DOCSLIB.ORG

Sino-Japanese Interactions Through Rare Books

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

GLOSSARY Sino-Japanese Interactions Through Rare Books English Version © Keio University GLOSSARY Glossary of Week 1 A Amida hall: 阿弥陀堂 Houses the principal image statue of Amida Nyorai [1.13] Amidakyō, Amithaba Sutra : 阿弥陀経 one of the scriptures of Mahayana Buddhism [1.10] Analects of Confucius: 論語 A record of the sayings of Confucius compiled by his disciples [1.1],[1.18] Asakura (family): 朝倉 warrior clan that became a daimyo family [1.18] Ashikaga (family): ⾜利 Warrior family that founded the Muromachi shogunate [1.17] Ashikaga Gakkō , Ashikaga School: ⾜利学校 Ashikaga‐Gakkō (Ashikaga School) is Japan’s oldest academic institution. [1.13] azekura architectural style: 校倉造り log‐storehouse style; one of the architectural styles of the Nara or the Heian periods [1.8] B Biyan Lu : 碧巌録 anthology of Zen koans (teachings and actions of the Zen sect founders) [1.18] Bunroku: ⽂禄 era (1592‐1596) [1.19],[1.20] Butterfly binding : 胡蝶装 a traditional bookbinding style [1.14] C Cai Lun : 蔡倫 Chinese government official of the Han dynasty [1.6] Cheng Weishi Lun shu ji : 成唯識論述記 commentary of the Discourse on the Perfection of Consciousness‐only [1.11] 1 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University GLOSSARY Chiba: 千葉県 A Japanese prefecture located east of Tokyo [1.1] Chōnen : 奝然 monk of the Tōdaiji temple in Nara in the Heian period [1.10] Chōsen‐ban : 朝鮮版 Korean editions [1.19] Chunqiu jingchuan jijie : 春秋経伝集解 Spring and Autumn Annals and Zuo Tradition with Collected Commentaries [1.13] Confucianism: 儒教 The philosophy and teachings of Confucius [1.13] Constitution in 17 Articles, Seventeen‐Article Constitution: ⼗七条憲法 A constitution issued by Prince Shōtoku in the early 7th c. [1.11] Council of The Five Elders: 五⼤⽼ committee of daimyo formed by Toyotomi Hideyoshi to rule Japan until his son Hideyori’s coming of age [1.20] D Dai‐hannya haramitta‐kyō: ⼤般若波羅蜜多経 one of the Mahayana Buddhist sutras [1.11] daimyo : ⼤名 feudal lords [1.17],[1.18] decisive battle of Sekigahara, the Battle of Sekigahara: 関が原の戦い The biggest battle of the Warring States period of Japan, 1600 [1.20] detchōsō : 粘葉装 one of the traditional binding methods [1.12],[1.14] Deyou: 徳祐 an era of the Song dynasty in China (1275‐1276) [1.12] dharani: 陀羅尼 a verbal formula believed to have magical force [1.9] Discourse on the Perfection of Consciousness‐only: 成唯識論 an important text of the Hossō sect of Buddhism [1.8],[1.11] Dōgen: 道元 (1200‐1253) priest, founder of the Soto sect [1.14] 2 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University GLOSSARY Dunhuang: 敦煌 city of Western China that was a major stop on the ancient Silk Road. A huge trove of ancient texts were uncovered here at the beginning of the 20th century. [1.8] E Edo: 江⼾ period of Japanese history when the country was ruled by the Tokugawa shoguns (1603‐1868) [1.5],[1.7],[1.20] Eisai: 栄⻄ (1141‐1215)priest and founder of RInzai sect [1.14] Emi no Oshikatsu: 恵美押勝 Led a rebellion against the state in 764 [1.9] Emperor GoYōzei: 後陽成天皇 (1571‐1617) the 107th emperor of Japan [1.19] Emperor Kōnin : 光仁天皇 the 49th