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The Transnational Sound of Harpo Marx
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Electronic version URL: http://journals.openedition.org/miranda/36228 DOI: 10.4000/miranda.36228 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Marie Ventura, “Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx”, Miranda [Online], 22 | 2021, Online since 02 March 2021, connection on 27 April 2021. URL: http:// journals.openedition.org/miranda/36228 ; DOI: https://doi.org/10.4000/miranda.36228 This text was automatically generated on 27 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx 1 Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Introduction: a Transnational Trickster 1 In early autumn, 1933, New York critic Alexander Woollcott telephoned his friend Harpo Marx with a singular proposal. Having just learned that President Franklin Roosevelt was about to carry out his campaign promise to have the United States recognize the Soviet Union, Woollcott—a great friend and supporter of the Roosevelts, and Eleanor Roosevelt in particular—had decided “that Harpo Marx should be the first American artist to perform in Moscow after the US and the USSR become friendly nations” (Marx and Barber 297). “They’ll adore you,” Woollcott told him. “With a name like yours, how can you miss? Can’t you see the three-sheets? ‘Presenting Marx—In person’!” (Marx and Barber 297) 2 Harpo’s response, quite naturally, was a rather vehement: you’re crazy! The forty-four- year-old performer had no intention of going to Russia.1 In 1933, he was working in Hollywood as one of a family comedy team of four Marx Brothers: Chico, Harpo, Groucho, and Zeppo. -
RARE SIGHTINGS the Work Is Very Exacting
Page 40 Classic Images May 2016 a crowd- of Content Management about the funding work. Peter is in charge of the group campaign doing the restorations. It was great and are in to hear from Peter that Universal is the midst committed to not only maintaining of fundrais- its archives, but also funding the res- ing. As we go toration and remastering of its “crown to press, he jewel titles.” hopes to have “Our goal is to find the most com- plete versions and make sure they look as close as possible to the day they were originally released.” says Peter. RARE SIGHTINGS The work is very exacting. “In some cases where the film elements are in good shape, we can do a full blown By Robert E. Tevis restoration in a matter of three or A Resurgence in Marxism four months, in more complex situa- tions we can spend as much as five to Before you think I have gone politi- eight months or longer. Each title is cal, let me state categorically that I am unique. In the case of The Cocoanuts not talking about Karl, but Groucho, we started in the second quarter of Chico, Harpo, and sometimes, Zeppo. last year and are, at this point, nine It all started with an evening at the months into it.” Lambs Club in New York City where Noah Diamond, a Marx historian While most Marx Brother’s aficio- and arguably one of the finest liv- ISSI title treatment nados are excited to have better look- ing Groucho impersonators, had just Noah Diamond as Groucho Marx (Photo ing copies, the real excitement arises Cocoanuts (1925) and Animal Crackers courtesy of Don Spiro) given a presentation on I’ll Say She from the rediscovery of lost picture (1928), was never filmed. -
Les Marx Brothers Ont La Parole Du Même Auteur
Les Marx Brothers ont la parole Du même auteur Le Dessin animé après Walt Disney Pauvert, 1961 L'Érotique du surréalisme Pauvert, 1965 Le Taureau irlandais Filipacchi, 1974 Les Dingues du nonsense Balland, 1977 Seuil, coll. « Point-Virgule », 1986 Alain Resnais, arpenteur de l'imaginaire Stock, 1981 Le Regard de Buster Keaton Herscher, 1985 Woody Allen au-delà du langage Herscher, 1985 John Huston, la grande ombre de l'aventure Lherminier, 1985 Le Rire des surréalistes La Bougie du Sapeur, 1988 Le Mystère Tex Avery Seuil, coll. «Point-Virgule», 1988 Bonjour Monsieur Lewis Seuil, coll. «Point-Virgule», 1989 A PARAÎTRE La Contagion de W. C. Fields Seuil, coll. « Point-Virgule », 1992 Les Marx Brothers ont la parole par Robert Benayoun Une antifamille Feu les Marx Brothers ? Vous voulez rire ? (Pré- cisément, vous voulez rire.) Dirait-on feu Shakes- peare, feu Freud, feu Antonin Artaud? Sous prétexte que le 22 juin 1977 Julius Marx dit Grou- cho, a, pourrait-on dire, changé de domicile, der- nier membre connu d'une progéniture assez brouillonne à prendre ses quartiers d'éternité dans le pays où l'on ne vieillit plus, nous n'allons pas ici emprunter le langage dodelinant de la nécro, ni entamer une oraison qui les eût fait en d'autres temps mourir de rire Non, l'imparfait n'est pas le mode qui convient pour parler de ces êtres parfaits, modèles de l'improbable ou de l'irrésistible, du hors mesure. Ils ne demeurent pas, comme dit le cliché, pré- sents parmi nous, mais présents contre nous, Guitry dirait : tout contre. -
