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09/26/21 HA3463 B-films and serials | readinglists@leicester

HA3463 B-films and serials View Online

Abel, Richard. (2006). Americanizing the movies and ‘movie-mad’ audiences, 1910-1914. University of California Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10132126 Abrams, Jerold J. (2007). The philosophy of Stanley Kubrick: Vol. Philosophy of popular culture. University Press of Kentucky. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10443240 Aizenberg, E. (n.d.). : The Pleasures and Perils of Postcolonial Hybridity. World Literature Today, 73(3), 461–466. http://lion.chadwyck.co.uk/searchFulltext.do?id=R01238134&divLevel=0&area=abell&for ward=critref_ft

Allain, Marcel, Souvestre, Pierre, & Ashbery, John. (2006). Fantômas: Vol. Penguin classics. Penguin Books.

Andrew, Geoff. (1998). Stranger than paradise: maverick film-makers in recent American cinema. Prion Books.

Bansak, Edmund G. (2003). Fearing the dark: the career. McFarland.

Barefoot, G. (2011). Who Watched that Masked Man? Hollywood’s Serial Audiences in the 1930S. Historical Journal of Film, Radio and Television, 31(2), 167–190. https://doi.org/10.1080/01439685.2011.572604

Beebe, Ford, Crabbe, Buster, Rogers, Jean, & Middleton, Charles. (1938). Flash Gordon’s trip to Mars: Vol. Flash Gordon. Image Entertainment.

Beebe, Ford, Goodkind, Saul A., & Crabbe, Buster. (1939). Buck Rogers. VCI Entertainment.

Beebe, Ford, Taylor, Ray, Crabbe, Buster, Hughes, Carol, & Middleton, Charles. (1940). Flash Gordon conquers the universe: Vol. Flash Gordon. Image Entertainment.

Berke, William A., Lowery, Robert, Gwynne, Anne, & Brophy, Edward. (1949). Arson Inc: Vol. Forgotten noir. Series 1. VCI Entertainment.

Berke, William A., Wade, Russ, MacDonald, Edmund, & Barnett, Vince. (1947). Shoot to kill: Vol. Forgotten noir. Series 1. VCI Entertainment.

Berra, John. (2008). Declarations of independence: American cinema and the partiality of independent production. Intellect. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=117235

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Bogdanovich, P. (1975). Edgar G. Ulmer, Chapter. In Kings of the Bs: working within the Hollywood system : an anthology of film history and criticism (pp. 377–409). E.P. Dutton & Co., Inc.

bogdanovitch, peter. (1968). Targets [DVD] [1968]. http://www.amazon.co.uk/Targets-DVD-Boris-Karloff/dp/B00018HTTG/ref=sr_1_1?s=&ie =UTF8&qid=1374767064&sr=1-1&keywords=targets

Bordwell, D. (2005). Feuillade, or Storytelling: Chapter. In Figures traced in light: on cinematic staging (pp. 43–82). University of California Press.

Britton, Andrew, & Grant, Barry Keith. (2008). Detour, Chapter. In Britton on film: the complete film criticism of Andrew Britton: Vol. Contemporary approaches to film and television series (pp. 194–205). Wayne State University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664782390002746&institutionId=2746&customerId=2745

Brooker, Will, & British Film Institute. (2009). Star Wars: Vol. BFI film classics. BFI.

Brookner, W. (1999). Batman: One Life, Many Faces: Chapter. In Adaptations: from text to screen, screen to text (pp. 185–197). Routledge.

Brook, Vincent. (2009). Driven to darkness: Jewish émigré directors and the rise of film noir . Rutgers University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10367248 Brower, Otto, Eason, Breezy, Kane, Joseph, Brannon, Fred C., Autry, Gene, Darro, Frankie, Corrigan, Ray, Wilde, Lois, Wallace, George, & Towne, Aline. (n.d.). The science fiction cliffhanger collection. Passport Video.