emperor (r. 770‐781) [1.8] Emperor Shōmu : 聖武天皇 (701‐756) Japanese emperor [1.7] Emperor Taizong: 太宗 Emperor of China (r. 976‐997),the second emperor of the Northern Song dynasty [1.10] Empress Shōtoku: 称徳天皇 (718‐770) Japanese empress (r. 764‐770) [1.8],[1.9] encyclopedia: 類書 reference work such as dictionary [1.13] Engakuji: 円覚寺 temple in Kamakura [1.14] Enkōji temple : 円光寺 temple in Fushimi, Kyoto [1.20] Enryakuji: 延暦寺 Hieizan temple, the main temple of the Tendai sect [1.12] Enshu: 円種 monk who travelled to China during the Song dynasty [1.13] F Fan Peng : 范徳機 (1272‐1330) Chinese poet of the Yuan dynasty [1.15] 3 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University GLOSSARY First‐cast Gapinja : 初鑄甲寅字 J. shochū Kōinji, the metal type in use in Yi Dynasty Korea [1.19] Five Mountains, Gozan: 五⼭ five government‐sponsored Zen temples in Kyoto and Kamakura [1.14],[1.15],[1.17],[1.18],[1.19] Four Books: 四書 Four important texts of Confucianism: the Great Learning, Doctrine of the Mean, the Analects, and the Mencius 1,21 Fujiwara: 藤原 powerful clan that dominated court life in Heian period 1,12 Fujiwara Komyoushi: 藤原光明⼦ Empress Komyo, spouse of Emperor Shomu [1.7] Fujiwara no Michinaga: 藤原道⻑ (966‐1028) a powerful court noble in the Heian period [1.10] fukurotoji: 袋綴じ traditional binding method in which the sheets are folded “mountain fold” in two, placed on top of each other, and fastened [1.18] Fushimi‐ban (Fushimi editions): 伏⾒版 books printed by the Enkoji temple in Fushimi , Kyoto [1.20] G Genkō : 元弘 Japanese era (1331‐1333) [1.13] Genshin: 源信 (942‐1017) priest of the Tendai sect [1.12] gigakumen: 伎楽⾯ masks that were used in ceremonies and rituals [1.8] Gozan‐ban, Gozan printed editions: 五⼭版 printed books by the five Gozan temples [1.14],[1.15],[1.17] Guwen zhenbao : 古⽂真宝 Chinese anthology of Tang and Song dynasty writing [1.20] 4 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University GLOSSARY H Han Dynasty : 漢 Chinese dynasty (206BC‐220 AD) [1.6] Hanpon: 版本 woodblock printed book [1.10] Hayashi Nobuatsu: 林信篤 (1645‐1732) Neo‐Confucian scholar, son of Hayashi Gahō [2.11] Hayashi Razan: 林羅⼭ (1583‐1657) Confucian scholar, a. k. a. Dōsyun [1.20] Heian: 平安 period of Japanese history (794‐1185) [1.1],[1.8],[1.10],[1.11],[1.12],[1.12],[1.13],[1.20] Heiankyo: 平安京 the capital of Japan from 794 to 1868, present‐day Kyoto [1.10] Hōjō family: 北条⽒ family of Kamakura‐period hereditary regents [1.13],[1.14] Hōjō Sadaaki: 貞顕 (1278‐1333) Kamakura‐period regent, a.k.a. Kanazawa Sadaaki [1.13] Hōjō Sanetoki : 北条実時 (1224‐76) warrior [1.13] Hōjō Tokimune: 北条時宗 (1251‐1284) Kamakura‐period regent [1.13] Hōjō Tokiyori: 北条時頼 (1227‐1263) Kamakura‐period regent [1.13] Hōjō Ujimasa: 北条⽒政 (1538‐1590) warrior [1.13] Hokke gisyo: 法華義疏 Buddihist commentary written by Prince Shōtoku [1.7],[1.11] Hokkekyō, Lotus Sutra: 法華経 one of the most important texts of Mahayana Buddhism [1.10] Honchō zokumonzui : 本朝続⽂粋 Late Selection of Excellent Writing from Our Country, 12th c. [1.13] Hōnen : 法然房源空 (1133‐1212) founder of Pure Land sect [1.12] 5 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University GLOSSARY Hōryūji : 法隆寺 temple in Nara; the oldest wooden