View the Program

Total Page:16

File Type:pdf, Size:1020Kb

View the Program Alison C. Vesely David Rice Artistic Director Executive Director Adapted by David Rice°, DGA Music and Lyrics by Michael Keefe° and David Rice°, DGA Directed by Michael Goldberg° Scenic Designer Dialect Coach Angela Weber Miller° Jason K. Martin Costume Designer Lighting Designer Rachel Lambert° Stage Manager Michael McNamara°USA Kate Danziger°, AEA Properties Designer Sound Designer Tracie Duncan Asst. Stage Manager Christopher Kriz°, USA Jamie K. Fuller Katie Fecht First Folio Theatre is in residence at Mayslake Hall on the grounds of the Mayslake Peabody Estate, Oak Brook. The Estate is owned and operated by the Forest Preserve District of DuPage County. This program is provided by First Folio Theatre, a not-for proft organization. This program made possible in part by a grant from the Illinois Arts Council (a state agency). First Folio Theatre is a member of the League of Chicago Theaters and Theatre Communications Group (TCG), the national organization for the American theatre. Major Sponsorship Provided By Hinsdale Bank & Trust Co., the Saints, the Gaylord & Dorothy Donnelley Foundation, and the Chase Community Foundation AN AGENCY OF THE STATE OF ILLINOIS Opening – June 22, 2013 Cymbeline 1 CAST (IN ORDER OF APPEARANCE) MUSICAL NUMBERS Morgan .................................................................................................................................. Ronald Keaton* ACT ONE Cadmus ................................................................................................................................Ryan Czerwonko “The Ballad of King Cymbeline” .......................................................................Morgan and Ensemble Polydore .......................................................................................................................................... Tyler Rich “Imogen’s Seduction” .......................................................................................................................Iachimo Queen ................................................................................................................................... Lia Mortensen* “Lachimo’s Betrayal” ..........................................................................................................................Iachimo Posthumus ..........................................................................................................................Matthew Kefer “Arise, My Pretty Flower” ....................................................................................................................Cloten Imogen ..................................................................................................................................Kate McDermott “A Shepherd’s Life” ....................................................................................... Morgan, Cadmus, Polydore King Cymbeline .....................................................................................................................John Milewski Pisania..................................................................................................................................Skyler Schrempp ACT TWO Cloten .....................................................................................................................................Andrew Behling “Fear No More” .............................................................................................. Morgan, Cadmus, Polydore Cloten’s Servant ..................................................................................................................Michael Ferraro “Oh, Bloody Cloth” .......................................................................................................................Posthumus Philario ...................................................................................................................................Tyler Thompson “The Battle” .......................................................................................................................................Ensemble Iachimo ........................................................................................................................ James Earl Jones II* “When Gabriel Comes” ............................................................................. Gabriel, Posthumus, Angels Cornelia, the Wise Woman ................................................................................................. Victoria Blade “The Ballad of King Cymbeline-Reprise” ................................................................................Ensemble Helene .........................................................................................................................Kelly Elizabeth Baskin Messenger .................................................................................................................................... Andrew Coil FIRST FOLIO PRODUCTION HISTORY General Lucius ...........................................................................................................................Robert Tobin Gabriel .......................................................................................................................... James Earl Jones II* Angels ..............................................................Andrew Behling, Ryan Czerwonko, Tyler Thompson First Folio has received 3 Joseph Jeferson Awards, 23 Joseph Jeferson Nominations and 2 After Dark Awards Gaoler ......................................................................................................................................... Andrew Coil Rebel Soldier ...............................................................................................................................Royen Kent 1997-The Tempest Valeria, a Soothsayer ............................................................................................................. Kate LoConti 1998-A Midsummer Night’s Dream Ensemble/Musicians .......................................................... Kelly Elizabeth Baskin, Andrew Behling, 1999-The Taming of the Shrew Victoria Blade, Andrew Coil, Lauren Demerath, 2000-Romeo and Juliet; Much Ado About Nothing Michael Ferraro, Royen Kent, Kate LoConti, 2001-Macbeth; As You Like It Kate McDermott, John Milewski, Tyler Thompson 2002-Antigone; Twelfth Night (Jef Recommendation) 2003-The Comedy of Errors *Denotes a member of Actors’ Equity Association, the union of professional actors and stage managers. 