Nominees Announced for the 46Th Annual Non–Equity Jeff Awards Hosted by Breon Arzell
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Ilesa Duncan Joins Lifeline Theatre As Artistic Director Beginning January 2019
FOR IMMEDIATE RELEASE Jill Evans La Penna SHOUT Marketing & Media Relations 312-226-6727 [email protected] Media passes, photographs, videos, interviews and additional materials are available on request. Ilesa Duncan Joins Lifeline Theatre as Artistic Director Beginning January 2019 CHICAGO - Lifeline Theatre welcomes Ilesa Duncan as artistic director beginning January 2019. Reporting directly to Lifeline’s Board of Directors and working in partnership with Managing Director Allison Cain, Duncan will be responsible for stewarding the vision of the artistic ensemble, engaging and inspiring Lifeline’s extended family, seeking out meaningful collaborative opportunities and upholding the mission of the organization. Duncan succeeds Dorothy Milne, who has served as artistic director since 1999 and will continue in the role until Duncan’s duties commence in January 2019. Duncan joins the Lifeline artistic ensemble immediately and Milne will continue as a member of the artistic body following her departure from her artistic director role. Meanwhile, Lifeline’s 2018-19 season will open with the world premiere MainStage production of Frankenstein (running September 7–October 8) and the KidSeries production of Bunnicula (running October 20–November 25). Duncan is a producer, director, writer, educator and theater-maker who has been Pegasus Theatre’s executive artistic director since 2013, and producer of the Young Playwrights Festival since 2006. An avid collaborator of new work, her recent directing credits include Lifeline’s Jeff Recommended Neverwhere (2018), Shakin’ The Mess Outta Misery (Jeff Nominated), Rutherford’s Travels (Jeff Nominated, co-adapter), The Green Book, For Her as a Piano, and Blacula: Young, Black & Undead at Pegasus; Broken Fences at 16th Street Theater; the Jeff Award- nominated The Nativity with Congo Square; and the Jeff Award-winning Jar the Floor at ETA Creative Arts. -
Lifeline Theatre Announces Six New Ensemble Members-Fall 2017FINAL
November 1, 2017 Jill Evans La Penna SHOUT Marketing & Media Relations 312-226-6727 [email protected] Media passes, photographs, videos, interviews and additional materials are available on request. LIFELINE THEATRE ANNOUNCES SIX NEW ENSEMBLE MEMBERS CHICAGO – Lifeline Theatre is proud to announce six new members of its artistic ensemble: Bilal Dardai, Andrés Enriquez, Diane D. Fairchild, Anthony Kayer, Martel Manning, and Michael McKeogh. Lifeline’s ensemble determines the company’s artistic programming and provides leadership, support, and counsel in the play development process. Now in its 35th season, Lifeline Theatre is driven by a passion for story. Our ensemble process supports writers in the development of literary adaptations and new work, and our theatrical and educational programs foster a lifelong engagement with literature and the arts. A cultural anchor of Rogers Park, we are committed to deepening our connection to an ever-growing family of artists and audiences, both near and far. Lifeline Theatre – Big Stories, Up Close. Founded by five Northwestern graduates in 1982, the theatre now employs over 150 artists per year. In addition to the six new members listed above, Lifeline’s artistic ensemble is led by Artistic Director Dorothy Milne, and consists of Aly Renee Amidei, Patrick Blashill, Jessica Wright Buha, Christina Calvit, Heather Currie, Victoria DeIorio, Amanda Delheimer Dimond, Alan Donahue, Kevin D. Gawley, Peter Greenberg, James E. Grote, Chris Hainsworth, John Hildreth, Paul S. Holmquist, Elise Kauzlaric, Robert Kauzlaric, Frances Limoncelli, Amanda Link, Katie McLean Hainsworth, Shole Milos, Sandy Snyder Pietz, Suzanne Plunkett, Maren Robinson, Phil Timberlake, Jenifer Tyler, and Christopher M. Walsh. -
Housing, Education, Heartland Alliance Could Not Do This Important Work Without Employment, Healthcare, and Justice