structure in the world [1.9],[1.11] Hosokawa (family): 細川 family of feudal lords during the Warring States period [1.17],[1.18] Hossō ruirin : 法曹類林 Late‐Heian legal compendium [1.13] Hossō sect: 法相宗 one of the sects of Mahayana Buddhism [1.11] Huang Yuan fengya: 皇元⾵雅 14th c. anthology of Chinese poetry [1.15] Hyakumantō Darani: 百万塔陀羅尼 Dharani Invocations of the One Million Pagodas [1.9],[1.10] I Ichijōdani: ⼀乗⾕ location in modern Fukui prefecture [1.18] Imagawa (family): 今川 family of feudal lords during the Warring States period [1.18] inbutsu: 印仏 stamped images of the Buddha [1.9] J Jiading: 嘉定 reign of Chinese history (1208‐1224) [1.13] Jichū gun’yō: 侍中群要 Compendium of administrative guidelines for courtiers [1.13] Jin : 晋 Chinese dynasty (265‐420) [1.6] Jingde chuandenglu: 景徳伝灯録 Chinese collection of biographies of Zen patriarchs [1.14] Jingo Keiun: 神護景雲 era of Japanese history (767‐770) [1.8],[1.9] Jōgen: 承元 era of Japanese history (1207‐1210) [1.12] 6 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University GLOSSARY Jōji : 貞治 era of Japanese history (1362‐1367) [1.15] Jōō and Karoku eras: 貞応嘉禄 Jōō (1222‐1223) era and Karoku (1225‐ 1226) era [1.11] Joseon dynasty : 朝鮮時代 Korean dynasty that ruled from 1392 to 1897 [1.19] Jūjūshinron : ⼗住⼼論 A Treatise on the Ten Stages of the Mind by the 9th c. monk Kūkai [1.12] K Kaibao tripitaka : 開宝蔵 the Tripitaka of the Kaibao era (968‐976) [1.10] kaigan: 開眼 eye‐opening ceremony of the Great Buddha [1.8] Kaiken: 快賢 monk of the Shingon sect [1.12] Kaisen: 界線 lines on paper, border lines between lines of text. You can see an example around 4:43 in this video. [1.11] Kamakura (placename): 鎌倉 city in modern Kanagawa prefecture [1.1],[1.13],[1.14] Kamakura (period): 鎌倉 period of Japanese history when Japan was ruled by a military government (1185‐1333) [1.1],[1.11],[1.12],[1.13],[1.14],[1.18] Kan’ei : 寛永 era of Japanese history (1624‐1625) [1.20] Kan’na: 寛和 era of Japanese history (985‐987) [1.10] kana: 仮名 Japan’s syllabic script, derived from Chinese characters [1.12] Kanazawa library: ⾦沢⽂庫 library established in the Kamakura period by the military elite [1.13] Kanbun taikei : 漢⽂体系 (Library of Chinese Classics) Edo‐period edition of the Chinese classics [2.13] 7 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University GLOSSARY Kangakubun: 勧学⽂ poems for encouraging learning [1.19] Kangōsen: 勘合船 trade ships between China and Japan in Muromachi period; kangō means “official‐seal” [1.17] kanji: 漢字 (Ch. hanzi) Chinese characters [1.12] Kanji : 寛治 era of Japanese history (1087‐1094) [1.8] Kanshitsu Genkitu: 閑室元佶 (1548‐1612) monk of the Rinzai sect, a. k. a. Sanyō Genkitu [1.20] Kantō: 関東 eastern district in Japan [1.13] Kasuga editions, Kasuga‐ban : 春⽇版 books printed at the Kofukuji Temple [1.8],[1.11] Kasuga Grand Shrine: 春⽇⼤社 the family shrine of the Fujiwara clan in Nara [1.11] Katagi: 形⽊ wooden printing blocks [1.9] Katsu Kaisyū: 勝海⾈ (1823‐1899) Meiji‐period statesman and one of the makers of modern Japan [2.15] Kegonkyō, Kegongyō : 華厳経 Flower Garland Sutra; one of Mahayana Buddhist sutras [1.9],[1.11]
Recommended publications
  • Representations of Pleasure and Worship in Sankei Mandara Talia J

