Bill Glassco Collection (1966-1988) Inventory
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Drama Audition Female Senior Monologues
Drama Audition Female Senior Monologues Northmead Creative & Performing Arts High School NSW, Department of Education and Training N S W , Classical and contemporary audition pieces. Department of Education and T r a i n i n g Imagine, Endeavour, A c h i e v e Northmead CAPAHS Campbell Street Northmead N S W 2 1 5 2 02 96304116 P r i n c i p a l – N . V a z q u e z Northmead Creative & Performing Arts High- Drama Audition The following pieces have been chosen from standard editions of the works. You may use the equivalent monologue from a different edition of the play, for example, if you have access to a different edition of the Shakespeare plays. For translated works, we have chosen a particular translation. However, you may use another translation if that is the version available to you. If you cannot access the Australian plays through your local library, bookshop or bookshops on our suggested list, published editions of the Australian plays are generally available through Currency Press. AUDITION PROCESS You will be required to choose one monologue from the list provided to perform. Please note the delivery time of a monologue may vary depending on your interpretation of the chosen piece. Usual estimated time is between three to eight minutes. So please make sure your monologue is within this time frame. You may be asked to deliver your chosen piece more than once. You will also be tested for improvisation skills. So be prepared to use your imagination and creativity. A script may be handed to you during the audition. -
GROWING PAINS Toronto Theatre in the Igjo's
GROWING PAINS Toronto Theatre in the igjo's Robert Wallace (for Brenda Donohue) "The geography of the situation becomes so dense, so rich with possible paths, that the instinctive sense of direction fails; and questions of destination are rapidly replaced by the concerns of Survival." MARTIN KINGH "In this country there's an appetite to put buildings up, to equate culture with cupolas and glass palaces." — PAUL BETTIS 1LN AN ARTICLE PUBLISHED in Canadian Theatre Review, no. 2i, in 1979, Ken Gass, founder of Toronto's Factory Theatre Lab, concludes: Toronto may be a bustling, chic metropolis with abundant resources and an active theatre industry, but it is also thoroughly conservative and not the most conducive environment for serious theatre work. Gass's opinion of Toronto theatre at the end of the seventies is not as important as the fact he takes for granted: in just ten years, an "active theatre industry" has emerged where little was before. The 1979/80 edition of the Canadian Theatre Checklist contains over fifty listings of theatre buildings and companies in the Toronto area, few of which existed in 1969.1 City Nights, a weekly entertainment guide circulated throughout the city, offers a constantly changing roster of theatri- cal events. At least one review of a new play, cabaret act, or theatre piece can be found in the entertainment sections of Toronto's daily newspapers. Commercial ticket agencies with offices in the suburbs are thriving while pre-curtain box-office queues are customary at many downtown theatres. Dinner theatres, cabarets and revue houses flourish across the city, not to mention the taverns, bars and pubs featuring a wide variety of acts and complementing the legitimate theatres. -
Round Lake Elementary Schoo
