Resource Guide for Grades 9-12
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The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated. -
STUDY GUIDE Prepared by Maren Robinson, Dramaturg
by Susan Felder directed by William Brown STUDY GUIDE Prepared by Maren Robinson, Dramaturg This Study Guide for Wasteland was prepared by Maren Robinson and edited by Kerri Hunt and Lara Goetsch for TimeLine Theatre, its patrons and educational outreach. Please request permission to use these materials for any subsequent production. © TimeLine Theatre 2012 — STUDY GUIDE — Table of Contents About the Playwright ........................................................................................ 3 About the Play ................................................................................................... 3 The Interview: Susan Felder ............................................................................ 4 Glossary ............................................................................................................ 11 Timeline: The Vietnam War and Surrounding Historical Events ................ 13 The History: Views on Vietnam ...................................................................... 19 The Context: A New Kind of War and a Nation Divided .............................. 23 Prisoners of War and Torture ......................................................................... 23 Voices of Prisoners of War ............................................................................... 24 POW Code of Conduct ..................................................................................... 27 Enlisted vs. Drafted Soldiers .......................................................................... 28 The American -
Telling Stories to a Different Beat: Photojournalism As a “Way of Life”
Bond University DOCTORAL THESIS Telling stories to a different beat: Photojournalism as a “Way of Life” Busst, Naomi Award date: 2012 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. Telling stories to a different beat: Photojournalism as a “Way of Life” Naomi Verity Busst, BPhoto, MJ A thesis submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy School of Media and Communication Faculty of Humanities and Social Sciences Bond University February 2012 Abstract This thesis presents a grounded theory of how photojournalism is a way of life. Some photojournalists dedicate themselves to telling other people's stories, documenting history and finding alternative ways to disseminate their work to audiences. Many self-fund their projects, not just for the love of the tradition, but also because they feel a sense of responsibility to tell stories that are at times outside the mainstream media’s focus. Some do this through necessity. While most photojournalism research has focused on photographers who are employed by media organisations, little, if any, has been undertaken concerning photojournalists who are freelancers. -
David Douglas Duncan's Changing Views on War: an Audio-Visual
SENT NBSONE ED 177 577 CS 205 214 AUTHOR Politowski, Richard TITLE - David Douglas Duncan's Changing Views'on War: An Audio-Visual Presentation. PUB DATE 78 NOTE 25p.; Paper presented at the AnnualMeeting of the Associaticn for Education in Journalism(62nd, Houston, Texas, August 5-8, 1979) EDRS PRIC2 MF01/PCe1 Plus Postage. DESCRIPTORS *Changing Attitudes; *MultimediaInstructionC Photographs; Slides; *War IDENTIFIERS *DuncaA (David Douglas) ABSTRACT This paper is the script for a slldepresentation abcut photographer Davld Douglas Duncanand his view of war. It is intended to be used with slides madefrom pictures Duncan took during World War II, the Korean War, and the warin Viet Nam and published in various books and periodicals. Itdiscusses a shift in emphasis to be seen both in the pictures and inthe text written ky Duncan in which he increasingly portrayed thesuffering and death of war. It concludes by saying that Duncan in hispictures did not oppose war it. general but opposed the sentiventalizing orglorifying of war. (T43) **************************************e.******************************* Reproductions supplied by EDRS are the best that canbe made from the original document. *********************************************************************** S CIIPARTMENTOR /ALM. OUCATION s we NATIONAL INSTITUTEOR EDUCATION HAS SEEN RHSSO. THIS DOCUMENT FROM DUCED EXACTL YAS RECEIVED OROANaATIOt. ORIGIN- THE PERSON OR CPINiONS MING IT POINTSOT VIE*OR NE( ESSARIL 'TFPRE sT ATI D DO NOT INSTIT.11$ st NT OFIC lAt NATIONAL Out A .ON POS1ON OR POl It LIN rft. DAVID DOUGLAS DUNCAN'SCHANGING VIEWS ON WAR Lu . ) anaudio-4sua1presentation by Richard Politowski Michigan StateUniversity PERMISSION "O ILE PRODUCATHIS MATERIAL HAS BEEN GRAN D BY ElchArsLEolitowski 0 THF ELAICATIONALRI ';OURGP; iNf AT ON C.1 t1 T 1 It RIC, Copyright 1978 V) David Douglas Duncan'sChanging Views on War SLIDES TEXT It's the wounded thatwreck 1. -
