Program Combines the Principles of a Cooperative and a Traditional Rental House to Create a More Cohesive, Professional, and Efficient Nonprofit Environment

Total Page:16

File Type:pdf, Size:1020Kb

Program Combines the Principles of a Cooperative and a Traditional Rental House to Create a More Cohesive, Professional, and Efficient Nonprofit Environment Company artistic Director Peter Marston Sullivan Executive Director Peter Blair mission & Vision artistic advisor BoHo Theatre’s mission is to create theatre Stephen M. Genovese that incorporates the arts as a whole — Art for art’s sake. Our vision is to challenge Executive advisor convention through literary originality and Thomas J. Samorian eclectic expression while fostering an ever- evolving artistic environment in which people assoc. artistic Director are inspired to learn, think, dream, and feel. Peter Robel To teach others and ourselves how to expand, create, and present art through theatre while managing Director reveling not only in the process, but also in the journey. Ryan Guhde media Director & Board Graphic Designer Charles Riffenburg IV Stephen M. Genovese, president; Thomas J. Samorian, vice-president; Casting associates Kaela Altman; Steve Goodman; Stephanie Sullivan Robert Kimmeth; Richard Maxen; Rebecca Mauldin Bob Turner; Jean Zuiker Development Coordinator artistic affiliates Anna Hammonds Anthony Apodaca, Brenda Didier, Board/Company Secretary Patrick Ham, Theresa Ham, Mary Kate Robel Jon Steinhagen, A. Scott Williams, and John Zuiker new Works & Social media manager Ariel Trocino Company member Sean Thomas BoHo THeaTre is a not-for-profit 501 (c) 3 organization. our events and productions are made possible by your generous donations and patronage. Please visit our website at www.bohotheatre.com or speak with our house manager to learn about more ways to contribute time, money, and talent to helping support art in Chicago. any monetary donations are tax-deductible to the fullest extent of the law. Thank you! BoHo Theatre: Bohemian Theatre Ensemble presents tHE rainmakEr By N. Richard Nash fEaturinG (in alphabetical order) File . .Thad Anzur H . C . Curry . Robert Frankel noaH Curry . .Daniel Gilbert lizzie Curry . Anna Hammonds starbuCk . Matthew Keffer Sheriff . Russell Alan Rowe Jim Curry . Nate Santana SCEniC DESiGn CoStumE DESiGn Stephen M. Genovese Theresa Ham liGHtinG DESiGn SounD DESiGn Diane D. Fairchild Peter Robel propErtiES DESiGn DramaturG Cassy Schillo Ariel Trocino Stage manager proDuCtion manager Meg Love Tammy Goodman DirECtED By Stephen M. Genovese Produced by special arrangement with Samuel French, Inc. New York City. partially SupportED By GrantS from THE RICHARD Gaylord & dorothy H. DRIEHAUS donnelley FOUNDATION Foundation BEAUTY in BEliEf ou look up at the sky and you cry for a “Ystar! You know you’ll never get it! and then one night you look down—and there it is—shining in your hand!” Interwoven throughout the beautifully poetic language of N. Richard Nash’s The Rainmaker, questions relating to self and societal perceptions of beauty thrive. BoHo Theatre continues its tradition of exploring the four pillars of Bohemian Ideals of truth, beauty, freedom and love by tackling these complex perceptions of beauty in Nash’s piece. Lizzie, our heroine, lives in her own confines of self-perception, finding herself “plain” and unappealing. The routine of caring for the men in her life and the inability to garner affection from potential mates has trapped Lizzie in a state of desperation—a desperation mirrored by the drought surrounding the family. Her dreams, while seemingly small, are filled with a desire to be loved and to be found beautiful by someone… maybe anyone. When Lizzie comes face to face with the rainmaker, she comes to find he’s selling something much more profound than just rain. Hope guides our existence on a daily basis, from the mundane to the extraordinary; it pushes us towards the next moment. Though this sense of hope carries with it an immense threat of pain, it gives our lives meaning and purpose. BoHo Theatre is proud to present The Rainmaker in an intimate way that allows you, our audience, to experience this journey as never before. If you enjoy what you see today, please consider making a donation to our company. Our house manager will be happy to tell you about our “Make it Rain” campaign. As we strive to find new and exciting ways to share stories that explore the bohemian ideals that surround