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Displacing the Nation: Performance, Style and Sex in Eimear Mcbride's the Lesser Bohemians
Studi irlandesi. A Journal of Irish Studies, n. 9 (2019), pp. 161-178 DOI: http://dx.doi.org/10.13128/SIJIS-2239-3978-25510 Displacing the Nation: Performance, Style and Sex in Eimear McBride’s The Lesser Bohemians Gerry Smyth Liverpool John Moores University (<[email protected]>) Abstract: Eimear McBride’s second novel revisits many of the stylistic practices and conceptual themes which made A Girl is a Half-formed Thing such an important intervention within post-Tiger Irish cultural politics. By setting The Lesser Bohemians in London during the 1990s, how- ever, McBride displaces both the temporal and spatial focus on the here (Ireland) and now (post-Crash) which has tended to dominate contemporary Irish fiction. The theatrical milieu within which the main characters operate, moreover, as well as the novel’s emphasis on the redemptive power of sex, likewise militate against any attempt to regard it as just another Irish “trauma” narrative. By revealing the extent of Irish/British cultural interpenetration, McBride exposes the bad faith of both austerity economics and political isolationism. Keywords: Eimear McBride, Modernism, Neoliberalism, Perfor- mance, Sex 1. Introduction “Ireland”, the journalist Fintan O’Toole once wrote, “is something that often happens elsewhere” (1994, 27); to which I would add that one of the most important places where modern Ireland has “happened” is London. With a population roughly twice the size of the whole island, London looms dauntingly large in the Irish spatial imagination. Besides being the seat of the imperial overmasters, the great metropolis to the east is also a cultur- al melting pot and an economic powerhouse – entrepôt or final destination for generations of emigrants. -
A Sheffield Hallam University Thesis
How do I look? Viewing, embodiment, performance, showgirls, and art practice. CARR, Alison J. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19426/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/19426/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. How Do I Look? Viewing, Embodiment, Performance, Showgirls, & Art Practice Alison Jane Carr A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy ProQuest Number: 10694307 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694307 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Declaration I, Alison J Carr, declare that the enclosed submission for the degree of Doctor of Philosophy, and consisting of a written thesis and a DVD booklet, meets the regulations stated in the handbook for the mode of submission selected and approved by the Research Degrees Sub-Committee of Sheffield Hallam University. -
LSE Connect Winter 2012
Connect For alumni of the London School of Economics and Political Science Vol 24, number 2, winter 2012 A rising tide Judith Rees on water research Virtually real Vili Lehdonvirta on real money in a virtual world Director invites alumni to shape LSE’s future LSE residences offer good quality, centrally located, bed and breakfast accommodation to all during the winter vacation! Carr-Saunders Hall Passfield Hall Rosebery Hall W1 WC1 EC1 By choosing to book with LSE Vacations you are helping to provide safe, secure and affordable housing for our students. The additional revenue from vacation trading contributes to keeping student rents as low as possible. This environment supports and enhances the learning goals of our diverse community, in particular our efforts to widen participation. LSE is committed to recruiting the best possible students with the highest academic and intellectual potential, regardless of their economic or social background. Also available: LSE TopFloor! a range of high quality rooms, studios and apartments available year round. for alumni, staff and current students (Staff, student or alumni ID required) VOLUME 24 NUMBER 2 CONTENTS Editor’s message Earlier this month Professor Craig Calhoun, the new Director of LSE, ran a question and answer session on Twitter. It was fun. Professor Calhoun tweets regularly anyway (you can follow him on @craigjcalhoun) but the idea behind this one-hour intense session was to allow students, staff and alumni – and indeed 16 24 the general public – to ask anything they wished and to get instantaneous answers back. In all, 137 questions were asked, with nearly two-thirds from students but a fair number from Features Regulars alumni. -
LSE Connect Summer 2013
