Memoria Cccb 2007 En.Pdf

CCCCBCCB AANGLES.inddNGLES.indd 1 116/9/086/9/08 11:24:1711:24:17 CCCCBCCB AANGLES.inddNGLES.indd 2 116/9/086/9/08 11:24:2111:24:21 INDEX

Exhibitions 3 Bamako 05 6 That’s not entertainment! 7 Hammershøi and Dreyer 8 Borders 9 Apartheid 10 In Transition 11 Exhibitions in collaboration 7 Somalia: Surviving oblivion 12 World Press Photo 12

Cultural activities 13 Cycles and festivals 14 Festivals in collaboration 20 Other activities 26 Urban itineraries 28

Debate and refl ection 29 New humanism 30 The city and public space 36 Ongoing refl ection 39 Debate and refl exion in collaboration 40

Open CCCB 42 Projects on the net 43 Exhibitions. Beyond the CCCB 44 Debates. Beyond the CCCB 49 Networks 50

CCCB Holdings 51 Archive 52 Publications 55 Audiovisual productions 57

GENERAL INFORMATION 58 CCCB staff list 59 Collaborating Institutions and Companies 60 Visitor ﬁ gures 61 Budget 63 List of Speakers in Debates and Lectures 64 Venue hire 66

SELECTION OF PRESS CLIPPINGS 68

CCCCBCCB AANGLES.inddNGLES.indd 3 116/9/086/9/08 11:24:2311:24:23 Edition CCCB

Graphic Design Postdata disseny i comunicació

Printer Centre d’Impressió i Reprograﬁ a - Diputació de Barcelona

CCCCBCCB AANGLES.inddNGLES.indd 4 116/9/086/9/08 11:24:2611:24:26 EXHIBITIONS 2007

CCCCBCCB AANGLES.inddNGLES.indd 5 116/9/086/9/08 11:24:2611:24:26 EXHIBITIONS BAMAKO’05. ANOTHER WORLD AFRICAN PHOTOGRAPHY MEETINGS

Dates October 5, 2006 – February 28, 2007 With the sponsorship of Fundació Caixa Catalunya and Consorci Zona Venue gallery 3, CCCB Franca Curator Pep Subirós Exhibition design Bracha Berkovitch, Elisabet Cristià and Alejandro Quintillá Organised by CCCB and AFAA/Afrique en créations, Ministère de la Culture du Mali, les Rencontres de Bamako Graphic design Avantgardebcn (image and interior) and Joan Barjau (catalogue) With the support of the Generalitat de Catalunya’s Department of Culture and Media

CCCB©Jordi Gómez,2007

For the second time, the CCCB offered a selection of The CCCB exhibition was organised into the following works shown at the most recent Rencontres Africaines de sections: la Photographie, the African international photography International exhibition: Another World exhibition held in Bamako between November 10 and Raymond Barthes (Madagascar), Rana El Nemr (Egypt), December 10, 2005. Yoyo Gonthier (Reunion), Bruno Hadjih (Algeria), Uche- In keeping with the spirit and structure of the Rencontres, chukwu James Iroha (Nigeria) (Elan Award), John Kikaya the CCCB selection was wideranging and included: work (Tanzania), Helga Kohl (Namibia), Malik Nejmi (Moro- by the photographers who won the major awards, Rana cco), Francis Nii Obodai (Ghana), Zaynab Toyosi Odunsi El Nemr (Egypt), Uchechukwu James Iroha (Nigeria), (Nigeria), Sarah Sadki (Algeria), Mikhael Subotzky (South Mikhael Subotzky (South Africa) and Zohra Bensemra Africa) (Algeria); the most interesting projects from the main Tribute section of the biennale, under the theme Another World; John Mauluka (Zimbawe, 1932-2003) monographs on the work of John Mauluka (Zimbawe), Malick Sidibé (Mali) and Ranjith Kally (South Africa); Coup de chapeau work by nine photographers from Algeria in the national Malick Sidibé (Mali) section; and, ﬁ nally, in the Transversals section for plastic Remembering artists who also work with photography, the work of Jane Ranjith Kally (South Africa) Alexander (South Africa) and Pascal Marthine Tayou (Cameroon). National exhibition: Algeria Louisa Ammi-Sid, Zohra Bensemra, Cherif Benyoucef, Nadia Ferroukhi, Farida Hamak, Nasser Kamr-Eddine Medjkane, Mohamed Messara, Hamid Seghilani, Samir Sid Transversals Jane Alexander (South Africa), Pascal Marthine Tayou (Cameroon)

CCCCBCCB AANGLES.inddNGLES.indd 6 116/9/086/9/08 11:24:2811:24:28 EXHIBITIONS THAT’S NOT ENTERNTAINMENT! CINEMA BEGETS CINEMA

Dates December 21, 2006 – March 18, 2007 With the sponsorship of ADN and the collaboration of Inﬁ nia Art Venue gallery 1, CCCB Exhibition design Bracha Berkovitch, Elisabet Cristià and Curators Andrés Hispano and Antoni Pinent Alejandro Quintillá Production CCCB Graphic design David Torrents (image and catalogue) and Anaïs Esmerado (interior)

CCCB©Jordi Gómez,2007

A whole series of fi lm-related activities were organised to THAT’S NOT ENTERTAINMENT!! offered new audiences celebrate fi ve years of the CCCB’s cinema - Xcèntric. They a chance to access this form of expression. It was cura- began with the release of a complilation of some ot the ted to offer a few keys that could open up a vast area of fi lms shown until December 2006 at the CCCB, then the cinema full of small and big revolutions that shape the major event - the exhibition THAT’S NOT ENTERTAIN- world that we live in, more than we imagine. MENT! Cinema begets Cinema. Other activities included The exhibition included installations and fi lms that, the launch of the Xcèntric Archive, the Xperimenta con- despite their invisibility on the commercial circuit, are key ference and the screening of a fi lm by Brakhage. Finally, pieces of contemporary art, by fi lmmakers such as Stan a new season of Xcèntric, which has been extended to Brakhage, Gustav Deutsch, Peter Kubelka, Jonas Mekas, three Xcèntric Nights, on which the exhibition opened till Matthias Muller, José Antonio Sistiaga etc. midnight. The Xcèntric Archive was also presented at the exhibition. When cinema became a big entertainment factory, an This permanent project is open to the public for indi- industry that recruits creative minds and homogenises vidual consultation, and began with a selection of 200 tastes, it produced small-big reactions ranging from the works. subversive to the ironic, abstract, alternative and mini- malist. Filmmaking would never be the same again for It also included a space for presenting the Xcèntric a generation that received its emotional and intellectual Archive, which starts of with a selection of 200 titles and education in front of cinema and television screens. is available to the public for individual consultation. Cinema begets cinema. This exhibition presented cinema of experimentation and RELATED EVENTS social and artistic commitment: a form of cinema that is the product of rage or refl ection, that doesn’t seek to Conference Xperimenta. Contemporary Looks at Experi- please the tastes or opinions of a majority, that is motiva- mental Film, February, 19 to 21. (see page 14) ted by the urgency of transmitting something important, Xcentric Nights something that will open our eyes, move us and expand our knowledge. The exhibition makes it possible to go beyond the screenings and set the works, movements and fi lmmakers in the context of the spirit that inspires them. Here, cinema takes the form of texts, images and referen- ces – technical, social or political - that illustrate its reason for being.

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Dates January 25 - May 1 With the sponsorship of La Vanguardia and the collaboration of the Venue Gallery 2, CCCB Queen Isabel of Denmark Foundation Curators Anne-Birgitte Fonsmark, Annette Rosenvold Hvidt, Exhibition design PCR Aranda Pigem Vilalta Arquitectes with Casper Tybjerg and Jordi Balló the collaboration of Ventura Llimona Taller d’arquitectura Production CCCB and Ordrupgaard Museum (Denmark) Graphic design Lali Almonacid (image and catalogue) With the support of the Generalitat de Catalunya’s Department of Culture and Media

CCCB©Jordi Gómez,2007

The exhibition presented the work of the two most univer- Next, visitors entered various spaces constructed around sal Danish artists of all time, the painter Vilhelm Ham- Hammershøi paintings in order to highlight the intimate mershøi (1864-1916) and the fi lmmaker Carl Th. Dreyer relationship between the spectator and the work, and to (1889-1968), in a highly innovative and evocative visual convey the central ideas of his work: austerity, sobriety, dialogue. silence and slowness. Dreyer remained present throughout this section through light, which illuminated the The work of these two artists was brought together for the space and Hammershøi’s work in a subtle dialogue that fi rst time in an exhibition that demonstrated the visual allowed visitors to rediscover Hammershøi’s paintings and creative relationship between them, their methods, through new eyes. their personal vision of art and their aesthetic similari- ties. With 36 essential works on display, this was the fi rst RELATED EVENTS Hammershøi exhibition in Spain. Cicle Dreyer after Hammershøi, from March 7 to April 25 The exhibition began with a biographical overview of the (see page 31) two artists, which showed their points of contact in the key period between 1916 (the year of Hammershøi’s death Hammershøi - Dreyer Variations. Children’s workshop. and a major retrospective exhibition) and 1918 (Dreyer’s Children from 8 to 12 years old will create their own sto- fi rst fi lm). This overview provided the key to the exhibi- ries by mounting their chosen Hammershøi’s paintings. tion, and was followed by 12 audio-visual presentations From February 18 to April 15. with fragments from Dreyer’s fi lms.

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Dates May 3 - September 30 Exhibition design Massip-Bosch, Natàlia Valldeperas and Megan Venue Gallery 3, CCCB Charnley Curators Michel Foucher and Henri Dorion Graphic design Postdata Production Musée de Lyon (Departement du Rhône) and CCCB

CCCB©Jordi Gómez,2007

This exhibition showed a series of eight “worlds”, linking problems of border policies, who were requested to offer photographic reports with meditations on various pro- their perspective on speciﬁ c problems, and shared their blems relating to the issue of political borders. The exhi- experiences and observations. bition Borders focused on geopolitical issues and aimed The exhibition included two installations produced by the to demonstrate the ambiguity of the concept of a “border” CCCB: (which both separates and connects, and which encourages both division and exchange etc.), while reﬂ ecting on An installation created as a result of the series of talks the actual situation on the ground. The eight “worlds” of entitled Fronteres (Debate de Barcelona VII), which took the borders were: place at the CCCB from January 12 to the March 29, 2004, with original work and artistic direction by Frederic Amat. European borders and the issue of their limits The installation OceanMalecónDrive, created by Enric The global challenges of migration (the European situa- Massip and Ángel Morúa, which juxtaposed the seafronts tion) of Malecón in Havana and Ocean Drive in Miami Beach Borders that remain closed: North Korea and its “Para- which are separated by just 200 km of water _opposite dise” one another to create a “border street”. Land disputes: Kashmir, a contentious region RELATED EVENTS A frontier being formed: Israel and Palestine Guided visits by specialists. From June 7 to September, 20 The economic challenges of borders arising from globali- (see page 15) sation: between Mexico and the United States. BCNmp7 - Border Music, Screening of the documentary The world of communities without homogenous territo- Crossing the Bridge: the Sound of Istanbul (Fatih Akin, ries: the Gypsy peoples distributed throughout Europe. 2005), Round table with the musician Alexander Hacke and the music journalist and writer Charlie Gillett, and Permeable and non-permeable borders: refugees in exile Concert with Ceza. May, 17. Nine specialists were invited to offer their expert opinions Premiere at the CCCB of the documentary DeNadie by on each of these eight territorial scenarios: two experts in Tin Dirdamal, Mexico, 2005, 82 min. A documentary that geopolitical boundaries, eight photojournalists and one approaches the reality lived at the border of Mexico and cartographer, a total of eleven guests involved in the USA. Thursday 27, Saturday 29 and Sunday 30 September. 9

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Dates September 26, 2007 – February 3, 2008 With the support of the Generalitat de Catalunya’s Department of Venue Gallery 2, CCCB Culture and Media Curator Pep Subirós With the sponsorship of El País Production CCCB and Bancaja Graphic design Avantgardebcn (image and interior) and Manuel Cuyás with David Lorente (catalogue) Exhibition design Anna Alcubierre

CCCB©Jordi Gómez,2007

The narrative thread that ran through this exhibition was The majority of the exhibition consisted of original works one of a return journey: starting with the European ori- of art that are representative of the creativity of the areas gins of modern racism, it followed racism’s spread throug- most affected by apartheid, as well as areas of cultural hout the world during the colonial era, before returning to opposition to it. There was a special emphasis on artists the wealthiest regions of the world in the post-colonial era. from the ethnic majority, most of who are barely known The aims of the exhibition were: outside South Africa. There was also a selection of objects and documents from the period 1750-1950 sourced from to show and explain how racism originated and took root history, anthropology and natural science museums and in our tradition as the dark side of and counterpoint to archives, which illustrated attempts to establish a scienti- enlightened and democratic values. fi c basis for racism. Documentary photography and videos to offer an understanding of apartheid in South Africa were also presented as part of the exhibition. during the period from 1948-1994 –and how diffi cult it was to move on– not just as an extreme manifestation of RELATED EVENTS historical racism of Western origin but also as a forerun- Debate Local racism, Global Apartheid. South Africa as a ner and paradigm of certain central issues inherent in the Paradigm. September 27 and 28. (see page 33) current process of globalisation to show how these issues have found and continue to fi nd their correlation in the fi eld of artistic creation, and how this fi eld has infl uenced, and could continue to infl uence, the struggle against these prejudices and practices, and to provoke refl ection and debate about old and new forms of racism operating in the western world, an issue that will doubtless have a growing importance as socio-cultural diversity increases in this region due to the increase in immigration.

CCCCBCCB AANGLES.inddNGLES.indd 1010 116/9/086/9/08 11:24:3311:24:33 EXHIBITIONS IN TRANSITION

Dates November 20, 2007 - February 24, 2008 Production CCCB, Departament d’Interior, Relacions Venue Gallery 3, CCCB Institucionals i Participació de la Generalitat de Catalunya (D.G.de la Memòria Curators Manel Risques, Ricard Vinyes and Antoni Marí Democràtica), the Sociedad Estatal de Consultants Kiko Amat, Jordi Calafell and Santos Julià Conmemoraciones Culturales (SECC),linked Exhibition design Emiliana Design Studio to the Ministerio de Cultura, and the Sociedad Estatal para la Acción Cultural Exterior Graphic design La Japonesa (image and interior) and Marc Valls (SEACEX), which will take care of the and Oriol Soler (catalogue) international touring of the project With the sponsorship of El Periódico de Catalunya

CCCB©Jordi Gómez,2007

This exhibition did not set out to be a chronological, The exhibition also demonstrated the disparity in the pace narrative description of a historical period but rather a way of change between the creation of political systems on of understanding a dense, complex process that acted as one hand and social change on the other, as well as the a bridge between dictatorship and democracy and which tension between them. affected, and developed through, the people who experien- The exhibition was structured along different thematic ced it. lines in order to explain the development of a society In line with this, the exhibition focused on the general in transition, and illustrated the process through which public, establishing a history of the experiences of a gene- everything that the Francoist regime seemed to have tied ration. The result was a multidirectional narrative linking down, unravelled. personal and collective stories, of both success and failure. Visitors experienced the exhibition in the present. It was not a retrospective look at the Transition. The exhibition aimed to convey the feeling of movement and personal experience, without reference to time.

