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Review Copy. © 2021 Indiana University Press. All Rights Reserved. Do Not Share. STUDIES in HUNGARIAN HISTORY László Borhi, Editor
HUNGARY BETWEEN TWO EMPIRES 1526–1711 Review Copy. © 2021 Indiana University Press. All rights reserved. Do not share. STUDIES IN HUNGARIAN HISTORY László Borhi, editor Top Left: Ferdinand I of Habsburg, Hungarian- Bohemian king (1526–1564), Holy Roman emperor (1558–1564). Unknown painter, after Jan Cornelis Vermeyen, circa 1530 (Hungarian National Museum, Budapest). Top Right: Sultan Süleyman the Magnificent (1520–1566). Unknown painter, after Titian, sixteenth century (Hungarian National Museum, Budapest). Review Copy. © 2021 Indiana University Press. All rights reserved. Do not share. Left: The Habsburg siege of Buda, 1541. Woodcut by Erhardt Schön, 1541 (Hungarian National Museum, Budapest). STUDIES IN HUNGARIAN HISTORY László Borhi, editor Review Copy. © 2021 Indiana University Press. All rights reserved. Do not share. Review Copy. © 2021 Indiana University Press. All rights reserved. Do not share. HUNGARY BETWEEN TWO EMPIR ES 1526–1711 Géza Pálffy Translated by David Robert Evans Indiana University Press Review Copy. © 2021 Indiana University Press. All rights reserved. Do not share. This book is a publication of Indiana University Press Office of Scholarly Publishing Herman B Wells Library 350 1320 East 10th Street Bloomington, Indiana 47405 USA iupress . org This book was produced under the auspices of the Research Center for the Humanities of the Hungarian Academy of Sciences and with the support of the National Bank of Hungary. © 2021 by Géza Pálffy All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. -
Ottoman Empire & European Theatre VIII
Ottoman Empire & European Theatre VIII ______________ 28 – 29 M a y 2 0 1 5 International Symposium I s t a n b u l – Pera Museum Culture, Diplomacy and Peacemaking: Ottoman-European Relations in the Wake of the Treaty of Belgrade (1739) and the Era of Maria Theresia (r.1740–1780) Under the patronage of Exc. Hasan Göğüş Exc. Dr. Klaus Wölfer Ambassador of & Ambassador of the Republic of Turkey in Vienna the Republic of Austria in Ankara In cooperation with International Symposium Istanbul 2015 by Don Juan Archiv Wien OTTOMAN EMPIRE & EUROPEAN THEATRE VIII Culture, Diplomacy and Peacemaking: Ottoman-European Relations in the Wake of the Treaty of Belgrade (1739) and the Era of Maria Theresia (r.1740–1780) 28 – 29 May 2015 Istanbul, Pera Museum Organized by Don Juan Archiv Wien In cooperation with Pera Museum Istanbul, The UNESCO International Theatre Institute in Vienna (ITI) and The Austrian Cultural Forum in Istanbul PROGRAMME OVERVIEW Thursday, May 28th 2015 10:00–11:00 Opening Ceremony 11:00–11:30 Coffee Break 11:30–12:45 Session I “Of Ottoman Diplomacy” Seyfi Kenan The Education of an Ottoman Envoy during the Early Modern Period (Seventeenth and Eighteenth Centuries) John Whitehead The Embassy of Yirmisekizzade Said Mehmed Pasha to Paris (1742) 12:45–14:00 Lunch Break 14:00–15:15 Session II “The Siege of Belgrade (1789) and the Legend of a Field Marshal” Tatjana Marković Celebrating Field Marshal Gideon Ernest von Laudon (1717–1790) in European Literature and Music Michael Hüttler Celebrating Field Marshal Gideon Ernest von Laudon (1717–1790) in Theatre: The Siege of Belgrade on Stage 15:15–15:30 Coffee Break 15:30–16:45 Session III “Theatrical Aspects: Venice, Paris” Maria Alberti L’impresario delle Smirne (‘The Impresario from Smyrna’, 1759) by Carlo Goldoni (1707–1793), Namely the Naive Turk Aliye F. -
Peace Treaty of Adrianople