HEARTLAND ALLIANCE HEARTLAND ALLIANCE EQUITY. OPPORTUNITY. FOR ALL. ANNUAL REPORT JULY 2016 - JUNE 2017 2017 ANNUAL REPORT | 1 HEARTLAND ALLIANCE CHANGE IS POSSIBLE. WE SEE IT EVERY DAY. Heartland Alliance believes that society is better for all of us We also see it as we foster community partnerships and when everyone can participate, prosper and reach their full implement innovative programs to tackle tough issues. potential. We work across our companies to provide direct For example, we recently launched READI Chicago — in service and advocate for policy change to help those most collaboration with seven community partners on Chicago’s vulnerable heal and move towards self-sufficiency. south and west sides — to address gun violence by engaging high-risk individuals through job training, coaching, and This year we have seen increased challenges for those we supportive services. serve. However, Heartland Alliance remains steadfast as we provide access to safe environments, housing, education, Heartland Alliance could not do this important work without employment, healthcare, and justice. We know that those our public and private supporters, our community-based who experience disparities can exit poverty, heal from partners, and our volunteers. Because of the awareness trauma, and achieve stability — we see that change you bring to our work, and your generous support, people’s is possible. lives change. We see it with the nearly 50,000 torture survivors and EQUITY. OPPORTUNITY. FOR ALL. refugees we counsel each year as they address trauma and set out on a path towards healing. EVELYN DIAZ We see it in the 15,000 immigrants we provide legal services to as they fight to establish lives in the U.S. -
National Endowment for the Arts Annual Report 1982
Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per The diversity of artistic activity in America is cent gain over state appropriations for FY 81. -
(Apr '18) Kristin Idaszak Cloudgate Theatre Octagon
Director 312.636.6783 * [email protected] Another Jungle* (Apr ’18) Kristin Idaszak Cloudgate Theatre Octagon (US Premiere) Kristiana Rae Colón Jackalope Theatre Devour Ensemble Devised Poetic Forum Collective good friday* Kristiana Rae Colón Oracle Theater Co-Production BARS and MEASURES* Idris Goodwin Prop Thtr (NNPN) Twisted Knots* Dale Danner Chicago Commercial Collective DUST* Rob Smith lower case theatre the old ball game* Kristiana Rae Colón First Floor Theater DisConnected Ensemble Devised Poetic Forum Collective good friday^ Kristiana Rae Colón Stage Left Theatre in your own backyard* Kristiana Rae Colón Chicago Home Theater Festival DeHuman* Ensemble Devised Poetic Forum Collective The Foreplay Play Mariah MacCarthy Realize Theatre Group Octagon^ Kristiana Rae Colón National New Play Network Cauldron of Morning* Kristiana Rae Colón Broken Nose Theatre Chicago Afterdark* Tate Geborkoff Chicago Fringe El Stories XVI* Devised/Adaptation The Waltzing Mechanics RAW Chris O’Connell Deluge Theatre Collective The BenchMark Richard A. Roberts Step Up Productions one week in spring^ Kristiana Rae Colón Halcyon Theatre Patria Libre* Zoe Miller-Lee Prologue Theatre Company The All-American Genderfuck Cabaret Mariah McCarthy Pride Films and Plays at Mary’s Attic The Last Daughter of Oedipus* Jennifer Mickelson Babes with Blades Assistant Director (Opera) La Traviata (May ’18) dir. Patricia Racette Opera Theater St. Louis The Consul dir. Andreas Mitisek Chicago Opera Theater The Consul dir. Andreas Mitisek Long Beach Opera Theater The Fairy Queen dir. Andreas Mitisek Chicago Opera Theater Le Vin Herbe (The Love Potion) dir. Andreas Mitisek Chicago Opera Theater La Voix Humaine dir. Andreas Mitisek Chicago Opera Theater Gianni Schicchi dir. -
STATEMENT of PRINCIPLE No One Should Be Forced to Choose
STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales. -
Community Letter in Support of Nonpartisanship
Community Letter in Support of Nonpartisanship Updated September 5, 2017 Community Letter in Support of Nonpartisanship UPDATED September 5, 2017 The Honorable Paul Ryan The Honorable Mitch McConnell Speaker Senate Majority Leader H-232 The Capitol S-230 The Capitol Washington, D.C. 20515 Washington, D.C. 20510 The Honorable Nancy Pelosi The Honorable Chuck Schumer House Democratic Leader Senate Democratic Leader H-204 The Capitol S-221 The Capitol Washington, D.C. 20515 Washington, D.C. 20510 The Honorable Kevin Brady The Honorable Orrin Hatch Chairman, House Ways and Means Committee Chairman, Senate Committee on Finance 1102 Longworth House Office Building 219 Dirksen Senate Office Building Washington, D.C. 20515 Washington, D.C. 20510 The Honorable Richard Neal The Honorable Ron Wyden Ranking Member, House Ways and Means Committee Ranking Member, Senate Committee on 1139E Longworth House Office Building Finance Washington, D.C. 20515 219 Dirksen Senate Office Building Washington, D.C. 20510 Dear Speaker Ryan, Majority Leader McConnell, Leader Pelosi, Leader Schumer, Chairman Brady, Chairman Hatch, Ranking Member Neal, and Ranking Member Wyden: The undersigned organizations strongly oppose proposals that would politicize the charitable nonprofit and philanthropic community by repealing or weakening current federal tax law protections that prohibit 501(c)(3) organizations from endorsing, opposing, or contributing to political candidates. Nonpartisanship is a cornerstone principle that has strengthened the public’s trust of the charitable community. In exchange for enjoying tax-exempt status and the ability to receive tax-deductible contributions, 501(c)(3) organizations – charitable nonprofits, including religious congregations, and foundations – agree to not engage in “any political campaign on behalf of (or in opposition to) any candidate for public office.” That provision of law protects the integrity and independence of charitable nonprofits and foundations. -