Connect For alumni of the London School of Economics and Political Science Vol 25, number 1, summer 2013 Battling recession Christopher Pissarides on macroeconomics Scholars at risk Latefa Guemar is no ordinary fellow Research in pictures: LSE’s Research Festival goes visual LSE residences offer good quality, centrally located accommodation to all during the summer vacation! Bankside House By choosing to book with LSE Vacations you are helping to provide safe, secure and affordable Carr-Saunders Hall housing for our students. The additional revenue Grosvenor House from vacation trading contributes to keeping student rents as low as possible. High Holborn This environment supports and enhances the learning Northumberland House goals of our diverse community, in particular our efforts to widen participation. LSE is committed to Passfield Hall recruiting the best possible students with the highest Rosebery Hall academic and intellectual potential, regardless of their economic or social background. Also available: LSE TopFloor! a range of high quality rooms, studios and apartments available year round. for alumni, staff and current students (Staff, student or alumni ID required) VOLUME 25 NUMBER 1 CONTENTS Editor’s message In the last issue of LSE Connect, Director Professor Craig Calhoun asked alumni what made LSE distinct. A similar exercise was set for staff and students and the results are fascinating (see page 6). In all, nearly 200 people responded with insights that were 6 18 intelligent, creative, often witty – and even in verse. As our feature says: “They showed a remarkable degree of agreement about what makes LSE distinctive. Analysis showed that Features Regulars respondents valued critical engagement, diversity, collegiality and cosmopolitanism.” As ever, the writers for LSE Connect provide ample proof of the strength of critical Why LSE is special Headline news 4 engagement at the School. -
The Goldsmiths Prize and Its Conceptualization of Experimental Literature
The Goldsmiths Prize and Its Conceptualization 35 of Experimental Literature The Goldsmiths Prize and Its Conceptualization of Experimental Literature Wojciech Drąg University of Wrocław Abstract: In the aftermath of a critical debate regarding the Man Booker Prize’s adoption of ‘readability’ as the main criterion of literary value, Goldsmiths College established a new literary prize. The Goldsmiths Prize was launched in 2013 as a celebration of ‘fiction that breaks the mould or extends the possibil- ities of the novel form.’ Throughout its six editions, the prize has been awarded to such writers as Ali Smith, Nicola Barker and Eimear McBride, and has at- tracted a lot of media attention. Annually, its jury have written press features praising the shortlisted books, while invited novelists have given lectures on the condition of the novel. Thanks to its quickly won popularity, the Goldsmiths Prize has become the main institution promoting – and conceptualizing – ‘ex- perimental’ fiction in Britain. This article aims to examine all the promotional material accompanying each edition – including jury statements, press releases and commissioned articles in the New Statesman – in order to analyze how the prize defines experimentalism. Keywords: Goldsmiths Prize, literary prizes, experimental literature, avant-gar- de, contemporary British fiction Literary experimentalism is a notion both notoriously difficult to define and generally disliked by those to whose work it is often applied. B.S. Johnson famously stated that ‘to most reviewers [it] is almost always a synonym for “unsuccessful”’ (1973, 19). Among other acclaimed avant-garde authors who defied the label were Raymond Federmann and Ronald Sukenick (Bray, Gib- bon, and McHale 2012, 2-3). -
Insidious Vulnerability: Women's Grief and Trauma in Modern and Contemporary Irish Fiction
Insidious Vulnerability: Women's Grief and Trauma in Modern and Contemporary Irish Fiction Author: Trista Dawn Doyle Persistent link: http://hdl.handle.net/2345/bc-ir:107960 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2018 Copyright is held by the author, with all rights reserved, unless otherwise noted. INSIDIOUS VULNERABILITY: WOMEN’S GRIEF AND TRAUMA IN MODERN AND CONTEMPORARY IRISH FICTION Trista Dawn Doyle A dissertation submitted to the Faculty of the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Boston College Morrissey College of Arts and Sciences Graduate School April 2018 © Copyright 2018 Trista Dawn Doyle INSIDIOUS VULNERABILITY: WOMEN’S GRIEF AND TRAUMA IN MODERN AND CONTEMPORARY IRISH FICTION Trista Dawn Doyle Advisor: James M. Smith, Ph.D. Abstract This dissertation examines individual experiences of grief and trauma in Irish writing from 1935 to 2013, focusing specifically on novels by Elizabeth Bowen, Samuel Beckett, Sebastian Barry, and Eimear McBride. It offers a feminist reclamation of personal forms of loss that fall outside the purview of documented history and that typically go overlooked in literary criticism. Examples in this study include the suffering caused by the natural death of a family member, infertility, domestic and sexual abuse, social ostracism, institutionalization, and forced adoption. Through careful close readings of Bowen’s The House in Paris (1935) and The Death of the Heart (1938), Beckett’s Molloy (1955), Barry’s The Secret Scripture (2008), and McBride’s A Girl Is a Half- Formed Thing (2013), I unpack how women’s insidious vulnerability to grief and trauma manifests in modern and contemporary Irish fiction. -
Events Open to the Lse Community And