2004-Hamlet; A Midsummer Night’s Dream (2 Jef Nominations); Staged Reading Series °Denotes First Folio Artistic Associate (Indoor space premiere) 2005-The Importance of Being Earnest (Jef Nomination); The Taming of the Shrew; A UNDERSTUDIES Connecticut Yankee in King Arthur’s Court 2006-Private Lives (Jef Nomination); The Tempest; The Madness of Edgar Allan Poe (Jef Nomination) Kelly Elizabeth Baskin – Pisania/Cornelia, Victoria Blade – Imogen, 2007-Angel Street (Jef Recommendation); Richard III (Jef Nomination); The Madness of Andrew Coil – Cadmus/Polydore, Ryan Czerwonko – Iachimo/Gabriel, Edgar Allan Poe Lauren Demerath – Valeria, Michael Ferraro – Cloten, Royen Kent – Lucius, 2008-Jeeves Intervenes (Jef Nomination); Driving Miss Daisy (2 Jef Nominations); Much Kate LoConti – Queen, Tyler Thompson – Posthumus, Robert Tobin – Cymbeline/Morgan Ado About Nothing (2 Jef Nominations, 2 After Dark Awards); The Passion of Dracula 2009-Design for Living, A Moon for the Misbegotten (4 Jef Nominations, 1 Jef Award), SETTING Macbeth, The Castle of Otranto 2010-Jeeves in Bloom (1 Jef Nomination); Will Rogers: An American Original; Twelfth Night (2 Jef Nominations); The Madness of Edgar Allan Poe The Appalachian Hills of West Virginia, 1863 2011-Blithe Spirit (Jef Nomination); The Woman in Black; Romeo and Juliet (2 Jef There will be one ffteen-minute intermission. Nominations); Tea at Five (Jef Recommendation) 2012-Unnecessary Farce (Jef Recommendation); The Turn of the Screw (2 Jef Awards); The The use of cameras, videotape recorders, or audio recorders during this performance is strictly Merchant of Venice; Shylock and His Daughter; The Madness of Edgar Allan Poe prohibited by copyright laws. 2013-Jeeves Takes a Bow, Underneath the Lintel (Jef Recommended) First Folio Theatre is a professional theatre employing members of the Actors’ Equity More information can be found at www.frstfolio.org Association, the Union of Professional Actors and Stage Managers in the United States. 2 First Folio Theatre Cymbeline 3 SYNOPSIS OF CYMBELINE Deep in the West Virginia mountains in the midst of the Civil War, Imogen defes her father (the powerful mountain man “King” Cymbeline) by marrying the poor Posthumus. In doing so, she also incurs the wrath of her step-mother (“Queen”) who was scheming for her own son, Cloten, to wed Imogen and become King’s heir. To escape King’s wrath, Posthumus fees to the North, further enraging King, who is already dealing with the threat of a Union army attacking his mountains to keep him from seceding. As Posthumus languishes in the North, he is manipulated by the wily Iachimo into a foolish bet, with Iachimo claiming that he can prove that Imogen will be faithless to Posthumus. Despite Imogen rebufng Iachimo’s advances, Iachimo manufactures proof of her supposed infdelity, and convinces Posthumus that he has been cuckolded. In his rage, Posthumus orders Imogen’s death. With the aid of her servant Pisania, Imogen escapes deep into the mountains, disguised as a young boy named Fidele. There she meets the
Recommended publications
  • Non-Equity Jeff Award Nominations Rescinded for the Hypocrites
    Editor’s Note: The complete list of Non-Equity Jeff Awards nominees follows this release and is also available on-line in the News and Events section at www.jeffawards.org. Non-Equity Jeff Award Nominations Rescinded for The Hypocrites Additional Nominations Announced Saturday, April 25, 2015 - Chicago, IL. Early Friday, April 24, 2015, Sean Graney, who recently returned to Chicago to resume his post as Artistic Director of The Hypocrites, informed the Joseph Jefferson Awards Committee that he just learned the theater company had been operating under an Equity CAT-N contract for the duration of the 2014-2015 Non-Equity season. Over the past year, requests for judging its productions were made to the Non-Equity Wing without the committee having knowledge of the company’s Equity status. The Jeff Committee was aware that two of the productions had Equity performers (as indicated in the program); however, the committee has now confirmed that these were not guest contracts. As such, the company’s productions are not eligible for consideration in the Non- Equity Wing, and all related Non-Equity Jeff Award nominations have been rescinded. The productions in question will be shifted to the Equity Wing for awards consideration during its current season, which commenced on August 1, 2014 and will end on July 30, 2015. A revised listing of nominees follows for the 2014-2015 Non-Equity Jeff Awards. 2015 NON-EQUITY JEFF AWARD NOMINEES PRODUCTION - PLAY "Exit Strategy" - Jackalope Theatre Company "The Jungle" - Oracle Productions "Men Should Weep" - Griffin Theatre Company "Monstrous Regiment" - Lifeline Theatre "Ruined" - Eclipse Theatre Company" PRODUCTION - MUSICAL "Assassins" - Kokandy Productions "The Full Monty" - Kokandy Productions "Jesus Christ Superstar" - Theo Ubique Cabaret Theatre "Titanic" - Griffin Theatre Company "The Wild Party" - Bailiwick Chicago PRODUCTION - REVUE "Always..