CCCCBCCB AANGLES.inddNGLES.indd 1111 116/9/086/9/08 11:24:3411:24:34 EXPOSICIONS IN COLLABORATION WITH SOMALIA SURVIVING OBLIVION

Dates April 10 – May 1 Organised by Doctors Without Borders Venue Gallery 1, CCCB (MSF) with the collaboration of the CCCB

There is a map on which communi- responsible, but above all aiming to ties that are not part of the processes voice questions about the suffering that dominate world geopolitics of invisible communities caught bet- are condemned to oblivion. These ween oblivion and violence. With this communities are overlooked by the initiative by MSF, the CCCB reopened international political agenda, and so the debate on the most overlooked are banished from the sphere of solu- humanitarian crises on the planet. tions and political responsibilities. RELATED EVENTS In this awareness-raising project by MSF, the multimedia installation Debate Somalia. The west and the Somalia, based on photographs by destruction of Hope. April, 12 (see Pep Bonet, is the starting point for a page 33) series of activities, culminating in the debate Geography of forgotten crises, organised by the CCCB. Words and images will be used to highlight the crises that are overlooked today, sug- gesting the reasons and the agencies CCCB©Jordi Gómez,2007

WORLD PRESS PHOTO INTERNATIONAL PROFESSIONAL PHOTOJOURNALISM EXHIBITION

Dates October 16 – November 11 Production Photographic Social Vision Venue Gallery 1, CCCB with the collaboration of the CCCB

An image by photographer Spencer inequalities among us and total indi- Platt (USA, Getty Images) was the fference in the face of fellow human winner of the World Press Photo beings. competition, and represented the With his camera, the photographer World Press Foundation, exhibition marks a new attitude to the world’s and competition throughout 2007. problems: it’s not about just another The choice of the image Young Leba- inequality between upper and lower nese drive through devastated neigh- classes within a country or between borhood of South Beirut, 15 August developed and poor countries, but was surprising in relation to WPP rather about the growing rift that winners in recent years. It seems that separates the rich and the poor at a the 2007 wasn’t looking for an image global level. Lifestyles and material that could become an icon represen- goods are no longer the only markers ting the victims of our age, but rather of difference; instead, we are facing for a more in-depth exploration that the increasingly obvious disappea- includes humanity as a whole. This rance of human feeling and photograph moved us as human solidarity. CCCB© Photographicsocialvision, 2007 beings living in society. We could contemplate the path that was shown to us: the increasingly harsh

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CCCCBCCB AANGLES.inddNGLES.indd 1313 116/9/086/9/08 11:24:4011:24:40 CULTURAL ACTIVITIES CYCLES AND FESTIVALS XCÈNTRIC THE CCCB’S CINEMA

Organised by CCCB

After fi ve editions, Xcèntric has (cinema relating to the other arts), established itself in Barcelona as a Variations of Reality (documentary) regular program of fi lm and audiovi- and Invisible Cinema (experimental), sual works that that don’t fi t into the which included the work of fi lm- commercial mainstream, selected for makers like Peter Watkins, Albert their artistic potential, irrespective of and David Mayless, António Campos, genre or format. Yukio Mishima, Fumio Kamei, Heddy Honigmann, Pedro Costa, The Xcèntric programme offers Sophie Fiennes, Bob Dylan, Howard recent and archival works with shared Alk, Andy Warhol, Frans van de affi nities, counter-cultural classics, Staak, Bärbel Neubauer, Jean Claude and new productions aimed at an Rosseau, Louise Bourque and Bretzy audience that is hungry for creative, Bromberg, among others. unfettered audio-visual initiatives. There were also one-off and dedicated Núria Aidelman, Gonzalo de Lucas, sections, such as a one dedicated to Núria Esquerra, Laida Lertxundi, life in the ghetto, with work by the Antoni Pienet and Andrés Hispano fi lmmakers Shirley Clarke, Ken Mac- make up the team of programmers, kenzie, Billy Woodberry and Lionel directed by Carolina López. Rogosin. The 2007 programme continued its now-familiar sections: Rewritten

XPERIMENTA’07 CONTEMPORARY PERSPECTIVES ON EXPERIMENTAL CINEMA

Dates February 19-21 Directed by Miguel Fernández Labayen Consultants Loïc Diaz Ronda, John Organised by CCCB and Antoni Pinent Sundholm, Andrés Hispano and Eugeni Bonet

Running in parallel with the exhibi- tional, technological and epistemolo- tion That’s not entertainment! Cinema gical changes that have taken place in begets cinema that was held at the the world of avant-garde ﬁ lmmaking CCCB until March 18, 2007, the Xpe- in recent decades and encourage rimenta conference set out to become discussion of innumerable questions a regular meeting point that brought that don’t always have answers. together experts from all over the Participants: Craig Baldwin, Peter world –academics, theorists, ﬁ lm- Tscherkassky, Peter Kubelka, Paul makers, programmers, distributors, Arthur, Martin Arnold, Dominic documentary-makers and others- to Angerame, Mark Webber, John G. debate the current state of experi- Hanhardt, Emmanuel Lefrant, Nicole mental cinema. Over three days, the Brenez and Pip Chodorov. conference will sound out the genera-

CCCCBCCB AANGLES.inddNGLES.indd 1414 116/9/086/9/08 11:24:4311:24:43 CULTURAL ACTIVITIES CYCLES AND FESTIVALS BORDERS GUIDED VISITS BY SPECIALISTS

Dates June 7 to September 20 Organised by CCCB

The world today is crisscrossed by present, it sets out to teach us over 226,000 kilometres of land bor- something more about them ders. The exhibition “Borders” looks The visits to the ten borders were at geopolitical issues, with the pre- guided by the following specialists: sentation of 10 examples of borders México- USA, by Teddy Cruz The exhibition is designed as a journey through different worlds, The Borders of Europe, by Mónica a movement that brings together Zgustova history and geopolitics, the views of North Korea, by Marine Buissonière photographers and eye-witnesses, sounds and maps, general refl ections Exiles, by Mariano Aguirre and fi eld studies. We know how to get Gypsies scattered throughout Europe, in... What will we have discovered by by Manel Zabala the end of our trip, when we pass the fi nal landmark Melilla, by Rafael Vilasanjuan CCCB©Jordi Gómez, 2007 This cycle of guided visits is organi- Miami – Havana, by Richard Schweid zed in the conviction that crossing Israel-Palestine, by Isabel Galí borders helps us to see and unders- tand. With the help of people who Africa, by Alfonso Armada have worked on, studied and expe- Kashmir, by Kenny Gluck rienced in depth the borders they

I+C+i RESEARCH AND INVESTIGATION IN THE FIELD OF CULTURE

Dates February 7, March 9, April 26, Organised by CCCB May 31, September 20, October 17

While science and business have the course of seven working sessions adopted processes of R+D+i with artists, architects, curators, (research, development and innova- designers, scientists, technicians, tion), the same thing can’t be said for business people and journalists. the world of culture. The accelerated During 2007, I + C + i has included pace of current changes raises the the participation of artists, curators, need to include these processes in cultural managers, designers and the new cultural scene. What formats experts in innovative cultural pro- are in crisis? How is the exhibition jects. Gerfried Stocker, Arantxa Men- genre reacting to new technologies? diharat, Roberto Gómez de la Iglesia, Can festivals be sustainable? How Santi Eraso, José Luis de Vicente, can new audiences be developed? Óscar Abril, Pedro Soler, Ian Kirk, How can complex cultural projects Rosa Pera, Joan Roca, Friedrich von CCCB©Xavier Soto, 2007 be better publicised? What type of Borries, Marleen Stikker and Shaun programming encourages the emer- Chang, among others, have presented gence of a new culture? Is it neces- innovative initiatives of national and sary for cultural organisations to international scope: Ars Electronica, create R+D+i departments? A debate Disonancias, Shrinking Cities, The about research and innovation in the Waag Society... cultural arena will be developed over

CCCCBCCB AANGLES.inddNGLES.indd 1515 116/9/086/9/08 11:24:4311:24:43 CULTURAL ACTIVITIES CYCLES AND FESTIVALS BCNmp7 MUSICS IN PROCESS

Dates April 13, May 17, July 20, September 21, October 19 and Organised by CCCB with the collaboration of Imprevist and Pocket November 8

CCCB©Marta Amat, 2007

BCNmp7 is a regular event of creation, agitation and dis- The following sessions were held in 2007: The revivers cussion about popular contemporary kinds of music. In its (concert by Bert Jansch), Music from the borders (concert by second year, it presented a program that explored alter- Ceza), The hit of the Summer (several groups in concert), native visions of today’s music scene, together with new Cover versions, copies and tributes (Exclusive presentation of concerts that aimed to illustrate the fusions and frictions the documentary of the same title and concert by Nouve- that infl uence different music genres. lle Vague), Soundtracks. New music for fi lming (concert by Carlos Casas, Sebastián Escofet, Miquel Marín and Ciu- BCN mp7 aims to highlight Barcelona’s specifi c musical dadano) and The music of the future (concert by Jaume L. character, while also looking at the increasingly complex Pantaleón, David Mengual, Oriol Roca and Sergi Sirvent). ties that link cities, areas and trends throughout the world.

CCCCBCCB AANGLES.inddNGLES.indd 1616 116/9/086/9/08 11:24:4511:24:45 CULTURAL ACTIVITIES CYCLES AND FESTIVALS NOW MEETINGS IN THE PRESENT CONTINUOUS

Dates March 22, 23 and 24, November 29 and 30 and Organised by CCCB In the framework of Barcelona Science 2007 December 1

CCCB©Xavier Soto, 2007

Now is a project focussing on the scientifi c, technological, For the NOW event in November 2007, there was a ses- artistic, social and spiritual transformations taking place sion on the uses of the radio spectrum, with the presence at the start of the 21st century. A process of research, crea- of the artists Jonah Brucker-Cohen, Honor Harger and tion and diffusion bringing together different local and Armin Medosch who participated in a teleconference international agents involved in actions and alternatives conversation with William Mitchell (Professor of Archi- that promote a change of paradigm in the information and tecture at MIT), co-ordinated and moderated by José Luis knowledge society and in globalised cultures. de Vicente; a session on the uses and politicization of public space organised by the RiSc collective, with contri- Now is designed as a space for knowledge around the butions from Pierre Humeau (activist), Stueve Lambert following thematic areas: (artist) and Richard Sennet (sociologist); and another Open science / Cybersphere / Eco factor / Art now session co-ordinated by the collective Capsula, which Emerging factor / Psi particle / New activism explored the urban habitat and it’s tendency to absorb rural areas, and included contributions by the geologist The fi rst Now event for 2007 included the participation of Václav Cílec, the environmentalist Alex Steffen and the David Peat (researcher at the National Research Council of researcher in environmental technology Joan Rieradevall. Canada) in a conversation with the artist Victoria Vesna, Other activities included the screening of an unreleased, co-ordinated by Raquel Paricio, the philosophers Peter exclusive interview with Vandana Shiva, the participation Singer (author of Animal Liberation, one of the key texts of the Orquesta del Caos, a performance by BandaÈria of speciesism), Jesús Mosterín (senior professor of Logic and Xavier Maristany, as well as the screening of various and Philosophy of Science) and the political scientist Joost documentaries. Smiers, who presented a new vision of copyright in the age of electronic globalisation. Other participants included Programmed with the collaboration of Platoniq, Orquesta the collective Platoniq, who presented the Bank of Open del Caos, Raquel Paricio, Trafi cantes de sueños, José Luis Knowledge and the independent publishing company de Vicente, Observatori del RiSc, Capsula. Trafi cantes de Sueños.

CCCCBCCB AANGLES.inddNGLES.indd 1717 116/9/086/9/08 11:24:4711:24:47 CULTURAL ACTIVITIES CYCLES AND FESTIVALS PANTALLA CCCB ONE MONTH, ONE ARTIST

Organised by CCCB

It’s difﬁ cult for audiences to access The artists presented in 2007 were: video art - works that aren’t produ- Andrés Duque, Ernesto Koﬂ a, Kikol ced by commission but rather from Grau, Blanca Casas, Peter Wels, Jordi the artist’s own desire. Apart from Oliver, Lope Serrano, Morrosko Vila- festivals, showcases and a few art San-Juan, Kike Barberá and Maria- galleries, there are no other channels nela Vega. that allow them to reach potential viewers. The PANTALLA CCCB program aims to create a space and allow a time for people to become familiar with these independent works. Just as we’d hang a work of art, the CCCB has hung a screen, as though it were a painting. One month in which to contemplate the audiovisual works of artists with an interest in experimenting and innovating with new formal and thematic languages.

OFF-PROGRAM PERMANENT UNPLANNED AUDIOVISUAL PROGRAMMING

Organised by CCCB

Once again, the CCCB presented the The screening was followed by a Off-program series, which provides a discussion with the participation of space for audiovisual works that res- Samba Mballo, director of the Funda- pond quickly to events of social and ció Gune’s comprehensive education human importance, as a result of the project in Senegal. author’s social committment. The CCCB will continue to identify and follow these works throughout the year, and present them with the inmediacy inherent to them. This year, the off-program premiered the documentary Euroafricanos by Lluís Vidal, an artist who participated in a project that merged Art and development and aimed to bring Africa closer to Europe by creating a new currency called “Euroafricanos”.

CCCCBCCB AANGLES.inddNGLES.indd 1818 116/9/086/9/08 11:24:4911:24:49 CULTURAL ACTIVITIES CYCLES AND FESTIVALS GANDULES TRAVELLING. TRAVEL, DISCOVERY AND EMOTIONS AT 24FPS

Dates August 1, 2, 7, 8, 9, 14, 16, 21, 22, 23, 28, 29 and 30 Organised by CCCB

CCCB©Martí Pons, 2007

Gandules’07 was a cartographic journey in which cinema Over the month, the fi lms were grouped into thematic broke beyond known territory to map new frontiers. This blocks: Rediscovering the Territory, The Search for the Other, map was sketched out by fi lmmakers from different In Transit, Off the Map, and Escapes. In this way, each countries and periods who, through their journeys, sent session made up a specifi c journey, while the overall us fi lms as though they were postcards: world images program marked out a broader journey that began with and words that took us to different continents (Africa, Oskar Fischinger’s 1927 documentary, fi lmed between Asia, Europe, America), to the sea, the mountains, cities, Munich and Berlin, and ended with the premiere of a fi lm islands, the snow. An exploration of areas and routes that by Benoit Jacquot À tout de suite (2004), that covered confi gured a fi lm atlas. With Goddard we went to Rome France, Spain, Morocco and Greece. and Capri, with Wenders we visited the United States and Germany; Sissako showed us Mali; Herzog, his extreme journeys; Olmi, the Italian high country; Bernet, an island A program of short fi lms, documentary, essays, video clips in the Caspian Sea and Cassavetes, New York. and narrative fi lms that mixed internationally renown directors with lesser-known ones: Oskar Fischinger, Abde- rrahmane Sissako, Jonathan Hodgson, Wim Wenders, Under the title “Travelling. Travel, Discovery and Emtions at Georges Schwizgebel, Jean-Luc Goddard, Stuart Hilton, 24fps”, the month-long program offered a double journey: Jem Cohen, Sophie Calle y Greg Shephard, David Crone- physical movement and emotional movement. Escapes nberg, Werner Herzog, Bennett Miller, D.A. Pennebaker, and return journeys that showed us that to move is always Nagisa Oshima, Aki Kaurismäki, Boris Barnet, Kelly Rei- a moving experience. Some of the journeys were more chardt, Poman Polanski, Ermanno Olmi, Georges Schwiz- explicitly and covered long tracts; others were an in-depth gebel, Terrence Malick, Jonathan Glazer, John Cassavetes, exploration of a borderland or showed us how we also Johan van der Keuken and Benoît Jacquot. travel when we try to reach the other.

CCCCBCCB AANGLES.inddNGLES.indd 1919 116/9/086/9/08 11:24:5111:24:51 CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION LP’07 BODY, MOVEMENT AND ACTION DANCE FESTIVAL...OR NOT

Dates From March 9 to 14 Organised by La Porta

An interdisciplinary and kaleidos- hosted the performances Slow Down copic event that sounds out new by Martine Pisani, Freeze/Défreeze projects and formats related to by *Melk Prod./Marco Berrettini, contemporary arts that are evolving Dueto by Idoia Zabaleta and Filipa around the body, movement and Francisco, the screening of Death Is performance. The festival was held in Certain by Eva Meyer-Keller, Barcelona from March 9 to 24, 2007, Experiencias con un desconocido at the Mercat de les Flors, the CCCB, by Sònia Gómez, the collective Nits La Poderosa and La Caldera. salvatges and a round table with Isabel de Naverán, Jaime Conde-Salazar and Dance is not just one single thing, Paula Caspão. and it’s increasingly becoming less like what its name suggests. The idea Each night in the CCCB Hall, an of LP is to generate a dynamic con- open stage allowed guest artists and text by bringing together particular companies to present their works, formats and ways of doing, looking surrounded by an audience eager for to movement for the best way to new expressive discourses who ﬁ lled “publish” the ideas, processes or per- the venue every night of the festival. formances of guest artists. The CCCB

BAFF 9TH BARCELONA ASIAN FILM FESTIVAL

Dates From April 27 to May 5 Organised by 100.000 retinas

The BAFF is considered to be the country and is facing a fi ve year ban best festival in Europe specialising on fi lming. in Asian Cinema, and it is the only Two special mentions: the Chi- one is Spain. The 2007 festival closed nese fi lm The Exam and Strawberry after ten days during which viewers Shortcakes, from Japan. The audience attended the different festival venues, award went to the Chinese fi lm Get- where 60 feature fi lms and 11 short ting Home, closely followed by A Dirty fi lm programs were screened. Carnival. The BAFF’07 jury awarded the The tenth BAFF featured the fi lms of Golden Durian to the fi lm Summer guest country Hong Kong. Palace by Lou Ye (China), pointing out the way in which Lou Ye tells a love story set against a political bac- kdrop with excellent interpretations. This recognition was also a gesture of solidarity with the director, who was unable to release the fi lm in his own CCCB©Jordi Azategui, 2007

CCCCBCCB AANGLES.inddNGLES.indd 2020 116/9/086/9/08 11:24:5711:24:57 CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION OFFF INTERNATIONAL FESTIVAL FOR THE POST-DIGITAL CREATION CULTURE

Dates May 10, 11 and 12 Organised by OFFF

As its slogan “Re:fresh” made clear, and Stamen. the seventh OFFF festival champio- But OFFF isn’t only about conferen- ned simplicity as a tool for reconside- ces and presentations. Showplace ring basic concepts. A leitmotiv that exhibited the most outstanding work mobilised the loyal fans of an event coming out of Spain, Openroom and that had once again sold out all tic- Cinexin were reserved for new artists kets for the three daily sessions at the and the Pati de les Dones was once CCCB by the time it opened its doors. again transformed into the social hub The CCCB hall, renamed the ROOTS and meeting point for the festival. space, witness a parade of over 80 Without forgetting the two works- design and digital artists, including hops with Erik Natzke and ISO50 John Maeda, Neville Brody, James Scott Hansen. Victore, Zachary Lieberman, Alva Noto, Raster Noton, Frank Brets- chneider, Olaf Bender and Stefan Sagmeister, together with groups like the Wooster Collective, Grafﬁ ti Research Lab, Universal Everything

XIV FESTIVAL DE FLAMENCO DE CIUTAT VELLA

Dates from May 22 to 26 Organised by Taller de Músics, CCCB and Ajuntament de Barcelona Districte Ciutat Vella

In the 14th Festival de Flamenco de The guest artists who participa- Ciutat Vella, the cante or ﬂ amenco ted in the festival included: Carles singing, the rhythm of the baile or Benavent, Israel Galván, Pepe Habi- dance, and the creativity of different chuela, Josemi Carmona, La Negra, musical arrangements were the Javier Colina, Calima, La Troba Kung- thread that linked this festival, which Fu and Son de la Frontera. attracted 6,080 visitors. The main concerts in the Pati de les Dones put the spotlight on the bass and double bass as jazz instruments applied to ﬂ amenco. The hall catered for small-scale concerts, which featured the female voice, and a short look at rumba catalana.

