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Masyarakat Kesenian Di Indonesia
MASYARAKAT KESENIAN DI INDONESIA Muhammad Takari Frida Deliana Harahap Fadlin Torang Naiborhu Arifni Netriroza Heristina Dewi Penerbit: Studia Kultura, Fakultas Sastra, Universitas Sumatera Utara 2008 1 Cetakan pertama, Juni 2008 MASYARAKAT KESENIAN DI INDONESIA Oleh: Muhammad Takari, Frida Deliana, Fadlin, Torang Naiborhu, Arifni Netriroza, dan Heristina Dewi Hak cipta dilindungi undang-undang All right reserved Dilarang memperbanyak buku ini Sebahagian atau seluruhnya Dalam bentuk apapun juga Tanpa izin tertulis dari penerbit Penerbit: Studia Kultura, Fakultas Sastra, Universitas Sumatera Utara ISSN1412-8586 Dicetak di Medan, Indonesia 2 KATA PENGANTAR Terlebih dahulu kami tim penulis buku Masyarakat Kesenian di Indonesia, mengucapkan puji syukur ke hadirat Tuhan Yang Maha Kuasa, karena atas berkah dan karunia-Nya, kami dapat menyelesaikan penulisan buku ini pada tahun 2008. Adapun cita-cita menulis buku ini, telah lama kami canangkan, sekitar tahun 2005 yang lalu. Namun karena sulitnya mengumpulkan materi-materi yang akan diajangkau, yakni begitu ekstensif dan luasnya bahan yang mesti dicapai, juga materi yang dikaji di bidang kesenian meliputi seni-seni: musik, tari, teater baik yang tradisional. Sementara latar belakang keilmuan kami pun, baik di strata satu dan dua, umumnya adalah terkonsentasi di bidang etnomusikologi dan kajian seni pertunjukan yang juga dengan minat utama musik etnik. Hanya seorang saja yang berlatar belakang akademik antropologi tari. Selain itu, tim kami ini ada dua orang yang berlatar belakang pendidikan strata dua antropologi dan sosiologi. Oleh karenanya latar belakang keilmuan ini, sangat mewarnai apa yang kami tulis dalam buku ini. Adapun materi dalam buku ini memuat tentang konsep apa itu masyarakat, kesenian, dan Indonesia—serta terminologi-terminologi yang berkaitan dengannya seperti: kebudayaan, pranata sosial, dan kelompok sosial. -
Katalog Terbitan Pusat Sejarah Brunei
TERBITAN BAHASA MELAYU : 4 20 TAHUN MERDEKA: PATRIOTISME TERAS KETEGUHAN NEGARA (KUMPULAN KERTAS KERJA SEMINAR HARI KEBANGSAAN KE-20 TERBITAN BAHASA MELAYU NEGARA BRUNEI DARUSSALAM) Penyelenggara: Haji Rosli bin Haji Ampal Salina binti Haji Jaafar Buku ini mengungkap dan mengimbas kembali pelaksanaan pembangunan negara hingga mencapai taraf antarabangsa serta kepesatan era teknologi maklumat dan komunikasi yang dinamik dan pantas yang memerlukan peningkatan kematangan dan kecukupan persediaan. Kertas-kertas kerja yang dimuatkan antaranya ialah “Politik, Pentadbiran, dan Wawasan: Pelaksanaan dan Hala Tuju”; “Brunei Darussalam: Pencapaian Pembangunan Masa Kini dan Masa Hadapan”; “Pendidikan Teras Pembinaan Bangsa”; “Perkembangan Sumber Tenaga Manusia dalam Perkhidmatan Awam: Perancangan dan Pelaksanaannya”; “Brunei Darussalam: Pembangunan Sosioekonomi dan Cabarannya”; “Agama dan Insurans Islam di Negara Brunei Darussalam”; “Kesihatan di Negara Brunei Darussalam: Perkembangan dan Strategi”; “Perbankan dan Kewangan Islam di Negara Brunei Darussalam: Perkembangan dan Cabaran”; dan “Perindustrian dan Sumber-Sumber Utama: Pencapaian dan Prospek”. Tahun Terbit: 2012 a Muka Surat: 246 halaman a Ukuran: 139.7 mm x 214.3 mm Harga (Kulit Keras): B$ 6.00 (ISBN 99917-34-86-4) Harga (Kulit Lembut): B$ 3.50 (ISBN 99917-34-87-2) ADAT ISTIADAT DIRAJA BRUNEI Pehin Jawatan Dalam Seri Maharaja Dato Seri Utama Dr Haji Awang Mohd. Jamil Al-Sufri Buku Adat Istiadat Diraja Brunei mengandungi 14 bab, antaranya ialah “Adat Istiadat Diraja Brunei”; “Bangunan Diraja -
Jurnal Seni Tari
