October 1949
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2012 Newsletter
AT A PLACE CALLED HOME WE OPEN OUR DOORS EVERY DAY WITH A CLEAR MESSAGE FOR HUNDREDS OF YOUNG PEOPLE: THE WORLD IS WHAT YOU MAKE IT We all have dreams and aspirations. As we But, just as powerful are the shadows cast by hardship, exposure to violence, and grow up they either become more and more at- the despair of those around us whose dreams have been lost or surrendered. tainable, or less and less. When we’re young we The contrast between light and shadow in our lives has become increasingly absorb messages from what we see and hear at stark. We live in an era of magnificent wealth alongside abject poverty, technological home, at school, in the media and on the streets brilliance beside declining literacy, nutritional and medical breakthroughs along with where we live. Our brains receive 400 billion bits epidemic disease and neglect. A lot of people accept this as “just the way it is.” of information each second, but we consciously The statistics about poverty, violence, gangs and low educational attainment process just 40 of them. The rest go into our in South Central Los Angeles are irrefutable, but at A Place Called Home we open subconscious, where they impact who and what our doors every day with a clear message for hundreds of young people: The we dream about and what we become. Our early world is what you make it. picture of what’s possible for us is painted mostly And, we follow that up with meaningful support and tangible opportunities. in the light of what happens around us. -
Masterpieces, Capc Musée D'art Contemporain De Bordeaux
LE PIC /// N. MILHÉ, X. BOUSSIRON, V. DE SAINT DO /// PATRICK LAVAUD /// FADA /// JACKY TERRASSON /// JOËL POMMERAT /// XAVIER LEROY /// FAIZAL ZEGHOUDI/// La clé des champs urbains en Gironde / n°37 / Jan-Fév 08 / Gratuit GIANNI-GRÉGORY FORNET /// JEAN-PHILIPPE IBOS /// JÜRGEN GENUIT /// © Thomas Bardinet / Fondation Raffy - Bruno & Thierry Lahontâa LA MATIÈRE ET L’ESPRIT LUMIÈRE PRIVÉE, NOIRCEUR PUBLIQUE La séparation entre le privé et le public a permis de construire l’individualité contemporaine et sa liberté. Comprenons que le privé, ce n’est pas simplement la possibilité d’une jouissance égoïste qui s’incarnerait dans la propriété privée. Le privé, c’est surtout la sphère de la conscience et de ses méandres intérieurs. C’est un espace où le public ne doit pas avoir accès, où il n’y a de compte à rendre qu’à soi-même. La préservation de ce domaine n’est pas seulement nécessaire pour rester soi-même, elle est indispensable pour élaborer nos relations politiques et morales. La pudeur comme protection de l’intime a un double effet comme le dit la psychanalyste Monique Selz : « La retenue vise à se protéger soi-même, mais aussi à manifester des égards pour l’autre ». Il est toujours tentant d’effacer cette frontière ; un peu d’exhibitionnisme et le privé envahit sur le public. Alors, l’excitation des passions fait disparaître l’intérêt public. Cette lumière projetée sur le privé, en excitant les passions, donne une curieuse transparence où le pouvoir est invisible et la fonction publique obscure. Car où est cet espace public s’il est confondu avec l’espace privé ? Cette éclipse des démarcations est dévastatrice pour le droit et le juste. -
Les Marx Brothers Ont La Parole Du Même Auteur
Les Marx Brothers ont la parole Du même auteur Le Dessin animé après Walt Disney Pauvert, 1961 L'Érotique du surréalisme Pauvert, 1965 Le Taureau irlandais Filipacchi, 1974 Les Dingues du nonsense Balland, 1977 Seuil, coll. « Point-Virgule », 1986 Alain Resnais, arpenteur de l'imaginaire Stock, 1981 Le Regard de Buster Keaton Herscher, 1985 Woody Allen au-delà du langage Herscher, 1985 John Huston, la grande ombre de l'aventure Lherminier, 1985 Le Rire des surréalistes La Bougie du Sapeur, 1988 Le Mystère Tex Avery Seuil, coll. «Point-Virgule», 1988 Bonjour Monsieur Lewis Seuil, coll. «Point-Virgule», 1989 A PARAÎTRE La