    Representations of Pleasure and Worship in Sankei Mandara Talia J

    Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively).
  • Honji Suijaku Faith

    Honji Suijaku Faith

    Japanese Journal of Religious Studies 16/2-3 Honji Suijaku Faith Susan Tyler The term shinbutsu shugo 神仏習合 is used when speaking of the early rapprochement of S h in to and Buddhism, while honji suijaku 本地垂逆 is most often used to refer to a theory according to which the kami were treated as incarnations of the Buddhist deities. This relationship 01 kami and buddhas is the major characteristic and apparent content of Buddhist/Shinto syncretism and the term konjt suijaku can be used to refer to fully developed syncretism. The impression given by most books about either Shinto or Bud­ dhism is that they were separate religions with borders that over­ lapped thanks to the theory of honji suijaku. On the other hand, innocent reading of texts such as Heike monogatari and observation of religious practice and religious places today suggest instead that mingled Shinto and Buddhism has been, and in some instances still is, an important system of belief and practice. Further investigation confirms this perception. Institutional mingling was pervasive enough to occasion widespread destruction when the religions were declared separate; and personal devotion was a complicated and effective par­ taking of both Shinto and Buddhism. The idea that Shinto can be studied separately from Buddhism, with still separate attention given to honji suijaku, is due not to a study of history, but to an overemphasis on doctrine to define reli­ gion and to the motives for the strict separation of Shinto and Buddhism, both in fact and in scholarship, from early Meiji until the end of the Second World War.* In reaction, it has recently 1 This is not due just to the attitude of scholars.
  • Faith in Buddhism Series Editor: Imre Hamar Faith in Buddhism

    Faith in Buddhism Series Editor: Imre Hamar Faith in Buddhism

    FAITH IN BUDDHISM SERIES EDITOR: IMRE HAMAR FAITH IN BUDDHISM EDITED BY IMRE HAMAR, TAKAMI INOUE INSTITUTE FOR EAST ASIAN STUDIES, EÖTVÖS LORÁND UNIVERSITY BUDAPEST 2016 The present volume was published with the support of the Komatsu Chiko Foundation, the Khyentse Foundation and the Shin Buddhist Comprehensive Research Institute, Otani University To the memory of Archbishop-Nun KOMATSU Chiko of Jakkoin Buddhist Temple © Imre Hamar (ed.), 2016 © Takami Inoue (ed.), 2016 ISBN 978-963-284-715-3 ISSN 1787-7482 Cover Art: A Painting of the Mahābodhi Stūpa and the Bodhi Tree at Bodhgaya by Rev. Chikō Komatsu CONTENTS List of Authors...................................................................................................................... vi Preface by Takami Inoue ...................................................................................................vii Preface by Imre Hamar ....................................................................................................... ix Kiyotaka Kimura: The Meaning and Perspective of Buddhist Studies: With Special Reference to Faith ............................................................................. 1 Akihiro Oda: The Concept of “Faith” in the Discourse on the Awakning of Mahayana Faith ...................................................................... 7 Gergely Hidas: References to Faith in Dhāraṇī Literature ............................................. 15 Erzsébet Tóth: The Concept of Tibetan Dad-pa (Faith) in Lam-rim (Stages of the Path to Enlightenment) .................................................................
  • Title of Thesis Or Dissertation, Worded