Class, Language, and American Film Comedy
CLASS, LANGUAGE, AND AMERICAN FILM COMEDY CHRISTOPHER BEACH The Pitt Building, Trumpington Street, Cambridge, United Kingdom The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Christopher Beach 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface Adobe Garamond 11/14 pt. System QuarkXPress [] A catalog record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Beach, Christopher. Class, language, and American film comedy / Christopher Beach. p. cm Includes bibliographical references and index. ISBN 0521 80749 2 – ISBN 0 521 00209 (pb.) 1. Comedy films – United States – History and criticism. 2. Speech and social status – United States. I. Title. PN1995.9.C55 B43 2001 791.43 617 – dc21 2001025935 ISBN 0 521 80749 2 hardback ISBN 0 521 00209 5 paperback CONTENTS Acknowledgments page vii Introduction 1 1 A Troubled Paradise: Utopia and Transgression in Comedies of the Early 1930s 17 2 Working Ladies and Forgotten Men: Class Divisions in Romantic Comedy, 1934–1937 47 3 “The Split-Pea -
PROF. HELLERMAN's LIST of MUST-SEE OLD MOVIES * = Personal Favorite BOLD = Absolutely Essential
PROF. HELLERMAN'S LIST OF MUST-SEE OLD MOVIES * = Personal Favorite BOLD = Absolutely Essential 1930's Saboteur Modern Times *His Gal Friday *Petrified Forest *Lifeboat *I am a Prisoner of a Chain Gang *Key Largo *Gone With The Wind *The Treasure of Sierra Madre *The Wizard of Oz *To Have and Have Not It Happened One Night Dark Passage She Done Him Wrong Conflict *The Thin Man *Out of the Past *After The Thin Man *The Stranger The Great Ziegfield Laura My Man Godfried Murder, My Sweet Dinner at Eight The Killers Fantasia Nightmare Alley *March of the Wooden Soldiers The Lady From Shanghai *The Grapes of Wrath Gilda *You Can't Take it With You Criss Cross *Mr. Smith Goes to Washington The Postman Always Rings Twice *Mr. Deeds Goes to Town White Heat *Frankenstein Woman of the Year *Bride of Frankenstein *High Sierra Son of Frankenstein Fort Apache Dracula *The Ox Bow Incident Freaks All the King's Men Stagecoach *Double Indemnity San Francisco The Third Man *Destry Rides Again *It's a Wonderful Life The 39 Steps On the Town *The Lady Vanishes *All My Sons *Little Caesar *The Best Years of Our Lives Scarface The Roaring Twenties *Almost anything by The Marx Brothers: Ninotchka *Coconuts, *Room Service, *Night at the Opera, *Day at the Races, *Animal Crackers, *At the 1940's Circus, *Night in Casablanca, *Horse Feathers, *Citizen Kane *Duck Soup...... The Philadelphia Story Sullivan's Travels 1950's *Meet John Doe *The African Queen *The Maltese Falcon *The Caine Mutiny *Casablanca *The Harder They Fall *Sahara *In a Lonely Place Across the -
A Century of the Marx Brothers Joseph Mills
T A Century of the Marx Brothers Edited by Joseph Mills C' ,p CAMBRIDGE SCI-IOLARS PUBLISHING A Century of the Marx Brothers, edited by Joseph Mills This book first pub!ished 2007 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2.JA,UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright ID 2007 by Joseph Mills and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN 1-84718-240-2;ISBN 13: 9781847182401 CHAPTER ELEVEN THE BIG GREY IR-ELEPHANT: THE PLAY OF LANGUAGE IN THE MARX BROTHERS' SCRIPTS AND IN CHARLES BERNSTEIN'S L=A N=G=U=A=G=E POETRY ZOEBRIGLEY In his collection, Poetic Justice (1979), the L=A=N=G=U=A=G=E poet, Charles Bernstein begins an untitled poem with the following lines: The elephant appears without the slightest indication that he is demanded. An infinite inappropriateness. Continually learning.' The image of the elephant appears as a surprise or as an inappropriate occurrence, and its appearance indicates that one cannot rest easy in the conventional uses of language. Rather the poet must be in a state of continual "learning" discovering how language empowers some subjects and weakens others. As Bernstein writes in his essay, "Making Words Visible": "We all see words: signs of a language we live inside of. -
