Pre-Show In-The-Know

Total Page:16

File Type:pdf, Size:1020Kb

Pre-Show In-The-Know PRE-SHOW IN-THE-KNOW FAST FACTS ACTIVE AUDIENCE TITLE THINK ABOUT • The character’s inability to live life in the present - the now The Present after Anton Chekhov’s Platonov, by Andrew Upton • The character’s disenchantment with life • The tangled web of love and relationships in the play ABOUT THE PLAY • Russia in 1995 Love will tear us apart WATCH AND LISTEN FOR • Andrew Upton’s uniquely Australian comic wit incorporated Anton Chekhov’s first play was a sprawling, unstructured epic into the text but it marked out the style and themes he would return to in • The unfolding of a theme or idea across the course of the play his later masterworks from The Seagull toThe Cherry Orchard. It as opposed to a series of overt events creating the plot remains a mysterious, unpolished gem. • The naturalistic set of Act 2 and Act 4 and the more simplistic sets of Act 1 and Act 3 The manuscript, left unpublished until almost two decades af- ter Chekhov’s death, lacked a title. Over the years it has inspired MEMORABLE MOMENTS various adaptations – Wild Honey, Fatherlessness, The Disinher- • The wild dancing in the folly (the summer house) ited –but it is most commonly referred to as Platonov, the name • Anna, dynamite and the summer house of the man at its centre. And yet, the play has always contained • Act 3 where Mikhail is sitting outside and is visited by another extraordinarily rich and complex character – that of several characters in what seems to him like a “train station” Anna Petrovna. Taking on these roles are the fearsome talents of Cate Blanchett and Richard Roxburgh. Irish director John Crowley, renowned for his work on the West End and Broadway, brings his lean and precise theatrical vision. And, as with his 2010 adaptation of Uncle Vanya, Andrew Upton lends his distinctive voice, brim- ming with vitality, to this tale of yearning, vodka and shattered dreams. CAST Anna Bamford, Cate Blanchett, Andrew Buchanan, David Downer, Eamon Farren, Martin Jacobs, Brandon McClelland, Jacqueline McKenzie, Marshall Napier, Susan Prior, Richard Roxburgh, Chris Ryan, Toby Schmitz STYLE Naturalism, Comedy RUNNING TIME 3 hours .
Recommended publications
  • 2015 Sydney Theatre Award Nominations
    2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red
    [Show full text]
  • A H Ist Or Y of Fa Llin G T H In
    7 JULY – 20 AUGUST 2016 A HISTORY OF FALLING THINGS by James Graham A HISTORY OF FALLING THINGS by James Graham PLAYWRIGHT DIRECTOR JAMES GRAHAM NICOLE BUFFONI CAST CREW ROBIN JACQUI DESIGNER ASSISTANT ERIC BEECROFT SOPHIE HENSSER ANNA GARDINER STAGE MANAGER SLADE BLANCH LIGHTING LESLEY REECE DESIGNER WARDROBE MERRIDY BRIAN MEEGAN CHRISTOPHER PAGE COORDINATOR EASTMAN RENATA BESLIK AV DESIGNER JIMMY TIM HOPE DIALECT SAM O’SULLIVAN COACH SOUND DESIGNER NICK CURNOW ALISTAIR WALLACE JOHN REHEARSAL (VOICEOVER) STAGE OBSERVER MARK KILMURRY MANAGER ELSIE EDGERTON-TILL LARA QUALTROUGH PROUDLY SUPPORTED BY RUNNING TIME: APPROXIMATELY 90 MINUTES (NO INTERVAL) JAMES GRAHAM – PLAYWRIGHT James is a playwright and film Barlow. It opened in Boston in Summer 2014 and and television writer who won transferred to Broadway in Spring 2015. His play the Pearson Playwriting Bursary THE VOTE at the Donmar Warehouse aired in real in 2006 and went on to win the time on TV in the final 90 minutes of the 2015 Catherine Johnson Award for the Best Play in polling day and has been nominated for a BAFTA. 2007 for his play EDEN’S EMPIRE. James’ play His first film for television, CAUGHT IN A TRAP, was THIS HOUSE premièred at the Cottesloe Theatre broadcast on ITV1 on Boxing Day 2008. James was in September 2012, directed by Jeremy Herrin, and picked as one of Broadcast Magazine’s Hotshots transferred to the Olivier in 2013 where it enjoyed in the same year. He is developing original series a sell out run and garnered critical acclaim and and adaptations with Tiger Aspect, Leftbank, a huge amount of interest and admiration from Kudos and the BBC.