CCCCBCCB AANGLES.inddNGLES.indd 2121 116/9/086/9/08 11:24:5911:24:59 CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION SONAR’07 INTERNATIONAL ADVANCED MUSIC AND MULTIMEDIA ART FESTIVAL, BARCELONA

Dates June 14, 15 and 16 Organised by Advanced Music, CCCB and ICUB

One again, Sónar was able to close its with audiences and the media alike. doors knowing that it had fulﬁ lled its This project involved recovering the objectives. The festival involved three idea of conjuring through the link days of activities in which music and between magic and technology. multimedia art invaded the different Emphasising its international nature, venues, which attracted a total of the Sónar 2007 program included 83,230 visitors. many artists from all over the world. In total, 275 works were presented The presence of China and, of course, by 421 artists from all disciplines. Japan, stood out among the dozens of This 14th Sónar festival included big countries invited along with local and names that need no introduction as Spanish projects. well as many projects that, precisely Sónar closed having been clearly suc- because they are not as well known, cessful in terms of audience numbers also managed to surprise and capture and national and international media the attention of audiences and the coverage. media. The program included headli- ners the Beastie Boys and Devo.

CCCB©Albert Uriach, 2007 The 2007 program was full of surprises and special performances. The exhibition Et Voilà, held at the CCCB, was one of the most popular

DIES DE DANSA INTERNATIONAL DANCE FESTIVAL IN URBAN LANDSCAPES

Dates from June 28 to July 1 Organised by Marató de l’espectacle

In 2007, the International Dance France) and Lali Ayguadé and Ramon Festival in Urban Landscapes at the Graell (Catalonia-Belgium). All the CCCB focused on Asia. Big names presentations were very popular with featured included Satomi, Sachiko audiences, who once again created a Shigetake, Hisako Horikawa and warm and intimate atmosphere at the the grand master Min Tanaka from CCCB’s Pati de les Dones. Japan, as well as Tribal Sarong/ Yiphun Chiem from Cambodia. Other performances worth noting included those by Antón Lachky & Milan Tomasik (Slovakia), Julie Dos- savi (Benin), Jordi Galí (Catalonia- CCCB©Alberto Casanova, 2007

CCCCBCCB AANGLES.inddNGLES.indd 2222 116/9/086/9/08 11:25:0011:25:00 CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION INN MOTION 4TH INTERNATIONAL BIENNALE OF VISUAL AND PERFORMING ARTS

Dates from July 4 to 7 Organised by Asociación Cultural Conservas with the collaboration of the CCCB, the ICUB and the Departament de Cultura i Mitjans de Comunicació de la Generalitat de Catalunya. This activity was part of the GREC festival program.

Interventions in public space, con- SALGADO (Barcelona), JUDIT temporary dance, actions and DJ ses- SAULA / MARTA GALAN (Bar- sions. But these labels don’t always celona), GOB SQUAD (UK - Ger- manage to deﬁ ne works that aim to many), COMPARTIENDO CAPITAL erase the borders between different (everywhere), ACCIDENTS POLI- arts disciplines in a search for new POÈTICS (Barcelona), LLONOVOY communication channels through the (Mallorca), CONSERVAS (Barcelona), fusion of art, thought, science and SLAVINA amb dj UX, KERNOW technology or to generate new ways CRAIG and MATTHEW DAY, of understanding the creative act in JULIUS POPP (Germany), JONA- relation to the transformation of the THAN GITELSON (USA), ZOOP imaginary and society. (Mallorca). The participants in the fourth Inn Motion were: ANNE JUREN & KRÖÖT JUURAK (Estonia, France, Belgium), CUQUI JEREZ (Madrid), Cia. LAS SANTAS / BEA FERNAN- DEZ (Barcelona), Cia. LAS SANTAS/ CCCB©Martí Pons, 2007 MONICA MUNTANER & KIKE

EL PAÍS HIPNOTIK HIP HOP UP IN ARMS

Dates September 15 and 16 Organised by Hipnotik

In 2007, Hipnotik aimed to show that Hip Hop culture goes way beyond the same tired old clichés, and looked at Hip Hop Up in Arms. Over two days, the festival presented a selection of the most outstanding artists in Spain and around the world, and carried out activities open to any- body who was interested, including: DJ workshops, music productions, writing Hip Hop and Krumping, as well as MC battles and grafﬁ ti, photography and video competitions. CCCB©Martí Pons, 2007

CCCCBCCB AANGLES.inddNGLES.indd 2323 116/9/086/9/08 11:25:0511:25:05 CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION DOCÚPOLIS BARCELONA INTERNATIONAL DOCUMENTARY FESTIVAL

Dates October 3 to 6 Organised by Tercer Ojo

Bruno Ulmer’s documentary Docúpolis, Barcelona’s Documentary Welcome Home was named winner of Festival, remained loyal to its concep- the 7th Docúpolis festival, following tual line, that is, a desire to contri- a selection from more than 600 bute to developing new languages, competitors from around the world. new directors and the ideal platform The jury also awarded a special men- for discussing and refl ecting on the tion to the South African fi lm The documentary genre. However there Mother’s House. is still much territory to be covered, and the festival only plays a small role Festival highlights included: Patricio in the social and cultural relevance of Guzmán’s seminar, the retrospective documentary fi lms as a mirror of our on Slovenian fi lm, guest presentation culture. of Witness for the Rescat section and, as always, the parallel sections together with the international competition, which included OFF as a new category in 2007.

L’ALTERNATIVA 14TH BARCELONA INDEPENDENT FILM FESTIVAL

Dates November 16 to 24 Organised by La Fàbrica with the collaboration of the CCCB, ICUB and the Departament de Cultura i Mitjans de Comunicació de la Generalitat de Catalunya

For L’Alternativa, 2007 was a year of Another positive note was the major achievements. Firstly, the festi- increase in the number of direc- val was able to offer a program of 350 tors present, which allowed visitors fi lms from 46 countries, through its to converse with fi lmmakers in a offi cial sections, parallel sections and unique opportunity for exchange. Pantalla Hall, as a result of a rigorous Directors specially worth mentioning selection of the 2,500 fi lms received due to the relevance of their work throughout the year. Secondly, the include Peter Brook, Don Askarian, wide media coverage helped the fes- Paul Bush and Eugenio Polgovsky. tival become an essential event in the The program was rounded off by independent cinema scene in Spain round table discussions, cinema con- and Europe. Thirdly, the number cert, presentations and workshops. of accredited journalist doubled the 2006 fi gure, and, fi nally, the festival once again attracted its loyal audience of independent fi lm fans, who eagerly await the festival each year. CCCB©Lisbeth Salas, 2007

CCCCBCCB AANGLES.inddNGLES.indd 2424 116/9/086/9/08 11:25:1111:25:11 CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION BAC! 2007

Dates November - December Organised by La Santa

BAC! is a contemporary art festi- As in earlier editions, the ofﬁ cial val that plays an important role in opening of the main exhibition took Barcelona’s cultural scene. It has place at the CCCB, and it remained consolidated itself as a key event for open over one month. This exhibition critical reﬂ ection on different plastic brought together the work of almost and audiovisual arts languages gene- 80 artists from all over the world, rated from an initial theme suggested who offered their own particular by participating artists. vision. Collaborating venues all over the cities presented other exhibitions The eighth BAC!, under the title Bac and events. Babylon, focused on the concept of the contemporary city, inviting artists working in different disciplines to recreate and offer a critical vision of the phenomenon. Through their participation, they contributed to building a more active and committed cultural awareness.

DRAP ART 2007 INTERNATIONAL CREATIVE RECYCLING FESTIVAL

Dates December 14, 15 and 16 Organised by Drap Art Associació

The aim of Drap-Art is to encourage transmutation of protest into positive creative recycling as a tool for trans- ideas, which are the seeds of a more formation in art, society and ecology. sustainable world. To recycle, reuse and recover is a way The traditional market, the works- to re-value things. As well as leading hops, round tables, concerts, stage to more thoughtful consumption, productions and ﬁ lm screenings this also helps to increase respect for formed part of the DRAP ART’07 the environment and the people who program. Participants included inhabit it, thus favouring cultures Circus Delirium vs Selva de Mar, based on knowledge and respect. L.U.V.E. + The Ultraviolet Expe- As it becomes increasingly easy to rience, El Gran Litófono and la discern a bleak future on the horizon, Funk reggae latin jazz old-school, La provoked by insustainable global Cònica lacònica, FICMA and Tadeusz development, Drap-Art believes that Wierzbicki. it is imperative to encourage new generations to use recycling - not just as a critical resource, but also as a CCCB©Consuelo Bautista, 2007 tool within everyone’s reach for the

CCCCBCCB AANGLES.inddNGLES.indd 2525 116/9/086/9/08 11:25:1311:25:13 CULTURAL ACTIVITIES OTHER ACTIVITIES READING WILL MAKE US GO FAR

Dates January 26 - February 4 Organised by Frankfurter Buchmesse, Goethe-Institut Barcelona and the Generalitat de Catalunya’s Departament de Cultura i Mitjans de Comunicació With the collaboration of CCCB, British Council, Institut Français, Istituto Italiano di Cultura, Instituto Camões, Gremi d’Editors de Catalunya, Consell Català del Llibre per a Infants i Joves, Fundación Bertelsmann and Gremi de Llibreters With the support of Fundación Goethe España, ICUB-Biblioteques de Barcelona, Diputació de Barcelona-Xarxa de Biblioteques

“Reading will make us go far” was Children’s books illustration was the slogan for Barcelona’s Internatio- one of the main themes of the week, nal Week of Books for Children and with original art works by acclaimed Young People co-organised by the German and Catalan illustrators on Goethe Institute in Barcelona and the display, as well as those by up and Frankfurt Book Fair, with the collabo- coming younger artists. ration and support of the Generalitat The idea that the Week of Books de Catlunya, the Institut Ramon Llull would target professionals on one and the CCCB. hand, and lovers and readers of The exhibition attracted 15,000 children’s books – especially children visitors who came to participate in themselves - resounding success. the many different activities offered Lectures, readings and presentations, as part of the week’s program, and together with a diverse program of to see the varied exhibition of over children’s activities (with workshops, 2,000 books by Catalan, German, ﬁ lms and theatre) rounded off the Austrian, Swiss, French, English and program. Portuguese publishing companies.

BOOK WORLD

Dates April 21 and 22 Organised by ICUB

Book World is an area full of stories, made possible thanks to the colla- shows, ﬁ lms, exhibitions, workshops, boration of over 40 children’s book music, magic and circus, all with publishers all over the world, who the same principal theme: books. brought a wide range of activities and Adventure books and scary books, hundreds of books to the fair. fairytales and tales of witches or animals lost between the jungle and the zoo... The great book fair for boys and girls returned to the CCCB, this time coinciding with Sant Jordi - Sant Jordi for kids. Over two days, visitors were able to enjoy over 150 activities organised around the Story Kitchen, the Island of Rats and the Library of Lost Books. All these activities and surprises were

CCCB©Jordi Casañas Muñoz, 2007

CCCCBCCB AANGLES.inddNGLES.indd 2626 116/9/086/9/08 11:25:1411:25:14 CULTURAL ACTIVITIES OTHER ACTIVITIES TRÀFIC 07

Dates October 21 to 28 With the collaboration of: Photographic Social Vision, Ojo de Pez, Organised by Centre de Fotografía Documental de Barcelona NoPhoto and Carles Guerra, among others.

The aim of the Centre de Fotografía Documental de Barce- ture, with a creative and critical sense in the face of reality, lona is to deepen research into documentary photography and a desire for authorship in relation to production of focusing on urban subject matter, and help spread this series. kind of photography to a wider public. TRÀFIC is more than the title of this week of photogra- In 2007, the Centre faced the challenge of organising a phy. The idea of “traffi c” brings together a whole lot of festival conceived as a forum and platform allowing mate- issues that concern us and that we’ve observed in the rials to move through the public and those who dedicate work of photographers, social and political synergies and themselves to photography in Barcelona (collectives, asso- cultural forms today: information fl ux, speculation, over- ciations, curators, galleries, publishers, specialist libraries) accumulation, immigration, speed, cultural exchange, in order to offer a diverse and interactive event –a festi- changes and modifi cations in the landscape and urban val!– that complements the work of organising exhibitions environment, abusing goods and resources... that had been the Centre’s only focus so far. Other collectives were invited to contribute activities Activities organised between the 21st and the 28th of as part of the TRÀFIC photography experience. These October included documentary photography workshops, included: Photographic Social Vision, Al·liquindoi and No audiovisual screenings, debates, exhibitions and a series Photo. of varied, interactive activities, all with the same objective: to stimulate citizens to learn about and refl ect upon their personal and social environment through documentary images that are beautiful, committed, complex and made by the photographers who best represent the image cul-

CCCCBCCB AANGLES.inddNGLES.indd 2727 116/9/086/9/08 11:25:1411:25:14 CULTURAL ACTIVITIES URBAN ITINERARIES BARCELONA, CITY, CITIES

A program of itineraries designed to offer a critical look Besòs. A Second Opportunity at the new challenges facing the city of Barcelona today: This itinerary analyses the territory through which the transformations in the metropolitan environment, social river Besòs fl ows and its function as a corridor for all cohesion, cultural leadership, environmental regene- kinds of fl ows (trains, cars, electricity, water...). ration, the quality of public space, communications networks, high velocity... Fundamental issues that are Llobregat. Last Chance becoming increasingly important, which this series of This itinerary comprises an analysis of the territory that urban and metropolitan itineraries aims to demonstrate. the Llobregat river passes through. The river forms the The program of itineraries for schools and the general southern limit of the city and organises one of the major public for 2007 has been: lines of communication for the entire Metropolitan area. El Raval. First Port of Call When it Rains in the City... This itinerary sets out to offer perspectives from several This itinerary centres on the construction of a network of viewpoints of a neighbourhood that has been a port of call subterranean deposits built to collect runoff water during from the 19th century up until the present day. torrential rainfall, and includes a visit to two new deposits: Views of La Ribera at the Escuela Industrial and Bori i Fontestà. Views of La Ribera takes the form of a historical route that The Garraf Dump. Solution or Problem? explains the evolution of the city from the 15th century up This itinerary aims to analyse, on site, both the treatment until the present. of waste and the environmental problems presented by The Golden Square the dump, and the recently begun landscape restoration project, which won the 3rd European Prize for Urban Starting out from the CCCB and ending at la Pedrera, this Public Space in 2004. itinerary takes a closer look at the economic and social context that led to the construction of the Eixample. This itinerary was cancelled due to the closing of the Dump. Poblenou@22 In one visit, this itinerary combines spaces and building related to 19th century forms of life and production, and the fi rst areas to be urbanised and the buildings associated with the 22@ project.

CCCCBCCB AANGLES.inddNGLES.indd 2828 116/9/086/9/08 11:25:1511:25:15 DEBATE AND REFLECTION

CCCCBCCB AANGLES.inddNGLES.indd 2929 116/9/086/9/08 11:25:1611:25:16 DEBATE AND REFLECTION NEW HUMANISM MEANING QUESTIONS ON LIFE IN TIMES OF HYPERCONSUMPTION

Dates Mondays from February 12 to March 26 Production CCCB and Fundació Collserola With the collaboration of El País

After the crisis of religion and of the diate consumption? How are spiritual great ideologies that marked the 20th needs expressed in the contemporary Century, our own time appears to world? be a triumph of the most superfi cial Through this cycle, the CCCB and aspects of existence: leisure, perso- Fundació Collserola continued the nal beauty and consumption are the critical refl ection on the human panaceas that will supposedly ensure condition in the contemporary world our happiness. However, behind the that began with the ‘Passions and dazzling surface of this hedonistic Life’ series of discussions in 2005 society, our anguish for the meaning and 2006. of our existence has not gone away. A vague and undefi ned spirituality, Speakers: Víctor Gómez Pin, Gilles suffused with oriental wisdom and Lipovetsky, Carlos Castilla del Pino, off-the-shelf beliefs is increasingly Gianni Vattimo, John Gray, Frédéric revealing this nostalgia for absolute Lenoir and Javier Muguerza. values. How do we fi nd meaning in a world dominated by pre-packaged formulas for happiness and imme-

CCCB©Susana Gellida, 2007

INVISIBLES

Date March 5 Organised by CCCB and MSF (Doctors Without Borders)

The fi rst in a series of activities organised in collaboration with MSF was the screening of the fi lm Invisibles, fi ve stories looking at fi ve international crises, directed by Wim Wenders, Isabel Coixet, Fernando León de Aranoa, Mariano Barroso and Javier Corcuera and produced by Javier Bardem with the support of MSF. The screening was followed by a discussion session with Aitor Zabalgo- geazkoa, director of MSF Spain, Javier Bardem, Fernando León de Aranoa, Javier Corcuera and Mariano Barroso.

CCCB©Susana Gellida, 2007

CCCCBCCB AANGLES.inddNGLES.indd 3030 116/9/086/9/08 11:25:1711:25:17 DEBATE AND REFLECTION NEW HUMANISM PRESENTATION OF THE BOOK RETORNO DE FILIP LATINOVITZ

Date March 7 Organised by Editorial Minúscula, Embassy of the Republic of Croatia and CCCB

Predrag Matvejevi_, the internationally renown Croation writer and essa- yist presented the novel El retorno de Filip Latinovicz by Miroslav Krleza, the most emblematic Croatian writer of the 20th century. With the participation of Simona _krabec, literary critic, and Jadranka Vrsalovi_- Carevi_, who translated the book into Spanish.

