The Oxford Democrat: Vol. 86, No.51
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Asia Fiber Public Company Limited
ASIA FIBER PUBLIC COMPANY LIMITED PRODUCTS (All our products) NYLON FOY (1.5 Kgs. BB) NYLON POY (11 Kgs. BB) NYLON FDY ( 9 Kgs. BB) / / / YARN COUNT LUSTER YARN COUNT LUSTER High Tenacity 70D/24F SEMI DULL 50D/12F SEMI DULL YARN COUNT LUSTER 100D/24F SEMI DULL 88D/24F SEMI DULL 210D/24F* BRIGHT 200D/48F SEMI DULL 118D/24F SEMI DULL 420D/48F BRIGHT 125D/34F SEMI DULL 630D/72F BRIGHT 840D/96F BRIGHT NYLON TEXTURED YARN 1050D/120F BRIGHT YARN COUNT PLY TYPE LUSTER FINISHED 1260D/144F BRIGHT 40D/12F 1 SEMI DULL R.W. or DYED 1680D/192F BRIGHT 40D/12F 2 TWISTED SEMI DULL R.W. or DYED *4 Kgs. BB / 70D/24F 1 SEMI DULL R.W. or DYED 70D/24F 2 PARALLEL SEMI DULL R.W. FUNCTIONAL PRODUCTS 70D/24F 2 INTERMINGLED SEMI DULL R.W. or DYED POY, FDY DTY 70D/24F 2,3,4 TWISTED SEMI DULL R.W. or DYED - ANTI BACTERIA - MOISTURE MANAGEMENT 100D/24F 1 SEMI DULL R.W. or DYED - DOPE - DYED YARN - ANTI BACTERIA 100D/24F 2 PARALLEL SEMI DULL R.W. - DOPE - DYED YARN 100D/24F 2 INTERMINGLED SEMI DULL R.W. or DYED - RECYCLED DYED YARN 100D/24F 2,3,4,6 TWISTED SEMI DULL R.W. or DYED NYLON POLYESTER WOVEN FABRIC / KIND OF FABRIC WARPxWEFT LUSTER WIDTH 190T NYLON TAFFETA 70D x 70D SEMI DULL x SEMI DULL 60" 210T NYLON TAFFETA 70D x 70D SEMI DULL x SEMI DULL 60" 210T NYLON RIPSTOP 70D x 70D SEMI DULL x SEMI DULL 60" NYLON SATIN 70D x 100D BRIGHT x SEMI DULL 60" NYLON OXFORD 210D x 210D SEMI DULL x SEMI DULL 60" NYLON OXFORD 420D x 420D SEMI DULL x SEMI DULL 60" NYLON TASLAN 70D x 160D(ATY) SEMI DULL x SEMI DULL 60" 190T POLYESTER TAFFETA 75D x 75D SEMI DULL x SEMI DULL 60" POLYESTER TEXTURE 75D x 75D SEMI DULL x SEMI DULL 60" POLYESTER TASLAN 75D x 175D(ATY) SEMI DULL x SEMI DULL 60" POLYESTER NYLON TAFFETA FABRIC WITH WATER / NYLON POLYESTER TWILL 70D x 75D TRILOBAL x BRIGHT 60" RESISTANCE FINISHING TESTED BY THTI FINISHING : PLAIN DYED, RESIN FINISHED, WATER PROOF, WATER REPELLENT, CIRE(CHINTZ), ( AATCC 127 AATCC 42 STANDARD ) WRINKLE(WASHER), PIGMENT / POLYURETHANE / ACRYLIC & INORGANIC COATINGS, / FOR CLASSIFICATION OF SURGICAL GOWN BARRIER ANTI BACTERIA, ANTI MOSQUITO, MOISTURE MANAGEMENT, ETC. -
A Preliminary Study of the Inner Coffin and Mummy Cover Of
A PRELIMINARY STUDY OF THE INNER COFFIN AND MUMMY COVER OF NESYTANEBETTAWY FROM BAB EL-GUSUS (A.9) IN THE NATIONAL MUSEUM OF NATURAL HISTORY, SMITHSONIAN INSTITUTION, WASHINGTON, D.C. by Alec J. Noah A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Major: Art History The University of Memphis May 2013 Copyright © 2013 Alec Noah All rights reserved ii For my parents iii ACKNOWLEDGMENTS First and foremost, I must thank the National Museum of Natural History, particularly the assistant collection managers, David Hunt and David Rosenthal. I would also like to thank my advisor, Dr. Nigel Strudwick, for his guidance, suggestions, and willingness to help at every step of this project, and my thesis committee, Dr. Lorelei H. Corcoran and Dr. Patricia V. Podzorski, for their detailed comments which improved the final draft of this thesis. I would like to thank Grace Lahneman for introducing me to the coffin of Nesytanebettawy and for her support throughout this entire process. I am also grateful for the Lahneman family for graciously hosting me in Maryland on multiple occasions while I examined the coffin. Most importantly, I would like to thank my parents. Without their support, none of this would have been possible. iv ABSTRACT Noah, Alec. M.A. The University of Memphis. May 2013. A Preliminary Study of the Inner Coffin and Mummy Cover of Nesytanebettawy from Bab el-Gusus (A.9) in the National Museum of Natural History, Smithsonian Institution, Washington, D.C. Major Professor: Nigel Strudwick, Ph.D. The coffin of Nesytanebettawy (A.9) was retrieved from the second Deir el Bahari cache in the Bab el-Gusus tomb and was presented to the National Museum of Natural History in 1893. -
Liberty Price List