    [Show full text]
  • Visit Chicago Area Independent Schools This Fall!
    CHICAGO SHAKESPEARE THEATER Chicago Shakespeare Theater salutes Welcome THE PRODUCERS’ GUILD for its tremendous work on Family Gala 2015. DEAR FRIENDS, Who doesn’t love Disney’s The Little Mermaid? It’s one of our favorite stories from the fairy tale canon, and we are so excited to share it with you today. JOIN IN THE FUN— Contact Christopher Pazdernik at Our director Rachel Rockwell has worked for almost a year with a team of ADVOCATE FOR AND SUPPORT [email protected] designers, artists and artisans to create this magical world. In our intimate CHICAGO SHAKESPEARE! or call 312.667.4949 for details. theater, the story comes to life all around you! The Little Mermaid is one of many plays Chicago Shakespeare will produce this season. In just one year, we stage as many as nineteen different productions here on Navy Pier, on tour to schools and neighborhood parks—and all around the world. Our Theater is not only home to work by Shakespeare. We are forever inspired by this famous playwright to create new plays and musicals, and import DARE international theater artists to share their stories with Chicago audiences. We hope you enjoy your journey “under the sea” today, and that you’ll be back soon for more! For a family-friendly introduction to the Bard this summer, we Photo by Lindsey Best © 2015 Blue Man Productions, LLC. Photo by Lindsey Best © 2015 Blue Man Productions, TO LIVE invite you to come see Shakespeare’s Greatest Hits—on tour across the city, IN FULL free for all, through Chicago Shakespeare in the Parks.
    [Show full text]
  • The Brief Chronicle ANOTHER PART of the FOREST
    WRITERS’ THEATRE THE BRIEF CHRONICLE ISSUE FOurTEEN SEPTEMBER 2006 1 SHOW TITLE ANOTHER PART OF THE FOREST Michael Halberstam Artistic Director Jennifer Bielstein Executive Director 05 ON STAGE: ANOTHER PART OF THE FOREST 06 THE ART OF SELF-PRESERVATION 08 ARTISTIC CONVERSATION 11 “Change is the law of life. And those who DOWN SOUTH 17 STARS, BARS AND THE STORY OF SALT look only to the past or present are certain BACKSTAGE: 20 EVENTS 24 DONOR SPOTLIGHT 31 CELEBRATING 15 YEARS 35 IN BRIEF to miss the future.” JOHN F. KENNEDY 2 SHOW TITLE 847-242-6000 | writerstheatre.org 1 Dear Friends: Dear Friends, By now, many of you will have heard that Jennifer Bielstein, our esteemed Executive Director, As you are now aware, I am leaving Writers’ Theatre to become the Managing Director at is leaving us to fulfill the same role at Actors Theatre of Louisville. Jennifer has been a Actors Theatre of Louisville, a regional theatre known internationally for their ambitious remarkable presence at Writers’ Theatre and her excellent management skills and nurturing commitment to the development of new work for the theatre. They have an annual festival personal instincts have transformed our infrastructure during her tenure. Where she has called the Humana Festival of New American Plays which is attended by people from not served as initiator or catalyst for innovation, she has been present to provide stability, around the world who love theatre. encouragement and communication tools in order to assure success. Personally, I have been freed from the shackles of administrative tasking which frequently exhausted me prior I have to extend my most sincere thanks to Michael Halberstam, the Board of Trustees, to rehearsal.
