press program July 21, 2017 #visapourlimage2017 www.visapourlimage.com exhibitions

. > . Education Week 02 09 17 09 . > . from 10am to 8pm 18 09 22 09 Admission free of The exhibitions remain charge open for school groups Special early opening (by appointment) of exhibitions – from 9am – reserved In 2016, around 10,000 for persons with students from and accreditation & Spain visited the exhibitions badges: Thursday, with photographers and other professionals as guides September 7, Friday providing explanations and September 8 & commentaries. Saturday September 9 The photographers who will be guides providing explanations Some 25 exhibitions are being and commentaries this year presented. are: Zohra Bensemra, Ferhat The list below is preliminary Bouda, Bertrand Gaudillère, and incomplete. Isadora Kosofsky, Frédéric Noy, Pierre Terdjman & Jean-François Leroy. Couvent des Minimes Couvent © Mazen Saggar exhibitions are, nowhattheirreligion ornationality,are thesame. wherematterthey no beings, human that is message the ForBensemra, Zohra Macedonia, andSomalia). war of midst and natural disasterthe (in Libya, , , , Sudan, Tunisia,in Pakistan,life with on carry civilians how world the showed she And soon developed the instincts needed to survive bombs, mortar fire and airstrikes. lens had captured the victims of a suicide bomb attack in her native . She lives show to her and 24 was was She spirit. human life the of triumph the show in to war, shatteredby mission her that day one realized Bensemra Zohra Wire a on Lives ZOHRA BENSEMRA © Zohra Bensemra /Reuters

/ Reuters exhibitions contradictions inpolice accounts, visitingjailsandattending funerals. discovering stories, background learning families, meeting bodies, the beyond went he And fatalities. 57 with scenes crime 41 covering reporter, local a with working fall, last Manila in weeks five spent Berehulak all.” them “slaughter to Duterte’scall heeded who vigilantes of hands the at died had others many and drug six months of murderoushis election, more than 2,000 people had been shot dead by police, Duterte’s Within experience. haunting Rodrigo and Animals” immersive an is Philippines President the in crackdown Like on work Us Berehulak’s Daniel Slaughtering are “They DANIEL BEREHULAK © DanielBerehulak for

for The New York Times York New The The New York Times York New The exhibitions supported byLaScam Winner ofthe2016Pierre &Alexandra BoulatAward and resistance. lifeBerbersMoroccothe in of (where live),mostthem defendingof culturetheir or to cast them into oblivion. Ferhat Bouda’s work is a documentary record of the their tothem assimilate to resistingefforts identity, their attached proudlyassert and traditions, greatly are Berbers The them. persecuting communities sometimes up and breaking them, oppressed have and heretics, being of them suspect governments African North Jewish. or Christian Muslim, sedentary, or Oasis in Egypt. They have not led any quest for nationhood, and are stretchingeither vastland expansea of Moroccocoast fromof Atlantic the Siwa nomadic the to of North , and is now under threat. The Amazigh (i.e. Berber) people live on Berber culture dates back to ancient times, yet is one of the least known cultures , in Berbers FERHAT BOUDA resisting and defending their culture their defending and resisting © Ferhat Bouda/Agence VU’

