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Piscina Mirabilis the Way of Water

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Piscina Mirabilis the Way of Water Piscina Mirabilis The way of Water Lara Hatzl Institut für Baugeschichte und Denkmalpflege EM2 Betreuer: Florina Pop; Markus Scherer Inhaltsverzeichnis Abstract Inhalt Die Piscina Mirabilis ist eine römische Zisterne in der Gemeinde Bacoli am Golf von Neapel. Sie wurde unter Kaiser Augustus im 1. Jahrhundert n. Chr. im Inneren eines Tuffsteinhügels angelegt; ihre Auf- 1 Piscina Mirabilis gabe war es, den Portus Julius, das Hauptquartier der Flotte im westlichen Mittelmeer nahe Pozzuoli, mit Trinkwasser zu versorgen. Das Wasser wurde durch einen 96 km langen Aquädukt herangeführt, 1 The way of Water der vom Serino östlich des Vesuvs an dessen nördlicher Flanke entlang zum Misenosee führte. Die gut erhaltene Zisterne misst rund 72 x 27 m, der Raum wird geprägt durch ein regelmäßiges Raster von 1 Vorabzug Stützen und Bogen mit Gewölben. 2 Inhaltsverzeichnis In meiner Entwurfsidee folge ich dem Wasser. Der Weg von der Quelle in Serino und die Piscina als 3 Abstract Ausgangspunkt. Das Wasser spielt in diesem Gebiet eine Zentrale Rolle. Die Zisterne versorgte den Kriegshafen in Miseno mit Frischwasser. in Unmittelbarer nähe befindet sich Baiae mit ihren Thermena- 5 Verortung lagen welche schon damals als atraktives und erholsames Gebiet wirkte. 11 Inspirationen 14 Künstler - Numen / for use Wasser ist ein wichtiges Element in meinem Entwurf. Ich bedecke die gesamte Dachfläche mit einer Wasserschicht. Durch die Öffnungen in der Dachfläche und durch die Wasseroberfläche bekommt man 15 Künstler - Loris Cecchini auch im Inneren den Eindruck als wäre man im Wasser. Das ruhige Wasser spiegelt auf den daraufste- henden Bau. (Inspiration Architekt Tadao Ando /Modern Art Museum of Fort Worth und Langen Foun- 16 Gebäudeanalyse Innenraum Bögen dation) Dachdurchbruch 18 Gebäudeanalyse-Innenraum Fotos Der Bogen ist in der römischen Architektur weit verbreitet. In meinem Fall beziehe ich mich auf die 20 Bestand Bauweise des Aquädukts mit der Aneinander Reihung von Bögen. In diesem Entwurf vervollständigt sich der Bogen erst durch die genaue Betrachtung in der richtigen Position. Es ist ein Spiel mit der Op- 21 Konzeptskizze tik des Auges. Das Bogensegment ist von einem Bogen der Piscina übernommen und wurde nur in der Breite verändert. Um den unteren Teil wieder mit einzubeziehen wurden die Bogensegmente an dem 22 Entwurfsidee- Ausstellungskonzept Raster der Piscina ausgerichtet. 28 Entwurf_Außenbögen 29 Midterm 30 Entwicklung der Halbbogen Segmente 31 Vorentwurf 38 Finaler Entwurf Ansicht der Seitenarkaden 2 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM 2 Lara Hatzl SS 2020 Institut für Baugeschichte und Denkmalpflege 3 Verortung Wir befinden uns in der Region Kampani- Bacoli - Piscina Mirabilis en. In der Ortschaft Bacoli. In der näheren Umgebung befindet sich die Stadt Neapel und Pompji und der Vesuv. Region Kampanien Itallien region Kampanien Zoom in Piscina und Umgebung 4 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM 2 Lara Hatzl SS 2020 Institut für Baugeschichte und Denkmalpflege 5 Umgebung Bilder anderer Historischer Stätten Tempio di Diana Tempio di Venere Thermenanlage Baiae Parc Archeologique Tempio di Venere Tomba di Agrippa Sous-Marin de Baia Castello di Aragonese di Baia Tomba di Agrippa Tempio di Diana Thermenanlage Baiae Parc Archeologique Sous-Marin de Baia Teatro di Miseno Sacello degli Augustali Grotta della Dragonara 6 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM 2 Lara Hatzl SS 2020 Institut für Baugeschichte und Denkmalpflege 7 Via Domitian Aqua Agusta - Serino Aquädukt Bacoli - Piscina Mirabilis VIA DOMITIANA Ein Ableger der Via Domitiana, führt von Bacoli - Piscina Mirabilis Das Serino Aquädukt versorgte die Piscina Cuma bzw. Baiae nach Misenum, und mit frisch Wasser. Das Aquädukt versorg- kommt bei der Piscina Mirabillis vorbei. te auch die Umliegenden Gemeinde wie Cuma Neapel und Pompji mit Wasser. VIA CAMPANA NEAPEL CUMA VIA DOMITIANA BAIAE POZZUOLI Acquaro-Pelosi Spring NEAPEL Vesuv MISENUM 8 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM 2 Lara Hatzl SS 2020 Institut für Baugeschichte und Denkmalpflege 9 Sonnenstunden und Temperatur Inspirationen Torre del Borgo / CN10 architetti Auf den folgenden Seiten sind verschieden Projekte auf- gelistet welche mir als Inspiration dienen. Die ersten zwei Projekte sind als Beispiel gedacht wie Architekten mit der Aufgabe, Bauen im Bestand umgehen. und mit der Nut- zung des Museums. Die weiteren Projekte ins besonders Tadao Ando inspi- rierte mich mit einer Wasser Oberfläche zu arbeiten. Moritzburg Halle/ Nieto Sobejano James-Simon-Galerie / Chipperfield