Forty-Two Years and the Frequent Wind: Vietnamese Refugees in America
FORTY-TWO YEARS AND THE FREQUENT WIND: VIETNAMESE REFUGEES IN AMERICA Photography by Nick Ut Exhibition Curator: Randy Miller Irene Carlson Gallery of Photography August 28 through October 13, 2017 A reception for Mr. Ut will take place in the Irene Carlson Gallery of Photography, 5:00 – 6:00 p.m. Thursday, September 21, 2017 Nick Ut Irene Carlson Gallery of Photography FORTY-TWO YEARS AND THE FREQUENT WIND: August 28 – October 13, 2017 VIETNAMESE REFUGEES IN AMERICA About Nick Ut… The second youngest of 11 siblings, Huỳnh Công (Nick) Út, was born March 29, 1951, in the village of Long An in Vietnam’s Mekong Delta. He admired his older brother, Huynh Thanh My, who was a photographer for Associated Press, and who was reportedly obsessed with taking a picture that would stop the war. Huynh was hired by the AP and was on assignment in 1965 when he and a group of soldiers he was with were overrun by Viet Cong rebels who killed everyone. Three months after his brother’s funeral, Ut asked his brother’s editor, Horst Faas, for a job. Faas was reluctant to hire the 15-year-old, suggesting he go to school, go home. “AP is my home now,” Ut replied. Faas ultimately relented, hiring him to process film, make prints, and keep the facility clean. But Ut wanted to do more, and soon began photographing around the streets of Saigon. "Then, all of a sudden, in 1968, [the Tet Offensive] breaks out," recalls Hal Buell, former AP photography director. "Nick had a scooter by then. -
Unquiet American: Malcolm Browne in Saigon, 1961–65
THE UNQUIET AMERICAN: Malcolm Browne in Saigon, 1961–65 The Unquiet American: Malcolm Browne in Saigon, 1961–65, other invidious means to impede reporting he perceived Browne’s photograph of the self-immolation of Thich an exhibit drawn from The Associated Press Corporate as critical of his government. Meanwhile, the White House Quan Duc, taken on June 11, 1963, led President John F. From left: Archives, honors the courageous journalism of Malcolm and Pentagon provided little information to reporters and Kennedy to reappraise U.S. support of Diem. After Diem’s Malcolm Browne at work in New York as a chemist for the Foster D. Snell Browne (1931–2012) during the early years of the Vietnam pressured them for favorable coverage of both the political murder on Nov. 1, 1963, in a coup that most probably had Co. in 1953, before his induction into the military and subsequent career War. While Browne was reporting a war being run largely and military situations. the administration’s tacit approval, Browne provided an in journalism. covertly by the White House, the CIA and the Pentagon, unmatched account of Diem’s final hours that received PHOTO COURTESY LE LIEU BROWNE he was waging his own battles in another: the war against Browne arrived in Saigon on Nov. 7, 1961, joining Vietnamese tremendous play. For his breaking news stories and his Associated Press General Manager Wes Gallagher, left, walks with AP journalists. Meanwhile, he accompanied U.S. advisers colleague Ha Van Tran. The bureau soon acquired two astute analysis of a war in the making, Browne won the correspondent Malcolm Browne in Saigon upon Gallagher’s arrival, March 20, by helicopter into the countryside seeking the latest formidable additions, correspondent Peter Arnett and Pulitzer Prize for international reporting in 1964. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Ambassador Donald R. Heath, the U.S. Embassy in Saigon and the Franco-Viet Minh War, 1950-1954 by Alexander David Ferguson Thesis for the degree of Doctor of Philosophy August 2018 UNIVERSITY OF SOUTHAMPTON Abstract FACULTY OF HUMANITIES History Doctor of Philosophy AMBASSADOR DONALD R. HEATH, THE U.S. EMBASSY IN SAIGON AND THE FRANCO-VIET MINH WAR, 1950-1954 By Alexander David Ferguson This thesis provides the first scholarly analysis of the U.S. Embassy in Saigon from the American decision to support France’s war against the Viet Minh with military and economic assistance in 1950 to Ngo Dinh Diem’s appointment as prime minister of Vietnam in 1954. -