EVENTS OPEN TO THE LSE COMMUNITY AND THE PUBLIC to 6 September December 2019 20 Finance Most finance professionals can drive the car... But do they understand how the engine works? At LSE, we believe in understanding why things work. We take you below the surface to understand the fundamentals of finance, giving you the tools to accelerate your career in a changing marketplace. MSc Finance (Part-time) The MSc Finance (Part-time) is LSE’s most established Executive Master’s programme. Taught in the evenings, it provides a unique opportunity for busy professionals to combine a full-time career with the opportunity to study a world- class MSc Finance programme that is grounded in academic depth and rigour. Join us for an Information Evening or a one-to-one session to discuss your application. Register at lse.ac.uk/finance 19_0577 FinanceAdvert_Events.indd 1 07/08/2019 15:29 Finance WELCOME Everyone is welcome to attend LSE’s public events, where some of the Most finance professionals can drive the car... most influential figures in the social sciences can be heard. Events are generally free and open to all, with entry on a first come, first But do they understand served basis – unless otherwise stated. It does get busy so we advise people to turn up 20 minutes before the advertised time. For ticketed events, please go to lse.ac.uk/events and fill in the online booking form to request how the engine works? a ticket. Allocations of tickets are set aside for LSE staff and students. Transcripts, podcasts and videos of an increasing number of LSE events are available online after the event at lse.ac.uk/lse-player. -
Rights Guide Spring 2021.Indd 1 04/03/2021 13:14 Contents
1 Rights Guide spring 2021.indd 1 04/03/2021 13:14 Contents Highlights 4. Something Out of Place by Eimear McBride 5. The Library by Andrew Pettegree and Arthur der Weduwen 6. The Digital Silk Road by Jonathan Hillman 7. Mathematical Intelligence by Junaid Mubeen 8. Life, Edited by Matthew Cobb 9. Love and the Novel by Christina Lupton 10. Cook as You Are by Ruby Tandoh 11. In the Seeing Hands of Others by Nat Ogle 12. Nasty Little Cuts by Tina Baker Profile Books 14. What’s the Use? by Ian Stewart 15. Move! by Caroline Williams An Extra Pair of Hands by Kate Mosse 16. The Handshake by Ella Al-Shamahi Confronting Leviathan by David Runciman 17. The Disappearance of Lydia Harvey by Julia Laite Ruin & Renewal by Paul Betts 18. The War of Nerves by Martin Sixsmith How Should a Government Be? by Jaideep Prabhu 19. Out of Control by Philip Hook Five Straight Lines by Andrew Gant 20. The Colour Code by Paul Simpson Truly Peculiar by Tom Standage 21. The Economist Guide to Organisation Design (3rd edition) The Economist Guide to Commodities (2nd edition) 22. Pocket World in Figures 2022 The Economist Guide to Change and Project Management Serpent’s Tail and Viper 24. You Had It Coming by B. M. Carroll 25. The Burning Boy by Nicola White 26. Call Me Mummy by Tina Baker Souvenir Press 28. Warning by Jenny Joseph After Birth by Jessica Hatcher-Moore Contacts 30. Contact Information Rights Guide spring 2021.indd 2 04/03/2021 13:14 HIGHLIGHTS Rights Guide spring 2021.indd 3 04/03/2021 13:14 MEMOIR Something Out of Place Women & Disgust Eimear McBride A provocative, intimate essay from Eimear McBride, bestselling author of A Girl is a Half-formed Thing In her blistering non-fiction debut, Eimear McBride unpicks the contradictory forces of US disgust and objectification that control and shame women. -
The Prize for the New Novelist of the Year #Discoveradebut Desmondelliottprize.Org
The Prize for the New Novelist of the Year #DiscoverADebut DesmondElliottPrize.org “The most prestigious award for first-time novelists” - Daily Telegraph About the Prize About Desmond Elliott The Desmond Elliott Prize was founded to celebrate the best first novel by a new author and In life, Desmond Elliott incurred the wrath of Dame Edith Sitwell and the love of innumerable authors and colleagues to support writers just starting what will be long and glittering careers. It has succeeded who regarded him as simply “the best”. Jilly Cooper, Sam in its mission in a manner that would make Elliott proud. Llewelyn, Penny Vincenzi, Leslie Thomas and Candida Lycett Green are among the writers forever in his debt. So, too, Tim Rice and Andrew Lloyd Webber: if Elliott In the years since its inception, it has managed to stand Every winner since the first in 2008 has gone on to be had not introduced the aspirant lyricist and composer, the out from other prizes due to the quality of its selections, the shortlisted for, and in many cases win, other high-profile West End—and Broadway—would have been the poorer. prestige of its judges and its unusually focused shortlist— literary awards, among them the Baileys Women’s Prize only three titles make it to that stage. With judges of the for Fiction, the Man Booker Prize and the Costa First In death, Desmond Elliott continues to launch careers for calibre of Geordie Grieg, Edward Stourton, Joanne Harris, Novel Award. In less than a decade, the words ‘Winner he stipulated that the proceeds of his estate be invested in a Chris Cleave, Elizabeth Buchan and Viv Groskop, to of the Desmond Elliott Prize’ have become synonymous charitable trust that would fund a literary award “to enrich name just a few, fantastic winners have been chosen year with original, compelling writing by the most exciting the careers of new writers”, launching them on a path on after year. -
Media Manipulation and Disinformation Online Alice Marwick and Rebecca Lewis CONTENTS