https://www.sunearthtools.com/dp/tools/pos_sun.php?lang=de https://www.bestereisezeit.at/italien/bacoli-2302204/#Klima_Bacoli 10 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM 2 Lara Hatzl SS 2020 Institut für Baugeschichte und Denkmalpflege 11 Langen Foundation/ Modern Art Museum of Fort Worth / Tadao Ando Architect & Associates Tadao Ando Architect & Associates Tadao Ando Insperiert mich mit seinen Projekten das Ob- Tadao Ando Insperiert mich mit seinen Projekten das Ob- jekt direkt ins Wasser zusetzen jekt direkt ins Wasser zusetzen Galeria Adriana Varejao / Tacoa Arquitetos https://www.archdaily.com/319723/adria- https://www.archdaily.com/213084/flash- na-varejao-gallery-tacoa-arquitetos?ad_ back-modern-art-museum-of-fort-worth- medium=gallery tadao-ando?ad_medium=gallery 12 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM 2 Lara Hatzl SS 2020 Institut für Baugeschichte und Denkmalpflege 13 Künstler - Numen / for use Künstler - Loris Cecchini Kurz Biografie Numen/ for use ist ein Arbeits Kollektiv was in den Berei- kurz Biographie chen der Konzeptkunst, Szenografie, Industrie und Raum- gestaltung tätig ist. Loris Cecchini geboren 1969 in Milan. Er abeitet mit Fotografie, Skulpturen, Installationen und For Use wurde 1998 gegründet von den Industriedesigner Zeichnungen. Sven Jonke, Christoph Katzler und Nikola Radeljkovic, 1999 kam die Bezeichnung Numen als Identität für Projek- te Außerhalb des Industriedesigns dazu. Installation Tape Paris 1 Zeichnung zur Skulptur Waterbones Auswahl: Auswahl: Die genaue Auswahl wird später folgen, es stehen aber Die genaue Auswahl wird später folgen,es wird eine Aus- fest das es entweder eine Tape oder eine Tube Installation wahl an Skulpturen sein. wird. 2 Skulptur Waterbones 3 Skulptur Seed Syllables Installation Tube Linz 4 Zeichnung „ I must be seeing things“ 14 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM 2 Lara Hatzl SS 2020 Institut für Baugeschichte und Denkmalpflege 15 Gebäudeanalyse Innenraum Bögen 119.00 119.00 51.00 130.16 R124.90 R154.06 920.55 920.55 790.46 1108.68 1108.68 1057.21 50.88 249.82 51.00 351.70 51.00 308.09 51.00 410.09 119.00 51.00 119.00 76.06 R124.90 R115.81 952.28 952.28 1096.44 1096.44 876.28 1045.44 51.00 231.63 51.00 333.63 51.00 249.82 51.00 351.82 16 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM 2 Lara Hatzl SS 2020 Institut für Baugeschichte und Denkmalpflege 17 Gebäudeanalyse Innenraum Fotos Aus der vorherigen Analyse sind Muster entstanden wel- Wege: che für Beschattung, Absturzsicherung und Sichtschutz Außenkanten weiter verwendet werden. Brüche im Putz Strukturen Sichtschutz, Absturzsicherung, Bruchkanten Beschattung verbindung mit Flächen Mauerwerk opus rectulatum opus rectulatum + Mauerwerk 18 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM 2 Lara Hatzl SS 2020 Institut für Baugeschichte und Denkmalpflege 19 Bestand A Konzeptskizze Raumprogramm: ca. m2 Rezeption 30m2 Garderobe 20m2 WC Anlage ( 2 Damen und 2 Herren) 10m2 Ausstellung-Museums Rundgang Buchshop 60m2 B Bar/Restaurant 70m2 Konferenzraum (80 Personen) 140m2 Büro (3 Personen) 30m2 Lagerraum 20m2 A Systemskizzen: Grundriss Bestand Schnitt B-B Dachäche Weg Boden/Ausstellung Schnitt A-A 20 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM 2 Lara Hatzl SS 2020 Institut für Baugeschichte und Denkmalpflege 21 Entwurfsidee Ausstellungskonzept Entwurf Weg der Ausstellung Wege: Nach der Quelle nimmt das Wasser den Weg des Baches Eingang Weg 1 oder in unserem Falle fliest es über die Aquäduktleitung. Weg 2 Für den Ausstellungsweg bediene ich mich an einem Installation / Numen/ For Use historischen Muster das Mäanderband. Es steht in der eckigen Form für Flussschlingen aber es symboliesiert auch die Wellen. Dieses Muster gibt es in verschieden Varianten und Verschlingungen. Idee des Ausstellungsweges: Herleitung aus einem Römischen Mosaik. „ Wild boar; Floor mosaic of the ent- rance to the House of Vesbinus (Casa del Cinghiale II). Date: A.D. 50—79 Place of origin: Pompeii“ -https://theancientway- Ausgang oflife.tumblr.com/post/171104919995/wild-boar-floor-mosaic-of-the-entran- ce-to-the/amp N 22 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM 2 Lara Hatzl SS 2020 Institut für Baugeschichte und Denkmalpflege 23 Ausstellung Künstler - Numen / for use Künstler - Loris Cecchini 1 2 3 4 5 5 Installation Tube Linz Cloudless Aerial Boundaries The Developed Seed (cop- Aerial roots on improvised Waterbones 2011 2012 per version 488), 2016 display, 2013 2019 40.000 PTFE spheres, 8 aluminium ladders, Dbond, steel wire rope copper electroplated welded steel modules, stainless steel steel cables, fixing plastic stripes stainless stee variable dimensions 5 1 2 3 4 24 Institut für Baugeschichte und Denkmalpflege EM 2 Lara Hatzl SS 2020 EM
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