong Kong - www.lagalerie.hk [email protected] ERWITT ELLIOTT (Born in 1928) Erwitt Elliott was born in France of Russian émigré parents. He stood in Italy until the age of 10 when moveD with his family to France afterwarD immigrating to the UniteD States in 1939, settling in New York for 2 years then transferring to Los Angeles. While attending Hollywood High School Erwitt workeD in a commercial Darkroom processing « signed » prints for fans of movie stars. DrafteD into the US army in 1951 he continueD taking photographs for various publications totally apart from his military Duties while stationeD in New Jersey, Germany anD France. While looking for work in New York City prior to his military service, he met EDwarD Steichen, Robert Capa and Roy Stryker who liked his photographs and took personal guiDing interest becoming significant mentors. In 1953, Elliott Erwitt was invited to join Magnum as member by his founDer Robert Capa. -
(DAVID SEYMOUR) Woman in the Crowd CAROLE NAGGAR 24 1936
INHALT Vorwort KRISTEN LUBBEN 8 1930-49 1933 HENRI CARTIER-BRESSON Sevilla 18 1936 CHIM (DAVID SEYMOUR) Woman in the Crowd CAROLE NAGGAR 24 1936 HERBERT LIST Man and Doq PEER-OLAF RICHTER 26 1938 ROBERT CAPA The Battie of Rio Segre CYNTHIA YOUNG 28 1940 WERNER BISCHOF Mountains MARCO BISCHOF 36 1940 GEORGE RODGER The Blitz 40 1941 GEORGE RODGER Western Desert 46 1944 ROBERT CAPA D-Day CYNTHIA YOUNG 50 1945 ROBERT CAPA Leipzig CYNTHIA YOUNG 56 1946 HERBERT LIST Plaster Casts at the Academy PEER-OLAF RICHTER 60 1948 CHIM (DAVID SEYMOUR) Girls Sewing CAROLE NAGGAR 62 1948 PHILIPPE HALSMAN Dah'Atomicus 64 1950-59 1951 WERNER BISCHOF Courtyard of the Meiji Temple MARCO BISCHOF 68 1953 ELLIOTT ERWITT Mother and Child 70 1953 MARC RIBOUD Eiffel Tower Painter 74 1955 CORNELL CAPA Fall of Peron CYNTHIA YOUNG 78 1956 ERICH LESSING Budapest 82 1957 BURT GLINN Little Rock, Arkansas 88 1957 INGE MORATH A Llama in Times Square JOHN JACOB 92 1959 EVE ARNOLD Joan Crawford 96 1959 ELLIOTT ERWITT Kitchen Debate 100 1959 BURT GLINN Fidel Castro 104 1959 MARILYN SILVERSTONE The Dalai Lama JAMES A.FOX 108 1960-69 1960 RENE BURRI Ministry of Health 114 1960 INGE MORATH Refugee Camps JOHN JACOB 118 1961 EVE ARNOLD Malcolm X 122 1961 CORNELL CAPA The White House CYNTHIA YOUNG 124 1961 BRUCE DAVIDSON Civil Rights Movement 130 1961 PHILIP JONES GRIFFITHS Boy Destroying Piano BRIGITTE LARDINOIS 138 1962 CONSTANTINE MANOS Women at Graveside 142 1963 RENt BURRI Ernesto .Che' Guevara 146 1964 LEONARD FREED Martin Luther King 152 1964 DAVID HURN The Beatles 158 1965 DAVID HURN Jean Straker 162 1966 THOMAS HOEPKER Muhammad Ali 166 1967 PHILIP JONES GRIFFITHS Civilian Victim, Vietnam BRIGITTE LARDINOIS 170 1968 BRUNO BARBEY Paris Riots 172 1968 PAUL FUSCO Robert Kennedy Funeral Train 178 1968 JOSEF KOUDELKA Prague Invasion 184 1968 DENNIS STOCK California Rock Concert 190 http://d-nb.info/1051337445 1968 DENNIS STOCK Playa del Rey. -
Darkhighway Textpluswork.Pdf
The Dark Highway Paul Wenham-Clarke Curated by Aaron Schuman Supporting essay by Paul Allen THE ARTIST'S SPACE “I started out as a commercial photographer working for corporate clients such as British Telecom, Hitachi and Hoover, and was one of the first practitioners to embrace the opportunities and potential of digital technologies. This activity generally involved me in being creative in response to the demands of others and producing short-lived outcomes with no social impact beyond generating sales. Throughout this time I was shooting small personal projects about other people’s lives, from documenting the last employees in a bus station before it was knocked down to make way for a shopping mall, to recording the fading charm of Weymouth’s seafront. The shift was realising that I wanted to undertake a more substantial piece of work about a subject of social importance; the result was When Lives Collide. Subsequent projects continued to explore ideas about the road that ultimately led to an aspect of it that was concerned with how I felt about the subject matter rather than it being documentary research. Sacrifice the Birdsong came from a compulsion to explore a lifelong interest in wildlife and mourn its loss on our roads through images that engage the public rather than the art community alone. The Dark Highway is a summary of these works and a record of my changing working processes.” Paul Wenham-Clarke, 2014 Megan on a cold minus 5 degree morning, from The Westway 3 STYLES, STRATEGIES AND SUBJECTS CURATOR'S VIEWPOINT n one sense, The Dark Highway is a somewhat misleading title, in that it implies that the photographic works included in this exhibition are situated in the middle Iof a road, albeit an ominous and metaphoric one. -
Exhibition History, 1971 - Present
EXHIBITION HISTORY, 1971 - PRESENT The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and events organised by the Print Sales, the Education Department and the Digital Programme (Wall) are included. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited works and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exists they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of works by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development works – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive Room at the Photographers' Gallery. For more information, please contact the archive at tpg.archive@tpg. org.uk 1970s Group Exhibition Date: 13/01/1971 -