LIBERTY PRICE LIST Lee County PRICE LIST - March 23, 2018 (Replaces all previous price lists) STYLE # ITEM FABRIC COLOR Origin Cost A 25% OFF 140MBK Police Sweater 100% acrylic Black I $ 62.60 $ 46.95 140MBN Police Sweater 100% acrylic Brown I $ 62.60 $ 46.95 140MNV Police Sweater 100% acrylic Navy I $ 62.60 $ 46.95 180MBK Flaps, Shirt Pocket / pair 100% acrylic Black M $ 6.40 $ 4.80 180MNV Flaps, Shirt Pocket / pair 100% acrylic Navy M $ 6.40 $ 4.80 181MBK Epaulets, Shirt / pair 100% acrylic Black M $ 6.40 $ 4.80 181MNV Epaulets, Shirt / pair 100% acrylic Navy M $ 6.40 $ 4.80 182MBK Zipper for shirts Black I $ 2.90 $ 2.18 182MTN Zipper for shirts Tan I $ 2.90 $ 2.18 182MWH Zipper for shirts White I $ 2.90 $ 2.18 420XBK BB cap, summer 100% cotton Black I $ 7.70 $ 5.78 420XNV BB cap, summer 100% cotton Dark Navy I $ 7.70 $ 5.78 421XNV BB cap, winter 100% cotton Black I $ 7.70 $ 5.78 421XNV BB cap, winter 100% cotton Dark Navy I $ 7.70 $ 5.78 505MBK Security Bomber Polyester oxford Black I $ 55.90 $ 41.93 505MBN Security Bomber Polyester oxford Brown I $ 55.90 $ 41.93 505MNV Security Bomber Polyester oxford Navy I $ 55.90 $ 41.93 506MBK Security Bomber w/epaulets Polyester oxford Black I $ 65.90 $ 49.43 506MBN Security Bomber w/epaulets Polyester oxford Brown I $ 65.90 $ 49.43 506MNV Security Bomber w/epaulets Polyester oxford Navy I $ 65.90 $ 49.43 507MBK Police Bomber Polyester oxford Black I $ 69.00 $ 51.75 507MNV Police Bomber Polyester oxford Navy I $ 69.00 $ 51.75 524MBK Reversible Police Windbreaker Polyester oxford Black / yellow -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
Naturalism, the New Journalism, and the Tradition of the Modern American Fact-Based Homicide Novel
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml48106-1346 USA 3131761-4700 800!521-0600 Order Number 9406702 Naturalism, the new journalism, and the tradition of the modern American fact-based homicide novel Whited, Lana Ann, Ph.D. -
Fraser Cup Digital Program
Join the School of Opportunity We Support Your NCAA Advancement We’ve seen players increase their GPA by 23%, Want to reduce your stress on average, after enrolling in our school. level, get more ice time, and • Over 200 NCAA-approved courses improve your grades? • Flexibility to work anytime, anywhere • Instruction by certified teachers Earn your high school • Real-time support from online tutors diploma at Apex Learning • Academic advising Virtual School! • Proud partners of the NAHL, the league with a record-breaking number of DI commits last season Sign up or call 206-489-1079 for your free NCAA Transcript Evaluation Official Partner of the NAHL apexlearningvs.com LETTER FROM THE NAHL COMMISSIONER I would like to welcome all of you to the 2021 North American 3 Hockey League (NA3HL) Fraser Cup Championship and Top Prospects Tournament. What a year it has been! I can’t begin thank the NA3HL teams enough for the way they have handled and navigated through this season. The fact that we made it through a full regular season and playoffs in all five divisions is a testament to how invested everyone was to making sure our players could compete and develop. As a result, we now get to celebrate this weekend with two great events in one location, the Fraser Cup and the NA3HL Top Prospects Tournament. While this season has been unique and one of the most challenging in our history, this weekend provides us with an opportunity to showcase our players, our teams, and our league. This weekend is also a bittersweet for all of us in the NAHL and NA3HL office, because we remember our long-time staff member Fraser Ritchie with the awarding of the Fraser Cup. -
APEX-JLS User's Manual