DREYER AFTER HAMMERSHØI

Dates 7, 14, 21 and 28 March, 11, 18 and 25 April Organised by CCCB with the collaboration of the Ordrup Gaard Museum of French Impressionism

A ﬁ lm cycle with screenings of the essential works of Carl Theodor Dreyer, accompanied by presentations offering different approaches to the central themes of the exhibition. These included the connections between the painter Vilhelm Hammers- høi and the ﬁ lmmaker Carl Theodor Dreyer, who in spite of working in a different medium, can be considered to be the most authentic –and perhaps the only successor– to the Danish painter in terms of the dra- matic intensity, austerity, light and silence of his work. Screenings and presentations: Master of the House (1925), with CCCB©Susana Gellida, 2007 Juan Manuel Bonet; Gertrud (1964), with Pere Gimferrer; Vampyr (1932), with Pilar Pedraza; President (1918), with Casper Tybjerg; Dies Irae (1943), with Miquel de Palol; Michael (1924), with Carlos Martí; and Ordet (1954), with Antoni Marí.

CCCCBCCB AANGLES.inddNGLES.indd 3131 116/9/086/9/08 11:25:2011:25:20 DEBATE AND REFLECTION NEW HUMANISM POPULISMS

Dates 16 and 17 of April Production CCCB and Casa del Libro in With the collaboration of Tusquets Directed by Bashkim Shehu, CCCB advisor Tirana, Albania Editores and El on Eastern Europe País

Hostile to traditional ideologies, The CCCB brought together various populism feeds off the charisma of its experts who compared speciﬁ c leader and of the constant exaltation experiences in order to offer a shared of the people that makes it similar to conceptual framework that contri- xenophobic discourses and, para- buted to understanding of populism doxically, also to the most advanced today. This seminar was part of the theories in defence of human rights ongoing collaboration with the Insti- and social justice. Thus, populism tute of Dialogue and Communication is linked to a wide range of political and the Albanian Institute of Tirana trends that go from the extreme (Albania), through which the CCCB right to the radical left, from eco- aims to promote and strengthen nomic liberalism to egalitarianism, intercultural exchange in the new from nationalism to the anti-globa- Europe. lisation movements. Its ambivalent Speakers: Guy Hermet, Fermín relationship to democracy and its Bouza, Ivan Krastev, Pavol Demes, authoritarian turns make populism a Michael Kaza, Francisco Panizza and multifaceted phenomenon that both Norman Manea. Moderators: Bash- fascinates and disturbs. kim Shehu, Piro Misha, Remzi Lani, CCCB©Miquel Taverna Homs, 2007 Francisco Fernández Buey and José María Ridao.

CHECHNYA, THE SILENCED CONFLICT TRIBUTE TO ANNA POLITKÒVSKAIA

Date Tuesday March 20 Production CCCB With the collaboration of the Centro Internacional de Prensa de Barcelona and El País

Within the framework of the world- wide reading of the tribute to Russian journalist Anna Politkòvskaia, promoted by the Peter Weiss Foundation in Berlin, Anna Lizaran read texts by this journalist who was assassinated in Moscow on the 6th of October 2006. The following debate looked at the country’s history from the fall of the Berlin Wall and its current complex political and social situation. Speakers: Andrei Babitski, Mairbek Vatxagàiev and Jonathan Littell Moderator: Carmen Claudín

CCCB©Susana Gellida, 2007

CCCCBCCB AANGLES.inddNGLES.indd 3232 116/9/086/9/08 11:25:2111:25:21 DEBATE AND REFLECTION NEW HUMANISM SOMALIA THE WEST AND THE DESTRUCTION OF HOPE

Date April 12 Production CCCB and MSF (Doctors Without Borders)

The discussion on one of the most important but also most forgotten crises in the world, was held in parallel to the MSF exhibition Somalia, Surviving Oblivion. The aim of the discussion was to analyse the delicate political and social reality of Somalia, a country that has been in a state of permanent crisis since the start of the civil war over 15 years ago. Speakers: Jabril Ibrahim Abdulle, Ibrahim Hassan Addou, Moha- med Abdi Mohamed “Gandhi” and Nuruddin Farah. Presenters: Kenny Gluck and Alfonso Armada.

CCCB©Susana Gellida, 2007

LOCAL RACISM, GLOBAL APARTHEID SOUTH AFRICA AS A PARADIGM

Dates September 27 and 28 Organised by CCCB and Bancaja Directed by Pep Subirós With the collaboration of El País

To mark the opening of the exhi- theid, means immersing ourselves in bition Apartheid: The South Afri- another peoples’ past history and also can Mirror, the CCCB organised a in the dark side of one of the forms symposium that, like the exhibition of reason – and practices – inscribed itself, focused on the South Afri- in our on history and, in part, still can experience as its main point of alive today. reference. Likewise, the symposium Participants: Pascal Blanchard, Ash covered new forms of discrimina- Amin, Ciraj Rassool, Patrick Pond, tion and segregation inherited from Les Back, Peter McKenzie, Carles traditional racism, which feed the Lalueza, Zaid Minty, Edgar Pieterse, old mechanisms of inequality and Nandipha Mntambo, Verena Stolcke, exclusion and create new ones, both Jane Alexander, Elvira Dyangani, within the most developed areas of Núria Vives, Angèlica Sátiro and the North-Western work and, especia- Alfred Bosch. lly, in the relationship between richer and poorer countries. In this sense, to consider the phenomenon of racism, especially South African apar-

CCCCBCCB AANGLES.inddNGLES.indd 3333 116/9/086/9/08 11:25:2411:25:24 DEBATE AND REFLECTION NEW HUMANISM PRESENTATION OF THE BOOK LA CONSCIÈNCIA MORAL DE RÚSSIA BY ANNA POLITKÒVSKAIA

Date October 1 Organised by Catalan PEN, la Lliga dels Drets dels Pobles, la Federació Catalana d’ONG pels Drets Humans and the CCCB

As part of the event organised as a tribute to the assassinated Russian journalist Anna Plitkòvskaia, La cons- ciencia moral de Rusia, a book published by Atesta that compiles ten of her articles on the Chechnyan conﬂ ict will be presented. Journalist Llibert Ferri, ex-correspondent for TV3 in Eastern Europe and Russia, and Oleg Panﬁ lov, director of the Moscow Centre of Journalism in Extreme Situations, looked at freedoms in Russia, the status of journalists, the repression that civil society is subjected to and political opposition to the Kremlin.

PRESENTATION OF NAOMI KLEIN’S THE SHOCK DOCTRINE

Date October 26 Organised by CCCB, Editorial Paidós and Editorial Empúries

Far from the cliché that unquestio- Speaker: Naomi Klein ningly fuses democracy and capita- Presenter: Antoni Doménech lism, The Shock Doctrine reviews the recent history of the world (from Pinochet’s dictatorship to the recons- truction of Beirut; from Katrina to the tsunami; from 9/11 to the Madrid bombing attack), bringing to the fore the civilian populations that have been subjected to the ruthless voracity of the new lords of the world: the industrial, commercial and government conglomerates for whom disasters, wars and citizen insecu- rity are the sinister fuel of the shock economy.

CCCCBCCB AANGLES.inddNGLES.indd 3434 116/9/086/9/08 11:25:3011:25:30 DEBATE AND REFLECTION NEW HUMANISM ELÍAS CANETTI, CROSSROADS OF CULTURES

Date October 30 Directed and organised by CCCB and Círculo de Lectores

Leading specialist on the writer Elías Canetti discussed his literary output (the recently published Sketches and Crowds and Power, 50 years on), as well as the various elements that come together and colour his body of work: nations, cosmopolitanism, extraterritoriality... Participants: Jordi Llovet, Marisa Siguán and Ignacio Echevarría.

THINKING EUROPE

Dates November 12 and 26, and December 3 Directed by Judit Carrera and Lisa Appignanesi Production CCCB With the collaboration of El País and Editorial Crítica

With the series “Thinking Europe”, In this context, the CCCB invited which Jorge Semprún inaugurated in leading intellectuals from around September 2006, the CCCB opened the world in order to try and answer a forum of debate on the future some of the following questions: of Europe with a humanistic and What unites Europeans today? What cultural perspective. More than sixty does European culture mean to us? years after the Second World War, What is Europe’s contribution to uni- Europe is currently a united space of versal culture? What philosophical peaceful coexistence between nation- categories or new political principles states that have decided to share their could help to confi gure a cosmopo- sovereignty under a set of common litan, hospitable and more deeply principles. Yet the diffi culties in the democratic Europe? processes of integration and expan- Participants: Eric Hobsbawm, Donald sion, together with the increasing Sassoon, Josep Fontana, Timothy global fl ows of people, ideas and Garton Ash and Ian Buruma. goods, make the limits of Europe vaguer than ever and reopen the CCCB©Susana Gellida, 2007 debate on the very notion of Euro- pean civilisation.

CCCCBCCB AANGLES.inddNGLES.indd 3535 116/9/086/9/08 11:25:3011:25:30 DEBAT AND REFLECTION CITIES AND PUBLIC SPACE BARCELONA’S NEW CITY WALLS

Date February 20 Production CCCB Directed by Francesc Muñoz, lecturer in Geography, UAB

CCCB©Susana Gellida, 2007

One by one, the walls of Europe’s cities gradually came In a sense we fi nd, the closed, continuous walls of the tumbling down at different times throughout the second 19th century dismembered and multiplied in a series of half of the 19th Century. From then on, an intensifi ed discontinuous limits that draw out a the new map of the urbanisation process and the changes gradually brought city – and its new walls – in the 21st century on by new means of transport such as the railway fi rst and Speakers: Ivan Muñiz, Matias Serracant, Maria Buhigas, then the cars produced a dynamic that gobbled up availa- Josep Font, Josep Bàguena, Anna Badia, Joan Roca, Laura ble land and gradually colonised it on an unprecedented Cantarella, Andreu Ulied, Enric Mendizàbal, Octavi Rofes scale and dimension. In the 20th century, cities, which and Silvia Bianchini. had previously been exceptions to mainly undeveloped lands, would be come the most recognisable features of the humanised landscape. This continuing process of urban expansion did not, however, mean the disappearance of the limits and borders of the city. The end of cities delimited by city walls was replaced by a combination of physical limits that show how the fact the urban landscape has spread through most of the territory doesn’t mean that it has done so in an unlimited, continuous and homogenous way. On the contrary, motorway toll barriers, petrol stations-cum- shops and endless rows of terraced housing form the new limits of the urban world.

CCCCBCCB AANGLES.inddNGLES.indd 3636 116/9/086/9/08 11:25:3311:25:33 DEBAT AND REFLECTION CITIES AND PUBLIC SPACE CITIES OF THE NEAR EAST

Directed by Fred Halliday, Professor in International Relations, With the support of the Departament de Cultura de la Generalitat London School of Economics de Catalunya and the Ministerio de Cultura, Production CCCB and the collaboration of El País

CCCB©Miquel Taberna Homs, 2007

In this conference series, the CCCB offers a new look at The Destinies of Istanbul some of the Middle Eastern cities that are in the fore- November 5 and 6 (debates); November 3, 4 and 5 (scree- ground of international current affairs and that we only nings) usually hear about in relation to the stigma of war and the Along with Athens and Rome, Istanbul is one of the three stereotype of poverty. Without shying away from this rea- great historic and cultural centres of the Mediterranean. lity, the discussions aim to bring us closer to the spirit and Substituted by Ankara as the Turkish capital since the cultural life of these cities. In 2006, the debates dealt with beginning of the Kemalist period, in recent decades it has Beirut, Teheran and Mecca, and in 2007 they centred on undergone major transformations. On one hand, a great Baghdad and Istanbul. interest in the earlier Christian and Ottoman pasts, and in the diverse cultures and peoples that have come together Baghdad, a City in the Throes of Death in the city, has surfaced. Likewise, the collapse of the March 6 USSR and the Balkan communist regimes has brought Founded in the 8th century as the capital of the Abbasid new commercial and migratory links to the Black Sea and empire, in modern times Baghdad has been the artistic beyond. Yet at the same time, while parts of the Turkish and architectural centre of the Arab world and the capital intelligentsia have sought to restore Istanbul as a model of Iraq. Over the last three decades, the city has been of cosmopolitanism and tolerance, mass migration from victim to war, insurrection and denominational confl ict. rural Anatolia has changed the character of much of the Following an eight-year war with Iran (1980-2988) and city and made it a base for new Islamist forces. the United States bombings (1991-2003), since the North This seminar (the fi fth in the series on the Middle East) American invasion in March 2003, the city has become explored a set of visions of the role played by Istanbul in the centre of increasingly serious confl icts that is a mix modern Turkey and Europe. Speakers included leading of the insurrection against the US and its allies on one contemporary Turkish and Armenian academics and wri- hand, and an intense civil war between Sunni and Shiite ters, and the debates were accompanied by the screening Muslims on the other. of fi lms and documentaries about Istanbul. The aim of The CCCB brought together three leading experts on this conference was to create a forum for debate to ques- Iraq, who explained the keys behind the current confl ict tion the stereotypes of the past and to analyse the challen- and analysed the impact of so many years of violence and ges of the contemporary city. destruction on the city of Baghdad. Participants: Ayhan Aktar, Umut Ozkirimli, Soli Ozel, Participants: Faleh A. Jabar, Yahia K. Said, Patrick Cock- Murat Belge, Nouritza Matossian, Fred Halliday and Fran- burn and Fred Halliday. cisco Veiga.

CCCCBCCB AANGLES.inddNGLES.indd 3737 116/9/086/9/08 11:25:3511:25:35 DEBAT AND REFLECTION CITIES AND PUBLIC SPACE ARCHITECTURES OF FEAR: TERRORISM AND THE FUTURE OF URBANISM IN THE WEST

Dates May 17 and 18 Production CCCB Directed by Stephen Graham, Professor in Human Geography, Sponsored by COPCISA and El País University of Durham

CCCB©Miquel Taberna Homs, 2007

New York, 11 September 2001. Madrid, 11 March 2004. The aim of this symposium was to refl ect upon the London, 7 July 2005. The spectre of terrorist attacks has ideology of fear that has characterised the international come to dominate the collective unconscious of many scene since 9/11 and thus to draw conclusions about the cities of the West. Planes, trains, underground transport, reshaping of the politics of security in the West, its impact features of urban infrastructure that were once symbols of on city design and the diffi culties this entails for keeping cosmopolitan freedom and prosperity, have now become, democratic principles alive. Directed by Stephen Graham in the hands of terrorists, lethal weapons that threaten the (University of Durham) and hosted by the CCCB, the very life of the city. In the aftermath of the attacks, many present debate forms part of an ongoing series refl ecting urban spaces are being represented as objects of total on the intersections of power and territory. This began security within the framework of a recently declared war in 2004 with the “Frontiers” cycle after and was further against global terrorism that has no clear end in temporal explored by debates on “Urban Traumas” (2004) and the terms and no fi xed geographic limits. Not only terro- “Archipelago of Exception” (2005). rism but also counterterrorist responses have begun to Participants: Stephen Graham, Peter Marcuse, Angharad infl uence urbanism in the West and may be striking at the Closs, José María Irujo, Marina Garcés, Frank Furedi, heart of an urban way of life that is founded on inclusion, Francesc Muñoz, Jeremy Parker, Carles Guerra, Jordan anonymity and pluralism. Crandall, Gemma Galdon Clavell, Louise Amoore, Deborah Natsios, Francisco Klauser, Ulrike Engel, Joan Subirats, Julie-Anne Boudreau and Eyal Weizman.

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Dates December 13 and 14 Directed by Teresa Caldeira, Professor of Production CCCB Anthropology, University of California

The exponential growth of urban periphery. This debate goes to the populations and the expansion heart of the many ambivalences of of cities everywhere are the most the periphery at the global scale. obvious symptoms of the tremen- This discussion was a continuation dous pace of urbanisation all over the of Esquerdes urbanes. Segregació i world and are giving urban periphe- contracultura al Brasil (“Urban lefts. ries a new importance. Today, the Segregation and the counterculture periphery is an area that is part of in Brazil”) conference held in July a city and simultaneously excluded 2006. A second part will be held from it. The outskirts of cities have in October 2008 at the Centre for become containers for the problems Global Metropolitan Studies as part that can’t be assimilated by city of an ongoing collaboration between centres, but often also the refuge the CCCB and the University of Ber- of the better-off looking to improve keley, California. their living conditions away from the contaminations of traditional historic centres. Far from the commonplaces CCCB©Susana Gellida, 2007 of marginalization and violence that tend to be associated with it, the periphery is often a space for artistic creation and experimentation with new ways of understanding and experien- cing democracy. This intensiﬁ cation of cultural life on the urban outskirts and the emergence of movements of insurgence and demands for improved living conditions seem increasingly to indicate that the future of the city centre will be played out in the

DEBAT AND REFLECTION PERMANENT REFLECTION INTERNAL SEMINARS

Meetings between experts on some The business world and culture Religion and society of the key issues in contemporary Dates ﬁ rst 6 months of the year Dates ﬁ rst 6 months of the year society, who come together for discussions behind closed doors. After Organised by CCCB and Esade Organised by CCCB and Fundació a period of working together, they Joan Maragall have the possibility of producing a Participants: Pere Lluís Font, Jaume synthesis that can be addressed to the Fontbona, Antoni Matabosch, Josep main agents and responsible parties M. Carbonell, Joan Rigol, Jaume in political, economic or social life. Casals, Josep Joan Moresco, Manuel Cruz, Valentí Puig and Josep Ramo- neda.