Round Lake Elementary School - 2007 Accelerated Reader List - By Title http://www.lakeline.lib.fl.us/resources/accelerated_reading_lists/html/R... Round Lake Elementary School 2007 Accelerated Reader List - By Title Book Quiz No. Title Author Points Level 48028 EN 100-Pound Problem, The Dussling, Jennifer 2.5 0.5 17351 EN 100 Unforgettable Moments in Pro Baseball Italia, Bob 5.5 1.0 17352 EN 100 Unforgettable Moments in Pro Basketball Italia, Bob 6.5 1.0 17353 EN 100 Unforgettable Moments in Pro Football Italia, Bob 6.2 1.0 17354 EN 100 Unforgettable Moments in Pro Golf Italia, Bob 5.6 1.0 17355 EN 100 Unforgettable Moments in Pro Hockey Italia, Bob 6.1 1.0 17356 EN 100 Unforgettable Moments in Pro Tennis Italia, Bob 6.4 1.0 17357 EN 100 Unforgettable Moments in Summer Olympics Italia, Bob 6.5 1.0 17358 EN 100 Unforgettable Moments in Winter Olympics Italia, Bob 6.1 1.0 18751 EN 101 Ways to Bug Your Parents Wardlaw, Lee 3.9 5.0 14796 EN 13th Floor: A Ghost Story, The Fleischman, Sid 4.4 4.0 67305 EN 17 Kings and 42 Elephants Mahy, Margaret 3.7 0.5 8251 EN 18-Wheelers Maifair, Linda Lee 5.2 1.0 661 EN 18th Emergency, The Byars, Betsy 4.7 4.0 15903 EN 19th Century Girls and Women Kalman, Bobbie 5.5 0.5 103480 2 Good 2 B True Alfonsi, Alice 4.4 2.0 EN 7351 EN 20,000 Baseball Cards under the Sea Buller, Jon 2.5 0.5 11592 EN 2095 Scieszka, Jon 3.8 1.0 6201 EN 213 Valentines Cohen, Barbara 4.0 1.0 30629 EN 26 Fairmount Avenue De Paola, Tomie 4.4 1.0 68113 EN 3, 2, 1 Go! A Transportation Countdown Schuette, Sarah L. -
The Cambridge Companion to Chekhov Edited by Vera Gottlieb and Paul Allain Index More Information
Cambridge University Press 0521581176 - The Cambridge Companion to Chekhov Edited by Vera Gottlieb and Paul Allain Index More information INDEX OF WORKS BY CHEKHOV Aga®a 4, 9 Conspirator, The 9 Anna on My Neck 149±50 Anniversary, The Esee also Jubilee) 58, 66, Daughter of Albion, The 149, ®lm, and see 166, 236 also Appendix 1 Ariadna 205, 207 Dark Eyes E®lm) 154 and see Appendix 3 At a Country House 51 Dead Body, A 9 At Dusk 10 Death of a Clerk, The /Death of a Petty August E®lm adaptation of Uncle Vanya Of®cial 8, 150 directed by Anthony Hopkins ± see also Disturbing the Balance 211 Uncle Vanya) 158±9 Don Juan Bin the Russian Manner) Esee also Platonov)48 Bear, The/The Boor 7, 10, 57±8, 59, 61, 62, Duel, The 9, 10, 206, 208, 211 63, 65, 66, 68 n.9, 100 n.3, 162, 163, 166 Dreary Story, A 7, 23, 204, 205, 206, 208, Belated Blossom/Late Blossoms/The Flowers 209 are Late 7, 112, 149 Big Volodia and Little Volodia 210 Easter Eve 9 Bishop, The 9, 13, 204 Enemies, The 9 Black Monk, The 7, 26, 208 Bride, The/The FianceÂe/The Marrigeable Girl Fat and Thin 7, 8 24, 211 Fatherlessness Esee also Platonov) 43, 47, 163 Burbot, The 208 Fireworks on the James Esee also Platonov) 48 Cases of Mania Grandioza 20 Fortune 205, 212 Chameleon/A 6, 8, 150 Fragments/Fragments of Moscow Life Children 9 BOskolki) 6, 9, 228 Cherry Orchard, The xxii Eillus.), xxx, xxxiii, 7, 13, 14, 18, 22, 24±5, 29, 30, 31, 55, 55 Gloomy People 10 n.3, 59, 60, 62, 63±4, 65, 66, 68 ns.5, 9 Grasshopper, The 153, 207 and 11, 69 n.19, 91, 93, 95, 97, 104, 108, Gusev 4, 10 109 n.6, 110 -
Acting III THR 369.2 Continuing the Exploration
MWF 10:00-10:50am Tom Prior, Instructor Fall 2007 Email: [email protected] Office hours: MWF by appt. Phone: (936) 294-1328 Office Location: UTC-112 Class Location: UTC-151 Acting III THR 369.2 Continuing the Exploration THIS SYLLABUS, SUPPLEMENTAL INFORMATION, ANNOUNCEMENTS AND GRADES CAN BE FOUND ON THE BLACKBOARD WEBSITE-PLEASE CHECK IT FREQUENTLY! http://blackboard.shsu.edu Class objective: To explore the skills and tools necessary for advanced scene work. We will be using the works of Anton Chekhov and Tennessee Williams during the semester, supplemented with various exercises. These exercises are designed to lead to the understanding of more advanced concepts and techniques of the acting process. Using Michael Shurtleff’s book Audition, we will continue more advanced work on the moment before, intentions/motivation of character, listening on-stage and making strong and creative choices. Additionally, we will be delving into monologue work, increasing the student’s