    [Show full text]
  • Shakespeare and Contagion – Abstracts
    SAA2015 – Seminar 37 – Shakespeare and Contagion – Abstracts Seminar Leaders: Mary Floyd-Wilson (University of North Carolina) and Darryl Chalk (University of Southern Queensland) Sabina Amanbayeva University of Delaware [email protected] “Falstaff’s Poisonous Affects: Politics and Physiology in 1 Henry IV” My paper is focused on the formation of intimacy through laughter in Shakespeare’s 1 Henry IV (1597). Using the framework of historical phenomenology and affect studies, I show how Falstaff’s jokes about his own body can actually be read as physiological manipulation and a political act. Early modern texts consistently associate the formation of illicit attachments with the work of poison and the subtle cunning of underworld figures. For instance, Thomas Dekker’s cony-catching pamphlets The Belman of London (1608) and Lanthorn and Candle-light (1608) take it as their guiding principle that cony-catchers commit their villanies through “breathes” and “vapours” that insidiously spread everywhere. A similar tactic, I argue, is at work in 1 Henry IV, where Falstaff’s jokes, called “vain comparatives” in the play, re-structure the relationship between the body and its environment by his successive spinning of new metaphors and thus new ways to imagine relations between self and other. The word-play between Hal and Falstaff becomes then a sort of titillation, playing with the body, as their mutual witticisms and jokes successively touch and re-touch each other’s contours. The essay contributes to the on-going conversation on affect and intimacy by bringing to the fore the physicality of early modern laughter and its ability to work like “poison” or contagious “vapour” in its creation of illicit intimacies.
    [Show full text]
  • Theater Events: Body Image at Play in Clockwise's 'Impenetrable'
    dailyherald.com http://www.dailyherald.com/article/20141010/entlife/141019986/ Theater events: Body image at play in Clockwise's 'Impenetrable' Barbara Vitello Body image A spa billboard showing a gorgeous, bikini-clad woman with arrows pointing to her imperfections and how they could be improved provokes outrage in a Chicago suburb in "Impenetrable" by Mia McCullough. Judy Blue directs Clockwise Theatre's production of the 2012 play about body image and perception and how this advertisement affects men and women in the community. Opens at 8 p.m. Friday, Oct. 10, at 221 N. Genesee St., Waukegan. $12, $20. See clockwisetheatre.org. A sneak peek The Actors Gymnasium offers a glimpse of new works as part of its Circus in Progress series showcasing circus arts. Featured artists include Striding Lion dance theater along with trapeze artist Camille Swift and Akemi Berry on silks. Next up is "A Circus Night's Dream," written and directed by The House Theatre's Chris Mathews. 4:30 and 7:30 p.m. Saturday, Oct. 11, at the Noyes Cultural Arts Center, 927 Noyes St., Evanston. $15. (847) 328-2795 or actorsgymnasium.org. Devil has his 'Day' Signal Ensemble Theatre opens its season with the world premiere of "Devil's Day Off" by Jon Steinhagen ("Blizzard '67," "Dating Walter Dante"). Set during a record-breaking heat wave that is accompanied by massive power outages, "Devil's Day Off" chronicles the fear, humor and heroism of the event through multiple vignettes. Co-artistic director Ronan Mara directs the premiere, which features 13 actors playing 100 characters.
    [Show full text]
  • Housing, Education, Heartland Alliance Could Not Do This Important Work Without Employment, Healthcare, and Justice
    HEARTLAND ALLIANCE HEARTLAND ALLIANCE EQUITY. OPPORTUNITY. FOR ALL. ANNUAL REPORT JULY 2016 - JUNE 2017 2017 ANNUAL REPORT | 1 HEARTLAND ALLIANCE CHANGE IS POSSIBLE. WE SEE IT EVERY DAY. Heartland Alliance believes that society is better for all of us We also see it as we foster community partnerships and when everyone can participate, prosper and reach their full implement innovative programs to tackle tough issues. potential. We work across our companies to provide direct For example, we recently launched READI Chicago — in service and advocate for policy change to help those most collaboration with seven community partners on Chicago’s vulnerable heal and move towards self-sufficiency. south and west sides — to address gun violence by engaging high-risk individuals through job training, coaching, and This year we have seen increased challenges for those we supportive services. serve. However, Heartland Alliance remains steadfast as we provide access to safe environments, housing, education, Heartland Alliance could not do this important work without employment, healthcare, and justice. We know that those our public and private supporters, our community-based who experience disparities can exit poverty, heal from partners, and our volunteers. Because of the awareness trauma, and achieve stability — we see that change you bring to our work, and your generous support, people’s is possible. lives change. We see it with the nearly 50,000 torture survivors and EQUITY. OPPORTUNITY. FOR ALL. refugees we counsel each year as they address trauma and set out on a path towards healing. EVELYN DIAZ We see it in the 15,000 immigrants we provide legal services to as they fight to establish lives in the U.S.