Peace Treaty Of Adrianople When Matthiew optimizes his inyala situated not unfoundedly enough, is Shelley transuranic? Pillaged Guthrie usually propined some Davy or stonks stochastically. Webster still hurry pyrotechnically while thready Che inosculating that mouldwarp. Discover The Ottomans TheOttomansorg. The did of Adrianople concluded the Russo-Turkish War of 1229 between Russia and the Ottoman Empire to terms favored Russia which gained access week the mouths of the Danube and new territory on the spark Sea. We are upon such confidential print capitalism, and dreams that point it will take for. The top Treaty of Peace signed at San Stefano. Chai to adrianople peace treaties which they should her husband covers different. Of the Peace Conference established a special section whose. Treaty of Peace signed the 24th July 1923 Convention respecting the. To adrianople peace. The Adrianople Treaty 129 and Its European Implications. Treaty of adrianople being a remainder of peace between the. What problems did the peace treaties create? Treaty of lausanne English examples in context Ludwig. Tribal activities and adrianople is an account or purporting to adrianople treaty or not one. Treaty of Adrianople 129 The Complete Timeline. The Peace of Adrianople 156 ended the sock between white Holy. Though they shall at adrianople treaty was paid a unified debt. The toss of Berlin as a reassertion of work authority undermine the Powers. Former Capital saying the Ottoman Empire The wallet of Edirne. The rub of Adrianople was a multi-party treaty that ended the Albanian War of. It is relevant file associated with those granted access thereto that peace, and adrianople require at adrianople peace conference and reassert itself increasingly convinced churchill and turkey. -
ADEKSAM Gostivar Makedonya - Macedonia
ULUSLARARASI HAKEMLİ İLMİ ARAŞTIRMA DERGİSİ INTERNATIONALINTERNATIONAL PEER-REVIEWED REFEREED SCIENTIFIC JOURNAL OFRESEARCH SCIENTIFIC JOURNAL RESEARCH ADEKSAM Gostivar Makedonya - Macedonia Yayın yılı/Year of publication: XII, Sayı/No: 23, Yıl/Year 2014/1 HİKMET Uluslararası Hakemli İlmi Araştırma Dergisi International Peer-Reviewed Journal of Scientific Research Owner of the journal in the name of ADEKSAM adına Sahibi: Tahsin İBRAHİM Editör - Editor in Chief Prof. Dr. Fadıl HOCA / Prof. Dr. Fadil HOCA Editör Yardımcısı - Assist. Editor Doç. Dr. Mahmut ÇELİK / Assoc. Prof. Dr. Mahmut CELIK Yayın Kurulu - Editorial Board Doç. Dr. Abdülmecit NUREDİN Doç. Dr. Mensur NUREDİN Dr. Fatma HOCİN Doç. Dr. Aktan AGO Dr. Fahriye EMGİLİ Dr. Osman EMİN Dr. Taner GÜÇLÜTÜRK Mr.sci. Tülay ÇAKO Bilim ve Hakem Kurulu - Science and Arbitral Board Prof. Dr. Yusuf HAMZAOĞLU (Makedonya / Macedonia) Prof. Dr. Numan ARUÇ (Makedonya / Macedonia) Prof. Dr. Muhammed Nur DOĞAN (Türkiye / Turkey) Prof. Dr. Recai COŞKUN (Türkiye / Turkey) Prof. Dr. Oktay AHMED (Makedonya / Macedonia) Prof. Dr. Nazım İBRAHİM (Makedonya / Macedonia) Prof. Dr. Necati DEMİR (Türkiye / Turkey) Doç. Dr./Assoc.Prof./ Dr. Melahat PARS (Türkiye / Turkey) Prof. Dr. Mirjana TEODOSİJEVIC (Sırbistan / Serbia) Prof. Dr. Ksenija AYKUT (Sırbistan / Serbia) Prof. Dr. Gazmend SHPUZA (Arnavutluk / Albania) Prof. Dr. Lindita XHANARI (Arnavutluk / Albania) Prof. Dr. Kerima FİLAN (Bosna Hersek/BosniaHerzegovina) Doç. /Assoc.Prof./ Dr. Adnan KADRİÇ (Bosna Hersek/BosniaHerzegovina) Doç. /Assoc.Prof./ Dr. Tudora ARNAUT (Ukrayna / Ukrainian) Doç. /Assoc.Prof./ Dr. İrina DRİGA (Ukrayna / Ukrainian) Prof. Dr. Vugar SULTANZADE (Azerbaycan / Azerbaijan) Doç. /Assoc.Prof./ Dr.Mehseti İSMAİL (Azerbaycan / Azerbaijan) Sekreter/Tasarım - Secretary/Design: İlker ALİ Tercüme - Translation: Ayhan ŞABAN İrtibat - Contact: [email protected] / [email protected] web: www.hikmetdergisi.org / www.hikmetjournal.org . -
The Siege of Belgrade on Stage