/ Agence VU’ exhibitions Life in the U.S. for Afghan Refugees Afghan for U.S. the in Life crime. Andsometimesthey despair. have now been relegated to the American underclass, in the midst of poverty and they country, own their professionalsin Once disappointed. deeplyare Many they say resettled. been now have Afghans 2,000 than More veterans. war these to visas special granted and danger the recognizedCongress U.S. Taliban.The theywereU.S., to the engineers.ties Because their of targeted resurgentthe by American war effort. Some were interpreters, others were the help doctors, to lives diplomatstheir risking Afghanistan,and in troops U.S. alongside served They Place,” Safe “No RENÉE C.BYER © RenéeC.Byer / The Sacramento Bee Sacramento The exhibitions years. few next the within be should which built, be to mosque forthe proper first country’s waiting while faith, their practice to difficulty, some with endeavoring, restrictedherebeen State,is Muslims havemonitoredworld the and outside by the with contact where country this In Arabia. Saudi from funding with up set which has been growing over recent years, and an Islamic prayer room has been Somewhere behind all the cliché images of Cuba is a discreet Muslim community the famous Malecón esplanadebythesea,cathedral, and,soon,amosque. Havana: the faded glory of the city buildings, the flashy American cars backfiring, Cuba! Inshallah SARAH CARON © Sarah Caron for for Le Figaro Magazine Figaro Le Le Figaro Magazine Figaro Le exhibitions the price paid? was what but overISIS, victory major a standas will control Mosul Regaining of photographs show street fightinganddistressed civilians caught upinwar. “Golden counter-terrorism elite His police. (ERD) Division Response Emergency special the with together Division,” (ISOF), Forces Operations Special from Iraqi troops with there was Canovas Alvaro battle, the of days early the From even thousands ofcivilians,haddied. hundreds, and fighters, ISIS by held being still were Mosul of bank west the fallen;of not largestillparts had city the 2017, April early by But Daesh.” of terrorism and violence the from you free to operations victorious these of start the declare I “Today Mosul: of control regain to offensive the announced of al-Abadi, beginning Haider the Iraq, of struggle Minister Prime the 2016, 17, Octoberbitter On a Mosul, Regaining ALVARO CANOVAS © Alvaro Canovas / / Match Paris Paris Match Paris exhibitions crime intheworld after illicitdrugandarmstrafficking. profitable most third the now is and years twenty past the over booming been has beings human in trade Illegal states. Gulf in sites construction on die men hundredsof and fake orphanages, in childrenabuse sufferMalaysia, or India in or foreign brothels in up end traffickers. women human Young incities forprey easy them makes life a better which desperate, are and education, no or finding little have poor, are of They women countries. Nepal hope and the men of where in world, areas the rural in abandon countries poorest Scourge the of one the is – Nepal Trafficking Human STEPHEN DOCK © Stephen Dock exhibitions Exhibition produced by the Arche du Photojournalisme, Paris Photojournalisme, du Arche the by produced Exhibition his understand and work. see to opportunity an as – selection subjective purely a – To pay tribute to him, we decided to display a selection of Stanley Greene’s photos the civilianpopulation. on inflicted suffering the and done damage the against out speaking Chechnya, more.Stanleyand Afghanistan,Ukraine,Iraq, to commitment felt intenseSyria, Stanley crossed the world, in every direction, through war zones and devastation: photojournalism. Stanley Greene’s photographic opusisvast indeed. rockthe of scenepunk and California,in before toturned and paths changed he There are the fashion shots from the very beginning of his career,February 14,1949,New Yorkand -May19,2017,Paris. his coverage Tribute STANLEY GREENE © Stanley Greene /NOOR / NOOR exhibitions agrarianof communities onahumanlevel. plight the and CKDu of impact The multi-generational further.the perhaps shows work and ongoing America South to spreading now disease, fatal the document to Lanka Ed Sri and Salvador,India, El young. Nicaragua,traveled to has Kashi the and poor the families, their and workers farm affecting mainly in the , Asia, South Asia, and Central America. It is a deadly epidemic positivelyidentified been has (CKDu) origin unknown Zone of Disease ChronicKidney Hot The In – CKDu ED KASHI / VII © EdKashi/ VII exhibitions 2000 injured. in massive anti-government protests that have left over 100 dead and more than flee the crisis, and those who have chosen to stay and fight, taking to the streets to chosen have who others mines, gold illegal to flocking people shows Kohut governmentrepression.and violent crime, soaring medicine, foodand Meredith The exhibition documents Venezuelans struggling to survive severe shortages of of government corruption and failed economic policy, it is now in a state of crisis. yearsafter but world, reservesthe largestoil in the known have Venezuela may Venezuela of Collapse The MERIDITH KOHUT © Meridith Kohutfor for The New York Times York New The The New York Times York New The exhibitions Alysia is the subject of a photo-essay that began when she was 16, in jail, and and jail, in 16, was continuesshe through to thepresent, now 21,free,when awife andmother.began that photo-essay a of subject the is Alysia in andoutofjailfor drugdealing. been has who mother’ssentencedfor19, stabbinghis when David, assailant,and Over five years, we see the lives of two brothers, Vinny and David: Vinny who was 13 largest prisonpopulationintheworld. the with country the States, United the in system justice criminal the of aspects and family investigating also while their trauma, personal and life, love private their teenagers, confinement, documenting Mexico, prison, New in Albuquerque, people young in on projectsreporting long-term two After features exhibition And The Prison, in Juveniles ISADORA KOSOFSKY © Isadora Kosofsky exhibitions change. radical undergoing clearly is it for corruption, and conflict by apart torn land a crises. But it is impossible for Marco Longari to accept a view of Africa as simply continent, is powerful yet plundered, suffering political uprisings and institutional chosen his now.yearsThis, many for Africa observing been has Johannesburg, Africa in France-Presse,AgenceforAfrica,Photographer, Marco Chief Longari, in based Solitude and Crowds MARCO LONGARI © Marco Longari/AFP / AFP exhibitions Exhibition curated by Jean Loh Jean by curated Exhibition confronting raw, are pictures, highlightingthefragile balance ofhumanbeingsandtheirenvironment. These orphanages. makeshift in children abandoned and destroyed by open-pit mines, “cancer villages” with no Mongolia running Inner water in in pasturelandthe waste, homes, industrial for gutters simply country parts, in now, the across travelingrivers great seven China’sgrowth: been economic the of has side darker the Guang on reporting Lu years, twelve past the Over second largest economy intheworld. After the Cultural Revolution,Pollution in the space of just three decades, China became the and Development LU GUANG © LuGuang exhibitions Exhibition co-produced with the Photographic Social Vision Foundation. Vision Social Photographic the with co-produced Exhibition of civilians. devastationwith crisis massand displacementaffecting hundreds thousands of humanitarian further createda has Stateso-called Islamic the against war The cutting offacritical connection between Iraq andSyria. Mosul, into forcesmoved armed Iraqi 2017, was into East2016 late fromMiddle and weakened,the in territory on held ISIS grip The liberated. Sirte, was when Libya, destroyedin were Africa into expanding of hopes and Palmyra, and Kobanî in Syria, in defeats symbolic and sufferedmajor ISIS later, year one But the region. in borders destabilized and East Middle the in power of balance the upset has held ISIS declared Baghdadi territory al inIraq andSyriaacaliphate, andsince thentheso-called IslamicState Bakr Abu leader ISIS Mosul, in 2014, Caliphate June In the of Collapse The LORENZO MELONI © Lorenzo Meloni /MagnumPhotos / MagnumPhotos exhibitions demands respect for theearthandallwhoshare itsresources. that work of body unparalleled an produced and Fay, Mike and Goodall Jane Nichols photography. wildlife collaboratedhas world’sthe of some with greatest for conservationists, including essential are that ethics invaluable the safari-hunting to policies, land-use and and habitat humans stunning culture, poaching, zoos, and on breed-and-release programs. betweenFurther, they impact whose speak their interactions Nichols and dynamic nature, Nichols. the Michael investigate wild: photographs the in photojournalists A Wild Life Wild A Life Wild A MICHAEL NICHOLS showcases the work of one of the most highly respected, innovative Photos MichaelNichols/NationalGeographic Creative / National Geographic National exhibitions cns f etuto rva pr o te ol n hrtg o te onr so country the of heritage and palpable even whenreduced soul to rubble. the of part reveal destruction of scenes Scorcelletti over a number of trips across the land torn asunder.Emanueleby seen Italyas of are phantomsaftermath, the Herein homes. These their impressive flee forcingpeopleto and 40,000 morevillages than devastating provinces,of dozens razing movements dramatic of months six year: this 18 January until on Italy, killing 300. It was the first in a horrifying series of quakes that went on and of region Marche the struck 6.2 magnitude of earthquake An 2016. 24, August Asunder Rent Italy EMANUELE SCORCELLETTI © Emanuele Scorcelletti for Le Figaro Magazine Figaro Le for Le Figaro Magazine Figaro Le exhibitions activists, tackling socialproblems, andembracing Lakota culture. women by led members, tribal on focuses report The methamphetamine. and abuse alcohol of scourge the with struggling is community The women. for 52 85% unemployment and with the America,country’s in worstplace poorestlife the expectancy: be 47 to years said for is men Reservation and Indian Ridge Pine Dreamers DARCY PADILLA supported by Canon Female Photojournalist Award 2016 ELLE Canon Female Photojournalist Award 2016 Magazine © Darcy Padilla /Agence VU’ supported by / Agence VU’ ELLE Magazine exhibitions Today,relatives. inspite ofthepain,they continue inthierpursuit ofjustice andtruth. their of death and disappearance the by affected were survivors the subversiveof groups, forced sexuallyintoand unwanted marriages And abused. disappearances.wereand Many deaths murderedall of compelledor part be to 20% for accounted women (1980-2000), Peru in terrorism of period the During International – Ayacucho award d’or Visa Humanitarian the of Winner ANGELA PONCEROMERO Committee of the Red Cross (ICRC) 2017 (ICRC) Cross Red the of Committee International Committee of the Red Cross (ICRC) 2017 Winner ofthe Humanitarian Visad’oraward – © AngelaPonce Romero exhibitions r otmsi ad eiin: ahr hn en vcis te ae rig o find to trying are innovative solutionsto stay onthelandoftheirancestors. they victims, being than rather resilient: and optimistic are Pacific are on the frontline of climate change, yet many indigenous communities rising sea levels threatening entire communities. The people of the Arctic and the Firstsettlementsstorms,beneath Nations , droughts, in plus floods, and melting permafrostVanuatu, and Fiji in cyclones 5 category with seen is crisis, environmental pressing most the now change, Climate warming. global made Zealand and throughout Oceania collecting visual evidence of the impact of man- Vlad Sokhin has traveled from the northern tip of Alaska to remote parts of New Waters Warm VLAD SOKHIN © VladSokhin/CosmosPanos Pictures /laif / CosmosPanos Pictures /laif exhibitions The project was partially supported by the Pulitzer Center on Crisis Reporting Reporting Crisis on Center Pulitzer the by supported partially was project The of widowhood and the ways women are fighting back in Bosnia, India and Uganda. herself, often becomes a target for abuse. The exhibition explores the complexity support tounable being outcast,and, an becomes she dies, husband her When traditional such In society. of woman, fringes cultures, a the woman’s the life foris to determined by men: childrenfirst death the father, then her the social husband. and means her widowhood relegating world the of parts some In Widowhood AMY TOENSING & by by & National Geographic © AmyToensing / National Geographic National Magazine Magazine/National Geographic Creative exhibitions driving outorarresting thelast oftheprotesters. in military Humvees, acting on orders from President Trump, entered the camps, police armed heavily later, Twomonths pipeline. the of construction halt would it announced Government US the along 2016, 4, camped December River.On Cannonball had the supporters non-native and natives 5000 2016, of summer the By tribes. 200 some with century, a over in Indians American of gathering largest the became camps, Access prayer establishing in consisted which protest, Dakota The the of construction water.drinking contaminatecould and sitesdestroy sacred the would that Pipeline against protested Nation Sioux The Rock Standing LARRY TOWELL © LarryTowell /MagnumPhotos / MagnumPhotos exhibitions front line,and1.5millionpeople were still livinginit. the was city The bombs. car of hundreds and drones including weapons, made home- destructive and backing financial had and territory, own their held they capital;chosen and symbol their was that city the in bombers, suicide including It was bound to be a long and perilous operation, fighting thousands of Jihadists, Mosul. of controlregain to offensive an launched they coalition, international the frombacking with 2016, mid-October in then, province, Anbar in villages and cities Iraqi armed forces had waged battles against ISIS in Ramadi, Fallujah and other Mosul of Battle The LAURENT VAN DERSTOCKT Images Reportage © Laurent Van derStockt for Le Monde Le /GettyImages Reportage for Le Monde Le /Getty exhibitions people have beendisplaced. in 2014,andthedeathtoll now stands atover 10,000,andmore thantwo million began Hostilitiesfront. the forthto and back go they as soldiersUkrainian with contact in live who people the of life everyday the seeing war, the to back gone self- the from is separatists conflict and proclaimed Ukraine, People’s forces Republics eastern of Donetsk armed and Luhansk. in Rafael Ukrainian Yaghobzadeh , has between and continuing Europe Another between borderto the War On One From 2017 – Award Ukraine: Ochlik Rémi de Ville RAFAEL YAGHOBZADEH Lauréat duPrixdelaVille dePerpignan RémiOchlik2017 © Rafael Yaghobzadeh exhibitions as theultimate venue for theexhibition. The reference competition for photojournalism around the world, with Perpignan World Press Photo the in year the of shots best their competition for the2017Visad’orDaily Press Award. exhibit newspapers daily International Daily Press Press Pictures may berequested bye-mail: visapourlimage@ 2e-bureau.com © BurhanOzbilici/TheAssociated Press World Press Photo oftheYear 2017 exhibitions ai Duls ucns htgah, o acamd s 20 as acclaimed now photographs, Duncan’s Douglas David that lasted untilPicasso’s deathin1973. It was the beginning of a firm friendship between two brilliant minds, a friendship the Californie, artist’sLa homeinCannes. Villa the in Picasso Pablo met magazine, Life war with reporter and photographer American famous the Duncan, Douglas David 1956, In Perpignan. l’Image– pour Visa Photojournalism, Festivalof International the of program official the with coincides Perpignan, of City the by organized exhibition, The Picasso – Duncan DAVID DOUGLASDUNCAN www.mairie-perpignan.fr Information: +33468663318/[email protected] Place duPont-d’En-Vestit -66000Perpignan Walter BenjaminContemporary ArtCenter Entrance free October 1-November 5:openTuesday to Sunday,11am to 5.30pm. June 24-September 30:open7daysaweek, 10.30amto 6.30pm Dates: June24to November 5,2017. Venue: Walter BenjaminContemporary ArtCenter, Perpignan Center, University ofTexas atAustin, USA. Ransom Harry the of archives the in held are photos Duncan’s Douglas David beloved Jacqueline. show Picasso’s life seen from the inside, the man painting, and the man with his th etr icons, century showsevening . The Visa pour l’Image evening shows will 04 09 > 09.09 cover the main events of the past year, 9.45pm from September 2016 to August 2017. at Campo Santo Every evening, from Monday to Saturday, the Admission free of program begins with a chronological review of the year’s news stories, two months at a charge time. This is followed by reports and features on society, conflicts, stories that have made the news and others that have been kept quiet, plus reports on the state of the world today. Visa pour l’Image also presents retrospectives of major events and figures in history. The Visa pour l’Image award ceremonies are held during the evening programs.