The 100 Greatest Military Photographs
The 100 Greatest Military Photographs From Military Times Publishing Company, insert to the 25 Sept 2000 issues of Army/Navy/AF Times No. 100 Robert Capa WWII No. 99 U.S. Navy Archives Pearl Harbor No. 98 Jacob Harris WWII No. 97 Ray Platnick WWII No. 96 David Turnley Operation Desert Storm No. 95 Charles Kerlee WWII No. 94 Christopher Morris USS Stark No. 93 Philip Jones Griffiths Vietnam, 1968 No. 92 Christopher Morris Persian Gulf War No. 91 U.S. Army Archives WWII, July 1944 No. 90 William Dinwiddle Rough Riders, 1898 No. 89 Brad Markel Andrews AFB, 1991 No. 88 Philadelphia Public Ledger WWI, Nov 1918 No. 87 Adrian Duff WWI, Sep 1918 No. 86 Stanley Tretick South Korea No. 85 U.S. Army Signal Corps Lt Gen George S. Patton No. 84 Robert Jakobsen Ca National Guard, 1940 No. 83 Wayne Miller WWII, 1944 No. 82 U.S. Army Air Force WWII, 1943 No. 81 U.S. Army Archives WWII, 1944 Paris, France No. 80 Peter Turnley “Highway of Doom” Persian Gulf War, 1991 No. 79 Hank Walker South Korea, 1950 No. 78 U.S. Marine Corps Vietnam No. 77 Steve Elfers Operation Desert Storm No. 76 Steve Elfers Operation Desert Storm No. 75 Bruno Barbey Persion Gulf War No. 74 Alexander Gardner Civil War, 1862 No. 73 Jeff Tuttle Operation Desert Shield No. 72 U.S. Army Archives WWII, 1943 Tarawa Atoll No. 71 Alfred Cooperman WWII, 1943 No. 70 Rich Mason Persian Gulf War No. 69 W. Eugene Smith Saipan, WWII No. 68 Larry Burrows Vietnam, 1966 Plane is a Douglas A–1 Skyraider No. -
War, Women, Vietnam: the Mobilization of Female Images, 1954-1978
War, Women, Vietnam: The Mobilization of Female Images, 1954-1978 Julie Annette Riggs Osborn A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: William J. Rorabaugh, Chair Susan Glenn Christoph Giebel Program Authorized to Offer Degree: History ©Copyright 2013 Julie Annette Riggs Osborn University of Washington Abstract War, Women, Vietnam: The Mobilization of Female Images, 1954-1978 Julie Annette Riggs Osborn Chair of the Supervisory Committee: William J. Rorabaugh, History This dissertation proceeds with two profoundly interwoven goals in mind: mapping the experience of women in the Vietnam War and evaluating the ways that ideas about women and gender influenced the course of American involvement in Vietnam. I argue that between 1954 and 1978, ideas about women and femininity did crucial work in impelling, sustaining, and later restraining the American mission in Vietnam. This project evaluates literal images such as photographs, film and television footage as well as images evoked by texts in the form of news reports, magazine articles, and fiction, focusing specifically on images that reveal deeply gendered ways of seeing and representing the conflict for Americans. Some of the images I consider include a French nurse known as the Angel of Dien Bien Phu, refugees fleeing for southern Vietnam in 1954, the first lady of the Republic of Vietnam Madame Nhu, and female members of the National Liberation Front. Juxtaposing images of American women, I also focus on the figure of the housewife protesting American atrocities in Vietnam and the use of napalm, and images wrought by American women intellectuals that shifted focus away from the military and toward the larger social and psychological impact of the war. -
IMMF 13 Bios Photogs.Pdf (188
Index of photographers and artists with lot numbers and short biographies Anderson, Christopher (Canada) - Born in British Columbia 1971). He had been shot in the back of the head. in 1970, Christopher Anderson also lived in Texas and Colorado In Lots 61(d), 63 (d), 66(c), 89 and NYC. He now lives in Paris. Anderson is the recipient of the Robert Capa Gold Medal. He regularly produces in depth photographic projects for the world’s most prestigious publica- Barth, Patrick (UK) Patrick Barth studied photography at tions. Honours for his work also include the Visa d’Or in Newport School of Art & Design. Based in London, he has been Perpignan, France and the Kodak Young Photographer of the working since 1995 as a freelance photographer for publications Year Award. Anderson is a contract photographer for the US such as Stern Magazine, the Independent on Sunday Review, News & World Report and a regular contributor to the New Geographical Magazine and others. The