    Title of Thesis Or Dissertation, Worded

    “USING THE PEAK OF THE FIVE ELDERS AS A BRUSH”: A CALLIGRAPHIC SCREEN BY JUNG HYUN-BOK (1909-1973) by HAN ZHU A THESIS Presented to the Department of Art History and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2012 THESIS APPROVAL PAGE Student: Han Zhu Title: “Using the Peak of the Five Elders as a Brush”: A Calligraphic Screen by Jung Hyun-bok (1909-1973) This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of Art History by: Charles Lachman Chairperson Akiko Walley Member Yugen Wang Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2012 Han Zhu iii THESIS ABSTRACT Han Zhu Master of Arts Department of Art History June 2012 Title: “Using the Peak of the Five Elders as a Brush”: A Calligraphic Screen by Jung Hyun-bok (1909-1973) Korean calligraphy went through tremendous changes during the twentieth century, and Jung Hyun-bok (1909-1973), a gifted calligrapher, played an important role in bringing about these changes. This thesis focuses on one of Jung’s most mature and refined works, “Using the Peak of the Five Elders as a Brush,” owned by the Jordan Schnitzer Museum of Art. In addition to translating and explicating the poems on the screen, through a close examination of both the form and content of the work I explore how it reflects Jung’s values, intentions, and background.
  • Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions

    Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions

    UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance.
  • Engendering Faith: Women and Buddhism in Premodern Japan'

    Engendering Faith: Women and Buddhism in Premodern Japan'

    H-Buddhism Yusa on Ruch, 'Engendering Faith: Women and Buddhism in Premodern Japan' Review published on Tuesday, August 18, 2009 Barbara Ruch, ed. Engendering Faith: Women and Buddhism in Premodern Japan. Ann Arbor: University of Michigan Press, 2002. Illustrations, charts, maps. lxxviii + 706 pp. $69.00 (cloth), ISBN 978-1-929280-15-5. Reviewed by Michiko Yusa (University of Western Washington) Published on H-Buddhism (August, 2009) Commissioned by A. Charles Muller Women and Japanese Buddhism This book marks a clear departure from the male-oriented foci of traditional scholarship on Japanese Buddhism and ventures to reconstruct its history by incorporating women's voices.[1] All of the essays address, from diverse angles, women's roles in the history of Japanese Buddhism. The volume begins with a foreword and preface, followed by twenty-three weighty essays, interspersed with ninety-five illustrations, charts, and maps, many of which are in full color; a list of characters; a selected bibliography; an index; and information about the contributors. One of the distinctive features of this book is that it contains a substantial number of essays by a younger generation of Japanese scholars, all translated into English. These essays are the fruit of a scholarly movement that has been taking place in Japan for the last two decades. The emergence of women's studies in Japanese academia began with the women's liberation movement of the early 1970s--trailing that of North America by a decade or so. The public's consciousness was awakened to gender issues in this process, and feminist scholarship, too, made its contribution.
  • The Goddesses' Shrine Family: the Munakata Through The

    The Goddesses' Shrine Family: the Munakata Through The

    THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago.
  • Visual and Material Culture at Hōkyōji Imperial Convent: the Significance of “Women’S Art” in Early Modern Japan

    Visual and Material Culture at Hōkyōji Imperial Convent: the Significance of “Women’S Art” in Early Modern Japan

    Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Gregory P. A. Levine, Chair Professor Patricia Berger Professor H. Mack Horton Fall 2010 Copyright by Sharon Mitsuko Yamamoto 2010. All rights reserved. Abstract Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto Doctor of Philosophy in History of Art University of California, Berkeley Professor Gregory Levine, Chair This dissertation focuses on the visual and material culture of Hōkyōji Imperial Buddhist Convent (Hōkyōji ama monzeki jiin) during the Edo period (1600-1868). Situated in Kyoto and in operation since the mid-fourteenth century, Hōkyōji has been the home for women from the highest echelons of society—the nobility and military aristocracy—since its foundation. The objects associated with women in the rarefied position of princess-nun offer an invaluable look into the role of visual and material culture in the lives of elite women in early modern Japan. Art associated with nuns reflects aristocratic upbringing, religious devotion, and individual expression. As such, it defies easy classification: court, convent, sacred, secular, elite, and female are shown to be inadequate labels to identify art associated with women. This study examines visual and material culture through the intersecting factors that inspired, affected, and defined the lives of princess-nuns, broadening the understanding of the significance of art associated with women in Japanese art history.
  • Nihontō Compendium

    Nihontō Compendium

    Markus Sesko NIHONTŌ COMPENDIUM © 2015 Markus Sesko – 1 – Contents Characters used in sword signatures 3 The nengō Eras 39 The Chinese Sexagenary cycle and the corresponding years 45 The old Lunar Months 51 Other terms that can be found in datings 55 The Provinces along the Main Roads 57 Map of the old provinces of Japan 59 Sayagaki, hakogaki, and origami signatures 60 List of wazamono 70 List of honorary title bearing swordsmiths 75 – 2 – CHARACTERS USED IN SWORD SIGNATURES The following is a list of many characters you will find on a Japanese sword. The list does not contain every Japanese (on-yomi, 音読み) or Sino-Japanese (kun-yomi, 訓読み) reading of a character as its main focus is, as indicated, on sword context. Sorting takes place by the number of strokes and four different grades of cursive writing are presented. Voiced readings are pointed out in brackets. Uncommon readings that were chosen by a smith for a certain character are quoted in italics. 1 Stroke 一 一 一 一 Ichi, (voiced) Itt, Iss, Ipp, Kazu 乙 乙 乙 乙 Oto 2 Strokes 人 人 人 人 Hito 入 入 入 入 Iri, Nyū 卜 卜 卜 卜 Boku 力 力 力 力 Chika 十 十 十 十 Jū, Michi, Mitsu 刀 刀 刀 刀 Tō 又 又 又 又 Mata 八 八 八 八 Hachi – 3 – 3 Strokes 三 三 三 三 Mitsu, San 工 工 工 工 Kō 口 口 口 口 Aki 久 久 久 久 Hisa, Kyū, Ku 山 山 山 山 Yama, Taka 氏 氏 氏 氏 Uji 円 円 円 円 Maru, En, Kazu (unsimplified 圓 13 str.) 也 也 也 也 Nari 之 之 之 之 Yuki, Kore 大 大 大 大 Ō, Dai, Hiro 小 小 小 小 Ko 上 上 上 上 Kami, Taka, Jō 下 下 下 下 Shimo, Shita, Moto 丸 丸 丸 丸 Maru 女 女 女 女 Yoshi, Taka 及 及 及 及 Chika 子 子 子 子 Shi 千 千 千 千 Sen, Kazu, Chi 才 才 才 才 Toshi 与 与 与 与 Yo (unsimplified 與 13
  • Download File

    Download File

    On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 © 2021 Xiaohan Du All Rights Reserved Abstract On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du This dissertation is the first monographic study of the monk-calligrapher Yishan Yining (1247- 1317), who was sent to Japan in 1299 as an imperial envoy by Emperor Chengzong (Temur, 1265-1307. r. 1294-1307), and achieved unprecedented success there. Through careful visual analysis of his extant oeuvre, this study situates Yishan’s calligraphy synchronically in the context of Chinese and Japanese calligraphy at the turn of the 14th century and diachronically in the history of the relationship between calligraphy and Buddhism. This study also examines Yishan’s prolific inscriptional practice, in particular the relationship between text and image, and its connection to the rise of ink monochrome landscape painting genre in 14th century Japan. This study fills a gap in the history of Chinese calligraphy, from which monk- calligraphers and their practices have received little attention. It also contributes to existing Japanese scholarship on bokuseki by relating Zen calligraphy to religious and political currents in Kamakura Japan. Furthermore, this study questions the validity of the “China influences Japan” model in the history of calligraphy and proposes a more fluid and nuanced model of synthesis between the wa and the kan (Japanese and Chinese) in examining cultural practices in East Asian culture.
  • Download File