Featuring in the 2017 Festival program (subject to change)

• News stories of the year across the continents: war, crises, politics, unusual and remarkable events, sport, culture, science, the environment etc. • Refugees in Europe + Immigration around the world • Syria - Iraq - ISIS • Famine in East Africa • Fidel Castro – Retrospective • USA – Presidential election • 1917, a year of change: The Russian Revolution + • Tribute to Chuck Berry, Leonard Cohen + transmission pour l’image

04.09 > 06.09 3 days Direct contact Talking to people Hearing about their experiences

Information and applications: [email protected] +33 1 42 33 93 18

Transmission pour l’Image is a forum for meeting and discussing, and most importantly it is for “transmission” from one generation of photojournalists – those who were and still are with us behind the adventure of Visa pour l’Image – handing on their knowledge and know-how to the next generation. Transmission is not a course on how to take pictures – quite the opposite. It is the photographers and picture editors who take the time needed to talk about their work and the choices they have made, who explain how they have produced, chosen, published and sold their pictures. Transmission is here so that young photojournalists can take on and carry on the values that are the basic principles which Visa pour l’Image has always believed in. The first ten applicants will have the privilege of being part of this full-time experience over three days, listening, talking and learning with professional mentors. This year, João Silva will be running Transmission pour l’Image and has invited eminent figures to form the team with him. transmission pour l’image

THE 2017 TEAM Non exhaustive list

JOÃO SILVA - photographer, The New York Times Joao Silva, a member of the famous Bang-Bang Club, has covered many wars and conflicts over the past twenty years; he was seriously injured in Afghanistan in October 2010.