repertoire. Required Text: Audition…………………………………….Michael Shurtleff On Reserve in Library: Uncle Vanya …………………………………Anton Chekhov Wild Honey…Michael Frayn (adaptation of Platonov by Anton Chekhov) The Seagull…………………………………..Anton Chekhov Streetcar Named Desire, Cat on a Hot Tin Roof (and one TBA) …Tennessee Williams I may be adding additional texts, which I will also place on reserve. Classroom Attire: Please wear clothes that you feel comfortable moving in. Loose fitting clothing such as sweatpants and T-shirts are best. Classroom Etiquette: This class is a CELL PHONE AND PAGER FREE ZONE!! Turn them off when you walk through the door!! Attendance: Please be here on time ready to work. -
Andrew Christopher Tracy
CREATING THE CANADIAN STAGE COMPANY:AN ANALYSIS OF THE MERGER OF TORONTO FREE THEATRE AND CENTRESTAGE COMPANY A Thesis Presented to The Faculty of Graduate Shidies of University of Guelph by ANDREW CHRISTOPHER TRACY In partial fulfilment of requirements for the degree of Master of Arts August, 1998 O Andrew Christopher Tracy, 1998 National Libraiy Bibliothèque nationale I*I of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellingtorr Ottawa ON K1A ON4 OttawaON K1AON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimes reproduced without the author' s ou autrement reproduits sans son permission. autorisation. ABSTRACT CREATING THE CANADIAN STAGE COWANY: AN ANALYSIS OF THE MERGER OF TORONTO FREE THEATRE AND CENTRESTAGE COMPANY Andrew Christopher Tracy Advisor: University of Guelph, 1 998 Professor Alan Filewod This thesis analyses and historicizes the dominant economic and cultural forces, and corporate and personal dispositions, that propeiied Toronto Free Theatre and CentreStage Company to wards their strategic merger and foundation of the Canadian Stage Company. -
Michel Tremblay's Albertine En Cinq Temps: a Tale of Two Translations
University of Alberta Michel Tremblay’s Albertine en cinq temps : A Tale of Two Translations Andrea Marie Kennedy A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Translation Studies Modern Languages and Cultural Studies ©Andrea Kennedy Fall 2011 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Dedication This thesis is dedicated to my father Murray Kennedy who always stood behind me and knew I would succeed. Without his constant encouragement and support I would not have made it through this process. Abstract This thesis compares two translations done of the play written by dramaturge Michel Tremblay entitled, Albertine en cinq temps. Using A. Berman’s critique of translation and elements of linguistic analysis, the key characterizing elements of Tremblay’s plays are identified and then used as a base for analyzing the two existing translations of this work. To conclude my thesis, I have put forth my own translation of this play. -
New Play Development at Tarragon and Nightswimming
Through The Hourglass: New Play Development at Tarragon and Nightswimming Laurren Iacobellis Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the Master of Arts degree in Theatre Theory & Dramaturgy © Laurren Iacobellis, Ottawa, Canada, 2012 Iacobellis ii Abstract This study proposes and tests a model for play development analysis, which offers a framework and a vocabulary for cataloguing the working parts of play development initiatives. When scholars analyze a completed play text, there are several useful categories available with which to organize observations, including space and time, character, dialogue, plot and story, genre, and spectacle. Such basic categories have been lacking in the analysis of play development and dramaturgy practice. In order to create a framework for analysis, the hourglass model for play development analysis proposes the basic categories of source, perspective, leadership, company modelling, choice of form, conditions of