CCCCBCCB AANGLES.inddNGLES.indd 3939 116/9/086/9/08 11:25:3711:25:37 DEBATES AND REFLECTION IN COLLABORATION… INSTITUT D’HUMANITATS

From philosophy to literature, cinema to theatre and reach and contribute to the reception of the most impor- history to art, the Institute aims to penetrate deep into tant instances of European culture. the world of humanities and discover different disciplines The courses programmed for 2007 included: Theodor W. through the opinions of leading intellectuals and thinkers. Adorno, The Culture of Landscape, Dance as a Language of Through a series of conferences featuring a different the Body, Technology and Ethics, Theory of Fantasy literature, guest each week, and specialist seminars imparted by a Thinking Cinema, Great Books of Western Culture. single lecturer, the cycle encouraged interchange between different ﬁ elds of cultural, participate in widening their

CUIMPB – CENTRE ERNEST LLUCH

The Universidad Internacional Menéndez Pelayo-CUIMPB Annual Accounts Financing and expenditure policies, Multi- offers a series of courses and master seminars that can be lingualism and universities, Legislating audiovisual freedom, taken as optional credits towards various degrees. Multi-culturalism, the key to international business, Carbobi, Climate and Society. Towards decarbonisation, Renewable The following courses have been carried out during 2007: wind and solar energies, Living with volcanoes, Cities and Islam South of the Sahara, The challenges of local urban immigration. Urban planning and local politics, Cooperation planning law in the 21st century, Emerging Eurasia: a big new amongst public administrations, Strategic territorial planning, game surrounding Central Asia, Public policies for regional Model of protected rental dwellings, Governing mobility, and competitiveness, Neuroethics: Law and the science of willpower, Brain and Cognition. Women vs. Men. The Euro-Mediterranean Association in the globalisation era,

ELISAVA

In the ﬁ rst six months of the year, Elisava (Escola Supe- programs in Communication and Graphic Design, Design rior de Disseny) presented its Postgraduate and Masters and Product and Design and Space.

METRÒPOLIS MASTER ESCOLA TÈCNICA SUPERIOR D’ARQUITECTURA DE BARCELONA-UPC

A post graduate course for graduates in art, the humani- This year 2007 we have had the following lecturers Xavier ties, social sciences or architecture, led by philosophers, Costa, Suzanne Strum, Teddy Cruz, Stephen Graham, anthropologists, art critics and artists, urban designers Ilka & Andreas Ruby, Judit Carrera, Ernest Ferré, Rafael and architects, to reﬂ ect on the new realities emerging Gómez-Moriana, Antoni Luna, Armando Montilla, Martí around major cities. Peran, Alexander Pilis and Juan Carlos Sánchez-Tappan.

CCCCBCCB AANGLES.inddNGLES.indd 4040 116/9/086/9/08 11:25:4011:25:40 DEBATES AND REFLECTION IN COLLABORATION… SOCIAL MOVEMENTS AND TERRITORIAL CONFLICTS. TOWARDS A NEW CULTURE OF TERRITORY?

Date April 20 With the collaboration of the CCCB and Jaume Boﬁ ll Foundation Organised by The Institut de Govern i Polítiques Públiques at the Universitat Autònoma de Barcelona (IGOP)

Based on the research project “Per una nova cultura del the territory taking shape? What’s happening in this area territori? Mobilitzacions y confl ictes territorials a Cata- in the rest of Europe? lunya” carried out by the IGOP and the Jaume Bofi ll Foun- Participants: Joan Subirats, Enric Tello, Gianni Piazza, dation, this seminar setted out to go deepen the debate on John Karamichas, Charlotte Halpern, Christopher Rootes, the role of social movements in territorial confl icts. What Toni Altaió, Eva Fernández, Raül Valls and Maria Herrero. effects do the have on public policy? What do the different kinds of mobilisations share? Is a movement in favour of

BARCELONA AND THE SOCIAL RIGHTS OF FOREIGNERS. THE REALITY AND PROPOSALS

Date November 8 With the collaboration of the CCCB Organised by Observatorio del Sistema Penal y los Derechos Humanos, at the University of Barcelona (OSPDH)

Round table to coincide with the presentation of the report Participants: Oriol Amorós i March, Joaquim Mestre i “On the exercise of the right to education of foreign minors in Garrido, Ma. Jesús Larios Paterna, Sheila González Motos, primary school and health care for foreigners residing in the Lourdes Ponce and Héctor Silveira Gorski. city of Barcelona”, prepared by the OSPDH and published by the Regidoria de Drets Civils de l’Ajuntament de Barcelona.

LAUNCH OF “RELATOS DE KOLIMÁ” BY VARLAM SHALÁMOV

Date December 12 Organised by Editorial Minúscula and CCCB Presentation by Jorge Semprún

Relatos de Kolimá is one of the greatest and most tragic the overall work – marks the start of a process that will odysseys of the 20th Century. Varlam Shalámov, a lead to the complete work being published in Spanish, Russian writer born in 1907, penetrated de white hell of following the structure given to the project by its author. Kolyma, a region located in the far north-eastern area of Participants: Jorge Seprún, Ricardo San-Vicente and Josep Siberia, and described the Stalinist work camps in great Ramoneda. detail. This book - the ﬁ rst of the six volumes that form

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CCCCBCCB AANGLES.inddNGLES.indd 4242 116/9/086/9/08 11:25:4011:25:40 OPEN CCCB PROJECTS ON THE NET

Participating institutions Xarxa Transversal, Fundació I2Cat, With the collaboration of SETSI, ICUB, Ministerio de Cultura and Departament de Cultura i Mitjans de Ministerio de Economía y Hacienda. Comunicació de la Generalitat de Catalunya and CCCB.

Information and communication technologies are deve- The implementation of the fi bre optic network in Cata- loping quickly and transforming the possibilities for pro- lonia was carried out in two phases. The fi rst phase ducing and spreading culture. Through this project, the connected the CCCB and four cultural centres from the CCCB aims to set out a mid- and long-term strategy that Xarxa Transversal (Lleida, Granollers, Olot and Reus). The will strengthen the use of the net as a tool for diffusion remaining Transversal cities (Manresa, Figueres, Tortosa, of cultural production and facilitate innovation in terms Sant Cugat del Vallès, Mataró, Vilanova i la Geltrú, Girona, of formats. Rather than constructing a project based on Vic, la Seu d’Urgell and Perpinyà) will be connected in the technology, the idea is to explore how technology can second phase. Ultimately, the network will become a tool help improve the fulfi lment of traditional aims of cultural for exchange at the service of all the cultural centres in facilities. The project is organised around two separate Catalonia. initiatives: In September 2007, the fi rst phase begun with the HIP- NOTIK FESTIVAL, were the following network activities CULTURAL RING were developed: GRANOLLERS – Granollers Museum, http://www.anellacultural.cat/ interactive live connection. Break dance exhibition and The Cultural Ring is a project that seeks to strengthen the workshop. REUS - Centre d’Art Cal Massó, live interactive use of the Internet as a tool for diffusion and production connection. Rap concert and DJ. LLEIDA – IMAC, live in cultural exchange, and to promote innovation in terms interactive connection. Graffi ti demonstration. BARCE- of formats. As the fi rst project of its kind to be based on LONA – CCCB, live broadcast at the three centres of the cultural activities, it is a pioneering project in the area of fi nals of the Festival’s MC and Break Dance competition. research, innovation and development (R+I+D). The project consists of developing a network of cultural facilities –“Anella Cultural” or Cultural Ring- that allow intensive use of the new possibilities offered by second generation Internet. The aim is to activate content exchange and co-production of online events, and promote new lines of research into Internet use in cultural production, improving diffusion and offering artists a platform for experimenting with new digital arts applications.

CCCCBCCB AANGLES.inddNGLES.indd 4343 116/9/086/9/08 11:25:4111:25:41 OPEN CCCB EXHIBITIONS. BEYOND THE CCCB THE CITY OF K. FRANZ KAFKA AND PRAGUE IN PRAGUE

Directed by Juan Insua Production CCCB

Although Prague doesn’t ever This exhibition, the third in the Cities explicitly appear in Kafka’s work, and Their Writers cycle produced Prague and Kafka are inseparably by the CCCB, was presented at the intertwined. The way in which Kafka Jewish Museum in New York from sifts his city into his work remains August 2002 to January 2003. Since one of the most enigmatic operations June 2005 it can be visited as a in modern literature. In his books, permanent exhibition in Prague at Kafka doesn’t name the places he the Hergetova Cihelena, which has describes. The city draws back; it is become the Franz Kafka Museum. no longer known for its buildings and monuments. In his ﬁ ctions, Kafka carries out a difﬁ cult operation: Prague is transformed into an imaginary topography that transcends fallacious realism.

ONCE UPON A TIME CHERNOBYL IN ALCALÁ DE HENARES

Curator Galina Ackerman Production CCCB i Bancaja

The exhibition, sponsored by Funda- ción Bancaja, explains the catastrophe that took place in Chernobyl and its consequences, as a framework and tool for reﬂ ecting upon the important challenges of the 21st Century: techno-science and its real and imaginary dangers. The exhibition includes photographs, audiovisual material, recovered objects, children’s’ drawings and some art works inspired by the catastrophe

CCCB©Julio C. Palacio, 2007

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LITERATURES OF EXILE IN BUENOS AIRES, SANTIAGO DE CHILE AND MEXICO AND SANTO DOMINGO

Curators Julià Guillamon, Joaquim Jordà and Francesc Abad Production CCCB, SEACEX and Institut Ramon Llull

This exhibition traces an itinerary de la Moneda in Santiago de Chile that follows places linked to the Cata- form March 1 to April 30, at the lan literary exile (1939-1975) through Centro Cultural de España in Mexico testimonies narrated by the writers from July 16 to October 14, and, ﬁ na- themselves, in their literature and lly, at the Museo de Arte Moderno in personal experiences and histories. Santo Domingo from November 29 The exhibition allows visitors to relive until February 10, 2008. the experience of exile through the voices and words of its protagonists: how the disappearance of a world leads to certain decisions being made and survival strategies developed, and also to the opening up of new horizons, resulting in a great number of cultural initiatives. The exhibition was presented at the Centro Cultural Recoleta in Buenos Aires until February 15, at the Palacio CCCB©Jodi Gómez, 2007

JULIO CORTÁZAR: TRAVELS, IMAGES AND OTHER TERRITORIES IN SAN SEBASTIAN

Curators Juan Insúa and Rocío Santacruz Production CCCB

The aim of this exhibition is to The exhibition was presented at explore the personal and literary the Centro Cultural Okendo in San world of Julio Cortázar by means of Sebastian from April 26 to June 26. his travels, his letters and his incur- sions into photography, a discipline that was accorded particular importance by the author of Rayuela, who compared it to the short story form. The exhibition includes the series of photographs from Meditations on the Observatory which Cortázar himself took on a trip to India, the originals from the Los autonautas de la cosmo- pista and the Muñeca rota series, as well as photos from other journeys, unpublished portraits, letters to friends, etc. CCCB©Jordi Gómez, 2007

CCCCBCCB AANGLES.inddNGLES.indd 4545 116/9/086/9/08 11:25:4211:25:42 OPEN CCCB EXHIBITIONS. BEYOND THE CCCB CITIES AND THEIR WRITERS IN VALENCIA

Curator Juan Insúa Production CCCB

The CCCB has conceived a travelling 2007 in the Valencia Centre of Con- literature project for the new cen- temporary Culture, sponsored by the tury, made up of a series of creations Caixa Catalunya Foundation. which share an open and heterodox vision of the literary phenomenon and the new expositive formats and languages. The productions include the audiovisual version of the series Cities and their writers and will be presented from October to 7 January

THE CENTURY OF CINEMA IN ZARAGOZA, TORRENT AND SABADELL

Curator Jordi Balló Production CCCB

A touring adaptation of the major at the main venue of the Fundació exhibition organised at the CCCB in Caixa Sabadell from March 29 to 1995 to commemorate 100 years of June 3. cinema. It consists of ﬁ ve sections that illustrate the world of cinema in a meaningful way, through photographs and audiovisual materials: An Industry of Prototypes, A Mythology, Basic Instincts, Universal Viewers and Forms of Seduction. After its exhibition period in Zara- goza, until the 7th of January 2007, the exhibition was on display at the new Espai Metropolità d’Art in Torrent (Valencia), from January 26 to March 11, with the sponsorship of the Fundació Caixa Catalunya, and

CCCCBCCB AANGLES.inddNGLES.indd 4646 116/9/086/9/08 11:25:4411:25:44 OPEN CCCB EXPOSICIONS. MÉS ENLLÀ DEL CCCB THAT’S NOT ENTERTAINMENT! CINEMA BEGETS CINEMA IN MURCIA AND VALENCIA

Comissaris Andrés Hispano i Antoni Pinent Producció CCCB

La mostra proposa un recorregut pel Una versió reduïda de l’exposició es cinema de les idees, aquest cinema presentà al Centro Párraga de Múrcia que no és part de la indústria de entre el 6 de juny i el 28 de juliol. El l’entreteniment i que en la seva 13 de desembre s’inaugurà en l’espai factura i el seu contingut demostra el remodelat de la Fundació Bancaixa de potencial artístic, reﬂ exiu i documen- València. tal del mitjà. L’exposició presenta autors i movi- ments clau del cinema experimental i independent, però no està plante- jada com una història alternativa al cinema de consum. La idea és deﬁ nir el cinema des de pràctiques que, tot sovint, contravenen tòpics, mostren un món del cinema que es pot exercir de maneres properes a la pintura, la música o l’assaig.

CCCB©Jordi Gómez, 2007

THAT’S NOT ENTERTAINMENT! CINEMA BEGETS CINEMA IN MURCIA AND VALENCIA

Curators Andrés Hispano and Antoni Pinent Production CCCB

This exhibition offers a journey A reduced version of the exhibition through a cinema of ideas - the kind was presented at the Centro Párraga of cinema that isn’t part of the enter- in Murcia from June 6 to July 28. On tainment industry, that shows the December 13, it moved to the Funda- medium’s artistic, thought-provoking ción Bancaja de Valencia’s recently and documentary potential through remodelled exhibition space. its content and the way it is made. The exhibition presents key authors and movements from the experimental and independent cinema circuit, without pretending to be an alternative history parallel to mainstream cinema. The idea is to deﬁ ne cinema based on practices that often contradict clichés and show a world in which cinema can be practiced in ways similar to painting, music or literary essay.

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Production CCCB

An exhibition of the work carried collection of documentation on out by the CCCB so far in the ﬁ eld public space and the contemporary of critical reﬂ ection around the city. It will be presented at the Insti- contemporary city, understood from tut Français de l’Architecture in Paris the urban and architectural point of and in Tirana (Albania). view, but also in its political, social The exhibition was presented at the and philosophical dimensions. This gallery of the Faculty of Visual Arts exhibition offers a selection of mate- in the Tirana Academy of Arts from rial from the projects submitted to October 15 to November 25, and the European Prize for Urban Public accompanied a series of debates on Space in 2006, focussing specially urban public space. on the two winning projects and the three honourable mentions. Other reference material available for public consultation includes the European Archive of Urban Public Space and a compilation of lectures, books and audiovisual archives from the CCCB’s

CCCB©Masha Zrncic, 2007

ERICE – KIAROSTAMI. CORRESPONDENCES IN PARIS

Curators Alain Bergala and Jordi Balló Production CCCB and La Casa Encendida, with the collaboration of SEACEX

The exhibition brings together Victor Erice and Abbas Kiarostami, two acclaimed fi lmmakers, in a dialogue about their creative concerns: the transparency of fi lming, the search for reality and they way it can be captured etc. The starting point was the hypothesis of a possible encoun- ter between these two fi lmmakers, a proposal which was accepted enthusiastically by both. Following its presentation in Barcelona and at La Casa Encendida cultural centre in Madrid, this exhibition will be shown at the Centre Georges Pompidou in Paris from September 19, 2007 to January 7, 2008. CCCB©Jordi Gómez, 2007

CCCCBCCB AANGLES.inddNGLES.indd 4848 116/9/086/9/08 11:25:4811:25:48 OPEN CCCB DEBATES. BEYOND THE CCCB INCLUSIVE CITIES: THE CHALLENGES OF URBAN DIVERSITY

Dates March 10-14 Production CCCB, the Woodrow Wilson International Center for Scholars (WWICS) de Place Johannesburg, South Africa Washington and the Development Bank of Southern Africa in Johannesburg

development. This inherent diversity behind closed doors and included a of cities is a source of material and public session on November 7, was immaterial wealth as well as conﬂ icts part of the research and discussion an confrontations so that, at least in project “Inclusive Cities: Challenges the modern and democratic sense, of Urban Diversity”, promoted by the cities only fully exist as such to the Woodrow Wilson International Center extent that they manage to become for Scholars (WWICS), Washington, the stage and mechanism for the inte- the Development Bank of Southern gration and synergy of diversity. That Africa, Johannesburg and the CCCB. is, the stage for organising a certain Participants: Mejgan Massoumi, Ellen cohesion based on difference. Brennan Galvin, Caroline Kihato, The aim of the debate was to look Loren Landau, Edesio Fernandes, Cities are necessarily settings of cultu- at ways of creating and maintaining Blair Ruble, Viktor Stepanenko, Alícia ral diversity, in particular with regard this organisation in a period of Fuentes, Steven Friedman, John to traditions, beliefs, knowledge, tech- accelerate growth of urban diver- Hannigan, Edgar Pieterse, Ash Amin, nical skills, professional activities and sity and, at the same time, ways of Michael Crang, Nezar Alsayyad, the aspirations of their inhabitants. It implementing strategies of civic Ananya Roy, Pumla Gqola, Richard is on the basis of this heterogeneity inclusion that construct effective Stren, Joseph Tulchin, Josep Ramo- that cities are born, grow and frequen- share citizenship mechanisms that neda, Joan Roca and Josep Subirós. tly prosper as centres of interaction surpass individual differences. The and interchange, innovation and debate, which was held over two days

BARCELONA – KRAKOW

Dates March 29 and 30 Production CCCB and the IMCK (Krakow Place Krakow, Poland International Centre for Culture)

This conference aimed to explore In collaboration with the IMCK the roles of Barcelona and Krakow (Krakow International Centre for Cul- within modern European civilisation ture), this initiative was organised as and to share the historical and urban part of the CCCB’s policy of tending experiences of these two cities that bridges to Eastern Europe. have many points in common. Some Speakers: Joan Roca, Jacek Purchla, of the issues to be discussed include Josep Ramoneda, Andrzej Chwalba, urban development in each of the Jordi Balló, Jan M. Ma_ecki, Miguel cities throughout their history, the Pajares, Jerzy Miku_owski-Pomorski, experience of living through dictator- Francesc Muñoz, Monika Murzyn, ships in the 20th Century (Barcelona Jordi Puntí, Bronis_aw Maj, Pasqual under Franco and Krakow under Maragall and Janusz Sepio_. Nazism and communism) and the fact that although neither city is the Moderators: Josep Ramoneda, Jacek capital, they both play an important Purchla, Janusz Sepio_, Jacek Pur- role as cultural capitals. chla, Jerzy Miku_owski-Pomorski and

CCCB©Masha Zrncic, 2007 Bashkim Shehu.