our everyday lives, we are propelled in large part by generous donations from you, our audience. Enjoy the performance, and thank you for being a part of our community! Sincerely, Peter Marston Sullivan Artistic Director, BoHo Theatre pErformEr BioGrapHiES thad anzur | filE Thad Anzur is proud to appear in his third BoHo production, having previously performed in The Elephant Man and The Winter’s Tale. Other Chicago Theatre credits include We Have Always Lived in the Castle and The Copperhead (City Lit Theater), Rabbit Hole (Aston Rep), Fucking Men (Bailiwick Chicago), Mad Forest and Book of Days (Piven Theatre Workshop), and A Walk in the Woods (The Grounded Theatre). Thad is a member of The Free Readers Ensemble. robert frankel | H. C. Curry Rob is returning to his hometown of Chicago after 25 years in the Minne- apolis, Minnesota area. Favorite roles include James Tyrone (Long Day’s Journey into Night), Scrooge (A Christmas Carol), Matt (Talley’s Folly), Leo (Leading Ladies), Hucklebee (The Fantasticks), and title roles in The Foreigner and Becket. Rob is also author of over thirty published plays including the modern farce LOL and the spoof Whodunit... and to Whom. Rob is excited to be making his debut with BoHo Theatre. Daniel Gilbert | noaH Curry Daniel is thrilled to be making his BoHo Theatre debut. Daniel holds a B.F.A in theatre from the University of Central Oklahoma and an M.F.A. in theatre from the University of Nebraska-Lincoln’s Johnny Carson School of theatre and film. He would like to thank his wife for all of her love and support, Stephen Genovese for this wonderful opportunity, and his fellow cast and crew for all of their talent and hard work. Daniel’s other Chicago credits include Life Separates Us with Oracle Productions and The World Over with The State Theatre. anna Hammonds | lizziE Curry Anna is thrilled to be a part of this production. Recent Chicago area credits include BoHo’s Big River (Mary Jane, Miss Watson), Fox Valley Rep’s It’s A Wonderful Life: Live Radio Play (Sally/Mary), and Theatre at the Center’s Noises Off (Poppy). Other work includes Drury Lane Theatre, Marriott Theatre, JPAC, and Whoopi Goldberg’s White Noise at the Royal George Theatre. Formerly a company member with Re- naissance Rep in Tennessee, now a proud company member with BoHo Theatre. Many thanks to Steve, Rebecca, and the three Peters. Dedicated to the most beautiful woman I know, my mother. matthew keffer | StarBuCk Matthew is excited to be making his BoHo debut! Previous Chicago credits include Facing East, Meet John Doe (Porchlight Music Theatre), and She Loves Me (Writer’s Theatre). He will next be appearing in State Street at City Lit Theatre as Uranus H. Crosby. More info available at www.matthewkeffer.com. Enjoy the show, and thank you for supporting Chicago theatre! russell alan rowe | SHEriff Russell is thrilled to be working BoHo Theatre for the first time after a nearly fifteen year hiatus from live theatre. Since his last Chicago theatre appearance, Live Bait Theatre’s Devour The Moon, Russell has been busy with his band, The Russell Alan Rowe Trio/Quartet, which appeared weekly at the original Pops For Champagne in Lincoln Park as well as locations on Michigan Ave and the Gold Coast. Favorite roles in Chicago theatre include The Man in several productions of Christopher Durang’s Laughing Wild, Toumelle in two productions of Buffalo Theatre Ensemble’s Hotel D’amour, and the national tours of Into The Woods and The Secret Garden. Russell dedicates his work in The Rainmaker to the memory of his loving mother who would have absolutely loved this play. nate Santana | Jim CURRY Nate is very excited to be making his debut with BoHo Theatre Ensemble. Previously, he has worked with Imagination Theater, The Side Project, The Phoenix Theatre of Indianapolis, First Folio and Teatro Vista. He graduated with a BA in Theatre from Valparaiso University and can next be seen as Launcelot Gobbo in First Folio’s summer production of The Merchant of Venice. proDuCtion CrEW BioGrapHiES n. richard nash | PLAYWriGHt Born in Philadelphia in 1913, Nash’s first play was The Second Best Bed, produced on Broadway in 1946. The Shakespearian-themed comedy brought Nash much acclaim and led to his writing more shows, including The Young and Fair (1948), See the Jaguar (1952, for which he won the International Drama Award in Cannes and the Prague Award), and The Rainmaker (1954). The Rainmaker became so influential