APEX-JLS User’s Manual Revision 1.15.00 Copyright ©1998-2006 Newing-Hall, Inc. 2019 Monroe Street Toledo, Ohio, 43624 NH Part # 2511000 Last Updated January 2006 Newing-Hall, Inc. makes every effort to update and insure the manuals and documentation is accurate. In continuing efforts to improve Newing-Hall’s product line this manual is subject to change without notice. Table of Contents Chapter 1 - Installation Guide 1.1 Upon Receipt of Shipment 1.2 Assembly of Engraving Tables 1.3 Spindle Installation 1.4 Air Compressor Installation 1.6 Installing the AMC Controller 1.7 Installing the APEX Product Software 1.8 Spindle Operation - General 1.9 Diamond Spindle Operation 1.10 Rotary Spindle Operation Chapter 2 - Overview 2.1 Getting Around 2.2 JLS Screen Areas 2.3 System Help 2.4 Creating A Simple Layout 2.5 Other Simple Job Controls 2.6 Setting up the Toolbox 2.7 Engraving the Work file 2.8 Creating a Manual Layout 2 Chapter 3 - Display Options 3.1 Scrolling the Draw Area 3.2 Zooming the Draw Area 3.3 Rulers & Guides 3.4 Maximizing the Available Draw Area 3.5 Preview 3.6 Unit Preferences Chapter 4 - JLS Objects 4.1 Plates 4.2 Jobs 4.3 Frames 4.4 Lines 4.5 Elements 4.6 Symbol Libraries 4.7 Object Selection 4.8 Aligning Objects Chapter 5 - Object Attributes 5.1 Setting An Object's Attributes 5.2 Attribute Dialog Box Controls 5.3 Standard Attributes 5.4 Using Standard Attributes 5.5 Job Attributes 5.6 Using Job Attributes 3 5.7 Frame Attributes 5.8 Using Frame Attributes 5.9 Line Attributes 5.10 Using Line Attributes 5.11 Graphic Attributes -
The Crown Jewel of Divinity : Examining How a Coronation Crown Transforms the Virgin Into the Queen
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen Sara Sims Wilbanks Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Wilbanks, Sara Sims, "The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen" (2020). MA Theses. 63. https://digitalcommons.sia.edu/stu_theses/63 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By Sara Sims Wilbanks A thesis submitted in conformity with the requirements for the Master’s Degree in Fine and Decorative Art & Design Sotheby’s Institute of Art 2020 12,572 words The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By: Sara Sims Wilbanks Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary. -
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’S Cotton Frontier C.1890-1950
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’s Cotton Frontier c.1890-1950 By Jack Southern A thesis submitted in partial fulfillment for the requirements for the degree of a PhD, at the University of Central Lancashire April 2016 1 i University of Central Lancashire STUDENT DECLARATION FORM I declare that whilst being registered as a candidate of the research degree, I have not been a registered candidate or enrolled student for another aware of the University or other academic or professional institution. I declare that no material contained in this thesis has been used for any other submission for an academic award and is solely my own work. Signature of Candidate ________________________________________________ Type of Award: Doctor of Philosophy School: Education and Social Sciences ii ABSTRACT This thesis explores the evolution of identity and community within north east Lancashire during a period when the area gained regional and national prominence through its involvement in the cotton industry. It examines how the overarching shared culture of the area could evolve under altering economic conditions, and how expressions of identity fluctuated through the cotton industry’s peak and decline. In effect, it explores how local populations could shape and be shaped by the cotton industry. By focusing on a compact area with diverse settlements, this thesis contributes to the wider understanding of what it was to live in an area dominated by a single industry. The complex legacy that the cotton industry’s decline has had is explored through a range of settlement types, from large town to small village. -
Stacia Yearwood Yearwood 2