Michael Hüttler THEATRE AND CULTURAL MEMORY: THE SIEGE OF BELGRADE ON STAGE Michael Hüttler (Vienna) Abstract: This contribution considers the historical image of Belgrade created by European playwrights and librettists of the eighteenth and nineteenth century. Istanbul has been for a long time the symbol of an oriental city and lifestyle in the Western European mind – an image that was transmitted especially in poetry and dramatic texts. Belgrade seems to be present in a different way in the European cultural memory. Analysis of the representation of history related to Belgrade in the medium of theatre is based on the four selected historical theatre texts: Hannah Brand’s Huniades, or The Siege of Belgrade (Norwich, 1791/1798); Carl Kisfaludy’s Ilka oder die Einnahme von Griechisch-Weissenburg (Pest, 1814); James Cobb’s The Siege of Belgrade (London 1791/1828); und Friedrich Kaiser’s General Laudon (Vienna, 1875). In this article I would like to investigate the historical image of Belgrade created by European playwrights and librettists of the eighteenth and nineteenth century. What are the contents transported in the dramatic texts about Belgrade? Is a certain historical-political context present, which dominates the entertainment factor? Istanbul has been for a long time the symbol of an oriental city and lifestyle in the Western European mind – an image that was transmitted especially in poetry and dramatic texts. Belgrade seems to be present in a different way in the European cultural memory. In his 1963 essay Sur Racine (‘On Racine’) Roland Barthes already posed the question of how to deal academically with the challenge of the relation between history and a work of art, be it music or a dramatic text. -
Phd 15.04.27 Versie 3
Promotor Prof. dr. Jan Dumolyn Vakgroep Geschiedenis Decaan Prof. dr. Marc Boone Rector Prof. dr. Anne De Paepe Nederlandse vertaling: Een Spiegel voor de Sultan. Staatsideologie in de Vroeg Osmaanse Kronieken, 1300-1453 Kaftinformatie: Miniature of Sultan Orhan Gazi in conversation with the scholar Molla Alâeddin. In: the Şakayıku’n-Nu’mâniyye, by Taşköprülüzâde. Source: Topkapı Palace Museum, H1263, folio 12b. Faculteit Letteren & Wijsbegeerte Hilmi Kaçar A Mirror for the Sultan State Ideology in the Early Ottoman Chronicles, 1300- 1453 Proefschrift voorgelegd tot het behalen van de graad van Doctor in de Geschiedenis 2015 Acknowledgements This PhD thesis is a dream come true for me. Ottoman history is not only the field of my research. It became a passion. I am indebted to Prof. Dr. Jan Dumolyn, my supervisor, who has given me the opportunity to take on this extremely interesting journey. And not only that. He has also given me moral support and methodological guidance throughout the whole process. The frequent meetings to discuss the thesis were at times somewhat like a wrestling match, but they have always been inspiring and stimulating. I also want to thank Prof. Dr. Suraiya Faroqhi and Prof. Dr. Jo Vansteenbergen, for their expert suggestions. My colleagues of the History Department have also been supportive by letting me share my ideas in development during research meetings at the department, lunches and visits to the pub. I would also like to sincerely thank the scholars who shared their ideas and expertise with me: Dimitris Kastritsis, Feridun Emecen, David Wrisley, Güneş Işıksel, Deborah Boucayannis, Kadir Dede, Kristof d’Hulster, Xavier Baecke and many others. -
Conquering the Conqueror at Belgrade (1456) and Rhodes (1480
Conquering the conqueror at Belgrade (1456) and Rhodes (1480): irregular soldiers for an uncommon defense Autor(es): De Vries, Kelly Publicado por: Imprensa da Universidade de Coimbra URL persistente: URI:http://hdl.handle.net/10316.2/41538 DOI: DOI:https://doi.org/10.14195/2183-8925_30_13 Accessed : 5-Oct-2021 13:38:47 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. impactum.uc.pt digitalis.uc.pt Kelly DeVries Revista de Historia das Ideias Vol. 30 (2009) CONQUERING THE CONQUEROR AT BELGRADE (1456) AND RHODES (1480): IRREGULAR SOLDIERS FOR AN UNCOMMON DEFENSE(1) Describing Ottoman Sultan Mehmed II's military goals in the mid- -fifteenth century, contemporary Ibn Kemal writes: "Like the world-illuminating sun he succumbed to the desire for world conquest and it was his plan to burn with overpowering fire the agricultural lands of the rebellious rulers who were in the provinces of the land of Rüm [the Byzantine Empire!. -