that it has been translated into 40 languages, became a popular film starring Burt Lancaster and Katharine Hepburn, and was adapted into the popular Broadway musical 110 in the Shade. In the 1950s, Nash moved from Manhattan to Los Angeles to write screenplays for Hollywood, though he continued to write plays and musicals for the Broadway stage, including Wildcat (1960, starring Lucille Ball), and The Happy Time (1968, nominated for the Tony Award for Best Musical). By the 1970s, Nash had begun writing novels, two of which found their way to the New York Times bestsellers list: East, Wind Rain and The Last Magic. Stephen m. Genovese | DirECtor, SCEniC DESiGnEr Steve has spent the better part of 30 years involved in theatre in one aspect or another. From stage direction to technical direction, costuming to props, acting to writing, being involved on so many levels has helped him officiate in the positions he currently holds as Artistic Advisor and founding Artistic Director at BoHo Theatre. Steve has performed at or worked with The Marriott Theatre, Pheasant Run Dinner Theatre, Court Theatre, and Stage Right Theatre, tto name a few.
Recommended publications
  • May 25 – July 8, 2018 PRODUCTION STAFF & ARTISTS
    presents Music & Lyrics by Stephen Sondheim Book by Hugh Wheeler Orchestrations by Jonathan Tunick Suggested by a Film by Ingmar Bergman Originally produced and directed on Broadway by Harold Prince Directed by Linda Fortunato** Music Direction by Tom Vendafreddo Re-orchestrations by Malcolm Ruhl PERFORMERS Desiree Armfeldt .............................................................................................................. Kelli Harrington Fredrik Egerman ....................................................................................................................Peter Robel* Count Carl-Magnus Malcolm ........................................................................................Christopher Davis Countess Charlotte Malcolm .......................................................................................Stephanie Stockstill Anne Egerman ........................................................................................................................Rachel Guth Henrik Egerman ............................................................................................................ Jordan Dell Harris Mme. Armfeldt ...........................................................................................................Marguerite Mariama Fredrika Armfeldt ..............................................................................................................Isabelle Roberts Petra ...............................................................................................................................Teressa
    [Show full text]
  • Press Release
    BOHO THEATRE P.O. Box 409267, Chicago, IL, 60640 Office: (773) 791-2393 [email protected] FOR IMMEDIATE RELEASE CONTACT: Kaela Altman, Executive Director August 19, 2013 [email protected] BOHO THEATRE DELIVERS CHILLING 10TH SEASON OPENER WITH VERONICA’S ROOM CHICAGO—BoHo Theatre kicks off its milestone 10th season with Ira Levin’s horror thriller Veronica’s Room at the Heartland Studio in Rogers Park. Running September 27th through October 27th, the play is a rarely-produced work from the acclaimed author of the novels Rosemary’s Baby, The Stepford Wives, and A Kiss Before Dying, as well as Deathtrap, which holds the record for Broadway’s longest running mystery play. Veronica’s Room represents the Bohemian Pillar of Freedom in BoHo’s 2013/2014 Season. THE PLAY “[Ira Levin] is the Swiss watchmaker of the suspense novel… he makes what the rest of us do look like those five-dollar watches you can buy in the discount drugstores.” -Stephen King, Danse Macabre This intimate thriller explores the thin line between fantasy and reality, and the lengths one is willing to go to find absolution. Students Susan and Larry find themselves enticed to an old New England mansion by its elderly caretakers in order to meet Cissie, the sole surviving member of the mansion’s family. They insist that Susan bears a striking resemblance to Cissie’s long-dead sister, Veronica. If Susan will agree to briefly impersonate Veronica, they believe it will comfort the dementia-afflicted Cissie and allow her to die in peace. But what begins as a simple errand of mercy quickly spirals into a nightmare cycle of guilt, sacrifice, and murder.