Yearwood 1 Like Salt Water¼ A Memoir Stacia Yearwood Yearwood 2 For my Family- Those who have gone before me, Those who Live now, And those who will come to cherish these words in the future¼. Yearwood 3 Proem Not, in the saying of you, are you said. Baffled and like a root stopped by a stone you turn back questioning the tree you feed. But what the leaves hear is not what the roots ask. Inexhaustibly, being at one time what was to be said and at another time what has been said the saying of you remains the living of you never to be said. But, enduring, you change with change that changes and yet are not of the changing of any of you. Ever yourself, you are always about to be yourself in something else ever with me. Yearwood 4 Martin Carter (1927-1997) CONTENTS_______________________________________________________ FOREWORD page 5 HOPE FLOATS- A JOURNAL ENTRY page 8 SOJOURNING page 10 A LONG TIME AGO- THE ANCESTORS page 12 DIANA page 25 EYE WASH page 27 PARALYSIS page 32 NERVES page 35 TO REMOVE SEA WATER FROM THE EARS page 41 SHINGLES page 46 HIGH BLOOD PRESSURE page 50 RASHES AND ITCHES page 55 MALARIA FEVER page 58 STROKE page 61 HEART TROUBLES page 68 INDIFFERENT FEELINGS page 72 Yearwood 5 SUNBURN page 79 SCARS AND BITES page 83 LAST JOURNAL ENTRY page 87 Foreword Four rainy seasons ago I wrote in my journal: “I hope this place doesn’t change me.” But I have come to understand that just as culture is fluid, so are the personality and identity malleable. -
Corpus Vasorum Antiquorum Malibu 2 (Bareiss) (25) CVA 2
CORPVS VASORVM ANTIQVORVM UNITED STATES OF AMERICA • FASCICULE 25 The J. Paul Getty Museum, Malibu, Fascicule 2 This page intentionally left blank UNION ACADÉMIQUE INTERNATIONALE CORPVS VASORVM ANTIQVORVM THE J. PAUL GETTY MUSEUM • MALIBU Molly and Walter Bareiss Collection Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined closed shape, and lids from neck-amphorae ANDREW J. CLARK THE J. PAUL GETTY MUSEUM FASCICULE 2 . [U.S.A. FASCICULE 25] 1990 \\\ LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA (Revised for fasc. 2) Corpus vasorum antiquorum. [United States of America.] The J. Paul Getty Museum, Malibu. (Corpus vasorum antiquorum. United States of America; fasc. 23) Fasc. 1- by Andrew J. Clark. At head of title: Union académique internationale. Includes index. Contents: fasc. 1. Molly and Walter Bareiss Collection: Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes.—fasc. 2. Molly and Walter Bareiss Collection: Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined open shape, and lids from neck-amphorae 1. Vases, Greek—Catalogs. 2. Bareiss, Molly—Art collections—Catalogs. 3. Bareiss, Walter—Art collections—Catalogs. 4. Vases—Private collections— California—Malibu—Catalogs. 5. Vases—California— Malibu—Catalogs. 6. J. Paul Getty Museum—Catalogs. I. Clark, Andrew J., 1949- . IL J. Paul Getty Museum. III. Series: Corpus vasorum antiquorum. United States of America; fasc. 23, etc. NK4640.C6U5 fasc. 23, etc. 738.3'82'o938o74 s 88-12781 [NK4624.B37] [738.3'82093807479493] ISBN 0-89236-134-4 (fasc. -
A Brief Guide to Osteopathic Medicine for Students, by Students
A Brief Guide to Osteopathic Medicine For Students, By Students By Patrick Wu, DO, MPH and Jonathan Siu, DO ® Second Edition Updated April 2015 Copyright © 2015 ® No part of this publication may be reproduced or transmitted in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. American Association of Colleges of Osteopathic Medicine 5550 Friendship Boulevard, Suite 310 Chevy Chase, MD 20815-7231 Visit us on Facebook Please send any comments, questions, or errata to [email protected]. Cover Photos: Surgeons © astoria/fotolia; Students courtesy of A.T. Still University Back to Table of Contents Table of Contents Contents Dedication and Acknowledgements ................................................................................................................. ii Acknowledgements ............................................................................................................................................ ii Introduction ........................................................................................................................................................ 1 Myth or Fact?....................................................................................................................................................... 2 CHAPTER 1: What is a DO? ..............................................................................................................................