Buckland, W. (1998). A Close Encounter with Raiders of the Lost Ark: Notes on Narrative Aspects of the New Hollywood Blockbuster: Chapter. In Contemporary Hollywood cinema (pp. 166–177). Routledge.

Buckland, W. (2006). Serials, Chase Scenes, and Off-Screen Presences: Raiders of the Lost Ark (1981): Chapter. In Directed by Steven Spielberg: poetics of the contemporary Hollywood blockbuster (pp. 131–153). Continuum.

Burton, Tim, Depp, Johnny, Landau, Martin, & Parker, Sarah Jessica. (n.d.). . Touchstone Home Entertainment.

Butler, K. J. (2002). Irma Vep, Vamp in the City: Mapping the Criminal Feminine in Early French Serials: Chapter. In A feminist reader in early cinema: Vol. Camera obscura book (pp. 195–220). Duke University Press.

Callaghan, V. (n.d.). Sight & Sound | The Innovators 1910-1920: Detailing The Impossible. http://old.bfi.org.uk/sightandsound/feature/154

Callahan, Vicki. (2005). Zones of anxiety: movement, Musidora, and the crime serials of Louis Feuillade: Vol. Contemporary approaches to film and television series. Wayne State University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664141030002746&institutionId=2746&customerId=2745

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Canjels, R. (2010). Seriality Unbound: Distributing silent film serials: local practices, changing forms, cultural transformation. In Distributing silent film serials: local practices, changing forms, cultural transformation: Vol. Routledge advances in film studies (pp. 5–23). Routledge.

Cantor, P. A. (2006). Film Noir and the Frankfurt School: America as Wasteland in Edgar Ulmer’s Detour: Chapter. In The philosophy of film noir (pp. 139–162). University Press of Kentucky. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10438034 Carradine, David, Stallone, Sylvester, Bartel, Paul, & Corman, Roger. (1975). Death race 2000. Optimum Home Releasing.

Castle, William, Hunter, Kim, & Mitchum, Robert. (1944). Betrayed: Vol. Archive collection. Warner Bros.

Caughie, John. (1981). Theories of authorship: a reader: Vol. British Film Institute. Routledge in association with the British Film Institute.

Chapman, J. (2009). Calling Dr Jones: Raiders of the Lost Ark (1981): Chapter. In Projecting empire: imperialism and popular cinema: Vol. Cinema and society series (pp. 169–188). I. B. Tauris. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10359149 Charles Scruggs. (2004). The Pastoral and the City in Carl Franklin’s ‘One False Move’. African American Review, 38(2), 323–334. http://www.jstor.org/stable/1512294?&Search=yes&searchText=%2522one+false+move% 2522&list=hide&searchUri=%252Faction%252FdoBasicSearch%253FQuery%253D%25252 2one%252Bfalse%252Bmove%252522%2526acc%253Don%2526wc%253Don%2526fc%2 53Doff&prevSearch=&item=2&ttl=116&returnArticleService=showFullText

Chion, Michel. (2001). Kubrick’s cinema odyssey. British Film Institute.

Cholodenko, A. (n.d.). The ‘ABCs’ of B, or: to B and not to B: Article. Film-Philosophy. http://www.film-philosophy.com/index.php/f-p/article/view/102

Cline, William C. (1994). Serials-ly speaking: essays on cliffhangers. McFarland.

Cline, William C. (1998). In the nick of time: motion picture sound serials. McFarland.

Cocks, Geoffrey. (2004). The wolf at the door: Stanley Kubrick, history, and the Holocaust: Vol. Contemporary film, television, and video. Peter Lang.

Cook, P. (1976). Film Culture: ‘Exploitation’ films and feminism. Screen, 17(2), 122–127. https://doi.org/10.1093/screen/17.2.122

Cooling, C. (2003). Ed Wood, and the Limits of Foucauldian Discourse: Chapter. In Horror at the drive-in: essays in popular Americana (pp. 141–154). McFarland & Co.

Corman, Roger, Birch, Paul, & Garland, Beverly. (1957). Not of this earth. In2film.