Contagion de W. C. Fields Seuil, coll. « Point-Virgule », 1992 Les Marx Brothers ont la parole par Robert Benayoun Une antifamille Feu les Marx Brothers ? Vous voulez rire ? (Pré- cisément, vous voulez rire.) Dirait-on feu Shakes- peare, feu Freud, feu Antonin Artaud? Sous prétexte que le 22 juin 1977 Julius Marx dit Grou- cho, a, pourrait-on dire, changé de domicile, der- nier membre connu d'une progéniture assez brouillonne à prendre ses quartiers d'éternité dans le pays où l'on ne vieillit plus, nous n'allons pas ici emprunter le langage dodelinant de la nécro, ni entamer une oraison qui les eût fait en d'autres temps mourir de rire Non, l'imparfait n'est pas le mode qui convient pour parler de ces êtres parfaits, modèles de l'improbable ou de l'irrésistible, du hors mesure. Ils ne demeurent pas, comme dit le cliché, pré- sents parmi nous, mais présents contre nous, Guitry dirait : tout contre. -
Class, Language, and American Film Comedy
CLASS, LANGUAGE, AND AMERICAN FILM COMEDY CHRISTOPHER BEACH The Pitt Building, Trumpington Street, Cambridge, United Kingdom The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Christopher Beach 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface Adobe Garamond 11/14 pt. System QuarkXPress [] A catalog record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Beach, Christopher. Class, language, and American film comedy / Christopher Beach. p. cm Includes bibliographical references and index. ISBN 0521 80749 2 – ISBN 0 521 00209 (pb.) 1. Comedy films – United States – History and criticism. 2. Speech and social status – United States. I. Title. PN1995.9.C55 B43 2001 791.43 617 – dc21 2001025935 ISBN 0 521 80749 2 hardback ISBN 0 521 00209 5 paperback CONTENTS Acknowledgments page vii Introduction 1 1 A Troubled Paradise: Utopia and Transgression in Comedies of the Early 1930s 17 2 Working Ladies and Forgotten Men: Class Divisions in Romantic Comedy, 1934–1937 47 3 “The Split-Pea -
2014 CSEF Report
www.ctsciencefair.org f Science and Techn eb o olog W y Technologies Scientist SOCIETY Scientific Knowledge Engineering Are You In? Quinnipiac University, Hamden March 11–15, 2014 66th Connecticut Science & Engineering Fair Quinnipiac University Hamden March 11 - 15, 2014 Connecticut Science Fair Association All-volunteer Connecticut non-profit organization Affiliate of the Intel International Science and Engineering Fair Connecticut Science Fair Association April 2014 66th Connecticut Science & Engineering Fair TABLE OF CONTENTS Awards .......................................... ( 1- 62) Life Sciences 1000 series - 7th and 8th grade team ................................................ 3 2000 series - 7th grade ..................................................................... 4 2500 series - 8th grade ..................................................................... 9 3000 series - 9 thru 12th grade ......................................................... 13 3500 series - 9 thru 12th grade team ................................................ 27 Physical Sciences 4000 series - 7th and 8th grade team ................................................ 29 5000 series - 7th grade ..................................................................... 32 5500 series - 8th grade ..................................................................... 37 6000 series - 9 thru 12th grade ......................................................... 44 6500 series - 9 thru 12th grade team ................................................ 56 Summary -
Download Download