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Date October 15 Organised by CCCB, Institute of Dialogue Place Tirana (Albania) and Communication (Tirana) and the Albanian Media Directed by Bashkim Shehu Institute

With the support of the Spanish The conference coincided with the Embassy in Tirana and the Agencia exhibition “In Favour of Public Española de Cooperación Internacio- Space”, organised by the CCCB at nal (AECI). the Gallery of the Faculty of Visual Arts at the University of Tirana. It With the objective of promoting the was part of an ongoing collaboration exchange of ideas and experiences between the CCCB and the Institute between Albanian and Catalan inte- of Dialogue and Communication llectuals and architects, a series of and the Albanian Media Institute in debates were organised to look at the Tirana, with the aim of promoting issue of public space from the pers- and strengthening cultural exchange pectives of philosophical, political, in the heart of the new Europe. sociological and urban design. Participants: Olivier Mongin, Artan The issue of public space is particu- Fuga, Manuel Montobbio, Edi Rama, larly important at a time when globa- Piro Misha, Elías Torres, Artan lization is seeing the rise of private Shkreli, Josep Ramoneda, Carme space. This is a key issue in relation Ribes, Besnik Aliaj and Dritan CCCB©Masha Zrncic, 2007 to citizenship and ensuring that citi- Shutina. zenry and peaceful coexistence based on diversity. Albania, a country that has just opened up to the world, and its capital Tirana, provide a setting of great interest thanks to the context of an incipient energetic, chaotic and very aggressive form of capitalism that highlights various problems at a scale that goes beyond the country itself.

OPEN CCCB INTERNATIONAL NETWORKS

Within the framework of ongoing • Centre for Research Architecture - • Social Science Research Council critical reﬂ ex ion around the city and Goldsmiths College (London, United (New York, United States) new cultural imaginaries, the CCCB Kingdom) • Wits Institute for Social and Econo- will set up stable collaborations with • The Development Bank of Southern mic Research (WISER) (University the following institutions: Africa(DBSA), Johannesburg of Witswatersrand, Johannesburg, • Bard College (New York, United South Africa) • ESPRIT magazine (Paris, France) States) • Wilson Center (Washington D.C., • The New School University (New • Casa del Libro (Tirana, Albania) United States) York, United States) • International Centre for Culture • Partners for Urban Knowledge and (Krakow, Poland) Action Research (Mumbai, India)

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CCCCBCCB AANGLES.inddNGLES.indd 5151 116/9/086/9/08 11:25:5611:25:56 CCCB HOLDINGS ARCHIVE

European Archive of Urban Public Space and Urban Library http://urban.cccb.org Production CCCB With the sponsorship of COPCISA and the collaboration of Cité de l’Architecture et du Patrimoine (Paris), The Architecture Foundation (London), Architecturzentrum Wien (Vienna), the Netherlands Architecture Institute (Rotterdam) and the Museum of Finnish Architecture (Helsinki). The European Archive of Urban Public Space brings together some of the most important public space renewal interventions that have been carried out in various European cities over the last twenty years. The idea is to contribute to extending the reach of projects that, while setting out to re-evaluate the nature of urban public space, have improved its collective use, the activates that take place within it and the identiﬁ cation of citizens with these spaces that they use in their daily lives.

Urban Library http://urban.cccb.org/urbanLibrary The Urban Library offers the main texts on the city and urban issues that the CCCB has been collecting since it ﬁ rst opened its doors. Exhibitions, debates and conferences comprise this source on the contemporary city that is now presented in the form of a virtual library, putting within reach of the public the more theoretical approaches to the phenomenon of the city that have been generated by the CCCB. The library includes texts by Zygmunt Bauman, Jordi Borja, Manuel Castells, Jean-Louis Cohen, André Corboz, Robert Fishman, Jan Gehl, Oriol Nel·lo, Xavier Rubert de Ventós, Saskia Sassen, Michael Sorkin, Eyal Weizman and Sharon Zukin, among others.

XCÈNTRIC Archive http://www.cccb.org/xcentric/homeg.htm The idea of the Xcèntric Archive is to refl ect its programming, without any attempt to create an exhaustive collection of experimental cinema. Each year, the archive will continue to grow in parallel with the themes that make up the program. The fi lms programmed by Xcèntric are hard to see and are seldom or never programmed in other commercial distribution circuits. The archive allows public access to a wide selection of movies – over 300 works – that have been screened over these last fi ve years. From December 22 to March 18 2007, the archive has been presented in conjunction with the exhibition That’s not entertainment! Once the exhibition was over, it wwnt to form part of the CCCB reference collection, available for public consultation.

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Sonoscop. Sound Art Archive http://www.sonoscop.net Sonoscope is the ongoing collaboration project between the Orquestra del Caos and the Centre de Cultura Contemporanía de Barcelona. Its aim is to create a multimedia archive of experimental music and sound art that is accessible to the public, either physically or through other forms of electronic presence, such as the net. There are already more than a thosand sound art works in the archive, which also includes catalogues, programs, publications, audiovisual material and CD-ROMs.

The Observatory Archives. OVNI. http://www.desorg.org/intro_arxius.php The OVNI (Observatori de Video No Identifi cat) archives are structured around specifi c themes and have a clear purpose: to encourage a critique of contemporary culture using different strategies such as video art, independent documentary and mass media archeology. The archives cover a huge range of works of different kinds that all share a commitment to freedom of expression and refl ect on our individual and collective fears and pleasures. Together, they offer a multifaceted view, thousands of tiny eyes that probe and explore our world and announce other possible ones. It is a discourse that above all values heterogeneity, plurality, contradiction and the subjectivity it arises from. In itself, an antidote to the cloning and repeti- tion of corporate mass media.

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The CCCB’s documentation centre is open to the public and organised around the following main sections:

CCCB reports • documentation generated by exhibitions since 1994 • documentation of cultural activities (festivals, workshops, etc.) • photographic and audiovisual reports

CCCB publications • institutional reports • exhibition catalogues • collection of reﬂ ections with an urban theme: Urbanitats and Urbanitats digital • philosophical collection: Breus • digital publications

Specialised library • the history of the CCCB and its impact on the Raval • the Raval, Ciutat Vella and Barcelona • specialist collection on urban design and public space (2,000 volumes) • specialist collection on culture and globalisation

The Documentation Centre is also the core of internal information management among the different departments of the CCCB and liaison with the documentation and research centres outside of the C’CB. Throughout 2007, the Documentation Centre returned to and promoted its project to reorganise and digitalise its collection, in order to improve access to it, and continue the process of integrating its bibliographic collection in the Collective Catalogue of Universities in Catalonia (CCUC).

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1994-2006. CCCB Exhibitions A collection of the introductions by Josep Ramoneda published in each catalogue that has been produced by the CCCB since its doors opened. The publication, lovingly illustrated, is a graphic report of the exhibitions programmed by the CCCB since 1994 to the present. The book closes with an article by Jordi Balló (head of exhibitions at the CCCB), which reﬂ ects on the CCCB’s exhibition policy over the thirteen years of the Centre’s existence. 17 x 24 cm Catalan and Spanish, with English translation at the end 328 pages, 350 colour images Published by: CCCB and Institut d’Edicions de la Diputació de Barcelona

EXHIBITION CATALOGUES

Hammershøi - Dreyer Presentation of selection of paintings by the Danish artist Vilhelm Hammershøi (1864-1916), and a comparasion of the fundamental elements that his work shares with that of the ﬁ lmmaker Car Theodor Dreyer (1889-1968): light, domestic space, landscape, the human face. 17 x 24 cm Catalan and Spanish, with English translation at the end 160 pages, 150 colour and black and white images Published by: CCCB and Institut d’Edicions de la Diputació de Barcelona ISBN: 978-84-9803-138-6

Fronteres Refl ection and analysis on the transformation of current geopolitical borders and the displacement of symbolic borders, and the repercusions of these developments. The border as a place of transit, coexistence or confl ict. This publication also includes reports by international photographers that illustrate current border confl icts: Europe, migrations, North Korea, Kashmir, Palestine, Mexido, etc 17 x 24 cm Catalan with Spanish translation at the end 206 pages, 160 images Published by: CCCB and Institut d’Edicions de la Diputació de Barcelona ISBN: 978-84-9803-208-6

Apartheid A return journey: from the European origins of modern racism, following the tracks of its expansion throughout the globe in the colonial era, and returning to the most priviliged areas in the world in the postcolonial periood.

17 x 24 cm Published in Catalan, Spanish and English 208 pages, 195 images Published by: CCCB, Institut d’Edicions de la Diputació de Barcelona and Actar ISBN (Catalan): 978-84-9803-208-6 ISBN (Spanish): 978-84-96954-02-1 ISBN (English): 978-84-96954-03-8

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En transición A reﬂ ection on the transition to democracy in Spain, a complex and dense process that acts as a limit between dictatorship and democracy and affects and takes form within the people who lived through it. 17 x 24 cm Published in Catalan and Spanish 208 pages, 320 images Published by: CCCB and Institut d’Edicions de la Diputació de Barcelona ISBN (Catalan): 978-84-9803-247-5 ISBN (Spanish): 978-84-9803-248-2

URBANITATS COLLECTION This collection collects the materials generated through the seminar, conference cycles and symposium that have taken place in the CCCB, leaving a record of current discussions and reﬂ ections around subjects that are relevant to contemporary society. The presentations are published in their original language. In 2007 we published Arxipèlag d’excepcions. Sobiranies de l’extraterritorialitat, which documents the conferences held at the CCCB on the 10th and 11th of November 2005. These meetings analysed the proliferation of enclaves that lie outside of traditional sovreignty, and seem to be goverened by a permanent state of emergency. From concentration and refugee camps to urban guetos, the discussions were a critical reﬂ ection on the intersection between power and territory in the contemporary world. The publication includes texts by Zygmunt Bauman, Teddy Cruz, Keller Easterling, Stephen Graham, Thomas Keenan, Simón Naveh, Lluís Ortega, José Luís Pardo, Josep Ramo- neda, Eyal Sivan, Rafael Vilasanjuán and Eyal Weizman.

BREUS COLLECTION As from a year ago, the CCCB has been publishing this collection with the aim of highlithting, in brief publications, some of the presentations or conclusions-documents arising from the debates, seminars, conference cycles and symposiums held at the CCCB. The collection, with bilingual versions of the texts, already includes conferences by Jürgen Habermas (International law in the transition towards a postnational juncture), Zygmunt Bauman (New universal values and borders), Michael Walzer (Terrorism and just wars), Roger Bartra (Liquid cultures in a waste land), Ulrich Beck (Reinventing Europe: a cosmopolitan view), Alain Touraine (Economic globalisation and social frag- mentation), Pascal Bruckner (The good life), Harvie Ferguson (Desire, oasson and surrender) and Daryush Shayegan (Is Teheran and emblematic city?). This year it continued with lectures by Olivier Roy (The worldlying of Islam), Jean & John Comaroff (Postcolonial law and violence: a reﬂ ection on the complicities between North and South) and Gilles Lipovetsky (Hypermodern Times).

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Borders An audiovisual work based on the lectures presented within the cycle Borders (Barcelona Debate VII) held at the CCCB between January 12 and March 29, 2004. These conferences aimed to analyse the transformations of traditional borders and discuss the extent to which the emergence of new borders puts the defense of universal values at risk. Through this audiovisual work, we hear the reﬂ ections of Tzvetan Todorov, Manuel Cruz, Francisco Fernández Buey, Georges Corm, Roger Bartra, Eyal Weizman, Michel Foucher, Zygmunt Bauman and David S. Landes. The artist Frederic Amat has participated in the physical creation of this 9- screen set-up.

Nomads: East and West Audiovisual project for an installation Dates July - August Created by Montse Arbelo and Joseba Franco Organised by CCCB Over the last few years, the artists Montse Arabelo and Joseba Franco have been on a permanent journey, crossing one border after another. Accompanied by still and video cameras and a computer, they walk through a world full of contradictions, sharing and assimilating cultures, learning the human biodi- versity on the streets. In an almost linear path that takes them from New York to Tokyo, passing through many European and Asian countries, their aim has been to capture the rhythm and day to day reality of life in the places they visit, tapping into the vital pulse of the cities. Over 50 hours of material recorded on video and thousands of photographs create a mosaic, a puzzle that will be presented to viewers on two oblique screens that converge in the centre of the viewer’s ﬁ eld of visions. The furious pace of our civilisation, focusing mainly on cities, deﬁ nes the visual discourse. The comparison between the real and imagined, actor and viewer, inside and outside, will be offered to visitors so that they can construct their own experience.

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CCCCBCCB AANGLES.inddNGLES.indd 5858 116/9/086/9/08 11:26:0411:26:04 CCCB GENERAL INFORMATION 2007 CCCB STAFF

General Director Records and Conservation Unit External Resources Management Josep Ramoneda Molins Moyano Miranda, Neus (head) Unit García San Vicente, Susana Llabrés Bernat, Amàlia (head) Deputy director-Manager Papalini Lanprecht, Alex Pérez Testor, Teresa Rafael Vilasanjuán Sanpere Querol Pugnaire, Josep Publications Unit Services Co-ordinator Educational Services and Touring Palà Selva, Marina (head) Elisenda Poch Granero Unit Puig Carreras, Rosa Ma. Administrator Navas Ferrer, Teresa Communications Unit Clara Rodríguez Serrahima Production Unit Ribas Bruguera, Maria (head) Head of Exhibitions Service Corea Dellepiane, Mario (head) Betoret González, Matilde Jordi Balló Fantova Aznárez Antigas, Luís Blanco Pérez, Carme García Rodríguez, Francisco Fernández Alonso, Susana Head of Documentation and Debate Martínez Torrente, Jesus Llaberia Cots, Magda Centre Molinos López, José Luis Martínez Bermúdez, Elena Judit Carrera Escudé Monfort Pastor, Oscar Muñoz Castanyer-Gausset, Eulàlia Head of Cultural Activities Service Navas Escribano, Antonio Muñoz Castanyer-Gausset, Mònica Juan Insúa Sigeroff Pérez Hernández, David Roig Sitjar, Teresa Porras Zambrano, Gabriel Ruiz Auret, Irene Head of Audiovisuals and Multime- Saludas Fortuna, Albert Salinas Calle, Núria dia Section Tarragona Ramírez, Rosó Àngela Martínez Garcia Technical and General Services Debate and Documentation Centre Bellmunt Duran, Guillem Head of Communication and Exter- Aran Ramspott, Sònia Maicas Guillen, Emili nal Resources Section Ciurana Risques, Muntsa Sangerman Vidal, Lluís Imma Mora Boguña Goula Sardà, Elisabet Zamora Gómez, Maribel Head of General Services Ibàñez Tudoras, Anna Recruitment and Human Resources Manel Navas Escribano Mallart Romero, Lucila Section Porta Aguila, Ferran Head of Recruitment and Human Andrès Beltran, Mònica Vila Fernández, Cristina Resources Ferrer López, Núria Zrncic, Masha Cori Llaveria Díaz López Artero, Francesc Cultural Activities Service Martín Tarrason, Lara Head of the Budgets and Finance Alonso Ortega, Eva Pérez Barrera, José Antonio Section Garsaball Collado, Carolina Anna Sama Vaz Giralt Romeu, Marta Budget and Finance Section Management Ofﬁ ce Guarro Navarro, Anna Aran Perramon, Ma Dolors González Castro, Carolina Herrero Ferran, Laura Boix Lara, Xavier Mitats Flotats, Montse López Jiménez, Manel Esteve Mateu, Mariàngela Novellón Giménez, Montserrat Roestel Antigas, Victoria Jara Cuenca, Remei Roig Isern, Bàrbara Jornet Espax, Jordi Exhibition Services Rosell Nicolás, Teresa Amice Corella, Esther Escoda Alegret, Anna Audiovisuals and Multimedia Section Giménez Moreno, Mònica Desmonts, Marc Carreras Font, Neus Exhibition Co-ordination Unit Coll Deopazo, Eduard Ibàñez Dalmau, Mònica (head) Curcó Botargues, Toni Anglès Pérez, Teresa Gómez Farran, Jordi Antoniucci Garcia, Liliana Mallol González, Maria Broggi Rull, Carlota Rodríguez González, Juan Carlos Gimeno Cases, Eva Soria Soria, José Antonio Nogués Colomé, Miquel Viza Serra, Igor Pérez Bares, Cira Romeu Coloma, Miriam

CCCCBCCB AANGLES.inddNGLES.indd 5959 116/9/086/9/08 11:26:0511:26:05 CCCB GENERAL INFORMATION 2007 COLLABORATING INSTITUTIONS AND COMPANIES

CCCB is a concorcium of:

Co-producers:

Sponsors:

Collaborating Media:

Sponsors and collaborators: Albanian Media Institute / Editorial Paidós / Editorial Tusquets / Fundación i2Cat / Fundación Reina Isabel de Dinamarca / Goethe-Institut Barcelona / Imprevist / Institute of Dialogue and Communication (Tirana) Lafotobcn / MECAD / Orquestra Caos / Platoniq / Pocket Producciones / Xarxa Transversal d’Activitats Culturals Fundación Collserola / Vestas / Novo Nordisk.