    [Show full text]
  • Theatre Facts 2017
    THEATRE FACTS 2017 THEATRE COMMUNICATIONS GROUP’S REPORT ON THE FISCAL STATE OF THE U.S. PROFESSIONAL NOT-FOR-PROFIT THEATRE FIELD By Zannie Giraud Voss, Glenn B. Voss, and Lesley Warren, SMU DataArts and Ilana B. Rose and Laurie Baskin, Theatre Communications Group x,QWURGXFWLRQ x([HFXWLYH6XPPDU\ x7KH8QLYHUVH x7UHQG7KHDWUHV (DUQHG,QFRPH $WWHQGDQFH7LFNHWDQG3HUIRUPDQFH7UHQGV &RQWULEXWHG,QFRPH ([SHQVHVDQG&KDQJHLQ8QUHVWULFWHG1HW$VVHWV &81$ %DODQFH6KHHW 7HQ<HDU7UHQG7KHDWUHV x3URILOHG7KHDWUHV (DUQHG,QFRPH &RQWULEXWHG,QFRPH ([SHQVHVDQG&81$ %XGJHW*URXS6QDSVKRW(DUQHG,QFRPH %XGJHW*URXS6QDSVKRW$WWHQGDQFH7LFNHWVDQG3HUIRUPDQFHV %XGJHW*URXS6QDSVKRW&RQWULEXWHG,QFRPH %XGJHW*URXS6QDSVKRW([SHQVHVDQG&81$ %XGJHW*URXS6QDSVKRW%DODQFH6KHHW x&RQFOXVLRQ x0HWKRGRORJ\ x3URILOHG7KHDWUHV &RYHUSKRWRFUHGLWV Top row (left to right): Bottom right (left to right): x 7KHFDVWLQ.DUDPX+RXVH¶VSURGXFWLRQRIYou Can’t Take It x -DPHV'RKHUW\DQG.LD\OD5\DQQLQ6WHHS7KHDWUH¶VSURGXFWLRQRI With YouE\0RLVHVDQG.DXIPDQGLUHFWHGE\)UHG6WHUQIHOG3KRWR HookmanE\/DXUHQ<HHGLUHFWHGE\9DQHVVD6WDOOLQJ3KRWRE\/HH E\0DUN+RUQLQJ 0LOOHU x .DUWKLN6ULQLYDVDQ$QMDOL%KLPDQLDQG3LD6KDKLQ6RXWK&RDVW x (PLO\.XURGD :LOOLDP7KRPDV+RGJVRQLQWKH7KHDWUH:RUNV 5HSHUWRU\¶VSURGXFWLRQRIOrange E\$GLWL%UHQQDQ.DSLOGLUHFWHGE\ 6LOLFRQ9DOOH\¶VSURGXFWLRQRICalligraphy E\%\9HOLQD+DVX+RXVWRQ -HVVLFD.XE]DQVN\3KRWRE\'HERUD5RELQVRQ6&5 'LUHFWHGE\/HVOLH0DUWLQVRQ3KRWRE\.HYLQ%HUQH Second row (left to right): Bottom left (top to bottom): x -HVVLHH'DWLQRDQG-DVRQ.RORWRXURVLQ*HYD VZRUOGSUHPLHUH x 0DLQ6WUHHW7KHDWHU¶VSURGXFWLRQRIThe Grand ConcourseE\+HLGL
    [Show full text]
  • The Fools of Shakespeare's Romances
    Sede Amministrativa: Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari (DISLL) SCUOLA DI DOTTORATO DI RICERCA IN: Scienze Linguistiche, Filologiche e Letterarie INDIRIZZO: Filologie e Letterature Classiche e Moderne CICLO XXVI “Armine... thou art a foole and knaue”: The Fools of Shakespeare’s Romances Direttore della Scuola : Ch.ma Prof.ssa Rosanna Benacchio Supervisore : Ch.ma Prof.ssa Alessandra Petrina Dottoranda : Alice Equestri Abstract La mia tesi propone un’analisi dettagliata dei personaggi comici nei romances Shakespeariani (Pericles, Cymbeline, The Winter’s Tale e The Tempest) in particolare quelli creati appositamente per Robert Armin, attore comico di punta dei King’s Men in quel periodo. Nel primo capitolo traccio la presenza di Armin nei quattro testi, individuando cioè gli indizi che rimandano alla sua figura e alla tipologia di comicità tipica dei suoi personaggi precedenti in Shakespeare e di quelli presenti nelle sue stesse opere. I quattro personaggi creati per lui da Shakespeare vengono analizzati in profondità nei seguenti capitoli, raggruppandoli