Author: Carter, Dale; Title: Surf Aces Resurfaced: The Beach Boys and the Greening of the American Counterculture, 1963-1973 Surf Aces Resurfaced: The Beach Boys and the Greening of the American Counterculture, 1963-1973 Dale Carter Aarhus University Abstract The rise of the American counterculture between the early- to mid-1960s and early- to mid-1970s was closely associated with the growth of environmentalism. This article explores how both informed popular music, which during these years became not only a prominent form of entertainment but also a forum for cultural and social criticism. In particular, through contextual and lyrical analyses of recordings by The Beach Boys, the article identifies patterns of change and continuity in the articulation of countercultural, ecological, and related sensibilities. During late 1966 and early 1967, the group’s leader Brian Wilson and lyricist Van Dyke Parks collaborated on a collection of songs embodying such progressive thinking, even though the music of The Beach Boys had previously shown no such ambitions. In the short term, their efforts floundered as the risk- averse logic of the commercial music industry prompted group members to resist perceived threats to their established profile. Yet in the long term (and ironically in the name of commercial survival), The Beach Boys began selectively to adopt innovations they had previously shunned. Shorn of its more controversial associations, what had formerly been considered high risk had by 1970 become good business as once-marginal environmentalism gained broader acceptability: thus did ‘America’s band’ articulate the flowering, greening, and fading of the counterculture. Keywords: popular music, ecology, counterculture, Beach Boys Resumen Vol 4, No 1 El auge de la contracultura americana entre principios y mediados de las décadas de 1960 y 1970 guarda una estrecha relación con la expansión del movimiento ecologista. -
Michael Wyschogrod's Bold Challenge by Leora Batnitzky JEWISH REVIEW of BOOKS Volume 7, Number 1 Spring 2016 $10.45
Michael Wyschogrod's Bold Challenge by Leora Batnitzky JEWISH REVIEW OF BOOKS Volume 7, Number 1 Spring 2016 $10.45 Shai Secunda Tracks Through the Wilderness with Avivah Zornberg Zack Gold Chaos in the Sinai Mitchell Cohen Moses & Aaron in Berlin and Paris Philip Getz Joseph Epstein A Monk’s How Funny Was Haggadah Groucho? Editor Abraham Socher “MIRIAM’S SONG will NEW Senior Contributing Editor RELEASE inspire those who read it, Allan Arkush as it has inspired me.” Art Director W IRIAM S ONG Betsy Klarfeld NE “M ’ S will inspire those who read it, BENJAMIN NETANYAHU Managing Editor SE Amy Newman Smith RELEA as it has inspired me.” BENJAMIN NETANYAHU Editorial Assistant Kate Elinsky Editorial Board 1st Lieutenant Uriel Peretz, Robert Alter Shlomo Avineri Golani Brigade Special Leora Batnitzky Ruth Gavison Forces unit commander, Moshe Halbertal Jon D. Levenson dreamed of becoming the Anita Shapira Michael Walzer first Moroccan chief of staff J. H.H. Weiler Leon Wieseltier of the IDF. Ruth R. Wisse Steven J. Zipperstein On the day he was drafted, Miriam became a woman Publisher waiting for news of disaster. Eric Cohen In November 1998, Uriel Associate Publisher & was fatally wounded by an Director of Marketing explosive device planted Lori Dorr by Hezbollah terrorists. He was 22 years old. JRB Publication Committee Tragically, in March 2010 Miriam was forced to face another test. Her second son, Anonymous Martin J. Gross Major Eliraz Peretz, was killed in an exchange of fire in the 1st Lieutenant Uriel Peretz, Golani Brigade Special Gaza Strip. Forces unit commander, dreamed of becoming the Susan and Roger Hertog first Moroccan chief of staff of the IDF. -
BROTHERLY LOVE in the '70S
TANGERINi E BOX T O iliBiMiniPiiiiJîîilîiii'jiiJiliy ,11:.! mm BROTHERLY LOVE IN T H E '70s he 24th of February 1971, Carnegie Hall, and The Beach Boys are about to play the longest gig of their career to a fuU house. A lot is riding on this set - a deep dive into their catalogue spanning their 10-year history. It's a new dawn for "America's Band". After four years of chaos dogged by declining record sales, lawsuits, mental breakdowns and worst of ail - irrelevance, this is their moment. Kicking off their two hour set with a Tdriving, kinetic 'Heroes And Villains' the hairy, funky-looking group are pretty much unrecognisable as the "Surfîng Doris Days" left