PETER BOUCKAERT - Emergencies Director of Human Rights Watch Peter Bouckaert is an expert in humanitarian crises and a veteran with experience of fact-finding missions to many countries, including , Kosovo, Chechnya, Afghanistan, Iraq, Israel, Macedonia, Indonesia, Uganda and Sierra Leone. He has testified about war crimes to the US Senate, the Council of Europe and the International Criminal Tribunal for the former Yugoslavia (ICTY) in the Hague, and has written opinion pieces published in newspapers and magazines around the world.

ALICE GABRINER - International photo Editor at Time Alice Gabriner photo-edited the National section of Time from 2000 to 2003, then the International section from 2003 to 2009, including years of the Iraq war. After a five-year hiatus, as Deputy Director of Photography at the White House and as a Senior Photo Editor at National Geographic, Alice Gabriner is back at Time as the International Photo Editor.

SANTIAGO LYON Santiago Lyon has been working as a photojournalist for 30 years, covering news, and in particular conflicts around the world (El Salvador, the U.S. invasion of Panama, the first Gulf War, the former Yugoslavia, , Afghanistan and Syria). His work has been acclaimed by many awards. He joined the Associated Press in 1991, and after 25 years with the AP, during which he held different positions, he has now decided to move onto another stage in his career.

CHRISTOPHER MORRIS - photographer Noted, inter alia, for his coverage of the Balkans and work on the US elections. He is one of the founding partners of the agency VII.

DARCY PADILLA - photographer, Agence VU’ Darcy Padilla is a documentary photographer and photojournalist renowned for her work on social issues, such as her award-winning “Julie Project” extending over a number of years. More recently she did exclusive coverage for Le Monde of the 2016 U.S. presidential elections. She has won many grants and awards (Canon Female Photojournalist Award, three World Press Photo Awards, Getty Images Grant, the W. Eugene Smith Grant for Humanitarian Photography among many others), and has taught and conducted workshops on documentary photography. transmission pour l’image

04.09 > 06.09 Application 3 days Direct contact Talking to people Hearing about their experiences

FAMILY NAME ...... GIVEN NAME ......

ADRESS ...... POSTCODE ...... CITY ...... COUNTRY ......

MOBILE ...... E-MAIL ...... WEBSITE ...... NATIONALITY ...... DATE OF BIRTH ......

TRANSMISSION will be conducted in English

PAYMENT Check (to “Images Evidence” to be forwarded with the application for enrolment to 2e BUREAU) Bank transfer (bank details supplied on request)

FEES 500 € (Enrolment includes accreditation + Visa “professional” badge) Accommodation not included

INFORMATION AND APPLICATIONS: SYLVIE GRUMBACH Tel: +33 1 42 33 93 18 - [email protected] 2e BUREAU - 18 rue Portefoin - 75003 Paris - France

(PAYMENT TO BE MADE BY JULY 30) BY POST OR BY E-MAIL Visa d’or awards & prizes

For the Visa d’or Paris Match News award and the Visa d’or feature award, the Ville de Perpignan Rémi Ochlik award and the Figaro Magazine Lifetime Achievement Visa d’or award, picture editors and assistant picture editors (listed below) make a selection from all reports seen over the past year (both published and unpublished), choosing four nominees per category. A second jury meets in Perpignan to choose the Visa d’or award winners (News, Feature and Daily Press). No applications are needed for these awards.

JURY Wang BAOGUO / Chinese Photographers Sarah LEEN / National Geographic Magazine - Magazine - China USA Sophie BATTERBURY / The Independent on Volker LENSCH / Stern - Germany Sunday - Great Britain Alexander LUBARSKY / Kommersant - Russia Andreïna DE BEÏ / Sciences & Avenir - France Chiara MARIANI / Corriere della Sera - Italy Jeremiah BOGERT / Los Angeles Times - USA Michele McNALLY / The New York Times - USA Thomas BORBERG / Politiken - Denmark Sarah MONGEAU-BIRKETT / La Presse - Armelle CANITROT / La Croix - France Canada Lionel CHARRIER / Libération - France Beatriz PALOMO- Spain Barbara CLÉMENT / ELLE - France Matti PIETOLA / Helsingin Sanomat - Finland Cyril DROUHET / Le Figaro Magazine - France Andrei POLIKANOV / Takie Dela Online Media David FRIEND / Vanity Fair - USA - Russia MaryAnne GOLON / Washington Post - USA Kira POLLACK / Time Magazine - USA Magdalena HERRERA / Geo - France Jim POWELL / The Guardian - Great Britain Ryuichi HIROKAWA / Days Japan - Japan Tim RASMUSSEN / The Denver Post - USA Nicolas JIMENEZ / Le Monde - France Kathy RYAN / The New York Times Magazine - USA Javier JUBIERRE / El Periodico de Catalunya - Selahattin SEVI / Zaman - Spain Marc SIMON / VSD - France Romain LACROIX / Paris Match - France Mats STRAND / Aftonbladet - Sweden Catherine LALANNE / Le Pèlerin - France Giulia TICOZZI / La Repubblica - Italy Olivier LAURENT - USA Visa d’or awards & Prizes

WEDNESDAY VISA D’OR DAILY PRESS AWARD 06.09 For the sixth time, Perpignan Méditerranée Métropole will fund the prize of €8000 for the Visa d’or Daily Press award winner. Since 1990, the Visa d’or Daily Press award has been given for the best report of the previous year published in the daily press in any country around the world. The prize is open to all daily newspapers around the world. Entries received will be presented to a jury convening in Paris in late June, 2017. Reports selected by the jury are exhibited at the Festival (31 entries in 2016). INFORMATION [email protected] - +33 1 42 33 93 18