    [Show full text]
  • Roger Deakins to Receive ​Variety ​Artisan Award At
    August 14, 2019 .​MEDIA RELEASE​. ROGER DEAKINS TO RECEIVE ​VARIETY ​ARTISAN AWARD AT TIFF TRIBUTE GALA TORONTO​ — Joana Vicente and Cameron Bailey, Co-Heads of TIFF, today announced that Academy Award-winning cinematographer Roger Deakins will be honoured with the ​Variety​ Artisan Award​ at this year’s TIFF Tribute Gala awards event. The award recognizes a distinguished filmmaker who has excelled at their craft and made an outstanding contribution to cinema. Taking place on Monday, September 9, at the Fairmont Royal York, during the 44th Toronto International Film Festival, the Gala is an annual fundraiser to support TIFF’s year-round programmes and core mission to transform the way people see the world through film, and to celebrate the film industry’s outstanding contributors. ​Variety​ is proud to be the exclusive trade media partner on the event. Deakins won an Academy Award for ​Blade Runner 2049​, and was nominated for an additional 13 Oscars for his work on films including ​The Shawshank Redemption; O Brother, Where Art Thou?; No Country for Old Men; Skyfall​; and ​Sicario​. His illustrious career, spanning more than 40 years, also includes four ASC Award wins for Outstanding Cinematography, four BAFTA Awards, and collaborations with directors such as the Coen brothers, Ron Howard, Martin Scorsese, Angelina Jolie, Sam Mendes and Denis Villeneuve, making him one of the most sought-after cinematographers in the industry. Deakins’ latest work will be featured in the upcoming film ​The Goldfinch​. Directed by John Crowley and starring Ansel Elgort, Oakes Fegley, Aneurin Barnard, Finn Wolfhard, Sarah Paulson, Luke Wilson, Jeffrey Wright and Nicole Kidman, ​The Goldfinch​ will have its World Premiere at TIFF and will be released by Warner Bros.
    [Show full text]
  • Visionsplendidfilmfest.Com
    Australia’s only outback film festival visionsplendidfilmfest.comFor more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2017 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fourth annual Vision Splendid Outback Film Festival. This year we honour and celebrate Women in Film. The program includes the latest in Australian contemporary, award winning, classic and cult films inspired by the Australian outback. I invite you to join me at this very special Australian Film Festival as we experience films under the stars each evening in the Royal Open Air Theatre and by day at the Winton Shire Hall. Festival Patron, Actor, Mr Roy Billing OAM MESSAGE FROM THE MINISTER FOR TOURISM AND MAJOR EVENTS THE HON KATE JONES MP It is my great pleasure to welcome you to Winton’s Vision Splendid Outback Film Festival, one of Queensland’s many great event experiences here in outback Queensland. Events like the Vision Splendid Outback Film Festival are vital to Queensland’s tourism prosperity, engaging visitors with the locals and the community, and creating memorable experiences. The Palaszczuk Government is proud to support this event through Tourism and Events Queensland’s Destination Events Program, which helps drive visitors to the destination, increase expenditure, support jobs and foster community pride. There is a story to tell in every Queensland event and I hope these stories help inspire you to experience more of what this great State has to offer. Congratulations to the event organisers and all those involved in delivering the outback film festival and I encourage you to take some time to explore the diverse visitor experiences in Outback Queensland.
    [Show full text]
  • The 66Th Sydney Film Festival Begins 05/06/2019
    MEDIA RELEASE: 9:00pm WEDNESDAY 5 JUNE 2019 THE 66TH SYDNEY FILM FESTIVAL BEGINS The 66th Sydney Film Festival (5 – 16 June) opened tonight at the State Theatre with the World Premiere of Australian drama/comedy Palm Beach. Festival Director Nashen Moodley was pleased to open his eighth Festival to a packed auditorium including Palm Beach director Rachel Ward and producers Bryan Brown and Deborah Balderstone, alongside cast members Aaron Jefferies, Jacqueline McKenzie, Heather Mitchell, Sam Neill, Greta Scacchi, Claire van der Boom, and Frances Berry. Following an announcement of increased NSW Government funding by the Premier Gladys Berejiklian, Minister for the Arts Don Harwin commented, “Launching with Palm Beach is the perfect salute to great Australian filmmaking in a year that will showcase a bumper list of contemporary Australian stories, including 24 World Premieres.” “As one of the world’s longest-running film festivals, I’m delighted to build on our support for the Festival and Travelling Film Festival over the next four years with increased funding of over $5 million, and look forward to the exciting plans in store,” he said. Sydney Film Festival Board Chair, Deanne Weir said, “The Sydney Film Festival Board are thrilled and grateful to the New South Wales Government for this renewed and increased support. The government's commitment recognizes the ongoing success of the Festival as one of the great film festivals of the world; and the leading role New South Wales plays in the Australian film industry.” Lord Mayor of Sydney, Clover Moore also spoke, declaring the Festival open. “The Sydney Film Festival’s growth and evolution has reflected that of Sydney itself – giving us a window to other worlds, to enjoy new and different ways of thinking and being, and to reach a greater understanding of ourselves and our own place in the world.” “The City of Sydney is proud to continue our support for the Sydney Film Festival.