    [Show full text]
  • Programs and Promotional Materials!
    Company artistic Director Peter Marston Sullivan Executive Director Peter Blair mission & Vision BoHo Theatre’s mission is to create theatre artistic advisor that incorporates the arts as a whole — Art Stephen M. Genovese for art’s sake. Our vision is to challenge convention through literary originality and Executive advisor eclectic expression while fostering an ever- Thomas J. Samorian evolving artistic environment in which people are inspired to learn, think, dream, and feel. assoc. artistic Director To teach others and ourselves how to expand, Peter Robel create, and present art through theatre while reveling not only in the process, but also in the journey. managing Director Ryan Guhde Board media Director IV Stephen M. Genovese, president; Charles Riffenburg Thomas J. Samorian, vice-president; Kaela Altman; Steve Goodman; Casting Coordinator Robert Kimmeth; Richard Maxen; Stephanie Sullivan Bob Turner; Jean Zuiker Casting assistant Rebecca Mauldin artistic affiliates Anthony Apodaca, Brenda Didier, Board/Company Secretary Patrick Ham, Theresa Ham, Mary Kate Robel Jon Steinhagen, A. Scott Williams, and John Zuiker new Works manager Ariel Trocino Company members Anna Hammonds Sean Thomas BoHo THeaTre is a not-for-profit 501 (c) 3 organization. our events and productions are made possible by your generous donations and patronage. Please visit our website at www.bohotheatre.com or speak with our house manager to learn about more ways to contribute time, money, and talent to helping support art in Chicago. any monetary donations are
    [Show full text]
  • To View a PDF of My Full Resume
    LILI-ANNE BROWN www.lilbrownchicago.com rep: Michael Finkle, WME Theatrical Director - Actor MFinkle@wmeentertainment SDC, AEA, SAG-AFTRA 202-903-1144 DIRECTING: SCHOOL GIRLS (THE AFRICAN MEAN GIRLS PLAY) Goodman Theatre Director P.Y.G. or THE MISEDUMACATION OF DORIAN BELLE Jackalope Theatre Director THE COLOR PURPLE Drury Lane Theatre Director PUT YOUR HOUSE IN ORDER (world premiere) La Jolla Playhouse Director LOTTERY DAY (world premiere) Goodman Theatre Director THE TOTAL BENT (Chicago premiere) Haven Theatre Director HAIRSPRAY Skylight Music Theatre Director CAROLINE, or CHANGE Firebrand Theatre /iaw TimeLine Theatre Director TILIKUM (world premiere) Sideshow Theatre Director BUDDY: THE BUDDY HOLLY STORY (Jeff Award) American Blues Theatre Director THE WOLF AT THE END OF THE BLOCK 16th Street Theatre Director MARIE CHRISTINE (Chicago premiere) Boho Theatre Director PETER & THE STARCATCHER Metropolis Theatre Director ON A CLEAR DAY YOU CAN SEE FOREVER Porchlight Music Theatre Director THE WIZ (TimeOut Chicago Award) Kokandy Productions Director BLACK SIDE OF THE MOON The Second City @ Woolly Mammoth Theatre Associate Director XANADU American Theatre Company Director JABARI DREAMS OF FREEDOM (world premiere) Chicago Children’s Theatre Director OTHELLO (dir, Jonathan Munby) Chicago Shakespeare Theatre Associate Director AMERICAN IDIOT Northwestern University Director DESSA ROSE (Jeff Award) Bailiwick Chicago Director LITTLE SHOP OF HORRORS Timber Lake Playhouse Director ON THE BOARDS Roosevelt University – CCPA Director / Deviser PRINCESS
    [Show full text]
  • Program Bohotheatre Brightstar.Pdf