PRIX ANI – PIXTRAKK AWARD For the past seventeen years, the ANI (Association Nationale des Iconographes) has been organizing presentations of portfolios during the professional week at the festival Visa pour l’Image - Perpignan, and has now helped more than 400 photographers from a wide range of backgrounds, providing guidance and advice. At the end of the Festival, the ANI forms a jury to select three award winners from a short list of “favorite choices,” who are: Massimo Branca (Bucharest), Jérémie Jung (Setomaa) & Ana Palacios (Tanzania). Then the first prize for the ANI-PixTrakk award. Then, the eighth ANI award, with prize money of €5000 sponsored by PixTrakk, will be presented to the winner at the evening show on Wednesday, September 6. The award-winner’s work will be displayed at the “Visas de l’ANI” exhibition held in Paris at Gobelins, l’école de l’image, from November 6 to 24, 2017. Prizes &

WEDNESDAY

Visa d’or awards THE CARMIGNAC PHOTOJOURNALISM 06.09 AWARD The Carmignac Photojournalism Award is once again associated with the International Festival of Photojournalism Visa pour l’Image – Perpignan, for the third year, and the winner of the 8th award will be announced at the evening show in Perpignan on Wednesday, September 6. The Carmignac Photojournalism Award was founded in 2009 to provide support for an investigative photographic report to be carried out in a region of the world where human rights and freedom of expression are under threat. Every year, an international jury calls for applications, either on a specific region of the world or a specific subject. For this, the 8th award, the subject is modern day slavery and female victims of human trafficking. The award includes a grant to cover work in the field involved in the investigation, and the award-winner is thus able to conduct the report, with funding from the Carmignac Foundation, which, on completion of the project, also funds a touring exhibition and the publication of a monograph. INFORMATION Emeric Glayse, Director, Carmignac Photojournalism Award Valentine Dolla, Communication & Partnerships Manager, Carmignac Foundation [email protected] - www.fondation-carmignac.com www.fondation-carmignac.com Prizes &

THURSDAY ICRC HUMANITARIAN VISA D’OR AWARD – Visa d’or awards 07.09 INTERNATIONAL COMMITTEE OF THE RED CROSS The award is open to professional photojournalists. The seventh ICRC Humanitarian Visa d’or award will recognize the work of a photojournalist reporting on women in war. The jury is particularly interested in stories on women, where, for example, they are seen as victims of sexual violence, as fighters, or taking over as head of the family when the men have left, either fighting, killed in combat or held captive. The ICRC was founded more than 150 years ago for the purpose of providing assistance and protection for people in times of armed conflict and other situations of violence. The ICRC operates in some sixty countries. This year’s award, with prize money of €8000 funded by the ICRC, goes to Angela Ponce Romero for her report on people who have gone missing in the fierce conflict in Peru between the Shining Path guerrilla group and government forces, and which has been going on for nearly half a century. The award will be presented during the evening show on Thursday, September 7. INFORMATION Frédéric Joli : [email protected]

VISA D’OR franceinfo: AWARD FOR THE BEST DIGITAL NEWS STORY For the second year Visa pour l’Image – Perpignan will have the Visa d’or franceinfo: Award for the Best Digital News Story, organized with support from France Médias Monde, France Télévisions, Radio France and INA, all public broadcasting media. The scope of the award covers virtual reality, interactivity and editorial video work released via social media. In the context of non-stop news around the world, the Visa d’or franceinfo: Award for the Best Digital News Story will grant recognition for an idea, content and original work offering an interesting angle and perspective on the news. The prize money of €8000 is funded by France Médias Monde, France Télévisions, Radio France & INA. The award will be presented at the evening show on Thursday, September 7. INFORMATION [email protected] Prizes &

THURSDAY GETTY IMAGES GRANTS Visa d’or awards 07.09 FOR EDITORIAL PHOTOGRAPHY Getty Images will be pleased to announce the 2017 winners of the Getty Images Grants for Editorial Photography at Visa pour l’Image – Perpignan. Getty Images has been supporting photojournalists and original creative projects, and has invested more than $1.4 million in the grants program. The venture was launched in 2004 for the purpose of fostering a world of more striking images, offering photojournalists and original creative artists opportunities to raise awareness on social and cultural issues. Sixty-eight photojournalists have already recorded and presented innovative and unusual stories. Getty Images will be announcing the winners for 2017 in Perpignan, at the evening show on Thursday, September 7, then will be presenting the winning projects on Friday, September 8, at 3 pm, at the Palais des Congrès (Jean-Claude Rolland auditorium). INFORMATION http://wherewestand.gettyimages.com/grants/ Visa d’or awards & Prizes 07 THURSDAY . 09

Winner ofPierre &Alexandra BoulatAward – 2017 © RomainLaurendeau , Algeria,December 7,2016. the stigma andjudgmentsofsociety. freedom indifferent forms, awayfrom thepublicgaze,without meeting places where young people inAlgeriacan experience by thejuryfor hisreport onsecret spotsandunderground Perpignan onThursday, September 7.Thewinnerwaschosen to thewinner,RomainLaurendeau, attheevening show in The award, withprizemoney of€8000,willbepresented project. is authors), multimedia for designed by to help a photographer carry out an original reporting time society third collecting the (the for sponsoredLaScam being is which award, The PIERRE &ALEXANDRABOULAT AWARD [email protected] www.pierrealexandraboulat.com INFORMATION Prizes &

THURSDAY CAMILLE LEPAGE AWARD 2017 Visa d’or awards 07.09 The Association named Camille Lepage – On est ensemble was founded on September 20, 2014, only months after the death of Camille Lepage while reporting in the Central African Republic. The Association commemorates Camille, her work and commitment. The publishing house CDP Editions - Collection des photographes published Camille Lepage’s last report, and the proceeds from sales of the book were donated to the Association Camille Lepage – On est ensemble. Through this generous initiative, the association has been able to fund part of the award (with total prize money of €8000) which provides support and encouragement for a photojournalist committed to a long-term project. This year, for the first time, the collecting society la Saif* is joining forces with the Association Camille Lepage – On est ensemble to fund the prize money. The award will be presented to this year’s winner, Pierre Faure, at the evening show on Thursday, September 7, for his work on France’s rising poverty rates. INFORMATION camillelepageaward@gmail (*) La SAIF, the French collecting society for original authors of visual work in architecture, design, drawing, 3-D work, illustrations, cartoons/comics, painting, photography and sculpture. © Pierre Faure © Pierre 2017 Lepage Award Winner of the Camille Visa d’or awards & Prizes 08 FRIDAY . 09