    [Show full text]
  • Drama Audition Female Senior Monologues
    Drama Audition Female Senior Monologues Northmead Creative & Performing Arts High School NSW, Department of Education and Training N S W , Classical and contemporary audition pieces. Department of Education and T r a i n i n g Imagine, Endeavour, A c h i e v e Northmead CAPAHS Campbell Street Northmead N S W 2 1 5 2 02 96304116 P r i n c i p a l – N . V a z q u e z Northmead Creative & Performing Arts High- Drama Audition The following pieces have been chosen from standard editions of the works. You may use the equivalent monologue from a different edition of the play, for example, if you have access to a different edition of the Shakespeare plays. For translated works, we have chosen a particular translation. However, you may use another translation if that is the version available to you. If you cannot access the Australian plays through your local library, bookshop or bookshops on our suggested list, published editions of the Australian plays are generally available through Currency Press. AUDITION PROCESS You will be required to choose one monologue from the list provided to perform. Please note the delivery time of a monologue may vary depending on your interpretation of the chosen piece. Usual estimated time is between three to eight minutes. So please make sure your monologue is within this time frame. You may be asked to deliver your chosen piece more than once. You will also be tested for improvisation skills. So be prepared to use your imagination and creativity. A script may be handed to you during the audition.
    [Show full text]
  • Star-Studded Line-Up Set for the 7Th AACTA Awards Presented by Foxtel
    Media Release Strictly embargoed until 12:01am Wednesday 22 November 2017 Star-studded line-up set for the 7th AACTA Awards presented by Foxtel The Australian Academy of Cinema and Television Arts (AACTA) has today announced the star-studded line- up of presenters and attendees of the 7th AACTA Awards Ceremony presented by Foxtel. Held at The Star Event Centre in Sydney on Wednesday 6 December and telecast on Channel 7, tickets are still available to enjoy a night of glamour and entertainment with the country’s biggest stars. Tickets are open to the public and industry and are selling fast. To book, visit www.aacta.org. The Ceremony will see some of Australia’s top film and television talent take to the stage to present, including: Jessica Marais, Rachel Griffiths, Bryan Brown, Charlie Pickering, Noni Hazlehurst, Shane Jacobson, Sophie Monk, Rob Collins, Samara Weaving, Daniel MacPherson, Tom Gleeson, Erik Thomson, Melina Vidler, Ryan Corr, Dan Wyllie and celebrated Indian actor and member of the Best Asian Film Grand Jury Anupam Kher. Nominees announced as presenters today include: Celia Pacquola, Pamela Rabe, Marta Dusseldorp, Stephen Curry, Emma Booth, Osamah Sami, Ewen Leslie and Sean Keenan. A number of Australia’s rising stars will also present at the AACTA Awards Ceremony, including: Angourie Rice, Nicholas Hamilton, Madeline Madden, and stars of the upcoming remake of STORM BOY, Finn Little and Morgana Davies. Last year’s Longford Lyell recipient Paul Hogan will attend the Ceremony alongside a number of this year’s nominees, including: Anthony LaPaglia, Shaynna Blaze, Luke McGregor, Don Hany, Jack Thompson, Kate McLennan, Sara West, Matt Nable, Jacqueline McKenzie and Susie Porter.
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • P20-21 Layout 1
    20 Established 1961 Lifestyle Music & Movies Tuesday, September 10, 2019 ortraying a terrorist attack on a New York art museum in “The Goldfinch,” the new film starring PNicole Kidman, evoked fears of psychological trau- ma and uncomfortable real-life parallels, filmmakers said Sunday. The chilling scene at the start of Donna Tartt’s Pulitzer-winning novel, on which the movie is based, sees 13-year-old Theo lose his mother and barely escape him- self through a crumbling pile of priceless art treasures at the Metropolitan Museum of Art. The bombing is shown without sound and strictly from the foggy perspective of the child in flashback sequences, in part to avoid comparisons with incidents such as the 9/11 attacks in the same city, director John Crowley said at Toronto’s film festival. “With our per- spective it felt wrong to reference real terrorist attacks,” he said. “For you to have your head taken to that just did- n’t feel that appropriate.” Kidman, playing the mother of Theo’s friend who is forced to take in the child following the bombing, said she had studied the effects of trauma for her UN ambassador work on war and crimes against women and children, as well as a number of film roles. “So much of the time it is not screaming in the moment” but rather taking “a life- (From left) Ansel Elgort, Nicole Kidman and Oakes Fegley attend ‘The Goldfinch’ premiere Actress Sarah Paulson attends ‘The Actress Nicole Kidman attends “The time to process what has happened,” she said. “As an during the 2019 Toronto International Film Festival at Roy Thomson Hall in Toronto, Goldfinch’ premiere.