Corman, Roger, Bronson, Charles, Cabot, Susan, & Amsterdam, Morey. (1958). Machine-gun Kelly. Umbrella Entertainment.

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Corman, Roger, & Jerome, Jim. (1998). How I made a hundred movies in Hollywood and never lost a dime. Da Capo Press.

Corman, Roger, Lund, John, & Malone, Dorothy. (1955). Five guns west. MGM.

Corman, Roger, & Nasr, Constantine. (2011). : interviews: Vol. Conversations with filmmakers series. University Press of Mississippi.

Craig, Rob. (2009). Ed Wood, mad genius: a critical study of the films. McFarland & Co.

Creeber, Glen. (2004). Serial television: big drama on the small screen. BFI Publishing.

Cull, N., & Chapman, J. (2012). No Time for Sorrow: Star Wars (1977): Projecting tomorrow: science fiction and popular cinema. In Projecting tomorrow: science fiction and popular cinema (pp. 161–179). I.B. Tauris.

Dahlquist, Marina. (2013). Exporting perilous Pauline: Pearl White and craze. University of Illinois Press.

Davis, B. (2008). Small Screen, Smaller Pictures: Television Broadcasting And B-Movies In The Early 1950s. Historical Journal of Film, Radio and Television, 28(2), 219–238. https://doi.org/10.1080/01439680802077279

Davis, B. (2012). Notes from the Underground: The Legacy of the 1950s B-Movie: Chapter. In The battle for the Bs: 1950s Hollywood and the rebirth of low-budget cinema (pp. 201–215). Rutgers University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664782360002746&institutionId=2746&customerId=2745

Davis, Blair. (2012). The battle for the Bs: 1950s Hollywood and the rebirth of low-budget cinema. Rutgers University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5663961130002746&institutionId=2746&customerId=2745

De Palma, Brian, De Niro, Robert, Warden, Jonathan, & Graham, Gerrit. (1968). Greetings. Cinema Club.

Dexter, Maury, Corman, Roger, Fonda, Peter, Sinatra, Nancy, Slate, Jeremy, & Roarke, Adam. (1966). ‘’ and ‘Hell’s belles’: Vol. Midnite movies. MGM.

Dimendberg, Edward. (2004). Film noir and the spaces of modernity. Harvard University Press.

Dixon, Wheeler Winston. (2005). Lost in the fifties: recovering phantom Hollywood. Southern Illinois University Press.

Dixon, W. W. (2005). An Interview with Monte Hellmann. Quarterly Review of Film and Video, 22(3), 263–275. https://doi.org/10.1080/10509200490474537

Dmytryk, E. (1943). The Falcon Strikes Back.

Doherty, Thomas Patrick. (2002). Teenagers and teenpics: the juvenilization of American

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movies in the 1950s (Rev. and expanded ed). Temple University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10397268 Doty, A., & Ingham, P. C. (2004). The ‘Evil Medieval’: Gender, Sexuality, Miscegenation in Cat People: Chapter. In Bad: infamy, darkness, evil, and slime on screen: Vol. SUNY series, cultural studies in cinema/video (pp. 225–237). State University of New York Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664782350002746&institutionId=2746&customerId=2745

Eason, Breezy, Brower, Otto, Autry, Gene, & Darro, Frankie. (1935). . VCI entertainment.

Eco, U. (1990). Interpreting Serials: The limits of interpretation. In The limits of interpretation: Vol. Advances in semiotics (pp. 83–100). Indiana University Press.

England, M. (2006). Breached Bodies and Home Invasions: Horrific representations of the feminized body and home. Gender, Place and Culture: A Journal of Feminist Geography, 13 (4), 353–363. https://doi.org/10.1080/09663690600808452

English, John, Witney, William, & Hadley, Reed. (1939). Zorro’s fighting legion (Studio Roan edition). Studio Roan.