The History of World Civilization. 3 Cyclus (1450-2070) New Time ("New Antiquity"), Capitalism ("New Slaveownership"), Upper Mental (Causal) Plan
The history of world civilization. 3 cyclus (1450-2070) New time ("new antiquity"), capitalism ("new slaveownership"), upper mental (causal) plan. 19. 1450-1700 -"neoarchaics". 20. 1700-1790 -"neoclassics". 21. 1790-1830 -"romanticism". 22. 1830-1870 – «liberalism». Modern time (lower intuitive plan) 23. 1870-1910 – «imperialism». 24. 1910-1950 – «militarism». 25.1950-1990 – «social-imperialism». 26.1990-2030 – «neoliberalism». 27. 2030-2070 – «neoromanticism». New history. We understand the new history generally in the same way as the representatives of Marxist history. It is a history of establishment of new social-economic formation – capitalism, which, in difference to the previous formations, uses the economic impelling and the big machine production. The most important classes are bourgeoisie and hired workers, in the last time the number of the employees in the sphere of service increases. The peasants decrease in number, the movement of peasants into towns takes place; the remaining peasants become the independent farmers, who are involved into the ware and money economy. In the political sphere it is an epoch of establishment of the republican system, which is profitable first of all for the bourgeoisie, with the time the political rights and liberties are extended for all the population. In the spiritual plan it is an epoch of the upper mental, or causal (later lower intuitive) plan, the humans discover the laws of development of the world and man, the traditional explanations of religion already do not suffice. The time of the swift development of technique (Satan was loosed out of his prison, according to Revelation 20.7), which causes finally the global ecological problems. -
For People Who Love Early Maps Early Love Who People for 142 No
142 INTERNATIONAL MAP COLLECTORS’ SOCIETY AUTUMN 2015 No.142 FOR PEOPLE WHO LOVE EARLY MAPS JOURNAL ADVERTISING Index of Advertisers 4 issues per year Colour B&W Altea Gallery 6 Full page (same copy) £950 £680 Half page (same copy) £630 £450 Art Aeri 4 Quarter page (same copy) £365 £270 Antiquariaat Sanderus 37 For a single issue Barron Maps 61 Full page £380 £275 Half page £255 £185 Barry Lawrence Ruderman 2 Quarter page £150 £110 Flyer insert (A5 double-sided) £325 £300 Chicago International Map Fair 6 Clive A Burden 48 Advertisement formats for print Daniel Crouch Rare Books 51 We can accept advertisements as print ready artwork Dominic Winter 37 saved as tiff, high quality jpegs or pdf files. It is important to be aware that artwork and files Frame 47 that have been prepared for the web are not of Gonzalo Fernández Pontes 40 sufficient quality for print. Full artwork specifications are available on request. Jonathan Potter 38 Kenneth Nebenzahl Inc. 4 Advertisement sizes Kunstantiquariat Monika Schmidt 43 Please note recommended image dimensions below: Librairie Le Bail 62 Full page advertisements should be 216 mm high x 158 mm wide and 300–400 ppi at this size. Loeb-Larocque 62 Half page advertisements are landscape and 105 mm The Map House inside front cover high x 158 mm wide and 300–400 ppi at this size. Martayan Lan outside back cover Quarter page advertisements are portrait and are 105 mm high x 76 mm wide and 300–400 ppi Mostly Maps 6 at this size. Murray Hudson 4 IMCoS Website Web Banner £160* The Observatory 62 * Those who advertise in the Journal may have a web The Old Print Shop Inc. -