May 25 – July 8, 2018 PRODUCTION STAFF & ARTISTS
presents Music & Lyrics by Stephen Sondheim Book by Hugh Wheeler Orchestrations by Jonathan Tunick Suggested by a Film by Ingmar Bergman Originally produced and directed on Broadway by Harold Prince Directed by Linda Fortunato** Music Direction by Tom Vendafreddo Re-orchestrations by Malcolm Ruhl PERFORMERS Desiree Armfeldt .............................................................................................................. Kelli Harrington Fredrik Egerman ....................................................................................................................Peter Robel* Count Carl-Magnus Malcolm ........................................................................................Christopher Davis Countess Charlotte Malcolm .......................................................................................Stephanie Stockstill Anne Egerman ........................................................................................................................Rachel Guth Henrik Egerman ............................................................................................................ Jordan Dell Harris Mme. Armfeldt ...........................................................................................................Marguerite Mariama Fredrika Armfeldt ..............................................................................................................Isabelle Roberts Petra ...............................................................................................................................Teressa -
2014 Cityarts Program Grant
2014 CityArts Organizational Grant Program Panelists Julie Adrianopoli Christopher Audain Baraka de Soleil Meg Duguid Ilesa Duncan Joyce Fernandes Cayenne Harris Sarai Hoffman Andrew Micheli Troy Peters Nicole Reyna Jenny Shanks Willa Taylor Grantees 826CHI INC NFP Albany Park Theater Project American Indian Center American Theater Company Antibody Dance archi-treasures Arts & Business Council of Chicago Audience Architects Barrel of Monkeys Black Ensemble Theater Blair Thomas & Company Changing Worlds Chicago a cappella Chicago Access Corporation Chicago Artists Coalition Chicago Arts Partnerships in Education Chicago Children’s Choir Chicago Children's Theatre Chicago Cultural Alliance Chicago Dance Crash Chicago Film Archives Chicago Filmmakers Chicago Human Rhythm Project Chicago Humanities Festival Chicago Independent Radio Project (CHIRP) Chicago International Film Festival Chicago Public Art Group Chicago Sinfonietta Chicago West Community Music Center Chicago Writers Conference Chicago Youth Symphony Orchestras Child's Play Touring Theatre Chinese Fine Arts Society Clinard Dance Theater Community TV Network Congo Square Theatre Company Court Theatre Culture Shock Chicago, NFP Dance in the Parks, NFP DanceWorks Chicago DFBRL8R DuSable Museum of African American History eighth blackbird Performing Arts Association Elevarte Ensemble Español Spanish Dance Theater Erasing the Distance Fifth House Ensemble Free Spirit Media Fund for Innovative TV DBA Media Burn Archive Garfield Park Conservatory Alliance Gene Siskel Film Center Gilloury Institute Global Girls Inc. Grant Park Orchestral Association Griffin Theatre Company Groundswell Educational Films, NFP Gus Giordano's Jazz Dance Chicago, Inc. Heaven Gallery Hedwig Dances Hyde Park Art Center Hyde Park School of Dance InFusion Theatre Company Inner-City Muslim Action Network Institute of Puerto Rican Arts & Culture Instituto Cervantes of Chicago, Inc. -
Theater Events: Mooney Does 'Shakespeare on Demand' in 'Breakneck Hamlet'