ISSN: 1858-3989 VOLUME: 3 NO.: 1 MEI 2012 JURNAL SENI TARI ISSN: 1858-3989 VOLUME: 3 NO.: 1 MEI 2012 JURNAL SENI TARI Jurnal Joged merangkai beberapa topik kesenian yang terkait dengan fenomena, gagasan konsepsi perancangan karya seni maupun kajian. Joged merupakan media komunikasi, informasi, dan sosialisasi antar insan seni perguruan tinggi ke masyarakat luas. Redaktur menerima sumbangan tulisan yang belum pernah diterbitkan dalam media lain, format penulisan berada di halaman belakang. Naskah yang masuk akan disunting format, istilah dan tata cara lainnya. Pemimpin Umum: Ketua Jurusan Tari (ex-officio) Pemimpin Redaksi: Dr. Sumaryono, MA. Wakil Pemimpin Redaksi: Dr. Hendro Martono, M.Sn. Sekretaris Redaksi: Dra. Supriyanti, M. Hum. Staf Redaksi: 1. Drs. Raja Alfirafindra, M.Hum. 2. Bekti Budi Hastuti, SST., M. Sn. Anggota Redaksi: 1. Prof. Dr. Y. Sumandiyo Hadi. SST. SU. 2. Dr. Hersapandi, SST., M.S. 3. Dr. Rina Martiara, M. Hum. 4. Dra. M. Heni Winahyuningsih, M. Hum. 5. Dra. Daruni, M.Hum. 6. Dra. Budi Astuti, M.Hum. 7. Dra. Siti Sularini Desain Sampul: Dr. Hendro Martono, M.Sn. Alamat Redaksi dan Penerbit: Jurusan Tari Fak. Seni Pertunjukan ISI Yogyakarta, Jl. Parangtritis km 6,5 Yogyakarta 55188 Telp. 08121561257 Naskah dapat dikirim melalui salah satu alamat email di bawah ini: Email: [email protected], [email protected], [email protected] Dicetak oleh: Multi Grafindo, Ruko Perumahan Candi Gebang Permai I/4 Sleman Yogyakarta 55584, Telp. (0274) 7499863, Fax.( 0274)888027 Email: [email protected] Apabila mengutip atau menyalin naskah yang terdapat dalam jurnal ini, maka harus ada ijin dari penulis langsung atau mencantumkan dalam referensi sesuai dengan tata tulis akademis yang berlaku. -
Dondang Sayang - the Art of Duelling Pantuns by Stephanie Ho, Written on 24 January 2014
Dondang Sayang - The art of duelling pantuns By Stephanie Ho, written on 24 January 2014 Dondang Sayang is a traditional musical genre and entertainment of the Malay and Peranakan communities in Singapore and Malaysia. Although its popularity has dwindled since the mid-20th century, Dondang Sayang is still loved and performed by enthusiasts today. Dondang Sayang is a musical genre and entertainment associated mainly with the Malay and Peranakan communities in Singapore and Malaysia. The term Dondang Sayang is derived from the words dondang or dendang which means “to sing”, and sayang which encompasses a range of meanings that include love, longing and dejection. The tempo of Dondang Sayang is usually slow.1 In a typical Dondang Sayang session, two or more singers exchange pantuns – a Malay poetic form – based on a theme or subject (tajuk). In public performances, Dondang Sayang is usually sung as a duet between a male and female performer in a lighthearted and teasing manner. Some common subjects for Dondang Sayang pantuns include good deeds (budi), love (kasih) and flowers (bunga).2 Pantuns have a basic structure of four lines, each line comprising four words. The first two lines create suspense and foreshadow the message. The third line begins the unveiling of the message and the fourth line delivers the punch.3 In Dondang Sayang, the pantun structure is modified to include repetition and fillers.4 An example of a Dondang Sayang pantun is as follows:5 Man Tanam selasih di tepi perigi Plant selasih next to a well Lambat laun berbunga juga Soon it will blossom Walaupun kasih bertukar ganti Though I have many lovers Ada masa terkenang jua You are sometimes in my mind Woman Buah selasih di atas bangku Selasih fruit on a bench Di tanam orang di pangkal serai It is planted next to lemon grass Kalau rindu sebut namaku Should you long for me, just say my name Air mata jangan berderai It’s no use crying now While Dondang Sayang practitioners typically know hundreds of pantuns by heart, the more talented can improvise pantuns on the spot. -