VISA D’ORAWARD Magazine evening show onFriday, September 8. or ’mg and l’Image pour Visa by created was award d’or Visa Achievement Lifetime The MAGAZINE FIGARO France of parts poorest the of one Hauts-de-France, prisoners “Réagir” Palestinian of Sébastien Van Malleghem wives the for IVF - Habibi Fire Antonio Faccilongo with Fighting 77, Wall Oil Animals” Like Us Édouard Elias Slaughtering are “They Daniel Berehulak NOMINEES will fund the prize of For the tenth time, the VISA D’ORFEATURE AWARD h Lftm Aheeet ia ’r sosrd by sponsored d’or, Visa Achievement Lifetime The select thewinnerfor this,thefifthaward. will world the around magazines from editors Picture working. lifetime achievement of an established photographer who is still , with prize money of money prize with , for e iao Magazine Figaro Le € Time 8000 for the Visa d’or Feature award winner. for Région Occitanie / Pyrénées-Méditerranée

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l’Image –Perpignan. Ukraine, which is featured as an exhibition is this year at Visa pour winner 2017 The 2016/2017. TheVille dePerpignan sponsors theprizeof€8000. in unpublished, or published either report, best the produced The jury selected the young photographer who, in their opinion, Award whichisbeingpresented for thetwelfth time. Ochlik Rémi Perpignan de Ville the reporterforyoung best the In late June, picture editors from international magazines chose AWARD VILLE DEPERPIGNANRÉMIOCHLIK2017 o hs eot on report his for Yaghobzadeh Rafael Visa d’or awards & Prizes 08 FRIDAY . 09

mrcn oe o Pn Rde nin eevto i South Native in Dakota. the Reservation Indian on Ridge report Pine of her women American with VU’), (Agence Padilla Darcy winner, 2016 the of exhibition the presenting are we year This the 2018festival inPerpignan. now have produced concluded, a local baby boom. The was report will be programmed at agreement peace initial the since who, femaleColombiareportFARC fascinatingon in guerrillas of money prize and award the 9, the 2017 winner, At the final evening show in Perpignan on Saturday, September her contribution to photojournalism. of recognition in photographer female outstanding an to eae htjunls Aad spotd by supported Award, Photojournalist Female Canon and Visa pour l’Image will present the prestigious Canon company image global the row, a in year seventeenth the For AWARD 2017 CANON FEMALEPHOTOJOURNALIST Winner oftheCanon Female Photojournalist Award 2017 © Catalina Martin-Chico /Cosmos [email protected] [email protected] INFORMATION Catalina Martin-Chico (Cosmos), will receive 8000 to carry out her new and new her out carry to €8000 ELLE Magazine, Visa d’or awards & Prizes 09 SATURDAY . 09

The Battle of Mosul of Battle The the Visad’orNews award winner. Saturday, September 9. of money The the and earth, andmajorchallenges for humans sustainable development. between relationships environment, the of photographertoreportconductwishing a area issuesthe on in professionala to time, third the for granted, be will award The Yves RocherFoundation Photography Award. the l’ImagePerpignan: pour – to Visa FestivalPhotojournalism of chose International the France with partnership de in prize special Institut a establish - Foundation Rocher Yves The AWARD YVES ROCHERFOUNDATION PHOTOGRAPHY Mosul of Battle The Laurent Van derStockt Mosul of Battle The Goran Tomasevic Mosul of Battle The Emanuele Satolli Patrick Chauvel NOMINEES time, tenth the For VISA D’OR Reportage Reportage THE ARTHUS-BERTRAND WORKSHOPS. TROPHIES DESIGNED ANDMADEBY Yves Rocher Foundationpresentaward,Rocher prize Yveswill the with [email protected] INFORMATION 00 a te ia or ’mg eeig hw on show evening l’Image pour Visa the at €8000, PARIS MATCH PARIS Paris Match Paris for /Reuters for VSD Time for

Le Monde Le will fund the prize of prize the fund will NEWSAWARD / Getty Images /GettyImages 8000 to €8000 meetings & events

04.09 > 09.09 Provisional list

PALAIS DES CONGRÈS

MEET THE PHOTOGRAPHERS REDDOT & THE ORANGE WIFI TEAM The meetings, every morning from Monday, will be pleased to see you on the 1st floor. September 4 through to Saturday, September Accreditation required. 9, are open to both professionals and the general public, and are held in the Charles Trenet auditorium. Free entrance. PRESS CENTER The program for the meetings will be published Tuesday, September 5 to Saturday, on the festival Website: September 9. www.visapourlimage.com Press and photo agencies from around the world have booths and desks on the second floor. Tuesday, September 5 to Saturday, PORTFOLIO REVIEWS September 9. Free-lance photographers may show their Accreditation required. portfolios in the area of the CENTRAL DUPON IMAGES, Association Nationale photographic lab and long-standing des Iconographes partner, will be pleased to see you on the from Monday, September 4 to Saturday, 2nd floor. September 9 (10am to 1pm and 3pm to 6pm). Accreditation required. International picture editors & photographers with exhibitions this DAYS JAPAN will be pleased to see you year have kindly agreed to review portfolios. on the 2nd floor. Accreditation required. For this, the third year, they will be in the same area as the ANI portfolio reviewers, from Tuesday, September 5 to Friday, September 8. Accreditation required. meetings & events

04.09 > 09.09 Provisional list

Rencontres de la SAIF* PALAIS 5th Meeting DES Thursday, September 7: 5.00-7.00 pm. Auditorium Charles Trenet. Free entrance. CONGRÈS Reforming Authors’ Rights in Europe – Elections and the New Government in France: Panel Discussion What are the prospects for photojournalists? For far too many years now, photojournalism has been Protection for Photojournalists up against difficulties: the crisis of the printed press, fewer assignments commissioned, lower rates paid, Thursday, September 7, 3 pm. support for services provided free of charge, and the Jean-Claude Rolland auditorium (Professional poor value of images on the Internet, all requiring accreditation required. In English only) photographers to change and adapt. Photojournalists have chosen a profession which is The past five years have been the most dangerous magnificent, demanding and sometimes dangerous, a job which many men and women do every day, with real on record for journalists. Critical numbers of devotion, reporting on what is happening in different journalists have been killed and imprisoned, with parts of the world, but they are often doing so under freelancers figuring prominently among them. difficult financial conditions. Yet never before has there A significant percentage of photojournalists and been such a need for news, and for new stories and documentary photographers work on a freelance angles. basis, lacking institutional support. As a result they This is a key moment for photojournalism, a time of must take responsibility for their own safety, welfare major reforms of authors’ rights in Europe (with a new and professional development. The Committee to directive being drawn up). We can see the decline in Protect Journalists, Le Manoir and The Rory Peck standard practices over the last five years, e.g. the minimum rates for freelance work adopted in 2017 Trust are convening a panel to discuss the threats and producing absurdly low pay. Now, after the recent freelance photojournalists face and the type of elections in France, the fifth forum held by the SAIF* will support available. The panel will address safety review the situation, covering the range of difficulties for resources for freelancers, the gender and digital photojournalists doing their job, the issues at stake, and dimensions of safety in photojournalism, and how prospects for improving both status and pay. we are working to embed a culture of safety among Panelists to be announced. all actors in the media sector. (*) La SAIF, the French collecting society for original authors of visual work in architecture, design, drawing, 3-D work, illustrations, cartoons/comics, painting, photography and sculpture. events & meetings