a seconda dei loro ruoli sociali o professioni. Nel secondo capitolo mi occupo dei fools criminali, considerando Pericles e The Winter’s Tale, dove i personaggi di Boult e Autolycus sono rispettivamente un ruffiano di bordello e un delinquente di strada. Nel terzo capitolo mi concentro invece sui personaggi che esibiscono o vengono discriminati per una reale od imputata deficienza congenita (natural folly): il principe Cloten in Cymbeline e Caliban in The Tempest. Per ciascun caso discuto il rapporto del personaggio con le fonti shakespeariane ed eventualmente con la tradizione comica precedente o contemporanea a Shakespeare, il ruolo all’interno del testo, e il modo in cui il personaggio suscita l’effetto comico.
    [Show full text]
  • Mary Stuart First Mortality in the Film, Public Enemies, Taking a .45 Slug in the Solar Plexus from a Deranged Stephen Dorff
    Artist Biographies Jeff Christian (Director, Leicester) led the company for eight Peter Garino (Sir Amias Paulet, Artistic Director) is a founding seasons, having adapted and directed A Midsummer Night’s Dream, member of The Shakespeare Project of Chicago and has contributed to Henry VIII, the gender-swapped The Comedy of Errors, In Medea Res over 50 theatrical readings as an actor and director since 1995. He (from Euripides’ Medea), Henry VI (from Shakespeare’s trilogy), directed Measure For Measure to open the current season and is Faust (from Marlowe and Goethe), The Parvenu (from Moliere’s Le scheduled to appear in The Merry Wives of Windsor prior to directing Bourgeois Gentilhomme), Ibsen’s Ghosts, Dickens’s The Cricket on The Tempest in the spring. This past season, he appeared in Paradise the Hearth, the outreach program 50 Minute Hamlet, as well as having Lost, directed Antony & Cleopatra played Thomas and David in The staged King Lear, Love’s Labours Lost, As You Like It, Sheridan’s The Rivals and Cardinal Wolsey in Henry VIII. On behalf of The Rivals, Somerset Maugham's The Constant Wife, and Regina M. Shakespeare Project, he has facilitated his Sonnet Workshop and Page Schwartz’s adaptation of John Milton’s Paradise Lost. Other to the Stage Macbeth for local public and private schools and colleges. directing credits include Mojo Mickybo, A Whistle in the Dark and Previous roles include Lord Stanley in Richard III, Creon in Jeff Our Father (Seanachai Theatre Company), The Skin of Our Teeth Christian's adaptation, In Medea Res, Duke Senior and Duke Frederick (The Artistic Home), Proof and Driving Miss Daisy (New American in As You Like It, Don Pedro in Much Ado About Nothing, Mortimer in The Constant Wife, Rev.
    [Show full text]
  • STATEMENT of PRINCIPLE No One Should Be Forced to Choose
    STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales.