Hyperallergic Contemporary Photographers Remix Modern Masters by Chloe Pantazi on November 12, 2012
http://hyperallergic.com/60166/contemporary-photographers-remix-modern-masters/ Hyperallergic Contemporary Photographers Remix Modern Masters by Chloe Pantazi on November 12, 2012 “Aperture Remix,” installation view (all images courtesy the Aperture Foundation) The Aperture Foundation, created in 1952, did much to alter photography’s reputation at a time when it was not yet considered art. Sixty years later, for the current anniversary exhibition, Aperture Remix, the foundation commissioned ten photographers — Rinko Kawauchi, Vik Muniz, Taiyo Onorato and Nico Krebs, Martin Parr, Doug Rickard, Viviane Sassen, Alec Soth, Penelope Umbrico, and James Welling — to revisit and respond to one of its publications, an issue of Aperture magazine or a photography book, that inspired their own work. Exhibited alongside the earlier pieces, the new works, which aren’t limited to photography but also include film and sculpture, raise questions about the nature of beauty and place that are as pertinent as those elicited by the works they pay homage to, drawing on these themes in current, culturally relevant ways. The masters of photography — Edward Weston, Paul Strand, and Robert Adams, among others — have spoken to these contemporary photographers, and now the younger generation is talking back, in terms we can all understand. Penelope Umbrico’s “Moving Mountains,” a magnificent tableau of eighty-seven photographs of mountains responding to those in Aperture’s Masters of Photography series, were taken on her iPhone and manipulated using apps. In an age when anyone can take pictures with her iPhone and, within seconds, upload them to a myriad of virtual galleries, “Mountains” represents a return to nature mediated through technology. -
Elliott Erwitt: Personal Best
Contact: Communications Department 212.857.0045 [email protected] media release Elliott Erwitt: Personal Best On view from May 20 through August 28, 2011 Media Preview May 19, 2011 11:30 am–1:00 pm RSVP: [email protected] 212.857.0045 Elliott Erwitt Santa Monica, California, 1955 © Elliott Erwitt/Magnum Photos An eyewitness to history and a dreamer with a camera, Elliott Erwitt has made some of the most memorable photographs of the twentieth century. A substantial retrospective exhibition of his work, Elliott Erwitt: Personal Best, will be on view at the International Center of Photography (1133 Avenue of the Americas at 43rd Street) from May 20 to August 28, 2011. The exhibition will include more than 100 of Erwitt’s favorite images, a selection of his documentary films produced over the past sixty years, as well as some previously unseen and unpublished prints from his early work. Erwitt will also be honored on May 10 as the Lifetime Achievement recipient at the 2011 ICP Infinity Awards. Born Elio Romano Erwitz to Russian Jewish émigrés in Paris in 1928, Erwitt spent his childhood in Italy, returned to France in 1938, and emigrated to the United States with his family in 1939. After moving to Los Angeles in 1941, Erwitt attended Hollywood High School and began working in a commercial darkroom processing photographs of movie stars. He studied filmmaking at the New School for Social Research in New York from 1949 to 1950, and worked as a documentary photographer on the Standard Oil Company project directed by Roy Stryker. After military service, Erwitt returned to New York, where he met Edward Steichen and Robert Capa, who became strong influences in his life. -
THROUGH the EYE of MAGNUM a film by Sophie Bassaler © Eve Arnold Photos © Eve / Magnum
NOMINATED FOR TVFI EXPORT DOCUMENTARY AWARD 2020 Films à Cinq, ARTE France and Magnum Photos present CINEMA THROUGH THE EYE OF MAGNUM A film by Sophie Bassaler © Eve Arnold Photos © Eve / Magnum CAPA FILMS à CINQ Rediscover cinema through a new lens: look at some of the most recognizable images from the greastest photographers of all time, including: ROBERT CAPA - EVE ARNOLD - DENNIS STOCK - HENRI CARTIN-BRESSON The most iconic stars as never seen them before, such as: MARYLIN MONROE - JAMES DEAN - INGRID BERGMAN - KATE WINSLET - SEAN PENN CINEMA THROUGH THE EYE OF MAGNUM A documentary written and directed by Sophie Bassaler Films à Cinq, Arte France, Magnum Photos Co-production 2017 - 1 x 52’ Genre Arts & Culture Available languages French / English / Spanish / Italian / © Elliott Erwitt I Magnum Photos_NYC37638 Portuguese / German SYNOPSIS For seventy years, the photojournalists of Magnum have observed the world of cinema as they would any conflict, social issue or country on the map. It was out of love for the actress Ingrid Bergman that Robert Capa took Magnum’s very first photo of cinema, on the set of Alfred Hitchcock’s Notorious, inaugurating the relationship between the agency and the world of films. Using original, unseen stories and interviews, Cinema Through the Eye of Magnum depicts this relationship over 70 years. It is a confrontation of two seemingly opposite worlds: fiction and reality, and a unique look behind the scenes of cinema in the making. From the Golden Age of Hollywood to its eventual decline, Europe’s Nouvelle Vague to the birth of the blockbuster, the story of Magnum is the story of cinema itself.