behind by the counterculture back in '67. Leader Brian Wilson is absent, barely seen in public since he abandoned his opus SMiLE and abdicated his post as genius-in- residence. His brothers Cari and Dennis are here to avenge him, leading the charge of their formidable live assault. Even the lanky, balding figure of Mr 'California Girls' himself Mike Love has the bearing of a hip guru in his robes and beads. The gig is a triumph. With a new, hipper label behind them and a united front surely it was time for "America's Band" to shine, with or without their leader. This is the story of how, out of adversity The Beach Boys made their last great albums. " I dont see why I should lie and say the time the grab-bag 20/20 came out in wife Suzanne. Dennis at least succeeded in everything is rosy when it's not." February '69, it was clear that Brian was suppressing the tapes of the recordings Twenty-Seventh May 1969, and Brian barely involved, beyond chastising Cari made with Manson and his entourage he'd Wilson is talking to NME. -
THE BEACH BOYS Borys Dejnarowicz the BEACH BOYS
BORYS DEJNAROWICZ THE BEACH BOYS Borys Dejnarowicz THE BEACH BOYS 2011/2017 Znaczna większość niniejszej książki została pierwotnie opublikowana w odcinkach w ramach cyklu felietonów na nieistniejącym już portalu T-Mobile Music. Spis Treści Wprowadzenie Surfin’ Safari (1962) Surfin’ USA (1963) Surfer Girl (1963) Little Deuce Coupe (1963) Shut Down Volume 2 (1964) All Summer Long (1964) The Beach Boys’ Christmas Album (1964) The Beach Boys Today! (1965) Summer Days (And Summer Nights!!) (1965) Beach Boys’ Party! (1965) Pet Sounds (1966) Smiley Smile (1967) Wild Honey (1967) Friends (1968) 20/20 (1969) Sunflower (1970) Surf’s Up (1971) Carl and the Passions – „So Tough” (1972) Holland (1973) 15 Big Ones (1976) Love You (1977) M.I.U. Album (1978) L.A. (Light Album) (1979) Keepin’ the Summer Alive (1980) The Beach Boys (1985) Still Cruisin’ (1989) Summer In Paradise (1992) Stars and Stripes Vol. 1 (1996) Suplement The Smile Sessions (2011) That’s Why God Made the Radio (2012) Berlin, O2 World, 3.08.2012 Bonus: Top 70 kawałków Beach Boys Wprowadzenie Dałem się sprowokować. Ale to (chyba) dobrze. Po tym jak upubliczniłem swoją listę siedemdziesięciu najlepszych utworów Beach Boys, jeden z czytelników zasugerował, żebym zrecen- zował wszystkie albumy grupy. Cóż, prawdę mówiąc zbierałem się do tego latami, lecz nigdy dotąd nie zdecydowałem się podjąć wyzwania. Powód? Otóż dla mnie szczególnie zadanie takie wydaje się niezwykle trudne. Nie tylko dlatego, że tak zwana „regularna” dyskografia formacji (czyli zbiór studyjnych wydawnictw z premierowym materiałem) obej- muje okres od 1962 do 1996 roku i liczy sobie aż dwadzieścia osiem pozycji (czyli o jedną więcej niż u omawianego w tym cyklu dwa mie- siące temu Prince’a). -
The Marx Brothers
we were happy. At Christmas we didn't have a tree, just a branch, and we each hung up The Marx one of our black socks and got a half an orange each for Christmas. All our neighbours even had better garbage than we did. Harpo Brothers used to skate in Central Park with one ice skate he tied on. When my Aunt Hannah How did four nice little boys called Julius, cooked the clam chowder, she used the same Adolph, Leonard and Herbert grow up into pot she used for the laundry, and there was the Marx Brothers? Perhaps because they plenty of starch in both.' never really were nice little boys Although the Marx Brothers' theatrical characters were based on real people and actual experiences, their mannerisms and costumes were developed through trial and error during their years in vaudeville. For Groucho this all began in 1905 when he joined a ' travelling troupe as a boy soprano. He got the job out of economic necessity: 'I became an actor because I had an uncle in show business who was making $200 a week, and I wasn't making anything, not even an People who had known the Marx Brothers occasional girl.' before they became famous (when they were still Julius, Adolph, Leonard, Milton and Although the job didn't last long, and three Herbert), even before they entered show times he found himself stranded on the road business, all agreed that the five brothers without money, Groucho persisted. never had to create the characters they Eventually he landed work with the Gus played so convincingly on stage, screen, and Edwards school act - his first professional television - they already were those encounter with stage comedy. -
