The Absent Vedas
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Ethiopia and India: Fusion and Confusion in British Orientalism
Les Cahiers d’Afrique de l’Est / The East African Review 51 | 2016 Global History, East Africa and The Classical Traditions Ethiopia and India: Fusion and Confusion in British Orientalism Phiroze Vasunia Electronic version URL: http://journals.openedition.org/eastafrica/314 Publisher IFRA - Institut Français de Recherche en Afrique Printed version Date of publication: 1 March 2016 Number of pages: 21-43 ISSN: 2071-7245 Electronic reference Phiroze Vasunia, « Ethiopia and India: Fusion and Confusion in British Orientalism », Les Cahiers d’Afrique de l’Est / The East African Review [Online], 51 | 2016, Online since 07 May 2019, connection on 08 May 2019. URL : http://journals.openedition.org/eastafrica/314 Les Cahiers d’Afrique de l’Est / The East African Review Global History, East Africa and the Classical Traditions. Ethiopia and India: Fusion and Confusion in British Orientalism Phiroze Vasunia Can the Ethiopian change his skinne? or the leopard his spots? Jeremiah 13.23, in the King James Version (1611) May a man of Inde chaunge his skinne, and the cat of the mountayne her spottes? Jeremiah 13.23, in the Bishops’ Bible (1568) I once encountered in Sicily an interesting parallel to the ancient confusion between Indians and Ethiopians, between east and south. A colleague and I had spent some pleasant moments with the local custodian of an archaeological site. Finally the Sicilian’s curiosity prompted him to inquire of me “Are you Chinese?” Frank M. Snowden, Blacks in Antiquity (1970) The ancient confusion between Ethiopia and India persists into the late European Enlightenment. Instances of the confusion can be found in the writings of distinguished Orientalists such as William Jones and also of a number of other Europeans now less well known and less highly regarded. -
Illustrations
Illustrations BOOK ONE FOLLOWING PAGE 338 I. Mid-seventeenth-century map of Asia 2. Willem Blaeu's map of Asia 3. Map of the Mughul Empire, from Dapper's Asia, 1681 4. South and Southeast Asia, fromJohan Blaeu's Atlas major, 1662 5. Ceylon and the Maldives, from Sanson d'Abbeville's L'Asie, 1652 6. Continental Southeast Asia, from Morden's Geography Rectified, 1688 7. Course of the Menam, from La Loubere's Du royaume de Siam, 1691 8. Malacca and its environs, from Dampier's Voyages, 1700 9. The Moluccas, from Blaeu's Atlas major 10. Asia from Bay of Bengal to the Marianas, from Thevenot's Relations, 1666 II. Japan and Korea, from Blaeu's Atlas major 12. Harbor of Surat 13· Dutch factory at Surat 14· Market at Goa 15· English fort at Bombay 16. Harbor and wharf of Arakan 17· Batavia, ca. 1655 18. Amboina and its inhabitants 19· Dutch factory at Banda 20. Tidore and its fort 21. Dutch envoys in Cambodia 22. Fort Zeelandia in Taiwan 23· Dutch ambassadors in Peking, 1656 [xvii] Illustrations 24. Macao 25. Canton 26. Dutch factory at Hirado 27. Dutch factory on Deshima 28. Palanquins 29. Merchants of Bantam 30. Man and woman of Goa 3 I. Chinese merchant couple ]2. Dutch fleet before Bantam in 1596 33. Thee (tea), or cha, bush 34. King of Ternate's banquet for the Dutch, 1601 35. Coins of Siam 36. 1601 Malay-Latin vocabulary 37. 1672 Oriental-Italian vocabulary 38. Warehouse and shipyard of Dutch East India Company in Amsterdam 39. -
A Study of the Early Vedic Age in Ancient India
Journal of Arts and Culture ISSN: 0976-9862 & E-ISSN: 0976-9870, Volume 3, Issue 3, 2012, pp.-129-132. Available online at http://www.bioinfo.in/contents.php?id=53. A STUDY OF THE EARLY VEDIC AGE IN ANCIENT INDIA FASALE M.K.* Department of Histroy, Abasaheb Kakade Arts College, Bodhegaon, Shevgaon- 414 502, MS, India *Corresponding Author: Email- [email protected] Received: December 04, 2012; Accepted: December 20, 2012 Abstract- The Vedic period (or Vedic age) was a period in history during which the Vedas, the oldest scriptures of Hinduism, were composed. The time span of the period is uncertain. Philological and linguistic evidence indicates that the Rigveda, the oldest of the Vedas, was com- posed roughly between 1700 and 1100 BCE, also referred to as the early Vedic period. The end of the period is commonly estimated to have occurred about 500 BCE, and 150 BCE has been suggested as a terminus ante quem for all Vedic Sanskrit literature. Transmission of texts in the Vedic period was by oral tradition alone, and a literary tradition set in only in post-Vedic times. Despite the difficulties in dating the period, the Vedas can safely be assumed to be several thousands of years old. The associated culture, sometimes referred to as Vedic civilization, was probably centred early on in the northern and northwestern parts of the Indian subcontinent, but has now spread and constitutes the basis of contemporary Indian culture. After the end of the Vedic period, the Mahajanapadas period in turn gave way to the Maurya Empire (from ca. -
