Tudor Knight
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Universidade Federal De Santa Catarina Centro De Filosofia E Ciências Humanas Departamento De História Disciplina: Trabalho De Conclusão De Curso
UNIVERSIDADE FEDERAL DE SANTA CATARINA CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS DEPARTAMENTO DE HISTÓRIA DISCIPLINA: TRABALHO DE CONCLUSÃO DE CURSO ANDERSON TSUKIYAMA A CONSTRUÇÃO DO IDEAL DA CAVALARIA INGLESA NOS SÉCULOS XIII E XV ATRAVÉS DAS ARTES MARCIAIS FLORIANÓPOLIS 2015 2 ANDERSON TSUKIYAMA A CONSTRUÇÃO DO IDEAL DA CAVALARIA INGLESA NOS SÉCULOS XIII E XV ATRAVÉS DAS ARTES MARCIAIS Trabalho de conclusão de curso referente ao curso de graduação em História da Universidade Federal de Santa Catarina. Orientadora: Profª Dra. Aline Dias da Silveira FLORIANÓPOLIS 2015 3 4 DEDICATÓRIA Aos membros do SCAM e amigos, sem os quais eu não teria conseguido progredir nesta pesquisa. 5 AGRADECIMENTOS Gostaria de agradecer primeiramente a minha orientadora, professora Aline Dias da Silveira, essencial para que eu pudesse executar este trabalho, pelas palavras diretas e necessárias, além de toda a dedicação e paciência, para me preparar para os desafios que ainda estão por vir. Aos amigos que encontrei durante a graduação, como Leonardo Remor, Andreas, Isabela, João e Stephanie. A Samanta por ter tido paciência em me ajudar com as normas técnicas, além de outros que resultariam em muitos agradecimentos neste pequeno espaço. À minha família fica meu maior agradecimento, por apoiar incondicionalmente alguém que optou por mudar a sua área de atuação, compreendendo que foi uma escolha feita por uma grande afinidade com a história. Mesmo com as dificuldades que tive pelo caminho, meus pais, Jorge Issao Tsukiyama e Adélia Tsukiyama estiveram sempre ao meu lado, assim como minha irmã Joselayne e meu cunhado César. Gostaria de agradecer ao enorme amor de minha namorada, Aline Martins Machado, meu porto seguro, por ter tido a grande paciência em compreender as minhas dificuldades, inclusive lendo meu texto e me passando as correções necessárias. -
Fitting Words Fit These Bingos Into Your Word Wardrobe: CLOTHES, FASHION, WEARABLES, ACCESSORIES Compiled by Jacob Cohen, Asheville Scrabble Club
Fitting Words Fit these bingos into your word wardrobe: CLOTHES, FASHION, WEARABLES, ACCESSORIES compiled by Jacob Cohen, Asheville Scrabble Club A 8s ACOUSTIC ACCIOSTU hearing aid [n -S] AIGRETTE AEEGIRTT tuft of feathers worn as head ornament [n -S] ALGERINE AEEGILNR woolen fabric [n -S] APPLIQUE AEILPPQU to apply as decoration to larger surface [v -D, -ING, -S] APRONING AGINNOPR APRON, to provide with apron (garment worn to protect one's clothing) [v] ARMATURE AAEMRRTU to furnish with armor [v -D, -RING, -S] ARMGUARD ADGMNRRU covering to protect arm [n -S] ARMIGERO AEGIMORR armiger (one who carries armor of knight) [n -S] ARMORING AGIMNORR ARMOR, to furnish with armor (defensive covering) [v] ARMOURED ADEMORRU ARMOUR, to armor (to furnish with armor (defensive covering)) [v] ARMOURER AEMORRRU armorer (one that makes or repairs armor) [n -S] ATTIRING AGIINRTT ATTIRE, to clothe (to provide with clothing) [v] AVENTAIL AAEILNTV ventail (adjustable front of medieval helmet) [n -S] B 8s BABOUCHE ABBCEHOU heelless slipper [n -S] BABUSHKA AABBHKSU woman's scarf [n -S] BABYDOLL ABBDLLOY short sheer pajamas for women [n -S] BACKWRAP AABCKPRW wraparound garment that fastens in back [n -S] BAGGIEST ABEGGIST BAGGY, loose-fitting [adj] BALDRICK ABCDIKLR baldric (shoulder belt) [n -S] BALMORAL AABLLMOR type of shoe (covering for foot) [n -S] BANDANNA AAABDNNN large, colored handkerchief [n -S] BARATHEA AAABEHRT silk fabric [n -S] BAREHEAD AABDEEHR without hat [adv] BARENESS ABEENRSS state of being bare (naked (being without clothing or covering)) -
Of the Roman Empire
EDITIONLAUSANNE Limited to one tbousand registered sets N0.4'7 THE DECLINEAND FALL OF THE ROMAN EMPIRE VOL. I1 THE HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE BY EDWARD GIBBON EDITED BY J. B. BURY, M.A. WITH AN INTRODUCTION BY THE RT. HON. W. E. H. LECKY VOL. I1 NEW YORK FRED DE FAU & COMPANY PUBLISHERS COPYRIGHT,I+, FRED DE FAU & COMPANY. CONTENTS OF THE SECOND VOLUME PACE... LIST OF ILLUSTRATIONS......... xu1 CHAPTER X The Emperors Decks. Gallus. Amilianus. Valerian. and Galliersur - The General Irruption of the Barbarians - The Thirty Tyrads A.D. 248-268 The Nature of the Subject .......i The Emperor Philip .........a 249 Services.Revolt. Victory. and Reign of the Emperor Decius . a 250 He marchesagainst the Goths ......3 Origin of the Goths from Scandinavia .....4 Religion of the Goths ........5 Institutions and Death of Odin .......6 Agreeable. but uncertainHypothesis concerning Odin . 