Handout Pembelajaran HOTS TEKS NARATIF SMA.Pdf
PENGEMBANGAN PEMBELAJARAN BAHASA INGGRIS BERORIENTASI KETERAMPILAN BERPIKIR TINGKAT TINGGI (HIGHER ORDER THINKING SKILLS ) BERBASIS DIGITAL UNTUK PJJ SMA FATHUR ROHIM PPPPTK BAHASA MATA PELAJARAN BAHASA INGGRIS SEKOLAH MENENGAH ATAS (SMA) DAFTAR ISI Hal DAFTAR ISI ___________________________________ 5 DAFTAR GAMBAR _______________________________ 7 DAFTAR TABEL _________________________________ 7 PENDAHULUAN _________________________________ 8 KOMPETENSI DASAR DAN PERUMUSAN IPK _________ 10 A. Kompetensi Dasar dan Target Kompetensi ______________________________ 10 B. Indikator Pencapaian Kompetensi _______________________________________ 11 APLIKASI DI DUNIA NYATA ______________________ 17 SOAL-SOAL UN/USBN __________________________ 19 A. Contoh Soal Ujian Nasional _______________________________________________ 19 B. Contoh Soal PISA (Program for International Student Assessment) ____ 24 BAHAN PEMBELAJARAN _________________________ 30 A. Aktivitas Pembelajaran ____________________________________________________ 30 Aktivitas 1 __________________________________________________________________________ 30 Aktivitas 2 __________________________________________________________________________ 32 Aktivitas 3 __________________________________________________________________________ 35 B. Lembar Kerja Peserta Didik _______________________________________________ 43 Lembar Kerja Aktivitas 1 __________________________________________________________ 43 LK 1.1 _______________________________________________________________________________ 43 -
The Resilience and Transformation of Community-Based Tourism in Brunei Darussalam
sustainability Article Coping with COVID-19: The Resilience and Transformation of Community-Based Tourism in Brunei Darussalam Najib Noorashid 1 and Wei Lee Chin 2,* 1 Faculty of Arts and Social Sciences, Universiti Brunei Darussalam, Tungku Link, Gadong BE1410, Brunei; [email protected] 2 Geography, Environment and Development Programme, Faculty of Arts and Social Sciences, Universiti Brunei Darussalam, Tungku Link, Gadong BE1410, Brunei * Correspondence: [email protected] Abstract: The COVID-19 pandemic heavily impacted the travel and tourism industry, economies, livelihoods, public services, and opportunities globally. This is also observed in the small country of Brunei. As one of the few countries that have successfully mitigated COVID-19 transmissions, Brunei is slowly rebuilding its tourism industry through its community-based tourism (CBT). Fol- lowing Sharma et al.’s resilience-based framework for reviving the tourism industry post-COVID-19 established in 2021, this study incorporates responses from semi-structured interviews with 16 local CBT owners on the challenges, the management, and the CBT initiatives during the height of the pandemic until today. These initiatives include diversifying more tour packages and utilising local resources and products. Despite the lockdown imposed by the government, which suspended businesses and restricted all travelling, local CBT operations flourished, generated more income for the owners, and created job opportunities for the community. Such efforts have caused the public to appreciate local cultures, the environment, and ultimately increase CBT experiences in the country. Citation: Noorashid, N.; Chin, W.L. Coping with COVID-19: The While shedding light on Brunei’s unique management of its tourism industry during the pandemic, Resilience and Transformation of this paper also demonstrates theoretical and conceptual contributions to the recent literature of Community-Based Tourism in Brunei resilient and transformational tourism and provide suggestions on how to manage CBT operations Darussalam. -