Edward Elbridge Salisbury and the AOS Roberta L Dougherty, Yale University
Yale University From the SelectedWorks of Roberta L. Dougherty Spring March 17, 2017 AOS 2017: Edward Elbridge Salisbury and the AOS Roberta L Dougherty, Yale University Available at: https://works.bepress.com/bintalbalad/23/ [SLIDE] An American Orientalist: Edward Elbridge Salisbury and the AOS AOS members probably know the subject of my paper this afternoon as one of the society’s prominent officers during its first half-century, having served as its Corresponding Secretary (1846-1857), President (twice, in 1863-1866, and again from 1873-1880),1 and, at various times, as member of the Board of Directors, a Vice President, and for his service on the publications committee of the Journal. The members may be less familiar with the fact that his appointment at Yale College as professor of Arabic and Sanskrit language and literature in 1841 was the first such professorship in the Americas--and in fact the first university professorship of any kind in the Americas.2 They may also be unaware of the extent to which Salisbury supported the early establishment of the Society not only with his time, but his means. Part of the AOS lore regarding Salisbury is that he was present at the society’s founding in 1842, but this was not actually the case. Although his name was indeed on the list of members first elected to the society after its founding, he may have remained unaware of his election for over a year. He was with some effort persuaded to serve as its Corresponding Secretary, and with even more difficulty persuaded to become its President. -
The Martensz Collection on Sri Lanka at the National Library of Australia
ALRA Newsletter No. 74 (July 2019) A Diplomat’s Gift: the Martensz Collection on Sri Lanka at the National Library of Australia Introduction Today the Martensz Collection is little remembered, though it is described briefly in that invaluable source on the National Library of Australia’s holdings, the Burmester guide (1). Its donation in 1955 was also covered in some detail in the Canberra Times (2). Presentation of the Collection On 2 June 1955 the High Commissioner for Ceylon (now Sri Lanka), Mr J. Aubrey Martensz, CBE, presented his personal collection of books about his homeland to the National Library (2). The island nation then called Ceylon is now known as Sri Lanka. For convenience the current name Sri Lanka has been used in this article, except for proper names and in book titles. The gift was formally accepted by the Speaker of the House of Representatives, Mr Archie Cameron, in his role as Chairman of the Library Committee. Those attending the ceremony in the Speaker’s Chambers of Parliament included the Prime Minister, Robert Menzies, the Minister for External Affairs, Richard Casey, and the National Librarian, Harold White. It is hard to imagine a book donation attracting a prime minister and other senior politicians nowadays. Life and career of J. Aubrey Martensz (2)(3) James Aubrey Martensz (1885-1963), was born into a Burgher family in Colombo, the island’s capital. The Burghers, a minority community of mixed Sri Lankan and Western heritage, generally have Portuguese, Dutch, British or other European surnames, the name Martensz being of Dutch origin. -
Bhagavata Purana
Bhagavata Purana The Bh āgavata Pur āṇa (Devanagari : भागवतपुराण ; also Śrīmad Bh āgavata Mah ā Pur āṇa, Śrīmad Bh āgavatam or Bh āgavata ) is one of Hinduism 's eighteen great Puranas (Mahapuranas , great histories).[1][2] Composed in Sanskrit and available in almost all Indian languages,[3] it promotes bhakti (devotion) to Krishna [4][5][6] integrating themes from the Advaita (monism) philosophy of Adi Shankara .[5][7][8] The Bhagavata Purana , like other puranas, discusses a wide range of topics including cosmology, genealogy, geography, mythology, legend, music, dance, yoga and culture.[5][9] As it begins, the forces of evil have won a war between the benevolent devas (deities) and evil asuras (demons) and now rule the universe. Truth re-emerges as Krishna, (called " Hari " and " Vasudeva " in the text) – first makes peace with the demons, understands them and then creatively defeats them, bringing back hope, justice, freedom and good – a cyclic theme that appears in many legends.[10] The Bhagavata Purana is a revered text in Vaishnavism , a Hindu tradition that reveres Vishnu.[11] The text presents a form of religion ( dharma ) that competes with that of the Vedas , wherein bhakti ultimately leads to self-knowledge, liberation ( moksha ) and bliss.