Michael Wyschogrod's Bold Challenge by Leora Batnitzky JEWISH REVIEW of BOOKS Volume 7, Number 1 Spring 2016 $10.45
Michael Wyschogrod's Bold Challenge by Leora Batnitzky JEWISH REVIEW OF BOOKS Volume 7, Number 1 Spring 2016 $10.45 Shai Secunda Tracks Through the Wilderness with Avivah Zornberg Zack Gold Chaos in the Sinai Mitchell Cohen Moses & Aaron in Berlin and Paris Philip Getz Joseph Epstein A Monk’s How Funny Was Haggadah Groucho? Editor Abraham Socher “MIRIAM’S SONG will NEW Senior Contributing Editor RELEASE inspire those who read it, Allan Arkush as it has inspired me.” Art Director W IRIAM S ONG Betsy Klarfeld NE “M ’ S will inspire those who read it, BENJAMIN NETANYAHU Managing Editor SE Amy Newman Smith RELEA as it has inspired me.” BENJAMIN NETANYAHU Editorial Assistant Kate Elinsky Editorial Board 1st Lieutenant Uriel Peretz, Robert Alter Shlomo Avineri Golani Brigade Special Leora Batnitzky Ruth Gavison Forces unit commander, Moshe Halbertal Jon D. Levenson dreamed of becoming the Anita Shapira Michael Walzer first Moroccan chief of staff J. H.H. Weiler Leon Wieseltier of the IDF. Ruth R. Wisse Steven J. Zipperstein On the day he was drafted, Miriam became a woman Publisher waiting for news of disaster. Eric Cohen In November 1998, Uriel Associate Publisher & was fatally wounded by an Director of Marketing explosive device planted Lori Dorr by Hezbollah terrorists. He was 22 years old. JRB Publication Committee Tragically, in March 2010 Miriam was forced to face another test. Her second son, Anonymous Martin J. Gross Major Eliraz Peretz, was killed in an exchange of fire in the 1st Lieutenant Uriel Peretz, Golani Brigade Special Gaza Strip. Forces unit commander, dreamed of becoming the Susan and Roger Hertog first Moroccan chief of staff of the IDF. -
Guide to the Groucho Marx Collection
Guide to the Groucho Marx Collection NMAH.AC.0269 Franklin A. Robinson, Jr. and Wendy Shay 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 4 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Correspondence, 1932-1977, undated..................................................... 6 Series 2: Publications, Manuscripts, and Print Articles by Marx, 1930-1958, undated .................................................................................................................................. 8 Series 3: Scripts and Sketches, 1939-1959, undated............................................. -
This Is the American Film Institute's List of America's 100 Funniest Movies
This is the American Film Institute's list of America's 100 Funniest Movies, selected by AFI's blue-ribbon panel of more than 1,500 leaders of the American movie community. 1. SOME LIKE IT HOT. 1959 2. TOOTSIE. 1982 3. DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB. 1964 4. ANNIE HALL. 1977 5. DUCK SOUP. 1933 6. BLAZING SADDLES. 1974 7. M*A*S*H. 1970 8. IT HAPPENED ONE NIGHT. 1934 9. THE GRADUATE. 1967 10. AIRPLANE!. 1980 11. THE PRODUCERS. 1968 12. A NIGHT AT THE OPERA. 1935 13. YOUNG FRANKENSTEIN. 1974 14. BRINGING UP BABY. 1938 15. THE PHILADELPHIA STORY. 1940 16. SINGIN' IN THE RAIN. 1952 17. THE ODD COUPLE. 1968 18. THE GENERAL. 1927 19. HIS GIRL FRIDAY. 1940 20. THE APARTMENT. 1960 21. A FISH CALLED WANDA. 1988 22. ADAM'S RIB. 1949 23. WHEN HARRY MET SALLY…. 1989 24. BORN YESTERDAY. 1950 25. THE GOLD RUSH. 1925 26. BEING THERE. 1979 27. THERE'S SOMETHING ABOUT MARY. 1998 28. GHOSTBUSTERS. 1984 29. THIS IS SPINAL TAP. 1984 30. ARSENIC AND OLD LACE. 1944 31. RAISING ARIZONA. 1987 32. THE THIN MAN. 1934 33. MODERN TIMES. 1936 34. GROUNDHOG DAY. 1993 35. HARVEY. 1950 36. NATIONAL LAMPOON'S ANIMAL HOUSE. 1978 37. THE GREAT DICTATOR. 1940 38. CITY LIGHTS. 1931 39. SULLIVAN'S TRAVELS. 1941 40. IT'S A MAD MAD MAD MAD WORLD. 1963 41. MOONSTRUCK. 1987 42. BIG. 1988 43. AMERICAN GRAFFITI. 1973 44. MY MAN GODFREY. 1936 45. HAROLD AND MAUDE. 1972 46. -
By Rik Sansone Germany, 1850’S Lafe and Fanny Schoenberg Perform Their Mediocre Magic and Harp Act