    BoHo Theatre creates bold theatre that challenges convention through innovative storytelling and creates a shared community of artists and patrons in which all members are moved through art to make thoughtful, well-examined, caring relationships the highest priority in their lives. Company Board ARTISTIC DIRECTOR PRESIDENT Stephen Schellhardt Nancy Bullock EXECUTIVE DIRECTOR TREASURER Meg Love Richard Maxen MANAGING DIRECTOR MEMBERS Nick Barsuli Adam Brakhane Sara Coffou MARKETING DIRECTOR/ Silvia Rota GRAPHIC DESIGNER Michael Schwartz Charles Riffenburg Kevin Sullivan ARTISTIC ASSOCIATE Peter Marston Sullivan BOX OFFICE ASSOCIATE Artistic Collin Walker Affiliates CASTING ASSOCIATES Adam Hill, Molly Layton Christa Buck Justin Castellano SOCIAL MEDIA COORDINATOR Brandon Dahlquist Ashley Hannon Diane Fairchild PRODUCTION MANAGER Greg Foster Lindsay Brown Patrick Ham Theresa Ham PRODUCTION STAGE MANAGER Steve O’Connell Dalton Long Thomas Samorian TECHNICAL ADVISOR Cassy Schillo Anthony Churchill Danni Smith Katie Stanley ACCOUNTING CLERK Jeremy Trager David Tibble Megan Turnquist COMPANY MEMBERS John Zuiker Peter Blair, Eleanor Katz, Peter Robel Emeritus Members Stephen Genovese, Thomas Samorian, www.BoHoTheatre.com Ryan Guhde, Kaela Altman, @BoHoTheatre Mary Kate Robel FROM THE ARTISTIC DIRECTOR Welcome. I am so proud to kick off BoHo’s 15th anni- versary season – and our first as the resident theatre at Lincoln Park’s Greenhouse Theater Center – with BRIGHT STAR. At BoHo, we tell stories – bold, intimate and insight- ful ones that examine and celebrate human relationships – and Bright Star, written and composed by Steve Martin and Edie Brickell, masterfully captures our storytelling mission. It’s a gem of a musical, a mystery based on a true tale of a baby, tagged the “Iron Mountain Baby,” thrown from a train, rescued and cared for by strangers right after World War II in North Carolina’s Blue Ridge Mountains.
    [Show full text]
  • 45Th Non-Equity Jeff Awards Press Release V7
    ***IMPORTANT NOTICE TO ALL NOMINEES*** **Individual Nominees – Please email color headshot** ASAP to: [email protected] Members of nominated ensembles may purchase one $25 ticket Contact: [email protected] Released: 10:00 a.m., Monday, April 23, 2018 Contact: Drew Blau – Chair, Non–Equity Wing The complete list of Non–Equity Jeff Award [email protected] nominees is also available online at: Jeffrey Marks – Media Chair www.jeffawards.org [email protected] Nominees Announced For the 45th Annual Non–Equity Jeff Awards Chicago, IL (April 23, 2018) – The Jeff Awards announced today, via a special video at (https://youtu.be/gr97FMaRv08), a total of 115 nominations in 19 categories for the 45th Annual Non–Equity Jeff Awards. Between April 1, 2017 and March 31, 2018, there were 136 eligible Non–Equity productions considered for Jeff Recommendation. Of those, 63 productions (or 46%) were recommended, including 15 world premieres. There were 45 productions that received at least one nomination, which represents the work of 32 theatre companies. Starting this year, the performance categories will be non–binary. Each performance category will have at least ten nominees and two recipients. The 45th Annual Non–Equity Jeff Awards will be hosted by Veronica Garza and held on Monday, June 11, 2018, at the Athenaeum Theatre. Doors open at 6:30 p.m. with several cash bars available, and the awards will start at 7:30 p.m. Following the show, cash bars will remain open and complimentary light bites will be available. Tickets are $45 in advance and $50 on June 11. To purchase tickets, visit the Athenaeum website (http://athenaeumtheatre.org) or TodayTix app.