[12] However the Bhagavata Purana asserts that the inner nature and outer form of Krishna is identical to the Vedas and that this is what rescues the world from the forces of evil.[13] An oft-quoted verse is used by some Krishna sects to assert that the text itself is Krishna in literary -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel Permalink https://escholarship.org/uc/item/90b9h1rs Author Sriram, Pallavi Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Pallavi Sriram 2017 Copyright by Pallavi Sriram 2017 ABSTRACT OF DISSERTATION Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel by Pallavi Sriram Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair This dissertation presents a critical examination of dance and multiple movements across the Coromandel in a pivotal period: the long eighteenth century. On the eve of British colonialism, this period was one of profound political and economic shifts; new princely states and ruling elite defined themselves in the wake of Mughal expansion and decline, weakening Nayak states in the south, the emergence of several European trading companies as political stakeholders and a series of fiscal crises. In the midst of this rapidly changing landscape, new performance paradigms emerged defined by hybrid repertoires, focus on structure and contingent relationships to space and place – giving rise to what we understand today as classical south Indian dance. Far from stable or isolated tradition fixed in space and place, I argue that dance as choreographic ii practice, theorization and representation were central to the negotiation of changing geopolitics, urban milieus and individual mobility. -
Page 1 D E R I N D I S C H E K U L T U R K R E I S IN
DER INDISCHE KULTURKREIS IN EINZELDARSTELLUNGEN unter Mitwirkung von Helmuth von Glasenapp, Heinrich Stönner, Otto Hoever, Noto Soeroto, Willem Stutterheim und Fritz Trautz HERAUSGEGEBEN VON KARLDÖHRING * DER INDISCHE KULTURKREIS IN EINZELDARSTELLUNGEN HERAUSGEGEBEN VON KARL DÖHRING I 9 2 5 GEORG MÜLLER VERLAG MÜNCHEN RÄMA-LE GENDEN UND RÄMA-RELIEFS IN INDONESIEN FVtfdenN VON WILLEM STUTTERHEIM TEXTBAND GEORG MÜLLER VERLAG MÜNCHEN PEINTED IN GERMANY COPYRIGHT BY GEORG MÜLLER VERLAG MÜNCHEN INS DEUTSCHE ÜBERSETZT VON KARL UND HEDWIG DÖHRING MEINEN LIEBEN ELTERN VORWORT »Da jetzt eine würdige Monographie über das große buddhistische Heiligtum Javas, den Barabudur, erschienen ist, wird den Bewunderern hindu-javanischer Bildhauerkunst sicher nichts willkommener sein als ein Werk über die Räma-Reliefs von Prambanan mit sämtlichen Abbildungen und Erklärungen.« So schreibt Prof. Dr. J. Ph. Vogel in seiner Erklärung des ersten Reliefs der Räma-Serie von Tjandi Lara Djonggrang1. Kein besseres Argument kann es für die Herausgabe dieses Buches geben als diesen Aus spruch des bekannten Archäologen. Als ich meine Arbeit schrieb, hatte ich ständig oben stehende Worte vor Augen und als ich von meinen Plänen Mitteilung machte, erfuhr ich, daß auch andere so dachten. Die Herausgabe der alten Fotos über die Reliefs von Tjandi Parambanan - wie Lara Djonggrang genannt ward - durch den Arzt Dr. J. Groneman, begleitet von einem kurzen, jedoch meist nichtssagenden, oft sogar falschen Text, ist in der Tat äußerst mangelhaft. Seitdem ergaben die Untersuchungen von Brandes überdies, daß der Tjandi Lara Djonggrang von größerer Bedeutung ist, als man im allgemeinen an nehmen möchte. Selbstverständlich mußte eine erneute Ausgabe der Reliefs mehr bieten als ein Foto- Album mit erklärenden Anmerkungen. -
Professor Horace Hayman Wilson, Ma, Frs
PEOPLE OF A WEEK AND WALDEN: PROFESSOR HORACE HAYMAN WILSON, MA, FRS “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project People of A Week and Walden HDT WHAT? INDEX PEOPLE OF A WEEK AND WALDEN: HORACE HAYMAN WILSON A WEEK: A Hindoo sage said, “As a dancer, having exhibited herself PEOPLE OF to the spectator, desists from the dance, so does Nature desist, A WEEK having manifested herself to soul —. Nothing, in my opinion, is more gentle than Nature; once aware of having been seen, she does not again expose herself to the gaze of soul.” HORACE HAYMAN WILSON HENRY THOMAS COLEBROOK WALDEN: Children, who play life, discern its true law and PEOPLE OF relations more clearly than men, who fail to live it worthily, WALDEN but who think that they are wiser by experience, that is, by failure. I have read in a Hindoo book, that “there was a king’s son, who, being expelled in infancy from his native city, was brought up by a forester, and, growing up to maturity in that state imagined himself to belong to the barbarous race with which he lived. One of his father’s ministers having discovered him, revealed to him what he was, and the misconception of his character was removed, and he knew himself to be a prince. So soul,” continues the Hindoo philosopher, “from the circumstances in which it is placed, mistakes its own character, until the truth is revealed to it by some holy teacher, and then it knows itself to be Brahme.” I perceive that we inhabitants of New England live this mean life that we do because our vision does not penetrate the surface of things. -