creation (including assumed theatrical conventions), design, given and anticipated consequences, and reception. The three case studies included in this project demonstrate the uses and limitations of the analysis model for new play development and its categories. The Whispering Pines play development process at Nightswimming and the processes experienced by the participants in the 2011 Tarragon Playwright’s Unit both fit easily into the hourglass, largely because they employ traditional roles in the play development process without challenging established hierarchies and because both resulted in play texts; Nightswimming’s Rough House, as a devised piece, challenges the model and demonstrates its flexibility in dealing with non-traditional forms of theatre-making. By providing grounds for comparison between these three markedly different models, the hourglass teases out a number of productive contrasts between text-based and devised theatre. -
Rpquiz List Report Preview
Reading Practice Quiz List Report Page 1 Accelerated Reader®: Thursday, 03/04/10, 02:15 PM Southworth Elementary Reading Practice Quizzes Int. Book Point Fiction/ Quiz No. Title Author Level Level Value Language Nonfiction 1235 The 100th Day of School Angela Shelf Medearis 1.5 0.5 English 41025 The 100th Day of School Angela Shelf Medearis LG 1.4 0.5 English Fiction 661 The 18th Emergency Betsy Byars MG 4.1 3.0 English Fiction 7351 20,000 Baseball Cards Under the JonSea Buller LG 2.6 0.5 English Fiction 523 20,000 Leagues Under the Sea (Unabridged)Jules Verne MG 10.0 28.0 English Fiction 992 2095 Jon Scieszka 5.0 1.0 English 6201 213 Valentines Barbara Cohen LG 3.1 2.0 English Fiction 30629 26 Fairmount Avenue Tomie De Paola LG 4.4 1.0 English Fiction 166 4B Goes Wild Jamie Gilson MG 5.2 5.0 English Fiction 1223 50 Below Zero Robert Munsch 2.8 0.5 English 31170 The 6th Grade Nickname Game Gordon Korman MG 4.4 3.0 English Fiction 413 The 89th Kitten Eleanor Nilsson MG 4.3 2.0 English Fiction 76205 97 Ways to Train a Dragon Kate McMullan MG 3.3 2.0 English Fiction 79509 The A+ Custodian Louise Borden LG 4.5 0.5 English Fiction 101 Abel's Island William Steig MG 6.2 3.0 English Fiction 44236 Abigail's Drum John A. Minahan MG 4.6 1.0 English Fiction 18652 Abraham Lincoln Ingri/Edgar Parin D'AulaireLG 5.2 1.0 English Fiction 12573 The Absolutely True Story...How WilloI Visited Davis Yellowstone.. -
In This Is the End of Sleeping
The Chekhov Now Festival, in collaboration with ROTOR Productions, and Massachusetts Institute of Technology PRESENTS: IN THIS IS THE END OF SLEEPING After the Platonov fragment by CHEKHOV directed by JAY SCHEIB video and sound by LEAH GELPE, stage and light by JEREMY MORRIS, costumes by JESSICA HINEL, objects/art direction by BARA JICHOVA KIRKPATRICK, assistant director ADAM PERLMAN, stage managed by BELINA MIZRAHI, adapted and directed by JAY SCHEIB With performances by Eliza Bent, Gaëtan Bonhomme, Vanessa Burke, John Dewis, Olga Victorovna Fedorishcheva, Caleb Hammond, Joan Jubett*, Emily Knapp, Dan Liston, Eric Dean Scott*, Tao Wang * COURTESY OF ACTORS EQUITY, AEA SHOWCASE APPROVED Performances In New York City, as part of the Chekhov Now Festival: Opens Friday, Nov 12 at 8pm—and runs Nov 13 at 8pm; Nov 14 at 2pm; Nov 17 at 8pm; Nov 18 at 8pm; and Nov 20 at 5pm At the Connelly Theatre, 220 East 4th Street Tickets for the Chekhov Now Festival: 212.352.3101 or www.theatremania.com www.rotorproductions.com Anton Chekhov 1860-1904 About the Company (cont.) Adapted from the "Index of Chekhov productions" in Laurence Senelick’s book The Chekhov Theatre Joan Jubett (Anna Voynitsev) NEW YORK: Mac Wellman’s reading of School for Devils chronology (Primary Stages, Dir. Ken Rus Schmoll), co-author and performer with Jerusha 1860 Anton Chekhov born to the son of a former serf (now a grocer) Klemperer in Ritalin for Two (UNDER St. Marks, Dir. Rosemary Andress), Koltès’ Battle 1879 Chekhov enrolls in the Moscow University Medical school of Black and Dogs (Ohio Theatre, KoltèsNY2003 Festival, Dir. -