    [Show full text]
  • Program at Depaul University
    BoHo Theatre creates bold theatre that challenges convention through innovative storytelling and creates a shared community of artists and patrons in which all members are moved through art to make thoughtful, well-examined, caring relationships the highest priority in their lives. Company Board ARTISTIC DIRECTOR PRESIDENT Peter Marston Sullivan Sara Coffou EXECUTIVE DIRECTOR VICE PRESIDENT Meg Love Hatice Dinc ASSOC. ARTISTIC DIRECTOR TREASURER Peter Robel Jelani Rucker MARKETING DIRECTOR/ SECRETARY GRAPHIC DESIGNER Mary Kate Robel Charles Riffenburg MEMBERS ARTISTIC ASSOCIATE Nancy Bullock Stephen Schellhardt Richard Maxen Silvia Rota CASTING ASSOCIATES Jean Zuiker Molly Layton Stephanie Sullivan Artistic OPERATIONS ASSOCIATE Mary Kate Robel Affiliates SOCIAL MEDIA COORDINATOR Christa Buck Ashley Hannon Justin Castellano Brandon Dahlquist STUDIO LIAISON Diane Fairchild Eleanor Katz Patrick Ham Theresa Ham COMPANY MEMBERS Steve O’Connell Kaela Altman, Peter Blair, Thomas J. Samorian Cassy Schillo Dalton Long, David Tibble, Danni Smith Sean Thomas Jeremy Trager Megan Turnquist EMERITUS MEMBERS John Zuiker Stephen Genovese Ryan Guhde Thomas J. Samorian www.BoHoTheatre.com /BoHoTheatre @BoHoTheatre FROM THE ARTISTIC DIRECTOR I lived my formative years in a time when mental illness was shrouded in stigma. Common issues like anxiety and depression were a result of exterior stimuli that could be remedied (or at least concealed) with a strong dose of stoicism and avoidance. There was a societal framework that forcibly contained any outliers that showed signs outside the norm. There was fear, misunderstanding, and suppression. For my family, this suppression led to great rifts that still linger decades later. As the years passed, more mentions of therapy and medication began to creep into everyday conversations.
    [Show full text]
  • Program, Be Part of Creative Brainstorming Committees, And, of Course, Get Free Subscriptions to the Boho Season
    presented at Artistic Director P. Marston Sullivan Executive Director Peter Blair Artistic Advisor Stephen M. Genovese Executive Advisor Thomas J. Samorian Associate Artistic Director Peter Robel Managing Director Ryan Guhde Casting Coordinator Stephanie Sullivan Casting Assistant Rebecca Mauldin Board/Company Secretary Mary Kate Robel Media Director Charles Riffenburg IV Company Members Anna Hammonds, Sean Thomas Board Stephen Genovese, president; Thomas Samorian, vice-president; Kaela Altman; Steve Goodman; Robert Kimmeth; Richard Maxen; Bob Turner, Jean Zuiker Artistic Affiliates Anthony Apodaca, Brenda Didier, Patrick Ham, Theresa Ham, Jon Steinhagen, A. Scott Williams, and John Zuiker MiSSion & ViSion BoHo Theatre’s mission is to create theatre that incorporates the arts as a whole — Art for art’s sake. Our vision is to challenge convention through literary originality and eclectic expression while fostering an ever-evolving artistic environment in which people are inspired to learn, think, dream, and feel. To teach others and ourselves how to expand, create, and present art through theatre while reveling not only in the process, but also in the journey. Bohemian Theatre Ensemble is a not-for-profit 501 (c) 3 organization. Our events and productions are made possible by your generous donations and patronage. Please visit our website at www.bohotheatre.com or speak with our house manager to learn about more ways to contribute time, money, and talent to helping support art in Chicago. Any mon- etary donations are tax-deductible to the fullest extent of the law. Thank you! BoHo Theatre: Bohemian Theatre Ensemble presents Dirty BlonDE by Claudia Shear DirECtED By Stephen M. Genovese CASt (in AlphabetiCAl orDEr) Frank Wallace, ed Hearn, and otHers .