SPAZ comics presents: THE MARXBroTHERs IN FROM BIRTHTO SPECIAL 8 page PREVIEW of the GRAPHIC NOVEL! By Rik Sansone germany, 1850’s LAfe and fanny schoenberg perform their mediocre magic and harp act... minnie creates a music act his younger brother adolph with julius, milton and learns too, and finds work lou levy. the three in a speakeasy on long island. nightingales bring in some much-needed money. minnie books a gig for a 4 person singing act. 1879 having only 3, she drives out to keep her eldest son to get out of trouble, adolph she pays for Piano and lessons, but gets Leo brings him gigs in ... brothels to... LAfe and fanny seek out a better future and they settle travel to america with their children - ... coney island to sing with minnie in manhattan. and adolph (known as “al”) - in tow. the three nightingales. minnie this includes dance embaces lessons with a america teacher from and it’s alsace, france. his name is culture. Sam marx. they are married. thier ...and he wets his pants. children together are eternally known as: he’s never sung onstage before... THE FROM back at their 93rd street apartment, minnie’s brother al SHEAN- a huge star in vaudeville - visits. uncle al is half of the hit comedy act gallagher and shean. BIRTHTO in the eyes of 5 (barely) teenage boys, he is the pinnacle of wealth and success. sam al keeps the MARX “frenchie” MARX boys excited BROADWAY marx was a By Rik Sansone for their great cook, own show but a lousy BroTHERs business tailor. -
Groucho Marx Can Make You a Better Lawyer GROUCHO DID SOMETHING WE SHOULD ALL HOPE to DO: BE BRILLIANT and STAY RELEVANT
Gregory W. Alarcon LOS ANGELES SUPERIOR COURT July 2019 Issue Groucho Marx can make you a better lawyer GROUCHO DID SOMETHING WE SHOULD ALL HOPE TO DO: BE BRILLIANT AND STAY RELEVANT In my room, growing up, was a Groucho Marx has had a personal has been practicing law for 20 or 30 poster of the Marx Brothers. They would impact in my life three times. The first years, has only tried one or two jury become silent mentors to me, teaching was through my adolescence – watching trials. Many mistakes made by counsel me through their films and writings, to the films – and seeing his glorious sneer would never have been made had that communicate better, to entertain, and to from the poster of the Marx Brothers in lawyer gone through the necessary make an impact. There was Harpo, with my room, which influenced my thinking, preparation from years of training his clownish wig, his harp, his huge eyes, my attitude, and my approach to life. before persuasively arguing a case in his gift of mime, and his bits of wisdom The second was when I took a class front of a jury. which made surrealist Salvador Dali a on filmmaking immediately before law fan. There was Chico, with his mock school from Nat Perrin (1905 -1998) a Surround yourself with people foreign accent, forever sporting non- screenwriter and producer who began as smarter than you sequiturs which later became a model for a lawyer but switched careers when he Contrary to trying to be the smartest future clueless characters with a secret became one of the writers of the Marx person in the room, Groucho Marx sur- agenda. -
The Best of the Marx Brothers at BFI Southbank
The Best of the Marx Brothers at BFI Southbank During January 2015 BFI Southbank will banish the January blues with a celebration of the anarchic genius of the Marx Brothers. This short but perfectly formed season will feature eight of the Brother’s most famous and beloved films including an extended run of the breathtakingly funny Duck Soup (1933). Born in New York City to Jewish immigrant parents during the latter years of the 19th century, the five Marx Brothers Chico, Harpo, Groucho, Gummo and Zeppo would soon become legends of the vaudeville stage, and eventually (though without Gummo) graduated to cinema. Their first two films The Cocoanuts (1929) and Animal Crackers (1930) started life as Broadway shows; the former tells a tale of skulduggery among the well-heeled denizens of a Florida beach resort while the latter is a stolen-valuables saga, also starring Margaret Dumont, who was, said Groucho, practically the fifth Marx brother. Also screening will be Monkey Business (1931), in which the brothers play stowaways on a transatlantic crossing, and Horse Feathers (1932) in which the brothers satirised the American College system. Audiences will get to experience a Night at the Opera (1935) and A Night in Casablanca (1946) via A Day at the Races (1937) as well as their endlessly inventive spoof of war-movie heroics Duck Soup (1933), which will play on extended run. These ageless comedy classics were made by the ideal jesters for an era when the wheels had come off the economy and the world was in uproar - and still feel contemporary and relevant decades later.