Media Manipulation and Disinformation Online Alice Marwick and Rebecca Lewis CONTENTS Executive Summary ....................................................... 1 What Techniques Do Media Manipulators Use? ....... 33 Understanding Media Manipulation ............................ 2 Participatory Culture ........................................... 33 Who is Manipulating the Media? ................................. 4 Networks ............................................................. 34 Internet Trolls ......................................................... 4 Memes ................................................................. 35 Gamergaters .......................................................... 7 Bots ...................................................................... 36 Hate Groups and Ideologues ............................... 9 Strategic Amplification and Framing ................. 38 The Alt-Right ................................................... 9 Why is the Media Vulnerable? .................................... 40 The Manosphere .......................................... 13 Lack of Trust in Media ......................................... 40 Conspiracy Theorists ........................................... 17 Decline of Local News ........................................ 41 Influencers............................................................ 20 The Attention Economy ...................................... 42 Hyper-Partisan News Outlets ............................. 21 What are the Outcomes? .......................................... -
Intersectionality, Inclusion, and the Extension of Cultural Hierarchies on Emma Watson’S Feminist Book Club, ‘Our Shared Shelf’
. Volume 16, Issue 1 May 2019 Is ‘Everyone welcome’?: Intersectionality, inclusion, and the extension of cultural hierarchies on Emma Watson’s feminist book club, ‘Our shared shelf’ Melanie Ramdarshan Bold, University College London, UK Abstract: Emma Watson started Our Shared Shelf (OSS), a feminist book club, on Goodreads in 2016. Through her work on gender-equality, Watson has accumulated enough cultural capital to be viewed as a legitimate tastemaker in selecting books for a feminist audience, and fits into what Rehberg Sedo describes as the trusted other (Rehberg Sedo, 2004). However, this article argues that Watson creates cultural hierarchies, and extends her feminist brand, through her book choices and the way that she interacts with the OSS community. Despite attempts to diversify the bi-monthly book choices, there has been a preference towards English-language books written by cisgendered, middle-class, able-bodied, heterosexual, white women. Therefore, the list did not represent the international and intersectional nature of OSS: something several readers voice concern about. Additionally, this article examines how the readers’ relationship to their celebrity tastemaker reinforces hierarchies. Engaging in social media can be a performative act: users can construct an identity whilst engaging with social issues. However, there is a danger that a dominant narrative can influence identities and interpretations. Consequently, OSS replicates and upholds patterns of dominance and exclusion and is not an egalitarian space, despite -
MA Thesis Literatuur- En Cultuurkritiek, Utrecht University a Comparison
MA Thesis Literatuur- en Cultuurkritiek, Utrecht University A Comparison of the 2014 and 2015 Winners for the Man Booker Prize and the Folio Prize Fung Man 3993116 [email protected] Supervisor: Paul Franssen Second Reader: Cathelein Aaftink July 2016 Man 1 Fung Man 3993116 Dr. Arienslaan 44, 3454 XD De Meern MA Thesis British English July 2016 13.076 words Abstract This thesis is focused on how the Folio Prize was created in 2014 to challenge the Man Booker Prize, as the Folio Prize’s focus lies solely on literary fiction, while the Booker Prize is accused of being awarded to popular fiction. The winners of the 2014 and 2015 Man Booker Prize, Richard Flanagan with The Narrow Road to the Deep North and Marlon James with A Brief History of Seven Killings respectively, and the 2014 and 2015 Folio Prize winners, George Saunders with Tenth of December and Akhil Sharma with Family Life, are analysed and compared to each other. Furthermore, Ali Smith’s novel How to Be Both was shortlisted for both the Booker and the Folio Prize and thus offers a glimpse of how a novel can be considered both popular and literary. These analyses chart some contemporary literary criteria, but do not offer a template for what a literary fiction novel is nowadays. Man 2 Table of Contents 1. Introduction ............................................................................................................................ 3 2. The Legacy of Literary Awards ............................................................................................. 6 2.1. From Critic to Jury ........................................................................................................... 7 2.2. Media and Diversity ......................................................................................................... 8 2.3. Sales and Canon ............................................................................................................. 10 2.4. Literary vs. Popular Fiction ..........................................................................................