dailyherald.com http://www.dailyherald.com/article/20150529/entlife/150528711/ Theater events: Mooney does 'Shakespeare on demand' in 'Breakneck Hamlet' Barbara Vitello Writer/director Tim Mooney stars in "Breakneck Hamlet" at Clockwise Theatre in Waukegan. COURTESY OF DALE JESSEN/CLOCKWISE THEATRE Fast-paced 'Hamlet' Clockwise Theatre presents the world premiere of "Breakneck Hamlet," writer/actor Tim Mooney's accelerated version of William Shakespeare's longest plays. Having introduced the melancholy Dane in Act 1, Mooney takes audience requests for the Bard's most famous speeches in the second act, which he dubs "Shakespeare on demand." Opens at 8 p.m. Friday, May 29, at 221 N. Genesee St., Waukegan. $20. (847) 775-1500 or clockwisetheatre.org. Standup showcase Standup comedians including Jordan Holmes and Peter Daniel perform as part of Comedy Shrine's monthly showcase of its favorite Midwest comedians. 8 p.m. Friday and Saturday, May 29-30, at 4034 Fox Valley Center Drive, Aurora. $20. (630) 585-0300 or comedyshrine.com. Playing his songs Theo Ubique Cabaret Theatre salutes the late composer Marvin Hamlisch as part of its summer showcase. "A Marvin Hamlisch Songbook" features standards like "The Way We Were" along with tunes from the musicals "A Chorus Line," "Sweet Smell of Success" and "They're Playing Our Song." Aaron Benham serves as musical director and arranger. Previews begin at 7:30 p.m. Thursday, June 4, at No Exit Cafe, 6970 N. Glenwood Ave., Chicago. The show opens June 6. $20-$34. (800) 595-4849 or theo-u.org. Other theater events • Lifeline Theatre, 6912 N. -
Press Release
BOHO THEATRE P.O. Box 409267, Chicago, IL, 60640 Office: (773) 791-2393 [email protected] FOR IMMEDIATE RELEASE CONTACT: Kaela Altman, Executive Director August 19, 2013 [email protected] BOHO THEATRE DELIVERS CHILLING 10TH SEASON OPENER WITH VERONICA’S ROOM CHICAGO—BoHo Theatre kicks off its milestone 10th season with Ira Levin’s horror thriller Veronica’s Room at the Heartland Studio in Rogers Park. Running September 27th through October 27th, the play is a rarely-produced work from the acclaimed author of the novels Rosemary’s Baby, The Stepford Wives, and A Kiss Before Dying, as well as Deathtrap, which holds the record for Broadway’s longest running mystery play. Veronica’s Room represents the Bohemian Pillar of Freedom in BoHo’s 2013/2014 Season. THE PLAY “[Ira Levin] is the Swiss watchmaker of the suspense novel… he makes what the rest of us do look like those five-dollar watches you can buy in the discount drugstores.” -Stephen King, Danse Macabre This intimate thriller explores the thin line between fantasy and reality, and the lengths one is willing to go to find absolution. Students Susan and Larry find themselves enticed to an old New England mansion by its elderly caretakers in order to meet Cissie, the sole surviving member of the mansion’s family. They insist that Susan bears a striking resemblance to Cissie’s long-dead sister, Veronica. If Susan will agree to briefly impersonate Veronica, they believe it will comfort the dementia-afflicted Cissie and allow her to die in peace. But what begins as a simple errand of mercy quickly spirals into a nightmare cycle of guilt, sacrifice, and murder. -
Program Combines the Principles of a Cooperative and a Traditional Rental House to Create a More Cohesive, Professional, and Efficient Nonprofit Environment
Company artistic Director Peter Marston Sullivan Executive Director Peter Blair mission & Vision artistic advisor BoHo Theatre’s mission is to create theatre Stephen M. Genovese that incorporates the arts as a whole — Art for art’s sake. Our vision is to challenge Executive advisor convention through literary originality and Thomas J. Samorian eclectic expression while fostering an ever- evolving artistic environment in which people assoc. artistic Director are inspired to learn, think, dream, and feel. Peter Robel To teach others and ourselves how to expand, create, and present art through theatre while managing Director reveling not only in the process, but also in the journey. Ryan Guhde media Director & Board Graphic Designer Charles Riffenburg IV Stephen M. Genovese, president; Thomas J. Samorian, vice-president; Casting associates Kaela Altman; Steve Goodman; Stephanie Sullivan Robert Kimmeth; Richard Maxen; Rebecca Mauldin Bob Turner; Jean Zuiker Development Coordinator artistic affiliates Anna Hammonds Anthony Apodaca, Brenda Didier, Board/Company Secretary Patrick Ham, Theresa Ham, Mary Kate Robel Jon Steinhagen, A. Scott Williams, and John Zuiker new Works & Social media manager Ariel Trocino Company member Sean Thomas BoHo THeaTre is a not-for-profit 501 (c) 3 organization. our events and productions are made possible by your generous donations and patronage. Please visit our website at www.bohotheatre.com or speak with our house manager to learn about more ways to contribute time, money, and talent to helping support art in Chicago. any monetary donations are tax-deductible to the fullest extent of the law. Thank you! BoHo Theatre: Bohemian Theatre Ensemble presents tHE rainmakEr By N.