6 Emigration of the Goths fromScandinavia into Prussia . 7 -from Prussia to theUkraine ...... 8 The Gothic Nation increases in its March .... 9 Distinction of the Germans and Sarmatians ....10 Description ofUkraine the ......10 The Goths invade the Roman Provinces .....11 250 Various Events of the Gothic War ... ..12 251 Decius revives the ofice of Censor in the Person of Valerian . 14 The Design Impracticable. and without Effect ....15 Defeat and Death of Decius and his Son .....16 251 Election of Gallus .........IS 252 Retreat of the Goths ....... 18 gallus purchases Peace by the Payment of an annual Tnbut; 18 Popular Discontent .........19 253 Victory and Revolt of Ahilianus ......20 Gallus abandoned and slain .......20 Valerian revenges the Death of Gallus .....21 Is acknowledged Emperor ........21 'i Character of Valerian .... -
Download Date 04/10/2021 06:40:30
Mamluk cavalry practices: Evolution and influence Item Type text; Dissertation-Reproduction (electronic) Authors Nettles, Isolde Betty Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 06:40:30 Link to Item http://hdl.handle.net/10150/289748 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this roproduction is dependent upon the quaiity of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that tfie author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal secttons with small overlaps. Photograpiis included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and white photographic prints are available for any photographs or illustrattons appearing in this copy for an additk)nal charge. -
Gary Gygax's World Builder
FOR a “GYGAXIAN” FANTASY WORLD THE ESSENTIAL TOOL fOR FANTASY WORLD CREATION! by Gary Gygax & Dan Cross GYGAXIAN FANTASY WORLDS , Vol. II Acknowledgements Authors: Gary Gygax & Dan Cross Cover Artist: Matt Milberger Contributing Authors: Carrie Cross, Michael Leeke, Title Logo: Matt Milberger Jamis Buck, Tommy Rutledge, Josh Hubbell, Stephen Vogel, Luke Johnson & Malcolm Bowers Production: Todd Gray, Stephen Chenault Artists: Dave Zenz, Andy Hopp, & & Davis Chenault Mark Allen Dan Cross: Special thanks to my lovely wife Carrie Cross for the Complete Herbalist lists, John Troy for his valuable suggestions and additions to the D20 material, and to Randall & Debbie Petras for their contributions to the “human descriptors” lists. And a very special thanks to Richard Cross for teaching his son how to write. Troll Lord Games, L.L.C. Or on the Web at PO Box 251171 http://www.trolllord.com Little Rock, AR 72225 [email protected] This book is published and distributed by Troll Lord Games, L.LC. All text in this book, other than this title page and page 180 concerning the Open Game License, is Copyright © 2004 Trigee Enterprises Company. All other artwork, illustration, maps, and trade dress is Copyright © 2004 Troll Lord Games, L.L.C. All Rights Reserved. Lejendary Adventure, the Lejendary Adventure logo, and Gary Gygax’s World Builder are Trademarks of Trigee Enterprises Company. All Rights Reserved. Troll Lord Games and the Troll Lord Games logo are Trademarks of Troll Lord Games, L.L.C. All Rights Reserved. ‘D20 System’ and the ‘D20 System’ logo are Trademarks owned by Wizards of the Coast and are used according to the terms of the D20 System License version 3.0. -
Arms, Armour and Art
ARMS, ARMOUR AND ART by Claude Blair Serious interest in the study and collecting of early arms and armour began, as might be expected, with the 19th century Gothic Revival. It was stimulated by the number of examples brought into the art-market by the upheavals of the Napoleonic Wars, and also by the publication of Dr. (later Sir) Samuel Rush Mey rick’s seminal Critical Inquiiy into Anticnt Armour in 1824, and most of the great 19th and early 20th century art collectors, like Sir Richard Wallace and Henry Walters, acquired at least a few fine pieces. A change came after World War I, partly because of the growth of an anti-militarism which, though justified in itself, classified all arms - the gold-hiltcd 18th century small sword and the Vickers machine-gun alike - as implements of war. More significant, however, was the revulsion against Romanticism and all things Gothic, combined with the growing snobbery that divided the arts into ‘Fine’ and ‘Applied’, with the former always automatically given precedence. The absurd situation thus arose in which Henry Moore’s lumpen ‘Helmet’ would be regarded as an important work of art, and a fine 15th-century Italian helmet of the shape from which it was derived would not, though the latter might be infinitely 1. Gold parade helmet of Meskalcm-dug in the form ofa wig c. 2600 B.C. superior as a piece of abstract sculpture! Few of the great art From the royal tombs at Ur, now in Iraq. Xatioual Museum, Baghdad. collectors now acquired arms and armour — William and a famous gold dagger which, in the words of its discoverer, Randolph Hearst being a notable exception - and the subject, Leonard Woolley, is ‘a wonderful weapon whose blade.. -