Textual Transgressions: Confessional Discourse in Late Twentieth-Century Canadian and Québécois Writing
TEXTUAL TRANSGRESSIONS: CONFESSIONAL DISCOURSE IN LATE TWENTIETH-CENTURY CANADIAN AND QUÉBÉCOIS WRITING by Myra D. Bloom A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of The Centre for Comparative Literature University of Toronto © Copyright by Myra D. Bloom (2014) Textual Transgressions: Confessional Discourse in Late Twentieth-Century Canadian and Québécois Writing Myra Bloom Doctor of Philosophy Graduate Department of The Centre for Comparative Literature University of Toronto 2014 Abstract Through close readings of six works of confessional fiction from Canada and Québec, this dissertation argues that the subversive use of confessional discourse can serve as a powerful platform for social critique. It challenges Michel Foucault’s thesis that confession, a practice that he regards as fundamental to our major social institutions such as religion, law, and medicine, is allied to a history of domination and as such serves to trap the subject within existing dynamics of power. Rather than regard confession as an instrument of repression, I reformulate it as a speech act that the subject can embrace in creative ways to resist and subsequently undermine constraining social narratives. My first chapter provides the theoretical basis for this argument, outlining the four main assumptions that underlie confession—the unified subject; guilt/shame; the need for forgiveness; the desire to be readmitted into the community—and introducing the strategies by which writers parodically undercut them. In Chapter 2, I apply this discussion to two texts that portray religion as a repressive force, Margaret Atwood’s The Handmaid’s Tale and Michel Tremblay’s Damnée Manon, Sacrée Sandra; I argue that the subversion of confessional discourse analogously undercuts the determining power of religious dogma. -
Select Bibliography
Select Bibliography Editions of Chekhov’s plays and short stories consulted or cited Bentley, E., ed. and trans., The Brute and Other Farces by Anton Chekhov, Grove Press, New York, 1958. Bristow, E. K., trans. and ed., Anton Chekhov's Plays, W. W. Norton and Com- pany, New York, 1977. Chekhov, A. (unknown translator), The Plays of Anton Chekhov, J. J. Little and Ives Company, New York, 1935. Chekhov, A. (unknown translator), The Cherry Orchard, Dover Publications, New York, 1991. Dunnigan, A., Chekhov: The Major Plays, The New America Library, New York, 1964. Fell, M. and West, J., trans., Tchekoff: Six Famous Plays, Gerald Duckworth and Co., London, 1949. Fen, E., ed., Chekhov Plays, Penguin, Harmondsworth, 1954. Frayn, M., trans., Wild Honey, Methuen, London, 1984. Frayn, M., trans., Chekhov Plays, Methuen Drama, London, 1988. Frayn, M., trans., The Seagull, Allen & Unwin, London, 1989. Gems, P., Uncle Vanya: A New Version, Eyre Methuen, London, 1980. Griffiths, T., ed., The Cherry Orchard, new English version, from Rapaport, H., trans., Pluto Press, London, 1981. Guthrie, T. and Kipnis, L., trans., The Cherry Orchard, University of Minnesota Press, Minneapolis, 1965. Hingley, R., The Oxford Chekhov, Vol. 1, Short Plays, Oxford University Press, London, 1968. Hingley, R., The Oxford Chekhov, Vol. 2, Platonov, Ivanov, The Seagull, Oxford University Press, London, 1967. Hingley, R., The Oxford Chekhov, Vol. 3, Uncle Vanya, Three Sisters, The Cherry Orchard, The Wood Demon, Oxford University Press, London, 1964. Hingley, R., The Oxford Chekhov, Vol. 4, Stories 1888±1889, Oxford University Press, London, 1980. Hingley, R., The Oxford Chekhov, Vol. 5, Stories 1889±1891, Oxford University Press, London, 1970.