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EXHIBITIONS …ACTIVITIES EXHIB BAMAKO 05. Another World 6.817 Screenings Mauritania 130 EXHIB That’s not entertainment! 28.933 Festival La Alternativa 11.781 EXHIB Hammershøi and Dreyer 44.052 Drap’art 3.800 EXHIB Borders 36.361 Off program - Euroafricanos 400 EXHIB Apartheid 25.403 BAC! BLA 185 EXHIB In transition 9.787 Resfest 650 Total 151.353 BCNmp7 2.870 Xcèntric 2.682 SMALL SCALE EXHIBITIONS Archive Xcèntric 1.258 Manos Unidas 680 Pantalla CCCB 10.413 Somalia 6.068 Weekend Itineraries 730 Tres videos tristes - Made in Mad 3.490 Groug Itineraries 3.992 Barcelona - El Consorci 4.190 Total 159.398 Installation Nomads 1.589 World Press Photo 08 29.178 Courses, Debates and presentations BAC! 8.546 Meaning. Questions on Life ...... 2.373 Total 53.741 New City Walls 40 Bagdad 160 ACTIVITIES Chechnya 220 Reading will make us go far 11.355 Debate Somalia 145 I+C+i 596 Debate Populisms 100 Xperimenta 825 Debate Architectures of fear 200 Invisibles 925 Lectures Master Metropolis 300 Ciclo Dreyer after Hammershøi 1.550 Debate Mediterranean 300 Homenage tp KAPUCISKI 180 Festivals and Music from the Mediterranean 47 LP’07 Dance Festival...or not 2.660 Debate Apartheid 300 NOW 2.700 Naomi Klein- book presentation 420 Festival Magdalena 80 Debate Canetti, crossroads of cultures 180 Book World 12.000 Debat Istambul 525 Festival BAFF 5.850 Cicle Thinking Europe 1.055 Festival OFF 5.070 Debate Urban Periferies 183 Festival Flamenco Ciutat Vella 5.730 Press presentation CCCB – 2008 program 100 LOOP 1.000 Institut d’Humanitats 8.364 MICEC 885 CUIMPB 2.114 Festival Sonar 33.626 Total 17.126 Dies de Dança 3.000 Inn Motion 1.200 VENUE HIRE Evening, Friends of CCCB 400 Company functions 3.752 Gandules ‘07 8.550 Miscellaneous Presentations 7.123 Festival Hipnotik 6.700 Miscellaneous conferences 6.408 Documentary De Nadie 349 Other arrangements 1.776 BAM 10.200 Total 19.059 Labrys 76 TOTALES 400.677 Festival Docupolis 2.960 OCC - Concerts 340 Documentary La Ribot 100 Traﬁ c 1.600

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Courses and debates 4% Venue hire 5%

Small scale Exhibitions 13%

Activities 40%

Exhibitions 38%

EXHIBITIONS 2007 CCCB 2007 VISITS PER OPEN DAY

600 500.000

400.677 500 400.000 516 374.321

400 438 300.000 310 275 280

220.831 300 200.000 205.094 284 195.583 153.490 200 100.000

100 0 Apartheid Total ‘06 Total Borders Activities ‘07 Activities In transition Hammersshoi and Dreyer Total ‘07 Total Activities ‘06 Activities Barmako 05. Anohter Wold That’s not entertaiment 0 Exhibitons ‘06 Exhibitons ‘07

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REVENUE Budget Provisional Settlement Revenue from activities 4.338.886 3.622.335 Patrimonial revenue 132.800 208.714 Contributions from collaborating institutions 8.114.782 8.117.217 Capital contributions 681.500 648.682 Total 13.267.968 12.596.948

Capital contributions 5%

Revenue from activities 29%

Patrimonial revenue 2%

Contributions from collaborating institutions 64%

EXPENDITURE Budget Provisional Settlement Staff 4.028.650 3.998.335 Structural 2.551.283 2.362.794 Activities 5.891.005 5.395.966 Investments 797.030 757.556 Total 13.267.968 12.514.652

Investments 6% Staff 32%

Activities 43% Structural 19%

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Meaning. Questions on Life in Times Dreyer after Hammershøi Chechnya, the Silenced Conﬂ ict. of Hyperconsumption. (07/03/07 - 25/04/07) Tribute to Anna Politkòvskaia (12/02/07 - 26/03/07) Bonet, Juan Manuel (20/03/07) Castilla del Pino, Carlos Gimferrer, Pere Babitski, Andrei Gómez Pin, Víctor Marí, Antoni Claudín, Carmen Gray, John Martí, Carlos Littell, Jonathan Lenoir, Frédéric Palol, Miquel de Lizaran, Anna Lipovetsky, Gilles Pedraza, Pilar Muguerza, Javier Tybjerg, Casper Presentation of the book “Ricardo Vattimo, Gianni Muñoz Suay: una vida en sombras” by Esteve Riambau (21/03/07) Presentation of the book Retorno de Barcelona’s New Walls (20/02/07) Filip Latinovitz by Miroslav Krléza Riambau, Esteve Badia, Anna (07/03/07) Semprún, Jorge Bàguena, Josep Matvejevič, Predrag Bianchini, Silvia Ŝkrabec, Simona Barcelona – Krakow (29/03/07 - 30/03/07) Buhigas, Maria Vrsalovič-Carevič, Jadranka Balló, Jordi Cantarella, Laura Chwalba, Andrzej Font, Josep Ciudades inclusivas. Inclusive Cities. Maj, Bronislaw Mendizàbal, Enric Johannesburg workshop (12/03/07 - 13/03/07) Malecki, Jan M. Muñiz, Ivan Amin, Ash Maragall, Pasqual Muñoz, Francesc Crang, Michael Mikulowski-Pomorski, Jerzy Roca, Joan Dineo Gqola, Pumla Muñoz, Francesc Rofes, Octavi Fernandez, Edesio Murzyn, Monika Serracant, Matíes Friedman, Steven Pajares, Miguel Ulied, Andreu Fuentes-Calle, Alicia Puntí, Jordi

Gotz, Graeme Purchla, Jacek Invisibles (05/03/07) Hannigan, John Roca,Joan Bardem, Javier Hornberger, Julia Sepiol, Janusz Barroso, Mariano Huczermeyer, Marie Shehu, Bashkim Corcuera, Javier Kihato, Caroline León de Aranoa, Fernando Landau, Loren Zabalgogeazkoa, Aitor Somalia, the West and the Destruc- Massoumi, Mejgan tion of Hope (12/04/07)

Morojele, Mphethe Abdulle, Jabril Ibrahim Bagdad, a City in the Throes of Death Narsoo, Monty Addou, Ibrahim Hassan (06/03/07) Nieftagodien, Noor Armada, Alfonso Cockburn, Patrick Pieterse, Edgar Farah, Nuruddin Jabar, Faleh A. Roca, Joan Gluck, Kenny Halliday, Fred Ruble, Blair Mohamed, Mohamed Abdi Said, Yahia K. Subirós, Pep

Spiropolous, John Populisms (16/04/07 - 17/04/07) Stepanenko, Viktor Bouza, Fermín

Stren, Richard Demes, Pavol Vatxagàiev, Mairbek Fernández Buey, Francisco Winkler, Tanja Hermet, Guy

CCCCBCCB AANGLES.inddNGLES.indd 6464 116/9/086/9/08 11:26:1311:26:13 CCCB GENERAL INFORMATION 2007 LIST OF SPEAKERS AT THE DEBATES AND LECTURES

Kazin, Michael Martinell, Alfons Elías Canetti, Crossroads of Cultures Krastev, Ivan Murado, Miguel-Anxo (30/10/07) Lani, Remzi Ridao, José María Echevarría, Ignacio Manea, Norman Valenzuela, Javier Llovet, Jordi Misha, Piro Siguan, Marisa Panizza, Francisco Local racism, Global Apartheid. South Ridao, José María Africa as a Paradigm The Destinies of Istanbul Shehu,Bashkim (27/09/07 - 28/09/07) (03/11/07 - 05/11/07) Alexander, Jane Aktar, Ayhan Architectures of fear: Terrorism and Amin, Ash Belge, Murat the Future of Urbanism in the West Back, Les Halliday, Fred (17/05/07 - 18/05/07) Blanchard, Pascal Matossian, Nouritza Amoore, Louise Bond, Patrick Ozel, Soli Boudreau, Julie-Anne Bosch, Alfred Ozkirimli, Umut Carrera, Judit Dyangani, Elvira Veiga, Francisco Closs, Angharad Lalueza, Carles Crandall, Jordan McKenzie, Peter Thinking Europe Engel, Ulrike Minty, Zayd (12/11/07 - 03/12/07) Furedi, Frank Mntambo, Nandipha Buruma, Ian Galdon Clavell, Gemma Pieterse, Edgar Fontana, Josep Garcés, Marina Rassool, Ciraj Garton Ash, Timothy Graham, Stephen Sátiro, Angèlica Hobsbawm, Eric Guerra, Carles Stolcke, Verena Sassoon, Donald Irujo, José María Subirós, Pep Klauser, Francisco Vives, Núria Launch of “Relatos de Kolimá” by Marcuse, Peter Varlam Shalámov (12/12/07) Muñoz, Francesc Urban Public Space: debate in Tirana San-Vicente, Ricardo Natsios, Deborah (15/10/07) Semprún, Jorge Packer, Jeremy Aliaj, Besnik Subirats, Joan Bravo, David Urban Peripheries Weizman, Eyal Fuga, Artan (13/12/07 - 14/12/07) Misha, Piro Caldeira, Teresa Mediterranean: Mith and Reality Mongin, Olivier Donzelot, Jacques (19/09/07 - 20/09/07) Montobbio, Manuel Holston, James Alcoverro, Tomás Rama, Edi Nel·lo, Oriol Armstrong, Karen Ribes, Carme Simone, Adou Maliq Balta, Paul Shkreli, Artan Bessis, Sophie Shutina, Dritan Bramon, Dolors Torres, Elías Çiçekoglu, Feride Fabre, Thierry Presentation of Naomi Klein’s The Gürsel, Nedim Shock Doctrine (26/10/07) Halliday, Fred Doménech, Antoni Hitti, Nassif Klein, Naomi Martí, Jordi

CCCCBCCB AANGLES.inddNGLES.indd 6565 116/9/086/9/08 11:26:1311:26:13 CCCB GENERAL INFORMATION 2007 VENUE HIRE

ACCA Associació Catalana de Ciències Ambientals Col·legi Professional de Disseny Gràfi c de Catalunya. Advanced Music S.L. Col·legi Professional de l’Audiovisual de Catalunya. Agència de Gestió d’Ajuts Universitari i de Recerca Consell Islàmic Cultural de Catalunya Agrupación española del género de punto Consulado General de Colombia en Barcelona Ajuntament de Barcelona. Àrea de Medi Ambient - Parcs i COPCISA INDUSTRIAL, S.L.U. Jardins de Barcelona, Institut Municipal. COPCISA SA Ajuntament de Barcelona. Departament de Participació CP Proximity Barcelona S.A. Ciutadana Creación, Asesoría y Desarrollo, S.L. Ajuntament de Barcelona. Direcció de Comunicació Cor- porativa i Qualitat Cristina Nadal Ajuntament de Barcelona. Direcció de Participació Social D’Aleph Multimedia S.L. Ajuntament de Barcelona. Direcció d’Educació Ambiental Diputació de Barcelona. Direcció de Serveis de Relacions Internacionals Ajuntament de Barcelona. Divisió Serveis Personals Dis- tricte Ciutat Vella Diputació de Barcelona. Direcció dels Serveis d’Assistència al Govern Local. Ajuntament de Barcelona. Sector de Promoció Econòmica Diputació de Barcelona. Gabinet de la Presidència. Albiñana Films, S.A. Diputació de Barcelona. Ofi cina de Patrimoni Cultural Asociación Bangladesh Cultural Diputació de Barcelona. Organisme de Gestió Tributària Asociación Cultural de Bangladesh a Catalunya. Diputació de Barcelona. Servei de Formació Local. Assegurances Catalana Occident S.A. Diputació de Barcelona. Servei de Salut Pública i Consum. Assemblea de Cooperació per la Pau. Diputació de Barcelona. Servei Vies Locals. Associació Catalana d’Enginyeria Sense Fronteres Entorn SCCL. Associació Catalana per a la celebració del dia Internacio- nal de la Dona Espai País Valencià. Associació Escola de Clínica Psicoanalítica amb Nens i Esquerra Unida i Alternativa. EUiA. Adolescents. ECPNA. Estudios PIRAMIDE S.A. Associació IMAGO Barcelona. Facultat de Comunicació Blanquerna. URLl Associació Joventut Organitzada i Activa Ferrocarrils de la Generalitat de Catalunya Autoritat del Transport Metropolità (ATM). Fundació Alfons Comín BBDO España. S.A. Fresa Fundació Alternativa Caja de Ahorros del Mediterráneo Fundació Barcelona Digital Centre de Recursos Pedagògics Ciutat Vella Fundació Barcelona Media. UPF Centre d’Estudis Dona i Societat Fundació Bosch i Gimpera. Centre Especialitzat en la Prevenció de Riscos Laborals. Fundació Catalana per a la Recerca i la innovació. Centre Espirita Amalia Domingo Soler. Fundació IES Barcelona. CIDEM Centre d’Innvovació i Desenvolupament Empre- Fundació Institut Català d’Oncologia. sarial. Fundació Jaume Bofi ll Col·legi Ofi cial d’Enginyers de Telecomunicacions de Catalunya. Fundació Josep Sans

CCCCBCCB AANGLES.inddNGLES.indd 6666 116/9/086/9/08 11:26:1311:26:13 CCCB GENERAL INFORMATION 2007 VENUE HIRE

Fundació Mies van der Rohe. PSC (PSC-PSOE) Partit dels Socialistes de Catalunya Fundació Privada Carme Serrallonga. QSL Serveis Culturals. Fundació privada Catalunya Comerç Red Bull España S.L. Fundació Privada Elisava Escola Universitària. Runtal Radiadores, S.A. Fundació Privada Empresa i Progrés Seguros Catalana Occident S.A. Fundació Rafael Campalans. Solidaritat pel Desenvolupament i la Pau. SODEPAU. Fundació Vicente Ferrer. TRIAC. Associació de Traductors i Intèrprets pro Col·legi de Catalunya. Fundación Alternativas. Universidad de Salamanca. Master en Diseño de Interiores Fundación Carmen Arnau Muro para el estudio y la difu- sión de la cultura de los pueblos indígenas Universitat de Barcelona Fundación Reina Isabel de Dinamarca Universitat Politècnica de Catalunya Generalitat de Catalunya. Departament de la Vicepresi- Universitat Pompeu Fabra dència Viatges Iberia Generalitat de Catalunya. Departament de Salut. Secreta- Woodbury University ria d’Estratègia Coordinació. Xarxa Consum Solidari. Generalitat de Catalunya. Departament de Treball Xarxa Economia Solidària. XES Generalitat de Catalunya. EADOP. Entitat Autònoma del Diari Oﬁ cial i de Publicacions Generalitat de Catalunya. Institut Català de les Indústries Culturals. ICIC Grup Cultura 03 / Ara llibres Head Training Consultores S. L. Iniciativa per Catalunya-Verds. Institut de Govern i Polítiques Públiques. UAB Institut d’Estudis Catalans. IEC. Institut d’Estudis Territorials Institut Gestalt, S.L. Institut Ramon Llull Intelligent Coast Intracatalònia, SA. - Agència Catalana de Notícies. Mandala Creative Productions. Mehetab Hoque. Metropolis Min Hyun-sik Novart Media Films, S.L. PIRAMIDE PPM Editorial 2006, S.L.U.