04.09 > 09.09 Provisional list

PALAIS DES CONGRÈS

Paris Match Panel Discussion AFP presents “MÉMOIRES Friday, September 8, 2.30pm to 4.30pm. DE CAMPAGNE” [Campaign Charles Trenet auditorium. Free entrance Memories] Mosul, through the eyes of reporters Friday, September 8, 4.30 to 6pm. From October 2016 to June 2017, the battle for Jean-Claude Rolland auditorium. Iraq’s second city saw the worst urban warfare since Accreditation required the Second World War. The siege of the city taken by ISIS in June 2014 lasted as long as the siege of The AFP is holding a session devoted to the events Stalingrad in 1943. of France’s presidential election campaigns under But a striking feature compared to other modern- the Fifth Republic, from General de Gaulle (1958) day battles was the access available to reporters to François Hollande (2012). Here are pictures that and photographers. There were many of us there are now part of the collective memory of the French with the Iraqi forces as they fought to regain control nation, and which can sometimes stand as a better of the city. And a total of 24 who made it to the presentation of a candidate than any speech or front, paid for it with their lives. The fighting was so communication strategy. violent, with some units losing up to 40% of their In a series of video interviews, seven troops. Virtually all types of weapons were used, and photojournalists who covered candidates running for with many civilians present, hiding in their homes. the presidency recall key events and moments. Every single unit involved in the fighting allowed After the screening, there will be a discussion of the journalists to join them at some stage. interviews and what went on behind the scenes, plus Here is the reporters’ version of these historic the latest presidential campaign, this year, in 2017. moments in what was a key stage (with the attack Participants: Stéphane Arnaud, AFP Photo Editor- later on Raqqa) in the collapse of the “caliphate” as in-Chief (International), Olivier Morin, AFP Photo proclaimed by ISIS in parts of Iraq and Syria in 2014. Editor-in-Chief (France), Laurent Kalfala, journalist Panelists: Flore Olive, Alvaro Canovas, Frédéric and video director. Lafargue, Régis Le Sommier + others to be announced. events & meetings

04.09 > 09.09 Provisional list

PALAIS DES CONGRÈS

ELLE Round Table Discussion Friday, September 8, 5pm. Charles Trenet auditorium. Free entrance Famine in Africa: NGOs angry In Somalia, Yemen, northern Nigeria and South Sudan, where conflict and disturbances are rife, famine has reached dramatic levels, and cholera is threatening thousands of lives, in particular, the most vulnerable, i.e. children and women. For months now, NGOs have been issuing warnings, but to little or no avail, as international leaders seek to find solutions first for the conflicts which contribute to the worsening famine. Workers in the field are first hand witnesses to the humanitarian disaster as it occurs. Panelists will discuss the division of responsibilities at an international level and emergency measures that need to be enforced to deal with the crisis. Panel discussion moderated by Katell Pouliquen, Editor-in-Chief, ELLE magazine, and Caroline Laurent-Simon, feature reporter, ELLE magazine. Panelists to be announced. meetings & events “Nick” Nichols, Canon Master and Michael of work the of exhibitionbiographical a host also will Canon print. to visitors will have an opportunity to try the latest Canon products, from capture and technologies, image groundbreakingshowcase will Congrès, des Palais Perpignan’sFestivalin headquartersthe at zone, Experience freeCanon The activities to championvisualstories andthosecreating them. international photojournalism, will offer a program of inspirational events and o udts n vrtig ao i dig t ia or I’Image-Perpignan, pour follow @CanonProNetwork Visa onTwitter. at doing is Canon everything on updates For reviewed byMagnumPhotos. exhibition tours, network withindustry professionals andhave their portfolios guided join lectures, attend workshops, in participate will they Perpignan In is bringing 200 photography students from across Europe to Visa pour l’Image. and photojournalists of generation next the nurturing to committed is Canon taken byanAgence VU’photographer. camerasCanon loan.visitorson zone all And can haveprofessional a portrait latest the out take to opportunity an be will therepros, For products. Canon Services (CPS) will be available to offer quick Professionalcheck-and-clean service of their Canon from technicians expert photographers, accredited For CONGRÈS DES PALAIS list Provisional 04 CANON - Perpignan, France, for the 28 l’Imagepour Visa with partner be proudto is brand, image global the Canon, Free entrance. ground floor of the Palais des Congrès at Visa pour l’Image – Perpignan, 2017. . 09 champions visual storytelling in the Canon Experience zone on the on zone Experience Canon the in storytelling visual champions

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. 09 th consecutive year and, at this year’s Festival of National Geographic National wildlife photographer. events & meetings

04.09 > 09.09 Provisional list

LA LIBRAIRIE ÉPHÉMÈRE POUDRIÈRE the official festival bookshop. Open 10am to 7pm, September 2 to 17, 2017. Book signings (see daily “Agenda”).

L’ INSTITUT THE NOUVELLES ÉCRITURES VENUE open Saturday, September 2, to Sunday, September 10, JEAN VIGO 10am to 6pm*. Free entrance. *Plus special events to be announced.

THÉÂTRE MUNICIPAL PHOTOGRAPHERS’ LIVE MAGAZINE With La Scam, Amnesty International, the Fondation Varenne & AFP Wednesday, September 6, 5.45 to 8.30pm. Place de la République. Free Entrance.

6pm sharp for the PHOTOGRAPHERS’ LIVE 7.15pm: Rendez-vous with LaScam to MAGAZINE. express views on issues relevant to everyone (Doors open for the audience at 5.30 and close in the industry, e.g. rates for free-lancers, at 5.55pm. No late-comers will be admitted.) the French committee for visual arts, and Performance in French only. Limited number IP rights for photojournalists: 15 minutes to of seats available. hear what photographers expect of the new This is a first for Visa pour l’Image: a 100% minister, after five years standing still. photo Live magazine performance, with photographers, journalists and artists up 7.30pm: Cocktail together with the on stage describing their world in words, photographers who were on stage (limited pictures and music. The program will be number of invitations, requests to be made a surprise, and, as for other events, no to: [email protected]). recordings will be allowed. #noreplay #live. So instead of flipping through the pages of a magazine, attend a theater performance and share in the collective emotional experience. livemagazine.fr the photo labs

The Festival would not be what it is today if we had not had the support of the photo labs over the past twenty-nine years. Since 1989, the very finest photo printers in Paris have made it possible to present 820 exhibitions. Special thanks to these men and women working behind the scenes, at every festival, giving the very best presentation of the work by the photographers and providing the Festival with its showcase and one of its finest distinctions.