    [Show full text]
  • View the Program
    Alison C. Vesely David Rice Artistic Director Executive Director Adapted by David Rice°, DGA Music and Lyrics by Michael Keefe° and David Rice°, DGA Directed by Michael Goldberg° Scenic Designer Dialect Coach Angela Weber Miller° Jason K. Martin Costume Designer Lighting Designer Rachel Lambert° Stage Manager Michael McNamara°USA Kate Danziger°, AEA Properties Designer Sound Designer Tracie Duncan Asst. Stage Manager Christopher Kriz°, USA Jamie K. Fuller Katie Fecht First Folio Theatre is in residence at Mayslake Hall on the grounds of the Mayslake Peabody Estate, Oak Brook. The Estate is owned and operated by the Forest Preserve District of DuPage County. This program is provided by First Folio Theatre, a not-for proft organization. This program made possible in part by a grant from the Illinois Arts Council (a state agency). First Folio Theatre is a member of the League of Chicago Theaters and Theatre Communications Group (TCG), the national organization for the American theatre. Major Sponsorship Provided By Hinsdale Bank & Trust Co., the Saints, the Gaylord & Dorothy Donnelley Foundation, and the Chase Community Foundation AN AGENCY OF THE STATE OF ILLINOIS Opening – June 22, 2013 Cymbeline 1 CAST (IN ORDER OF APPEARANCE) MUSICAL NUMBERS Morgan .................................................................................................................................. Ronald Keaton* ACT ONE Cadmus ................................................................................................................................Ryan
    [Show full text]
  • Press Release
    Press Release CONTACT: John Olson Communications, Press Agent [email protected] • (773) 517-6962 BOHO THEATRE CONTINUES SEASON OF LOVE WITH SONDHEIM CLASSIC “A LITTLE NIGHT MUSIC” CHICAGO (April 5, 2018) BoHo Theatre continues its 2018 season with Stephen Sondheim and Hugh Wheeler’s classic musical A LITTLE NIGHT MUSIC, inspired by the Ingmar Bergman film SMILES OF A SUMMER NIGHT. Intimately staged with a focus on character and relationships, A LITTLE NIGHT MUSIC challenges audiences and artists alike with its complex musicality and darkly comedic themes of love and longing. The production is directed by Linda Fortunato, who has previously worked with BoHo on NEXT TO NORMAL, PARADE, and KISS OF THE SPIDER WOMAN, with music direction by fellow BoHo alum Tom Vendafreddo (THE SPITFIRE GRILL). LISTING INFORMATION A LITTLE NIGHT MUSIC Music & Lyrics by Stephen Sondheim Book by Hugh Wheeler Directed by Linda Fortunato Music Direction by Tom Vendafreddo May 19 – July 8, 2018 Performing at Greenhouse Theater Center, 2257 N Lincoln Ave, Chicago PERFORMANCE TIMES Previews: May 19, 20, 23, 24 Press Opening / Opening Night: Friday, May 25, at 7:30 pm **press invitation to follow Performance run: May 26 – July 8 Thursdays through Saturdays at 7:30 pm and Sundays at 2:30 pm. TICKETS General Tickets on sale April 30 at www.BoHoTheatre.com or (773) 404-7336. Tickets are $25 for previews and $35 for regular performances. (more) Peter Marston Sullivan Meg Love Mailing Address: P.O. Box 409267, Chicago IL 60640 Artistic Director Executive Director Office: (773) 791-2393 • www.BoHoTheatre.com Press Release CONTACT: John Olson Communications, Press Agent [email protected] • (773) 517-6962 BoHo Night Music, Page 2 of 4 THE PLAY From the writers of SWEENEY TODD comes this hilarious story of romantic attachments, detachments, and mismatchings.