Enstad, N. (1995). Dressed for Adventure: Working Women and Silent Movie Serials in the 1910s. Feminist Studies, 21(1). https://doi.org/10.2307/3178317

Erickson, G. (2004). Fate Seeks the Loser: Edgar G. Ulmer’s Detour (1945): Chapter. In Film noir reader 4: the crucial films and themes (pp. 25–31). Limelight Editions.

Ezra, E. (2006). The case of the phantom fetish: Louis Feuillade’s Les Vampires. Screen, 47 (2), 201–211. https://doi.org/10.1093/screen/hjl016

Farber, M. (14 C.E.). Eulogy on Val Lewton. Val Lewton B Unit | Manny Farber Eulogy on Lewton; Nation. http://www.lewtonsite.com/articles-eulogy-manny-farber.php

Feuillade, Louis, Bréon, Edmond, Navarre, René, Allain, Marcel, & Souvestre, Pierre. (n.d.). Fantômas: Vol. Artificial eye. [Artificial eye].

Feuillade, Louis, Cresté, René, Musidora, Leubas, Louis, Mathé, Édouard, & Israel, Robert. (1916). Judex: Vol. Flicker Alley collection (Deluxe edtion). Flicker Alley.

Feuillade, Louis, Mathé, Édouard, & Musidora. (1915a). Les vampires: Disc 1: Episodes 1-5: Vol. Artificial eye. Artificial Eye.

Feuillade, Louis, Mathé, Édouard, & Musidora. (1915b). Les vampires: Disc 2: Episodes 6-8: Vol. Artificial eye. Artificial Eye.

Feuillade, Louis, Mathé, Édouard, & Musidora. (1915c). Les vampires: Disc 3: Episodes 9-10 [plus short films]: Vol. Artificial eye. Artificial Eye.

Field, Amanda J. (2009). England’s secret weapon: the war time films of Sherlock Holmes. Middlesex University Press.

Finkelstein, Haim N. (2007). The screen in surrealist art and thought. Ashgate.

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Flynn, C., & McCarthy, T. (1975). The Economic Imperative: why was the necessary? In Kings of the Bs: working within the Hollywood system : an anthology of film history and criticism (pp. 13–43). E.P. Dutton & Co., Inc.

Foch, Nina, & Lewis, Joseph H. (1945). My name is Julia Ross: Vol. Columbia Pictures film noir classics. Sony Pictures Home Entertainment.

Fonda, Peter, Strasberg, Susan, Dern, Bruce, Hopper, Dennis, Nicholson, Jack, & Corman, Roger. (1967). The trip. MGM Home Entertainment.

Foster, G. A. (2008). The Corruption of the Family and the Disease of Whiteness in I Walked with a Zombie. In A family affair: cinema calls home (pp. 149–159). Wallflower.

Fox, W., Lugosi, Bela, Walters, Luana, & Coffin, Tristram. (1942). The case of the missing brides. Marengo Films.

Franju, Georges, Pollock, Channing, Bergé, Francine, Hunnicutt, Gayle, & Champreux, Jacques. (1963). Judex / Nuits rouges: Vol. Masters of cinema. Eureka entertainment.

Franklin, C. (1992). One False Move [DVD]. http://www.amazon.co.uk/One-False-Move-Bill-Paxton/dp/B00004W4GU/ref=sr_1_1?s=dvd &ie=UTF8&qid=1371041659&sr=1-1&keywords=one+false+move

Fraser, Harry L., Wayne, John, Vaughn, Alberta, & Hayes, George. (1934). Randy rides alone: Vol. John Wayne collection. Stonevision Entertainment.

Friedman, Lester D. (2006). Citizen Spielberg. University of Illinois Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5663611250002746&institutionId=2746&customerId=2745

Fujiwara, Chris. (2000). : the cinema of nightfall. John Hopkins University Press.