2014 SCIENCE FAIR PROGRAM BOOK Chicago Public Schools Student Science Fair, Inc
2014 SCIENCE FAIR PROGRAM BOOK Chicago Public Schools Student Science Fair, Inc. Presents the 64th Annual Science Fair S CIENCE T ECHNOLOGY E NGINEERING M ATHEMATICS Museum of Science and Industry, March 20-23, 2014 Symposium presentations March 20, 2014 CHICAGO PUBLIC SCHOOLS www.cpsscifair.org STUDENT SCIENCE FAIR, INC. Nonprofit Organization Motorola is proud to support the Chicago Public Schools’ Student Science Fair. We encourage students to use their imaginations to envision the impossible. Through the power of science and math, your creativity has no limits. Your future begins today. ENVISION THE IMPOSSIBLE MOTOROLA and the Stylized M Logo are registered in the US Patent & Trademark Office. All other product and service names are the property of their respective owners. © 2009 Motorola, Inc. All rights reserved. 2014 Science Fair Program Book 64th Annual Chicago Public Schools Student Science Fair S CIENCE T ECHNOLOGY E NGINEERING M ATHEMATICS Brought to you by: Chicago Public Schools Student Science Fair, Inc. Academic Supporters: Chicago Public Schools Office of College and Career Success Site Host: Museum of Science and Industry ©2014 Chicago Public Schools Student Science Fair, Inc. www.cpsscifair.org City of Chicago Rahm Emanuel Mayor Chicago Board of Education David J. Vitale Jesse H. Ruiz President Vice President Members Dr. Carlos M. Azcoitia | Dr. Henry S. Bienen | Dr. Mahalia A. Hines | Deborah H. Quazzo | Andrea L. Zopp Chicago Public Schools Barbara Byrd-Bennett Chief Executive Officer Aarti Dhupelia Chief Officer Office of College and Career Success Michael Seelig Executive Director Student Support and Engagement Office of College and Career Success Sylvia Nelson Jordan Manager, Academic Competitions Office of College and Career Success Chicago Public Schools Student Science Fair, Inc. -
By Rik Sansone Germany, 1850’S Lafe and Fanny Schoenberg Perform Their Mediocre Magic and Harp Act
SPAZ comics presents: THE MARXBroTHERs IN FROM BIRTHTO SPECIAL 8 page PREVIEW of the GRAPHIC NOVEL! By Rik Sansone germany, 1850’s LAfe and fanny schoenberg perform their mediocre magic and harp act... minnie creates a music act his younger brother adolph with julius, milton and learns too, and finds work lou levy. the three in a speakeasy on long island. nightingales bring in some much-needed money. minnie books a gig for a 4 person singing act. 1879 having only 3, she drives out to keep her eldest son to get out of trouble, adolph she pays for Piano and lessons, but gets Leo brings him gigs in ... brothels to... LAfe and fanny seek out a better future and they settle travel to america with their children - ... coney island to sing with minnie in manhattan. and adolph (known as “al”) - in tow. the three nightingales. minnie this includes dance embaces lessons with a america teacher from and it’s alsace, france. his name is culture. Sam marx. they are married. thier ...and he wets his pants. children together are eternally known as: he’s never sung onstage before... THE FROM back at their 93rd street apartment, minnie’s brother al SHEAN- a huge star in vaudeville - visits. uncle al is half of the hit comedy act gallagher and shean. BIRTHTO in the eyes of 5 (barely) teenage boys, he is the pinnacle of wealth and success. sam al keeps the MARX “frenchie” MARX boys excited BROADWAY marx was a By Rik Sansone for their great cook, own show but a lousy BroTHERs business tailor.