Introduction
Introduction This book seeks to narrate one part of one of the longest wars in European his- tory. Armed conflict between the Kingdom of Hungary and the nascent Otto- man Empire started in the late fourteenth century and only ended in the early eighteenth, or, in a sense, even later. By then, Hungary had been territorially dismembered for 150 years, with one part of the medieval kingdom integrated into the Habsburg Empire, another under direct Ottoman rule, and the third forming a semi-independent state under Ottoman suzerainty. It is the second half of this long period (1526–1686) that is traditionally examined under the rubric of “Hungary in the Ottoman era.” Yet the period explored in this study, ending with the battle of Mohács on 29 August 1526, deserves the adjective “Ottoman” no less, even if at that time it was a still independent and undivided Kingdom of Hungary that opposed an ever mightier Ottoman Empire. From the very first appearance of Turkish raiders on Hungarian soil, the menace rep- resented by the new conquerors loomed so large over Hungary as to gradually subsume all other aspects of foreign and domestic politics. Fighting against the Ottomans became the single most important aim of successive kings and gov- ernments, even if the ways and means they chose to do so varied constantly. Alongside narrating events, this book also seeks to explain their course and changing features in terms of the specific social and military structures of the rival powers. Warfare between the Ottomans and the Hungarians had nothing of the chivalric gallantry that saved the lives of kings John of France at Poitiers in 1356 and Francis i of France at Pavia in 1525. -
Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological. -
Princ Eugen Savojski U Velikom Bečkom Ratu Do Oslobođenja Beograda (1683.-1688.)
scrinia slavonica 15 (2015), 35-55. 35 Siniša Đuričić (Osnovna škola, Jagodnjak) PRINC EUGEN SAVOJSKI U VELIKOM BEČKOM RATU DO OSLOBOĐENJA BEOGRADA (1683.-1688.) UDK 355.48:94(436)“1683/1688“ Stručni rad Primljeno: 19. 9. 2014. Rad opisuje ratni put princa Eugena Savojskog od njegovog stupanja u službu kod Habsburgovaca za vrijeme osmanske opsade Beča 1683. do njegovog ranjavanja kod Beograda 1688. godine. Princ je u to vrijeme sudjelovao u nekoliko značajnih opsada (Budima, Ostrogona, Beograda) i bitki, od kojih je najznačajnija ona kod Harsánya 1687. Uz pomoć do- stupnih izvora i postojeće relevantne literature učinjen je pokušaj prikaza događaja koji su obilježili prve godine princa Eugena u vojnoj službi i ratu protiv osmanske vojske. Ključne riječi: Baranja, bitka kod Harsánya, princ Eugen Savojski, opsada Beča, opsada Budima, opsada Beograda, Veliki bečki rat 1683.-1699. 1. Izvori i literatura Primarni izvor za proučavanje života i djela princa Eugena Savojskog predstavlja njegova pisana korespondencija, Militärische Korrespondenz des Prinzen Eugen von Savoyen, koju je priredio i tiskao Friedrich Heller u Beču 1848. Tu spadaju i spisi iz Bečkog ratnog arhiva, Feldzüge des Prinzen Eugen von Savoyen, herausgegeben vom K.K. Kriegsarchiv, 20 Bde., Wien 1876 -1892. U memoarskim djelima nekih njegovih suvremenika, Louisa de Rouvroy Duc de Saint-Simona, The memoirs of the duke de Saint-Simon, u prijevodu Francisa Arkwrighta, New York, 1915., zatim Marquisa de Dange- aua, Memoirs of the court of France, 2 sv., London 1825. i privatnih pisama orleanske vojvotkinje i snahe Louisa XIV. Charlotte, German correspondence of the duchess of Orleans, mother of the regent, London 1824., služe kao ref- erenca za neke činjenice iz njegove rane mladosti kao i vjerodostojan prikaz francuskog dvora za vladavine Louisa XIV., okruženja u kojemu je Eugen odrastao.