Por-Tugu-Ese? the Protestant Tugu Community of Jakarta, Indonesia
School of Social Sciences Department of Anthropology Por-Tugu-Ese? The Protestant Tugu Community of Jakarta, Indonesia. Raan-Hann Tan Thesis specially presented for the fulfilment of the degree of Doctor in Anthropology Supervisor: Brian Juan O’Neill, Full Professor ISCTE-IUL March, 2016 School of Social Sciences Department of Anthropology Por-Tugu-Ese? The Protestant Tugu Community of Jakarta, Indonesia. Raan-Hann Tan Thesis specially presented for the fulfilment of the degree of Doctor in Anthropology Jury: Dr. Shamsul Amri Baharuddin, Distinguished Professor, Institute of Ethnic Studies, National University of Malaysia Dr. Maria Johanna Christina Schouten, Associate Professor, Department of Sociology, University of Beira Interior Dr. Ema Cláudia Ribeiro Pires, Assistant Professor, Department of Sociology, University of Évora Dr. António Fernando Gomes Medeiros, Assistant Professor, Department of Anthropology, School of Social Sciences, ISCTE- University Institute of Lisbon (ISCTE-IUL) Dr. Marisa Cristina dos Santos Gaspar, Research Fellow, Orient Institute, School of Social and Political Sciences, University of Lisbon (ISCSP-UL). Dr. Brian Juan O’Neill, Full Professor, Department of Anthropology, School of Social Sciences, ISCTE-University Institute of Lisbon (ISCTE-IUL) March, 2016 ABSTRACT Por-Tugu-Ese? The Protestant Tugu Community of Jakarta, Indonesia Keywords: Mardijkers, Betawi, Portuguese identity, Christian village, Keroncong Tugu Although many centuries have passed since Portugal’s Age of Discoveries, enduring hybrid communities are still surviving in places where the Portuguese had been present. Portuguese identity in Malacca, Larantuka, and East Timor, for example, has always been associated with Catholicism. But in Batavia, the Portuguese-speaking population (the Mardijkers, slaves, and Burghers) was converted to Calvinism under Dutch colonization, forming the Protestant Portuguese community in Indonesia. -
Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and The
Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and the Symbolic Ecology of the Gambus Lute Joseph M. Kinzer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Christina Sunardi, Chair Patricia Campbell Laurie Sears Philip Schuyler Meilu Ho Program Authorized to Offer Degree: Music ii ©Copyright 2017 Joseph M. Kinzer iii University of Washington Abstract Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and the Symbolic Ecology of the Gambus Lute Joseph M. Kinzer Chair of the Supervisory Committee: Dr. Christina Sunardi Music In this dissertation, I show how Malay-identified performing arts are used to fold in Malay Muslim identity into the urban milieu, not as an alternative to Kuala Lumpur’s contemporary cultural trajectory, but as an integrated part of it. I found this identity negotiation occurring through secular performance traditions of a particular instrument known as the gambus (lute), an Arabic instrument with strong ties to Malay history and trade. During my fieldwork, I discovered that the gambus in Malaysia is a potent symbol through which Malay Muslim identity is negotiated based on various local and transnational conceptions of Islamic modernity. My dissertation explores the material and virtual pathways that converge a number of historical, geographic, and socio-political sites—including the National Museum and the National Conservatory for the Arts, iv Culture, and Heritage—in my experiences studying the gambus and the wider transmission of muzik Melayu (Malay music) in urban Malaysia. I argue that the gambus complicates articulations of Malay identity through multiple agentic forces, including people (musicians, teachers, etc.), the gambus itself (its materials and iconicity), various governmental and non-governmental institutions, and wider oral, aural, and material transmission processes. -