Gabrielle, A. (2009). Sensationalism and the early history of film: From Magic Lantern to the Early Silent Fillm Serial Drama of Louis Feuillade:: Chapter. In Reading popular culture in victorian print: Belgravia and sensationalism: Vol. Nineteenth century major lives and letters (pp. 111–137). Palgrave Macmillan. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664952360002746&institutionId=2746&customerId=2745

Gallagher, T. (2001). All Lost in Wonder: Edgar G. Ulmer, Article. Screening the Past, 12. http://tlweb.latrobe.edu.au/humanities/screeningthepast/firstrelease/fr0301/tgafr12a.htm Gates, P. (2006). Investigating National Heroes: British Sleuths and American Dicks. In Detecting men: masculinity and the Hollywood detective film: Vol. SUNY series, cultural studies in cinema/video (pp. 55–94). State University of New York Press.

Georgakas, Dan. (1998). The beloved Bs. Cineaste, 23(4), 54–55. http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505721267&site=ehost-l ive

George-Warren, Holly. (2007). Public cowboy no. 1: the life and times of . Oxford University Press.

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http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10199659 Giddings, Robert, & Selby, Keith. (2001). The classic serial on television and radio. Palgrave.

Glancy, H. Mark. (1999). When Hollywood loved Britain: the Hollywood ‘British’ film 1939-1945. Manchester University Press.

Gomery, D. (1996). The Economics of the . In Horror films: current research on audience preferences and reactions: Vol. LEA’s communication series (pp. 49–62). Lawrence Erlbaum Associates.

Gomery, D. (2005). The Minors: Universal, Columbia and , plus the B-Film Factories. In The Hollywood studio system: a history ([New ed.], pp. 157–174). BFI.

Grant, Barry Keith. (2008). Auteurs and authorship: a film reader. Blackwell Pub.

Grinde, N. (1977). Pictures for Peanuts: Chapter. In Hollywood directors, 1941-1976 (pp. 56–57). Oxford University Press.

Gwenda Young. (1998). The Cinema of Difference: Jacques Tourneur, Race and ‘I Walked with a Zombie’ (1943). Irish Journal of American Studies, 7, 101–119. http://www.jstor.org/stable/30002409

Hagedorn, R. (1995). Doubtless to be continued: A brief history of serial narrative: Chapter. In To be continued: soap operas around the world (pp. 27–48). Routledge. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664782280002746&institutionId=2746&customerId=2745

Halperin, Victor, Lugosi, Bela, Bellamy, Madge, & Cawthorn, Joseph. (1932). White zombie. Brightspark.

Hammond, Paul. (2000). The shadow and its shadow: surrealist writings on the cinema (3rd ed., rev. and expanded). City Lights Books.

Hanson, Helen. (2007). Hollywood heroines: women in film noir and the female gothic film. I.B. Tauris. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10254893 Harper, Graeme, & Stone, Rob. (2007). The unsilvered screen: surrealism on film. Wallflower.

Harrigan, Pat, & Wardrip-Fruin, Noah. (2009). Third person: authoring and exploring vast narratives. MIT Press.

Harvey, Herk, & Hilligoss, Candace. (1962). Carnival of souls: Vol. Criterion collection. Criterion.

Havis, A. (2008a). Glen or Glenda: Chapter. In Cult films: taboo and transgression : a select survey over 9 decades. University Press of America.

Havis, A. (2008b). I Walked with a Zombie. In Cult films: taboo and transgression : a select survey over 9 decades (pp. 26–28). University Press of America.

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Hayes, R. M. (2000). The Republic chapterplays: a complete filmography of the serials released by Corporation, 1934-1955. McFarland.

Hayward, Jennifer. (1997). Consuming pleasures: active audiences and serial fictions from Dickens to the soap opera. University Press of Kentucky. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5661322520002746&institutionId=2746&customerId=2745

Hayward, S. (2005). Magical Moments of Musical Silence: French Cinema’s Classical Age, 1895-1929: Chapter. In French national cinema: Vol. National cinemas series (2nd ed, pp. 76–122). Routledge.