CENTRAL DUPON IMAGES 74, rue Joseph de Maistre - 75018 Paris Tel: +33 1 40 25 46 00 e-mail: [email protected] / www.centraldupon.com

e-CENTER 6, rue Avaulée - 92240 Malakoff Tel: +33 1 41 48 48 00 e-mail: [email protected] / www.e-center.fr

INITIAL 62, avenue Jean-Baptiste Clément - 92100 Boulogne-Billancourt Tel: +33 1 46 04 80 80 e-mail: [email protected] / www.initial-labo.fr

2017 exhibition prints by Jean-François Bessol, Yves Bremond, Pascal Saurin (Central Dupon Images), Yonnel Leblanc (Initial) and Nicolas (e-Center).

local partners Angelotti – Moreau Invest . AVS . Banque Populaire du Sud . Baures – Prolians . Brasserie Cap d’Ona . Cafés La Tour . Cegelec . Château Roussillon – Carré d’or - Codic . Citec Environnement . Clic-Emotion . Confiserie du Tech. Crédit Agricole Sud Méditerranée . Dalkia . Dom Brial, Cave des Vignerons de Baixas . Echa’s Entrepose . Ecotel . Emmaüs . GGL . Guasch & Fils . Indigo Park . Interhome . L’Indépendant – Midi Libre . La Casa Sansa . La Librairie éphémère . La Pyrénéenne . Le Hangar aux Tissus . Les Jardins de Gabiani . McDonald’s . Michel Roger Traiteur . Navista . Nicolas Entretien . Nissan . Orange . Proburo . Quincaillerie Manoha . Radio Communication 66 . Régie Parking Arago . Republic Technologies . Resplandy . Saint-Cyprien Golf & Resort . SNCF Réseau . Société Ricard . Sydetom 66 . Thalassothérapie Grand Hôtel Les Flamants Roses . Top Fruits . TV Bus . Urbanis . USAP . Vectalia Perpignan Méditerranée . Veolia . Vignerons Catalans organization

The International Festival of Photojournalism is organized on the initiative of the association “Visa pour l’Image – Perpignan,” comprised of the Municipality of Perpignan, the Regional Council of Occitanie / Pyrénées-Méditerranée, the Chamber of Commerce and Industry of Perpignan & Pyrénées-Orientales, Perpignan Méditerranée Métropole, and the corporate association Union Pour l’Entreprise 66. Under the patronage of and with support from the French Ministry of Culture & Communication, and the DRAC regional cultural office (Occitanie / Pyrénées- Méditerranée).

ASSOCIATION VISA POUR L’IMAGE - PERPIGNAN Couvent des Minimes, 24, rue Rabelais - 66000 Perpignan Tel: +33 4 68 62 38 00 e-mail: [email protected] / www.visapourlimage.com FB Visa pour l’Image – Perpignan @visapourlimage Jean-Paul Griolet (president), Pierre Branle (vice-president & treasurer), Arnaud Felici (coordination), Anaïs Montels & Jérémy Tabardin (assistants/coordination).

Festival Management IMAGES EVIDENCE 4, rue Chapon - Bâtiment B - 75003 Paris Tel: +33 1 44 78 66 80 e-mail: [email protected] / [email protected] FB Jean Francois Leroy Twitter @jf_leroy Instagram @visapourlimage Jean-François Leroy (director general), Delphine Lelu (executive director), Christine Terneau (coordination), Louis Martinez (assistant), Eliane Laffont (senior advisor – USA), Alain Tournaille (superintendence), Sonia Chironi (texts for evening shows, evening presentations & recorded voice - French), Pauline Cazaubon (evening presentations), Caroline Laurent-Simon (“Meet the Photographers” moderator), Béatrice Leroy (proofreading of French texts & captions), Jean Lelièvre (senior advisor), Vincent Jolly (blog & “Meet the Photographers” co-moderator), Kyla Woods (community manager), Mazen Saggar (official photographer). Interpreters: Shan Benson, Anna Collins, Camille Mercier-Sanders, Jean Mispelblom-Beijer, Élodie Pasquier-Gaschignard, Lara Rivard & Pascale Sutherland. Written Translations: Shan Benson (English), Maria Sìlvan (Catalan & Spanish), Jean Mispelblom-Beijer & Élodie Pasquier-Gaschignard (French). organization @2ebureau FB 2eBureau e-mail: [email protected] /www.2e-bureau.com Tel: +33142339318 18, ruePortefoin -75003 Paris 2e BUREAU Press -PublicRelations Period •Paris: weareperiod.co CONCEPTION, DESIGN&DEVELOPMENT WEBSITE Design &development: DidierVandekerckhove [email protected] Design &blog: DidierCameau(2emeGénération) [email protected] IPHONE, IPAD, ANDROIDAPPLICATION e-mail: [email protected] Tel: +33380208848 5, rueSaint-Jean-21590Santenay ARTSLIDE Evening Shows -Production Thomas Bart,Jean-LouisFernandez, Laurent Langlois, EmmanuelSautai (production), assisted byClémence Anezot,DanielaJacquetCamille Grenard& Tanya Fokina Sylvie Grumbach(director general, coordination), Valérie Bourgois (accreditation www.visapourlimage.com Sarah Bonneville (assistant), Ivan Lattay (music/audiodesign), manager, coordination), MartialHobeniche(press relations) Technical &Screening Crew: Richard &DavidLevy Mahieu #visapourlimage2017 Vidémus :ÉricLambert,Frédéric Bonhomme Pascal Lelièvre (stage management) accreditation

Professional week 04.09 > 09.09

Accreditation form online on end ofJuly: www.visapourlimage.com

Applications will be checked and an e mail sent with all the relevant information needed to collect your individual badge in Perpignan.

Badge-holders are granted authorized admission to the Palais des Congrès.

The accreditation office in Perpignan will be open from Saturday, September 2 to Friday, September 8, from 10am to 7pm ; and Saturday, September 9, from 10am to 4pm.

Registration fees: 60 € (to be paid in Perpignan - check, credit card or cash).

INFORMATION [email protected] www.visapourlimage.com #visapourlimage2017

INITIAL Labo photo

Le sens de l’image

http://initial-labopro.fr

SYLVIE GRUMBACH 18 RUE PORTEFOIN 75003 PARIS TEL +33 1 42 33 93 18 [email protected] www.2e-bureau.com Conception graphique : Valérie Bourgois / 2e BUREAU Bourgois : Valérie graphique Conception