Popular Music in Southeast Asia & Schulte Nordholt Popular Music in Southeast Asia
& Schulte Nordholt Barendregt, Keppy Popular Music in Southeast Asia Banal Beats, Muted Histories Bart Barendregt, Popular Music in Southeast Asia Peter Keppy, and Henk Schulte Nordholt Popular Music in Southeast Asia Popular Music in Southeast Asia Banal Beats, Muted Histories Bart Barendregt, Peter Keppy, and Henk Schulte Nordholt AUP Cover image: Indonesian magazine Selecta, 31 March 1969 KITLV collection. By courtesy of Enteng Tanamal Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 403 5 e-isbn 978 90 4853 455 5 (pdf) doi 10.5117/9789462984035 nur 660 Creative Commons License CC BY NC ND (http://creativecommons.org/ licenses/by-nc-nd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2017 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Table of Contents Introduction 9 Muted sounds, obscured histories 10 Living the modern life 11 Four eras 13 Research project Articulating Modernity 15 1 Oriental Foxtrots and Phonographic Noise, 1910s-1940s 17 New markets 18 The rise of female stars and fandom 24 Jazz, race, and nationalism 28 Box 1.1 Phonographic noise 34 Box 1.2 Dance halls 34 Box 1.3 The modern woman 36 2 Jeans, Rock, and Electric Guitars, -
Genre Classification of Traditional Malay Music Using Spectrogram Correlation
International Journal of Engineering & Technology, 7 (4.11) (2018) 29-32 International Journal of Engineering & Technology Website: www.sciencepubco.com/index.php/IJET Research paper Genre Classification of Traditional Malay Music Using Spectrogram Correlation S. A. Samad*, A. B. Huddin Centre for Integrated Systems Engineering and Advanced Technologies (INTEGRA), Faculty of Engineering and Built Environment, Universiti Kebangsaan Malaysia, Bangi, Selangor, Malaysia *Corresponding author E-mail: [email protected] Abstract A method to classify the genre of traditional Malay music using spectrogram correlation is described. The method can be divided into three distinct parts consisting of spectrogram construction that retains the most salient feature of the music, template construction that takes into account the variations in music within a genre as well as the music progresses, and template matching based on spectrogram image cross-correlation with unconstrained minimum average correlation energy filters. Experiments conducted with seven genres of traditional Malay music show that the recognition accuracy is dependent on the number of segments used to construct the filter templates, which in turn is related to the length of music segment used. Despite using a small dataset, an average recognition rate of 61.8 percent was obtained for music segments lasting 180 seconds using six relatively short excerpts. Keywords: genre classification; traditional Malay music; spectrogram; unconstrained minimum average correlation energy filters. represent most of the energy signal. The MFCC is based on the 1. Introduction Short-Time Fourier Transform (STFT) as do many others used for speech recognition collectively called spectral or cepstral features. Labels that are used to categorize and describe music according to In addition, time domain features such as zero-crossing rate are style are known as genres. -
Ilmu Kealaman Dasar