CCCCBCCB AANGLES.inddNGLES.indd 6767 116/9/086/9/08 11:26:1311:26:13 SELECTION OF PRESS CLIPPING

CCCCBCCB AANGLES.inddNGLES.indd 6868 116/9/086/9/08 11:26:1311:26:13 GENERAL CCCB

AVUI - 10/02/2007 SECTION CULTURA

CCCCBCCB AANGLES.inddNGLES.indd 6969 116/9/086/9/08 11:26:1511:26:15 AVUI - 18/12/2007 SECTION CULTURA

CCCCBCCB AANGLES.inddNGLES.indd 7070 116/9/086/9/08 11:26:1511:26:15 LA VANGUARDIA - 15/08/2007 SECTION LA CONTRA

CCCCBCCB AANGLES.inddNGLES.indd 7171 116/9/086/9/08 11:26:1611:26:16 LA VANGUARDIA - 11/01/2007 SECTION LA CONTRA

CCCCBCCB AANGLES.inddNGLES.indd 7272 116/9/086/9/08 11:26:1611:26:16 LA VANGUARDIA - 28/03/2007 SECTION LA CONTRA

CCCCBCCB AANGLES.inddNGLES.indd 7373 116/9/086/9/08 11:26:1711:26:17 LA VANGUARDIA - 26/08/2007 SECTION LA CONTRA

CCCCBCCB AANGLES.inddNGLES.indd 7474 116/9/086/9/08 11:26:1811:26:18 LA VANGUARDIA - 20/02/2007 SECTION LA CONTRA

CCCCBCCB AANGLES.inddNGLES.indd 7575 116/9/086/9/08 11:26:1911:26:19 LA VANGUARDIA - 23/07/2007 SECTION LA CONTRA

CCCCBCCB AANGLES.inddNGLES.indd 7676 116/9/086/9/08 11:26:1911:26:19 LA VANGUARDIA - 3/04/2007 SECTION LA CONTRA

CCCCBCCB AANGLES.inddNGLES.indd 7777 116/9/086/9/08 11:26:2011:26:20 LA VANGUARDIA - 7/05/2007 SECTION LA CONTRA

CCCCBCCB AANGLES.inddNGLES.indd 7878 116/9/086/9/08 11:26:2011:26:20 EL PERIÓDICO - 17/08/2007 SECTION CONTRAPORTADA

CCCCBCCB AANGLES.inddNGLES.indd 7979 116/9/086/9/08 11:26:2111:26:21 EL PERIÓDICO - 28/12/2007 SECTION CONTRAPORTADA

CCCCBCCB AANGLES.inddNGLES.indd 8080 116/9/086/9/08 11:26:2311:26:23 EXHIBITION IN FRANKFURT

AVUI - 10/10/2007 SECTION CULTURA

CCCCBCCB AANGLES.inddNGLES.indd 8181 116/9/086/9/08 11:26:2411:26:24 AVUI - 10/10/2007 SECTION CULTURA

CCCCBCCB AANGLES.inddNGLES.indd 8282 116/9/086/9/08 11:26:2511:26:25 EL PAIS - 10/10/2007 SECTION CULTURA

CCCCBCCB AANGLES.inddNGLES.indd 8383 116/9/086/9/08 11:26:2611:26:26 EL PERIÓDICO - 9/10/2007 SECTION CULTURA

CCCCBCCB AANGLES.inddNGLES.indd 8484 116/9/086/9/08 11:26:2811:26:28 HAMMERSHØI-DREYER

ABC - 10/02/2007 SECTION ART

CCCCBCCB AANGLES.inddNGLES.indd 8585 116/9/086/9/08 11:26:2811:26:28 EL PAIS - 3/02/2007 SECTION ART

CCCCBCCB AANGLES.inddNGLES.indd 8686 116/9/086/9/08 11:26:2911:26:29 BEAUX ARTS - 2007

CCCCBCCB AANGLES.inddNGLES.indd 8787 116/9/086/9/08 11:26:3011:26:30 BEAUX ARTS - 10/02/2007 SECTION CULTURA

CCCCBCCB AANGLES.inddNGLES.indd 8888 116/9/086/9/08 11:26:3011:26:30 CINEMA ZEUXIS - 10/04/2007

CCCCBCCB AANGLES.inddNGLES.indd 8989 116/9/086/9/08 11:26:3111:26:31 CINEMA ZEUXIS - 10/04/2007

CCCCBCCB AANGLES.inddNGLES.indd 9090 116/9/086/9/08 11:26:3211:26:32 CINEMA ZEUXIS - 10/04/2007

CCCCBCCB AANGLES.inddNGLES.indd 9191 116/9/086/9/08 11:26:3411:26:34 LA VANGUARDIA - 26/01/2007 SECTION CULTURA

CCCCBCCB AANGLES.inddNGLES.indd 9292 116/9/086/9/08 11:26:3511:26:35 AVUI - 17/04/2007 SECTION DIÀLEG

CCCCBCCB AANGLES.inddNGLES.indd 9393 116/9/086/9/08 11:26:3611:26:36 LIBERATION - 19/03/2007

CCCCBCCB AANGLES.inddNGLES.indd 9494 116/9/086/9/08 11:26:3611:26:36 BORDERS

EL PAIS - 04/05/2007 SECTION CULTURA

CCCCBCCB AANGLES.inddNGLES.indd 9595 116/9/086/9/08 11:26:3711:26:37 EL PUNT - 04/05/2007 SECTION CULTURA

CCCCBCCB AANGLES.inddNGLES.indd 9696 116/9/086/9/08 11:26:3711:26:37 LAPIZ - 01/07/2007 SECTION TRAVELLING

CCCCBCCB AANGLES.inddNGLES.indd 9797 116/9/086/9/08 11:26:3711:26:37 APARTHEID

LA VANGUARDIA - 2007 SECTION ART

CCCCBCCB AANGLES.inddNGLES.indd 9898 116/9/086/9/08 11:26:3811:26:38 LA VANGUARDIA - 2007 SECTION ART

CCCCBCCB AANGLES.inddNGLES.indd 9999 116/9/086/9/08 11:26:3911:26:39 EL PERIÓDICO - 11/10/2007 SECTION ART

100

CCCCBCCB AANGLES.inddNGLES.indd 100100 116/9/086/9/08 11:26:3911:26:39 EL PAIS - 27/09/2007 SECTION CATALUNYA

101

CCCCBCCB AANGLES.inddNGLES.indd 101101 116/9/086/9/08 11:26:4011:26:40 EL PUNT - 27/09/2007 SECTION CONTRAPORTADA

102

CCCCBCCB AANGLES.inddNGLES.indd 102102 116/9/086/9/08 11:26:4011:26:40 IN TRANSITION

EL PERIÓDICO -18/11/2007 SECTION CUADERNO

103

CCCCBCCB AANGLES.inddNGLES.indd 103103 116/9/086/9/08 11:26:4111:26:41 EL PERIÓDICO -18/11/2007 SECTION CUADERNO

104

CCCCBCCB AANGLES.inddNGLES.indd 104104 116/9/086/9/08 11:26:4211:26:42 EL PERIÓDICO -18/11/2007 SECTION CUADERNO

105

CCCCBCCB AANGLES.inddNGLES.indd 105105 116/9/086/9/08 11:26:4311:26:43 EL PAIS - 20/11/2007 SECTION CULTURA

106

CCCCBCCB AANGLES.inddNGLES.indd 106106 116/9/086/9/08 11:26:4311:26:43 EL PUNT - 21/11/2007 SECTION CULTURA

107

CCCCBCCB AANGLES.inddNGLES.indd 107107 116/9/086/9/08 11:26:4411:26:44 BEYOND THE CCCB

CINÉMA -19/09/2007

108

CCCCBCCB AANGLES.inddNGLES.indd 108108 116/9/086/9/08 11:26:4511:26:45 CINÉMA -19/09/2007

109

CCCCBCCB AANGLES.inddNGLES.indd 109109 116/9/086/9/08 11:26:4511:26:45 CINÉMA -19/09/2007

110

CCCCBCCB AANGLES.inddNGLES.indd 110110 116/9/086/9/08 11:26:4611:26:46 EL PAIS - 17/07/2007 SECTION CONTRAPORTADA

111

CCCCBCCB AANGLES.inddNGLES.indd 111111 116/9/086/9/08 11:26:4711:26:47 XCENTRIC

EL PAIS - 2007 SECTION CULTURA

112

CCCCBCCB AANGLES.inddNGLES.indd 112112 116/9/086/9/08 11:26:4811:26:48 EL MUNDO - 21/12/2007 SECTION CULTURA

EL PUNT - 2007 SECTION CULTURA

113

CCCCBCCB AANGLES.inddNGLES.indd 113113 116/9/086/9/08 11:26:4911:26:49 NOW

CINÉMA -19/09/2007

114

CCCCBCCB AANGLES.inddNGLES.indd 114114 116/9/086/9/08 11:26:5611:26:56 PANTALLA CCCB

BENZINA - 08/2007

115

CCCCBCCB AANGLES.inddNGLES.indd 115115 116/9/086/9/08 11:26:5611:26:56 OFF-PROGRAM

EL PAIS - 16/12/2007 SECTION CATALUNYA

116

CCCCBCCB AANGLES.inddNGLES.indd 116116 116/9/086/9/08 11:26:5711:26:57 GANDULES

LA VANGUARDIA - 2007 SECTION ARTE

117

CCCCBCCB AANGLES.inddNGLES.indd 117117 116/9/086/9/08 11:26:5711:26:57 LA VANGUARDIA - 2007 SECTION ARTE

118

CCCCBCCB AANGLES.inddNGLES.indd 118118 116/9/086/9/08 11:26:5811:26:58 AVUI - 16/08/2007 SECTION BARCELONA

119

CCCCBCCB AANGLES.inddNGLES.indd 119119 116/9/086/9/08 11:26:5811:26:58 AVUI - 09/08/2007 SECTION CULTURA

120

CCCCBCCB AANGLES.inddNGLES.indd 120120 116/9/086/9/08 11:27:0011:27:00 FLAMENCO

AVUI - 10/05/2007 SECTION CULTURA

121

CCCCBCCB AANGLES.inddNGLES.indd 121121 116/9/086/9/08 11:27:0011:27:00 SONAR

AVUI - 15/06/2007 SECTION CULTURA

122

CCCCBCCB AANGLES.inddNGLES.indd 122122 116/9/086/9/08 11:27:0111:27:01 INN MOTION

EL PERIÓDICO - 03/07/2007 SECTION CULTURA

123

CCCCBCCB AANGLES.inddNGLES.indd 123123 116/9/086/9/08 11:27:0511:27:05 ABC - 03/07/2007 SECTION CATALUNYA

124

CCCCBCCB AANGLES.inddNGLES.indd 124124 116/9/086/9/08 11:27:0611:27:06 HIPNÒTIK

EL PAIS - 16/09/2007 SECTION CULTURA

125

CCCCBCCB AANGLES.inddNGLES.indd 125125 116/9/086/9/08 11:27:0711:27:07 EL PERIÓDICO - 17/09/2007 SECTION CULTURA

126

CCCCBCCB AANGLES.inddNGLES.indd 126126 116/9/086/9/08 11:27:0711:27:07 DOCÚPOLIS

LA VANGUARDIA - 02/10/2007 SECTION CULTURA

127

CCCCBCCB AANGLES.inddNGLES.indd 127127 116/9/086/9/08 11:27:0811:27:08 EL PAIS - 06/10/2007 SECTION CATALUNYA

128

CCCCBCCB AANGLES.inddNGLES.indd 128128 116/9/086/9/08 11:27:0911:27:09 BAC

EL PAIS - 27/11/2007 SECTION CATALUNYA

129

CCCCBCCB AANGLES.inddNGLES.indd 129129 116/9/086/9/08 11:27:0911:27:09 EL MUNDO - 27/11/2007 SECTION CULTURA

130

CCCCBCCB AANGLES.inddNGLES.indd 130130 116/9/086/9/08 11:27:1011:27:10 ITINERARIES

ABC - 04/11/2007 SECTION CATALUNYA

131

CCCCBCCB AANGLES.inddNGLES.indd 131131 116/9/086/9/08 11:27:1011:27:10 CULTURAL RING

EL PUNT - 157/09/2007 SECTION CULTURA

132

CCCCBCCB AANGLES.inddNGLES.indd 132132 116/9/086/9/08 11:27:1111:27:11 AVUI - 15/09/2007 SECTION CULTURA

133

CCCCBCCB AANGLES.inddNGLES.indd 133133 116/9/086/9/08 11:27:1111:27:11 EL PAÍS - 1/03/2007 SECTION CULTURA

134

CCCCBCCB AANGLES.inddNGLES.indd 134134 116/9/086/9/08 11:27:1111:27:11 LA VANGUARDIA - 1/03/2007

135

CCCCBCCB AANGLES.inddNGLES.indd 135135 116/9/086/9/08 11:27:1211:27:12 AVUI - 19/03/2007 SECTION CULTURA I ESPECTACLES

136

CCCCBCCB AANGLES.inddNGLES.indd 136136 116/9/086/9/08 11:27:1211:27:12 LA VANGUARDIA - 21/03/2007 SECTION CULTURA

137

CCCCBCCB AANGLES.inddNGLES.indd 137137 116/9/086/9/08 11:27:1311:27:13 EL PAÍS - 1/04/2007 SECTION CATALUÑA

138

CCCCBCCB AANGLES.inddNGLES.indd 138138 116/9/086/9/08 11:27:1311:27:13 LA VANGUARDIA - 06/06/2007 SECTION CULTURA

139

CCCCBCCB AANGLES.inddNGLES.indd 139139 116/9/086/9/08 11:27:1411:27:14 LA VANGUARDIA - 17/04/2007 SECTION CULTURA

140

CCCCBCCB AANGLES.inddNGLES.indd 140140 116/9/086/9/08 11:27:1411:27:14 EL PERIÓDICO - 26/04/2007 SECTION LA ENTREVISTA

141

CCCCBCCB AANGLES.inddNGLES.indd 141141 116/9/086/9/08 11:27:1511:27:15 EL PAÍS - 21/05/2007 SECTION CATALUÑA

142

CCCCBCCB AANGLES.inddNGLES.indd 142142 116/9/086/9/08 11:27:1511:27:15 EL PERIÓDICO - 09/04/2007 SECTION LA ENTREVISTA

143

CCCCBCCB AANGLES.inddNGLES.indd 143143 116/9/086/9/08 11:27:1611:27:16 AVUI - 13/04/2007

144

CCCCBCCB AANGLES.inddNGLES.indd 144144 116/9/086/9/08 11:27:1611:27:16 LA VANGUARDIA - 26/10/2007 SECTION CULTURA

145

CCCCBCCB AANGLES.inddNGLES.indd 145145 116/9/086/9/08 11:27:1711:27:17 LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA

146

CCCCBCCB AANGLES.inddNGLES.indd 146146 116/9/086/9/08 11:27:1711:27:17 LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA

147

CCCCBCCB AANGLES.inddNGLES.indd 147147 116/9/086/9/08 11:27:1811:27:18 LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA

148

CCCCBCCB AANGLES.inddNGLES.indd 148148 116/9/086/9/08 11:27:1811:27:18 LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA

149

CCCCBCCB AANGLES.inddNGLES.indd 149149 116/9/086/9/08 11:27:1811:27:18 LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA

150

CCCCBCCB AANGLES.inddNGLES.indd 150150 116/9/086/9/08 11:27:1911:27:19 LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA

151

CCCCBCCB AANGLES.inddNGLES.indd 151151 116/9/086/9/08 11:27:1911:27:19 LA VANGUARDIA - 4/12/2007 SECTION CULTURA

152

CCCCBCCB AANGLES.inddNGLES.indd 152152 116/9/086/9/08 11:27:2011:27:20 EL PAÍS - 17/11/2007 SECTION CULTURA

153

CCCCBCCB AANGLES.inddNGLES.indd 153153 116/9/086/9/08 11:27:2011:27:20 AVUI - 11/03/2007 SECTION COMUNICACIÓ

154

CCCCBCCB AANGLES.inddNGLES.indd 154154 116/9/086/9/08 11:27:2111:27:21 EL PERIÓDICO - 20/05/2007 SECTION INTERNACIONAL

155

CCCCBCCB AANGLES.inddNGLES.indd 155155 116/9/086/9/08 11:27:2111:27:21 EL PAÍS - 21/05/2007 SECTION CULTURA

156

CCCCBCCB AANGLES.inddNGLES.indd 156156 116/9/086/9/08 11:27:2211:27:22 CULTURAS LA VANGUARDIA - 13/06/2007 SECTION ESPACIOS

157

CCCCBCCB AANGLES.inddNGLES.indd 157157 116/9/086/9/08 11:27:2211:27:22 CULTURAS LA VANGUARDIA - 13/06/2007 SECTION ESPACIOS

158

CCCCBCCB AANGLES.inddNGLES.indd 158158 116/9/086/9/08 11:27:2311:27:23 AVUI - 02/01/2008 SECTION MÓN

159

CCCCBCCB AANGLES.inddNGLES.indd 159159 116/9/086/9/08 11:27:2411:27:24 EL PERIÓDICO - 04/01/2008 SECTION LA ENTREVISTA

160

CCCCBCCB AANGLES.inddNGLES.indd 160160 116/9/086/9/08 11:27:2411:27:24 LA VANGUARDIA - 10/11/2007 SECTION CULTURA

161

CCCCBCCB AANGLES.inddNGLES.indd 161161 116/9/086/9/08 11:27:2511:27:25 LA VANGUARDIA - 10/11/2007 SECTION CULTURA

162

CCCCBCCB AANGLES.inddNGLES.indd 162162 116/9/086/9/08 11:27:2511:27:25 EL PAÍS BABELIA - 01/03/2008

163

CCCCBCCB AANGLES.inddNGLES.indd 163163 116/9/086/9/08 11:27:2611:27:26 EL PAÍS - 13/12/2007 SECTION CULTURA

164

CCCCBCCB AANGLES.inddNGLES.indd 164164 116/9/086/9/08 11:27:2711:27:27 AVUI - 26/09/2007 SECTION MÓN

165

CCCCBCCB AANGLES.inddNGLES.indd 165165 116/9/086/9/08 11:27:2711:27:27 CULTURAS LA VANGUARDIA - 07/02/2007 SECTION ESCRITURAS

166

CCCCBCCB AANGLES.inddNGLES.indd 166166 116/9/086/9/08 11:27:2811:27:28