    [Show full text]
  • JAMES VINCENT MEREDITH SAG, AFTRA, AEA Height: 6’1” Hair Color: Brown Eye Color: Black
    JAMES VINCENT MEREDITH SAG, AFTRA, AEA Height: 6’1” Hair Color: Brown Eye Color: Black TELEVISION FARGO Series Regular FX Chicago Med Guest Star (recurring) NBC Betrayal Recurring ABC Boss Recurring (7 Episodes) Starz Chicago Code Guest Star (Recurring) FOX Detroit 1-8-7 Co-Star ABC Law & Order: SVU Principal NBC David Platt Undercover Double Life Narrator/Host Discovery Channel The Beast Guest Star A & E ER Guest Star NBC BROADWAY/NATIONAL TOUR Book of Mormon Mafala Hatimbi Eugene O’Neil Theatre Book of Mormon Mafala Hatimbi Jumamosi Tour Superior Donuts (Broadway) James Music Box Theatre, NY, NY THEATRE Ski Dubai Shahab Steppenwolf Theatre Company The Tempest Antonio Steppenwolf Theatre Company Someone Who’ll Watch Over Me Adam Canning Piven Theatre Workshop Superior Donuts James Hailey Steppenwolf Theatre Company Carter’s Way Oriole Carter Steppenwolf Theatre Company The Crucible John Proctor Steppenwolf Theatre Company Othello Othello Writer’s Theatre The King and I The Kralahome Drury Lane Theater The Bluest Eye Daddy, Soaphead New Victory Theater (Manhattan, NY) The Bluest Eye Daddy, Soaphead Steppenwolf Theatre Company The Duchess of Malfi Antonio Writer’s Theatre Much Ado about Nothing Don Pedro Chicago Shakespeare Theatre The Pain and the Itch Mr. Hadid Steppenwolf Theatre Company Take Me Out Davey Battle About Face at Steppenwolf Measure for Measure Provost Chicago Shakespeare Theatre King John Lord Pembroke Chicago Shakespeare Theatre Romeo and Juliet Lord Capulet Chicago Shakespeare Theatre Julius Caesar Cinna, Titinius Chicago Shakespeare Theatre Othello Othello Michigan Shakespeare Festival The Hobbit Gandalf First Stage, Milwaukee, WI Othello Othello Journeymen Theatre King Lear Edgar Piven Theatre Workshop Master Harold…and the boys Sam Journeymen Theatre American Voices Joe Piven Theatre Workshop Raisin in the Sun Asagai Goodman Theatre Doo Lister’s Blues Cozy, Catfish Onyx Theatre Amistad Voices Covey, Reverend Duncan YMCA East Texas Hot Links Boochie Onyx Theatre Kids For President, etc.
    [Show full text]
  • Somebody up There Likes Me
    TRIBECA FILM in partnership with AMERICAN EXPRESS presents a FALIRO HOUSE and M-13 PICTURES presentation a BOB BYINGTON film SOMEBODY UP THERE LIKES ME Run Time: 75 Minutes Rating: Not Rated Available On Demand: March 12, 2013 Select Theatrical release March 8 Chicago Music Box March 15 Los Angeles Cinefamily March 22 San Francisco Roxie Theater March 29 Denver Denver Film March 29 Brooklyn BAM April 5 Austin Violet Crown Distributor: Tribeca Film 375 Greenwich Street New York, NY 10011 Jennifer Holiner ID-PR 212-941-2038 [email protected] [email protected] [email protected] Starring Keith Poulson as Max Nick Offerman as Sal Jess Weixler as Lyla Stephanie Hunt as Clarissa Marshall Bell as Lyla's Dad Jonathan Togo as Adult Lyle Kate Lyn Sheil as Ex-Wife Ted Beck as Steakhouse Patron and Homeless Man Anna Margaret Hollyman as Paula Chris Doubek as Businessman Bob Schneider as Wedding Singer Alex Ross Perry as First Customer Gabriel Keller as Lyle Age 5 Ian Graffunder as Lyle Age 10 Jake Lewis as Lyle Age 15 with Kevin Corrigan as Memorial Man and Megan Mullally as Therapist SYNOPSIS Bob Byington’s smart, subversive comedy skips through 35 years in the life of Max Youngman (Keith Poulson), his best (and only) friend Sal (Nick Offerman, “Parks and Recreation”), and the woman they both adore (Jess Weixler, Teeth). As they stumble in and out of hilariously misguided relationships — strung together with animated vignettes by Bob Sabiston (A Scanner Darkly) and an original score by Vampire Weekend’s Chris Baio — Max never ages, holding on to a mysterious briefcase that may or may not contain the secret to life.
    [Show full text]