Ilmu Kealaman Dasar SAHLAN.,S.P.,M.Si. i © 2020 Ilmu Kealaman Dasar Penulis: Sahlan.,S.P.,M.Si. Editor: Ahmad Kindi ISBN: 978-979-762-944-1 Setting/Layout: Mujahid Grafis Desain Cover: Mujahid Grafis Penerbit Mujahid Press Jl. Tambakan No. 06 Bojongkunci Pameungpeuk Bandung 40376 Telp./Fax. (022) 5943620 SMS. 081 2205 6466 e-mail: [email protected] URL: //www.mujahidpress.com Anggota IKAPI Jabar No. 144/JBA/04 Cetakan Pertama Desember 2017 Cetakan Ke-2 Oktober 2018 Cetakan Ke-3 Oktober 2019 Cetakan Ke-4 Desember 2020 Hak Cipta dilindungi Undang Undang Dilarang memperbanyak sebagian atau seluruh isi buku ini tanpa izin tertulis dari penerbit ii PENGANTAR Pada hakikatnya ilmu alamiah dasar adalah bukan suatu ilmu yang berdiri sendiri, melainkan merupakan kumpulan pengetahuan tentang konsep-konsep dasar dalam bidang iptek (ilmu pengetahuan dan teknologi). Jadi ilmu alamiah dasar tidak dapat berdiri sendiri tanpa adanya ilmu-ilmu lainnya. Ilmu alamiah atau sering disebut ilmu pengetahuan alam (natural science) merupakan pengetahuan yang mengkaji tentang gejala-gejala dalam alam semesta, termasuk di muka bumi ini, sehingga terbentuk konsep dan prinsip. Kajian konsep-konsep dan prinsip-prinsip dasar yang esensial saja. Sebenarnya kita sudah tidak asing lagi dengan disiplin ilmu ini, karena secara tidak sadar sudah kita temukan dimana saja, dan kapan saja, serta dalam bentuk apa saja. Penulis iii DAFTAR ISI PENGANTAR ................................................................................................ iii DAFTAR ISI ................................................................................................... iv BAB 1 ALAM PIKIRAN MANUSIA DAN PERKEMBANGANNYA (NATURAL PEOPLE'S THOUGHTS AND THEIR DEVELOPMENT) ........................................................................... 1 A. Pengertian IAD (Definition of IAD) ........................................... 1 B. Hakikat dan Rasa Keingintahuan Manusia (Human Nature and Curiosity) .................................................................................... 2 C. -
Malay Gamelan and String Ensemble Cultural Hybridity
International Journal of Academic Research in Business and Social Sciences Vol. 9 , No. 2, Feb, 2019, E-ISSN: 2222 -6990 © 2019 HRMARS Malay Gamelan and String Ensemble Cultural Hybridity: Instructional Material Development for Teaching Intermediate University-level String Ensemble Class Using Gamelan Repertories Shafizan Sabri, Mahayuddin Abdul Rahim, Colleen Wong Huey Yi To Link this Article: http://dx.doi.org/10.6007/IJARBSS/v9-i2/5551 DOI: 10.6007/IJARBSS/v9-i2/5551 Received: 29 Jan 2019, Revised: 24 Feb 2019, Accepted: 11 March 2019 Published Online: 19 March 2019 In-Text Citation: (Sabri, Rahim, & Yi, 2019) To Cite this Article: Sabri, S., Rahim, M. A., & Yi, C. W. H. (2019). Malay Gamelan and String Ensemble Cultural Hybridity: Instructional Material Development for Teaching Intermediate University-level String Ensemble Class Using Gamelan Repertories. International Journal of Academic Research in Business and Socal Sciences, 9(2), 364–383. Copyright: © 2019 The Author(s) Published by Human Resource Management Academic Research Society (www.hrmars.com) This article is published under the Creative Commons Attribution (CC BY 4.0) license. Anyone may reproduce, distribute, translate and create derivative works of this article (for both commercial and non-commercial purposes), subject to full attribution to the original publication and authors. The full terms of this license may be seen at: http://creativecommons.org/licences/by/4.0/legalcode Vol. 9, No. 2, 2019, Pg. 364 - 383 http://hrmars.com/index.php/pages/detail/IJARBSS JOURNAL HOMEPAGE Full Terms & Conditions of access and use can be found at http://hrmars.com/index.php/pages/detail/publication-ethics 364 International Journal of Academic Research in Business and Social Sciences Vol.