    [Show full text]
  • 17Th Annual Glenwood Avenue Arts
    Chicago, IL, August 3, 2018 MEDIA CONTACT: Jill Evans La Penna / SHOUT Marketing & Media Relations [email protected] - 312.533.9119 Photos available upon request. 17TH ANNUAL GLENWOOD AVENUE ARTS FEST PRESENTS Over 100 Artist-Vendors and 30 Bands for All Ages Saturday and Sunday, August 18-19 in Chicago’s Rogers Park Free Admission What: The Glenwood Avenue Arts Fest (GAAF) is a free weekend-long event, drawing approximately 15,000 visitors, celebrating its 17th year. The Fest includes a street art fair with over 100 artist-vendors, and live entertainment on three outdoor stages featuring over 30 acts. Experience art, theater, music, as well as food and drink, on the brick-laid streets of the Glenwood Avenue Arts District in Chicago’s historic Rogers Park neighborhood. For more information visit www.GlenwoodAve.org. Where: The Glenwood Avenue Arts Fest takes place in the Glenwood Avenue Arts District on Chicago’s North Side, in the heart of Rogers Park, at 6900–7030 North Glenwood Ave. (between Farwell and Greenview), 1335-1449 Morse Ave., and the 1400 block of Lunt Ave., steps from the Morse Ave. stop on the CTA Red Line. Admission is free to the public. The Outdoor Fest and some art studios are ADA accessible. When: Cobblestone Jam (music only, no art exhibits): Friday, Aug. 17, 6–10 p.m. North and South Stages, 6900 N. Glenwood Ave. (at Farwell) and 7030 N. Glenwood Ave. (just north of Lunt). This year’s theme is Blues Alley: the son of Carey Bell, the son of Willie Dixon, the son of Muddy Waters, and other blues greats will be performing! Outdoor Festival: Saturday Aug.
    [Show full text]
  • Stage Left and Boho Theatre Partner to Celebrate the 100 Th Anniversary of Shaw’S Pygmalion
    BoHo Theatre, P.O. Box 409267, Chicago, IL 60640 Stage Left Theatre , 3408 N. Sheffield, Chicago, IL 60657 773-791-2393 | www.BoHoTheatre.com 773.883.8830 phone | www.stagelefttheatre.com FOR IMMEDIATE RELEASE CONTACT: Vance Smith, Stage Left Artistic Director November 19, 2012 [email protected] STAGE LEFT AND BOHO THEATRE PARTNER TO CELEBRATE THE 100 TH ANNIVERSARY OF SHAW’S PYGMALION CHICAGO—BoHo Theatre and Stage Left Theatre present a joint production of George Bernard Shaw’s Pygmalion . The production runs January 5 th through February 10 th , 2013, at Theater Wit, and is directed by Stage Left Artistic Director Vance Smith. Pygmalion represents the Bohemian Pillar of Beauty in BoHo Theatre‘s 2012/2013 Season, and continues Stage Left Theatre’s season exploring societal perceptions and expectations of women. This production celebrates the 100 th anniversary of Pygmalion, which was first produced in 1913. THE PLAY Pygmalion is the classic tale of wily Cockney flower girl Eliza Doolittle and her transformation into a “proper lady” at the hands of the arrogant dialect expert Henry Higgins. On a bet, Higgins takes Eliza in off the street and trains her to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. What he isn’t quite ready to accept, however, is that Eliza is a real person, not just an experiment: one with plans and feelings of her own. Shaw’s biting social commentary on class, manners, and the place of women in society remains as hilarious and challenging as when it was first performed in 1913.
    [Show full text]