    [Show full text]
  • Mcpherson's Limited Results for the Year Ended 30 June 2014
    McPherson’s Limited Full Year Results Release Financial Year 2016 Paul Maguire – Managing Director Paul Witheridge – Chief Financial Officer 22 August 2016 MCP FY2016 - Financial Overview Underlying Results* Brand consolidation – fewer, bigger brands Revenue (Comparable) 1.3% Range rationalisation – exiting of lower $312.6m margin product ranges EBIT Improvement in revenue quality 14.2% $25.7m Growth despite significant AUD devaluation NPAT 12.3% $13.4m EPS 9.7% 13.6cps * Underlying amounts exclude the significant non-recurring items outlined on Slide 4 2 Summary Bridge of Growth in Underlying EBIT FY15 to FY16 ($m) 1.0 Increased Housewares JV contribution 5.2 Volume Increase / Product 5.1 Mix (13.1) FY16 Price Product EBIT FY15 Increases 1.7 Sourcing $25.7m EBIT Commodity Savings $22.5m Cost Reductions 7.0 AUD/USD Currency (3.7) Decline Increased A&P Expenditure, Cost Increases 3 MCP FY2016 Financial Overview – Significant Items Significant Items A$m FY2016 FY2015 Profit from divestment of Housewares 2.0 - Inventory rationalisation and restructuring costs (4.4) (4.1) Closure of Impulse Merchandising Division (1.4) - Bond buyback cost (0.3) - Legal and acquisition costs (0.2) (0.4) Interest rate swap termination loss - (2.0) Impairment of intangible assets - (0.6) Contingent consideration adjustment - 2.0 Total Significant Items before Tax (4.3) (5.1) Tax benefit on Significant Items 1.9 2.0 Total Significant Items After Tax (2.4) (3.1) 4 MCP FY2016 - Financial Overview Underlying Cash Conversion* $34.2m operating cash flow before
    [Show full text]
  • Strange Interlude
    Media Release April 2012 Belvoir presents Strange Interlude Written by SIMON STONE after EUGENE O’NEILL Director SIMON STONE Set Designer ROBERT COUSINS Costume Designer MEL PAGE Lighting Designer DAMIEN COOPER Composer & Sound Designer STEFAN GREGORY With AKOS ARMONT NICHOLAS BAKOPOULIS-COOKE EMILY BARCLAY MITCHELL BUTEL CALLUM McMANIS KRIS McQUADE ELOISE MIGNON ANTHONY PHELAN TOBY SCHMITZ TOBY TRUSLOVE BELVOIR ST THEATRE | UPSTAIRS 5 MAY – 17 JUNE An experimental play from the 1920s may not be the most obvious choice for inclusion in Belvoir’s strikingly contemporary season, but in the hands of Simon Stone theatre-goers will know to expect a radical interpretation of Eugene O’Neill’s Pulitzer Prize-winning play. In the vein of Stone’s The Wild Duck, a sell-out at both Belvoir and Melbourne’s Malthouse Theatre, Strange Interlude will be completely rewritten. Strange Interlude is one of the few modern plays to use soliloquy interwoven with the dialogue, revealing the characters’ inner thoughts; this technique will be maintained in the rewrite. Twenty-year-old Nina Leeds (Emily Barclay) has lost the love of her life in the war. Overcome with grief, she quits university, falls out with her father and moves away from home. What follows is an epic and compelling narrative that spans 25 years in Nina’s life, but the story is compressed into a series of heightened, life altering moments. The significance of each of these moments is revealed as the page-turning story unravels. The cast assembled for this production is truly stellar, with the luminous Emily Barclay as Nina and Mitchell Butel, Toby Schmitz and Toby Truslove as three men in her life, each vying for her attention and affection in his own way.
    [Show full text]
  • CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
    -Season Three- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor and upcoming work includes the feature film 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay, and And Then There Were None for the BBC. He will also star opposite Timothy Spall and John Hurt in Nick Hamm’s The Journey. Previous television roles include: “Vexed” (BBC), “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). Recent film credits include: Believe with Natasha McElhone and Brian Cox, All Things to All Men alongside Gabriel Byrne and Rufus Sewell, and the lead role in The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor, both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House,” ‘Jerry’ in
    [Show full text]