Inventory and Survey of the Armouries of the Tower of London. Vol. I
THE ARMOVRIES OF THE TOWER OF LONDON MCMXVI McKEW PARR COLLECTION MAGELLAN and the AGE of DISCOVERY PRESENTED TO BRANDEIS UNIVERSITY • 1961 1 > SeR-GEokGE Ho\W\RDE KNfioHTAASTEFl oF THE Q.WEN£S*AA)EST/FS ARMORYAWODOn, <»^^= — ^F^H5^— r^l 5 6. : INVENTORY AND SURVEY OF THE Armouries OF THE Tower of London BY CHARLES J. FFOULKES, B.Litt.Oxon, F.S.A. CURATOR OF THE ARMOURIES n> Volume I. r LONDON Published by His Majesty's Stationery Office Book Plate of the Record Office in the Tower by J. MYNDE circa 1760 To The King's Most Excellent Majesty SIRE, laying this History and Inventory of the Armouries of the Tower INof London before Your Majesty, I cannot but feel that, in a work of this nature, it would be unfitting that I should take credit for more than the compilation and collation of a large amount of work done by others in the past. In tracing the changes that have taken place from the time when the Tower was a Storehouse of Military Equipment up to the present day, when it is the resting place of a Collection of Royal and Historical Armours many of which are without equal in Europe, I have availed myself of the National Records and also of the generous assistance of living authorities who have made a special study of the several subjects which are dealt with in these pages. I therefore ask Your Majesty's gracious permission to acknowledge here my indebtedness and gratitude to my predecessor Viscount Dillon, first Curator of the Armouries, who has unreservedly placed at my disposal the vast amount of notes, photographs, and researches, which he had collected during over twenty years of office. -
Ffib COSTUME of the Conquistadorss 1492-1550 Iss
The costume of the conquistadors, 1492-1550 Item Type text; Thesis-Reproduction (electronic) Authors Coon, Robin Jacquelyn, 1932- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 16:02:18 Link to Item http://hdl.handle.net/10150/348400 ffiB COSTUME OF THE CONQUISTADORSs 1492-1550 iss ' ' " Oy _ , ' . ' Robin Goon A Thesis Submitted to the Faculty of the DEPiRTMENT OF DRAMA In Partial Fulfillment of the Requirements For the Degree of ■ MASTER OF ARTS v ' . In the Graduate College THE UHIFERSITI OF ARIZONA 1962 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of re quirements for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to bor rowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. " / /? signed i i i Q-'l ^ > i / r ^ t. -
Table of Contents
1 Table of Contents 2 Letter Words .................................................................................................................................2 3 Letter Words .................................................................................................................................3 4 Letter Words .................................................................................................................................5 5 Letter Words ...............................................................................................................................12 6 Letter Words ...............................................................................................................................25 7 Letter Words ...............................................................................................................................43 8 Letter Words ...............................................................................................................................60 All words are taken from OWL 22 HOW TO USE THIS DOCUMENT Have you ever wanted to maximize your studying time? Just buzzing through word lists do not ensure that you will ever play the word….ever. The word lists in this document were run through 917,607 full game simulations. Only words that were played at least 100 times are in this list and in the order of most frequently played. These lists are in order or probability to play with the first word being the most probable. To maximize the use of this list is easy. Simply -
The Classic Suit of Armor