    Download File

    On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze Age, ca. 1000-500 B.C.E Minna Wu Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMIBIA UNIVERSITY 2013 @2013 Minna Wu All rights reserved ABSTRACT On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze-Age, ca. 1000-500 B.C.E. Minna Wu The Shandong region has been of considerable interest to the study of ancient China due to its location in the eastern periphery of the central culture. For the Western Zhou state, Shandong was the “Far East” and it was a vast region of diverse landscape and complex cultural traditions during the Late Bronze-Age (1000-500 BCE). In this research, the developmental trajectories of three different types of secondary states are examined. The first type is the regional states established by the Zhou court; the second type is the indigenous Non-Zhou states with Dong Yi origins; the third type is the states that may have been formerly Shang polities and accepted Zhou rule after the Zhou conquest of Shang. On the one hand, this dissertation examines the dynamic social and cultural process in the eastern periphery in relation to the expansion and colonization of the Western Zhou state; on the other hand, it emphasizes the agency of the periphery during the formation of secondary states by examining how the polities in the periphery responded to the advances of the Western Zhou state and how local traditions impacted the composition of the local material assemblage which lay the foundation for the future prosperity of the regional culture.
  • The Case and Treatment of Prominent Human Rights Lawyer Gao Zhisheng Hearing Congressional-Executive Commission on China

    The Case and Treatment of Prominent Human Rights Lawyer Gao Zhisheng Hearing Congressional-Executive Commission on China

    THE CASE AND TREATMENT OF PROMINENT HUMAN RIGHTS LAWYER GAO ZHISHENG HEARING BEFORE THE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ONE HUNDRED TWELFTH CONGRESS SECOND SESSION FEBRUARY 14, 2012 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov U.S. GOVERNMENT PRINTING OFFICE 74–543 PDF WASHINGTON : 2012 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA LEGISLATIVE BRANCH COMMISSIONERS House Senate CHRISTOPHER H. SMITH, New Jersey, SHERROD BROWN, Ohio, Cochairman Chairman MAX BAUCUS, Montana FRANK WOLF, Virginia CARL LEVIN, Michigan DONALD A. MANZULLO, Illinois DIANNE FEINSTEIN, California EDWARD R. ROYCE, California JEFF MERKLEY, Oregon TIM WALZ, Minnesota SUSAN COLLINS, Maine MARCY KAPTUR, Ohio JAMES RISCH, Idaho MICHAEL HONDA, California EXECUTIVE BRANCH COMMISSIONERS SETH D. HARRIS, Department of Labor MARIA OTERO, Department of State FRANCISCO J. SA´ NCHEZ, Department of Commerce KURT M. CAMPBELL, Department of State NISHA DESAI BISWAL, U.S. Agency for International Development PAUL B. PROTIC, Staff Director LAWRENCE T. LIU, Deputy Staff Director (II) CO N T E N T S Page Opening statement of Hon. Chris Smith, a U.S. Representative from New Jersey; Chairman, Congressional-Executive Commission on China ................ 1 Brown, Hon. Sherrod, a U.S. Senator from Ohio; Cochairman, Congressional- Executive Commission on China ........................................................................ 4 Wolf, Hon. Frank, a U.S. Representative from Virginia; Member, Congres- sional-Executive Commission on China ............................................................