photographs in Iraq York Times Magazine. He is a member of the photographers’ were taken on assignment for The Independent on Sunday collective, VII Agency. Review and Getty Images. Lot 100 Lot 106 Arnold, Bruno (Germany) - Bruno Arnold was born in Bendiksen Jonas (Norway) 26, is a Norwegianp photojournal- Ludwigshafen/Rhine (Germany) in 1927. Journalist since 1947, ist whose work regularly appears in magazines world wide from 1955 he became the correspondent and photographer for including GEO, The Sunday Times Magazine, Newsweek, and illustrated magazines Quick, Revue. He covered conflicts and Mother Jones. In 2003 Jonas received the Infinity Award from revolutions in Hungary and Egypt (1956), Congo (1961-1963), The International Centre of Photography (ICP) in New York, as Vietnam, Cambodia, Laos (1963-1973), Biafra (1969-1070), well as a 1st prize in the Pictures Of the Year International Israel (1967, 1973, 1991, 1961 Eichmann Trial). -
Photojournalism / Documentary Photography
Library Reader Resources Series #4 Photojournalism / Documentary Photography Cover: Cornell Capa. First Lady Jacqueline Kennedy Onassis, 1960. Readers Resource #4 was compliled for ICP Library International Center of Photography Library by Bernard Yenelouis 8/2002, LC updated by Pia 1114 Avenue of the Americas, Concourse Byron 3/2010. New York NY 10036-7703 (212) 857-0004 tel / (212) 857-0091 fax [email protected] Margaret Bourke-White. Eyes on Russia, Simon Don McCullin. The Destruction Business. Open & Schuster, 1931 TR820.5.R8 .B68 1931 Gate, 1971 TR820 .M33 1971 Margaret Bourke-White & Erskine Caldwell. Susan Meiselas. Carnival Strippers, Farrar You Have Seen Their Faces. Viking, 1937 Straus & Giroux 1975 TR681.W6 M45 2003 TR820.5.U6 .B68 1995 Carl Mydans. Carl Mydans Photojournalist, Bill Burke. I Want To Take Picture. Nexus Abrams, 1985 TR820 .M93 1985 Press, 1987 TR820.5.S64 .B87 1987 James, Nachtwey. Inferno. Phaidon, 1999 Robert Capa & John Steinbeck. A Russian TR820.6 .N33 1999 Journal, Viking, 1948 TR820 .C36.S7 1948, TR820.5.S65 .S74 1948 Gilles Peress. Telex Iran. Aperture, 1983 TR820.I7 .P47 1983 Robert Capa. Slightly Out of Focus. Holt, 1947 TR140 .C37 1999 .C37 1999 Sylvia Plachy & James Ridgeway. Red Light – Inside the Sex Industry. powerHouse Books, Henri Cartier-Bresson. The Decisive Moment. 1996 TR820.5.U6 .P53 1996 Simon & Schuster, 1952 TR140 .C37 2007 Sebatiao Salgado. Migrations: Humanity in Bruce Davidson. East 100th St. Harvard, 1970 Transition. New York: Aperture, 2000. TR820.5.U6 D38 2003 TR820.5 .S25 2000 David Douglas Duncan. War Without Heroes. Inge Bondi. CHIM – The Photographs of David New York: Harper & Row, 1970 TR820.6 Seymour. -
J4568/7568 History of Photojournalism Fall 2013 Class Schedule Keith Greenwood, Ph.D
J4568/7568 History of Photojournalism Fall 2013 Class Schedule Keith Greenwood, Ph.D. (Schedule is subject to change with advance notice) All readings available through the ERES system are marked (E) All items available through Blackboard are marked (BB) All reserve materials available at the Journalism Library are marked (R) Please have readings completed and be ready to discuss on the date listed. Items marked with a * are covered on reading quizzes. Week 1 August 20 Why Study History? Introduction, discussion of course requirements August 22 History and Visual Evidence Wisconsin Death Trip by Michael Lesy (BB)/(R) & “The Questionable Uses of 19th Century Photographs” by C. Zoe Smith in Journal of Visual Literacy (E) "You Can't Believe Your Eyes: Inaccuracies in Photographs of North American Indians" by Joanna Cohan Scherer (E) Written Assignment #1 due before class August 27 Week 2 August 27 Early History of Photojournalism *American Photojournalism Ch. 1 “Four Streams Nourish Photojournalism” & *American Photojournalism Ch. 2 “From Photography’s Invention to Proto-Photojournalism” pp. 17-34 August 29 Photographing Conflict: Civil War *American Photojournalism Ch. 2 “From Photography’s Invention to Proto-Photojournalism” pp. 35-59 & *“Photographs of War,” Ch. 3 in Carlebach, Origins of Photojournalism in America (E) & *Reading quiz #1 due before class. Reserve materials: Timothy O'Sullivan, America's Forgotten Photographer by James Horan (R) Witness to an Era: The Life and Photographs of Alexander Gardner by D. Mark Katz (R) Working Stiffs: Occupational Portraits in the Age of Tintypes by Michael Carlebach (R) History of Photojournalism Schedule Fall 2013 Week 3 Sept.