Project Number: JLS 0048 The Classic Suit of Armor An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science by _________________ Justin Mattern _________________ Gregory Labonte _________________ Christopher Parker _________________ William Aust _________________ Katrina Van de Berg Date: March 3, 2005 Approved By: ______________________ Jeffery L. Forgeng, Advisor 1 Table of Contents ABSTRACT .................................................................................................................................................. 5 INTRODUCTION ........................................................................................................................................ 6 RESEARCH ON ARMOR: ......................................................................................................................... 9 ARMOR MANUFACTURING ......................................................................................................................... 9 Armor and the Context of Production ................................................................................................... 9 Metallurgy ........................................................................................................................................... 12 Shaping Techniques ............................................................................................................................ 15 Armor Decoration -
Klaipeda University Lithuanian Institute of History
KLAIPEDA UNIVERSITY LITHUANIAN INSTITUTE OF HISTORY Paulius BUGYS ARMOUR IN THE GRAND DUCHY OF LITHUANIA IN THE SECOND HALF OF THE 13 TH – 1ST HALF OF THE 16 TH CENTURY (ON THE BASIS ARCHAEOLOGICAL DATA) Summary of doctoral dissertation Humanities, History (05 H) Vilnius 2014 Doctoral dissertation was prepared at Klaipeda University in 2009- 2013 Scientific supervisor: Assoc. Prof. Dr. Gintautas ZABIELA (Klaipeda University, humanities, history – 05 H) The defence of dissertation takes place at the Council of Historical Studies of Klaipeda University and the Lithuanian Institute of History Chairman: Prof. Dr. Albinas KUNCEVI ČIUS (Vilnius University, humanities, history – 05 H) Members: Dr. Ernestas VASILIAUSKAS (Klaipeda University, humanities, history – 05 H) Assoc. Prof. Dr. Mindaugas BERTAŠIUS (Kaunas University of Technology, humanities, history – 05 H) Dr. Vykintas VAITKEVI ČIUS (Klaipeda University, humanities, history – 05 H) Prof. Dr. Rimvydas PETRAUSKAS (Vilnius University, humanities, history – 05 H) Opponents: Prof. Dr. Valdas RAKUTIS (The General Jonas Žemaitis Military Academy of Lithuania, humanities, history – 05) Dr. Gintautas RACKEVI ČIUS (UAB „Kult ūros vertybi ų paieška, humanities, history – 05 H) The defence of dissertation will be held at the public session of the Council of Historical Studies at 13 p.m. on November 7, 2014, in the Aula Hall (Block 6) of the University of Klaipeda. Address: Herkaus Manto Street 84, 92294, Klaip ėda, Lithuania. The Summary of doctoral dissertation is sent out on October , 2014. The dissertation is publicly available at the libraries of the University of Klaipeda and the Lithuanian Institute of History KLAIP ĖDOS UNIVERSITETAS LIETUVOS ISTORIJOS INSTITUTAS Paulius BUGYS ŠARVUOT Ė LIETUVOS DIDŽIOJOJE KUNIGAIKŠTYST ĖJE XIII A. -
Pietro Monte
THE COLLECTION OF RENAISSANCE MILITARY ARTS AND EXERCISES OF PIETRO MONTE A TRANSLATION OF THE EXERCITIORUM ATQUE ARTIS MILITARIS COLLECTANEA BY MIKE PRENDERGAST AND INGRID SPERBER THE COLLECTION OF RENAISSANCE MILITARY ARTS AND EXERCISES OF PIETRO MONTE Translation © 2018 Mike Prendergast Translation by Mike Prendergast and Dr. Ingrid Sperber. This translation is freely available for non-commercial use. THE TRANSLATORS MIKE PRENDERGAST Mike Prendergast has been researching, practising and teaching historical strategy and martial arts since 1999. His main focus is on the art of fencing of Renaissance Italy. Initially studying Bolognese fencing, he moved to specialise in the system of Fiore dei Liberi (c. 1410) and the rapier style of Nicoletto Giganti (1606), before embarking on his study of Monte. Having initially started with Japanese martial arts, Mike discovered historical European fencing through the international medievalist group, the Society for Creative Anachronism, where he has received the society's highest award for research, the Laurel. In 2015 he was appointed one of the three premier Masters of Defence for the European branch of the society. Mike instructs in rapier and longsword with SCA Dun in Mara and interprets and teaches the martial arts of Pietro Monte, as chief instructor with the Historical Combat Academy, in Dublin, Ireland. He also teaches internationally at Historical European Martial Arts events and hosted the 2015 International Rapier Seminar. Mike competes internationally in tournaments and has taken medals in a variety of weapon forms including gold in rapier and sword & buckler. He also trained for several years in Hyoho Niten Ichi Ryu, the traditional Japanese style of swordsmanship founded by the famous duellist and strategist Miyamoto Musashi.