Interpreting an Architectural Past Ram Raz and the Treatise in South Asia Author(S): Madhuri Desai Source: Journal of the Society of Architectural Historians, Vol
Interpreting an Architectural Past Ram Raz and the Treatise in South Asia Author(s): Madhuri Desai Source: Journal of the Society of Architectural Historians, Vol. 71, No. 4, Special Issue on Architectural Representations 2 (December 2012), pp. 462-487 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/10.1525/jsah.2012.71.4.462 Accessed: 02-07-2016 12:13 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society of Architectural Historians, University of California Press are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians This content downloaded from 160.39.4.185 on Sat, 02 Jul 2016 12:13:51 UTC All use subject to http://about.jstor.org/terms Figure 1 The relative proportions of parts of columns (from Ram Raz, Essay on the Architecture of the Hindus [London: Royal Asiatic Society of Great Britain and Ireland, 1834], plate IV) This content downloaded from 160.39.4.185 on Sat, 02 Jul 2016 12:13:51 UTC All use subject to http://about.jstor.org/terms Interpreting an Architectural Past Ram Raz and the Treatise in South Asia madhuri desai The Pennsylvania State University he process of modern knowledge-making in late the design and ornamentation of buildings (particularly eighteenth- and early nineteenth-century South Hindu temples), was an intellectual exercise rooted in the Asia was closely connected to the experience of subcontinent’s unadulterated “classical,” and more signifi- T 1 British colonialism. -
Jaina Studies
JAINA STUDIES Edited by Peter Flügel Volume 1 2016 Harrassowitz Verlag . Wiesbaden Johannes Klatt Jaina-Onomasticon Edited by Peter Flügel and Kornelius Krümpelmann 2016 Harrassowitz Verlag . Wiesbaden Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the internet at http://dnb.dnb.de. For further information about our publishing program consult our website http://www.harrassowitz-verlag.de © Otto Harrassowitz GmbH & Co. KG, Wiesbaden 2016 This work, including all of its parts, is protected by copyright. Any use beyond the limits of copyright law without the permission of the publisher is forbidden and subject to penalty. This applies particularly to reproductions, translations, microfilms and storage and processing in electronic systems. Printed on permanent/durable paper. Printing and binding: Hubert & Co., Göttingen Printed in Germany ISSN 2511-0950 ISBN 978-3-447-10584-2 Contents Acknowledgments .............................................................................................................. 7 Life and Work of Johannes Klatt ........................................................................................ 9 (by Peter -
Vedic Brahmanism and Its Offshoots
Vedic Brahmanism and Its Offshoots Buddhism (Buddha) Followed by Hindūism (Kṛṣṇā) The religion of the Vedic period (also known as Vedism or Vedic Brahmanism or, in a context of Indian antiquity, simply Brahmanism[1]) is a historical predecessor of Hinduism.[2] Its liturgy is reflected in the Mantra portion of the four Vedas, which are compiled in Sanskrit. The religious practices centered on a clergy administering rites that often involved sacrifices. This mode of worship is largely unchanged today within Hinduism; however, only a small fraction of conservative Shrautins continue the tradition of oral recitation of hymns learned solely through the oral tradition. Texts dating to the Vedic period, composed in Vedic Sanskrit, are mainly the four Vedic Samhitas, but the Brahmanas, Aranyakas and some of the older Upanishads (Bṛhadāraṇyaka, Chāndogya, Jaiminiya Upanishad Brahmana) are also placed in this period. The Vedas record the liturgy connected with the rituals and sacrifices performed by the 16 or 17 shrauta priests and the purohitas. According to traditional views, the hymns of the Rigveda and other Vedic hymns were divinely revealed to the rishis, who were considered to be seers or "hearers" (shruti means "what is heard") of the Veda, rather than "authors". In addition the Vedas are said to be "apaurashaya", a Sanskrit word meaning uncreated by man and which further reveals their eternal non-changing status. The mode of worship was worship of the elements like fire and rivers, worship of heroic gods like Indra, chanting of hymns and performance of sacrifices. The priests performed the solemn rituals for the noblemen (Kshsatriya) and some wealthy Vaishyas.