Heffelfinger, E., & Wright, L. (2011). The New Voy(age)uer: White Women, Black Bodies and the Spectacle of Sexual Abandon. In Visual difference: postcolonial studies and intercultural cinema: Vol. Framing film (pp. 98–125). Peter Lang.

Hellman, M. (1965). Ride In The Whirlwind.

Hellman, M. (1996). The Shooting. http://www.moviemail.com/film/21496/The-Shooting-/

Herzogenrath, Bernd. (2009). The films of Edgar G. Ulmer. Scarecrow Press, Inc. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664013720002746&institutionId=2746&customerId=2745

Hills, M. (2002). Fan Cultures between Community and Hierarchy: Chapter. In Fan cultures: Vol. Sussex studies in culture and communication (pp. 46–64). Routledge. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664733030002746&institutionId=2746&customerId=2745

Hirsch, F. (n.d.). Black Noir: Chapter. In Detours and lost highways: a map of neo-noir ([1st Limelight ed.], pp. 289–304). Limelight Editions.

Hoberman, J. (1991). Bad Movies: Chapter. In Vulgar modernism: writing on movies and other media: Vol. Culture and the moving image (pp. 13–25). Temple University Press.

Hoberman, J., & Rosenbaum, Jonathan. (1991). Midnight movies: Vol. Da Capo paperback. Da Capo Press.

Hooper, Tobe, Burns, Marilyn, & Hansen, Gunnar. (1974). The Texas chainsaw massacre (Original uncut edition). Universal.

Hughes, Linda K., & Lund, Michael. (1991). The Victorian serial: Vol. Victorian literature and culture. University Press of Virginia.

Humphries, R. (2002). Val Lewton Productions. In The American horror film: an introduction (pp. 40–55). Edinburgh University Press.

Hunter, I. Q. (2013). British trash cinema. British Film Institute.

Hurst, Richard Maurice. (2007). Republic Studios: between poverty row and the majors (Updated ed). Scarecrow Press.

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Huyck, Willard, Greer, Michael, & Hill, Marianna. (1973). Messiah of evil: the second coming (35th anniversary special edition). Code Red.

Ingster, Boris, Lorre, Peter, & McGuire, John. (1940). Stranger on the third floor: Vol. Archive collection (Remastered edition).

Ireland, John, Sampson, Edward, Corman, Roger, Malone, Dorothy, & Carlisle, Bruce. (1955). The fast and the furious: Vol. Film noir thrillers. Siren.

Isenberg, Noah William, & Ulmer, Edgar G. (2008). Detour: Vol. BFI film classics. BFI book published by Palgrave Macmillan.

Jacobs, L. (1992). The B film and the problem of cultural distinction. Screen, 33(1), 1–13. https://doi.org/10.1093/screen/33.1.1

Jancovich, M. (2002). CULT FICTIONS: CULT MOVIES, SUBCULTURAL CAPITAL AND THE PRODUCTION OF CULTURAL DISTINCTIONS. Cultural Studies, 16(2), 306–322. https://doi.org/10.1080/09502380110107607

Jancovich, Mark. (1996). Rational fears: American horror in the 1950s. Manchester University Press.

Jancovich, Mark. (2003). Defining cult movies: the cultural politics of oppositional taste: Vol. Inside popular film. Manchester University Press.

Jarmusch, Jim, Lurie, John, Balint, Eszter, Parker, Chris, Gastil, Leila, Andrew, Geoff, & Hoberman, J. (1984). Stranger than paradise: Vol. Criterion collection. Criterion collection.

Jenkins, Garry. (1998). Empire building: the remarkable, real-life story of Star Wars. Simon & Schuster.

Jewell, R. B. (1994). RKO Film Grosses, 1929-1951: The C. J. Tevlin Ledger. Historical Journal of Film, Radio and Television, 14(1), 37–49. https://doi.org/10.1080/01439689400260031

Jones, K. (2004). ‘The Cylinders Were Whispering My Name’: The Films of Monte Hellman. In The last great American picture show: new Hollywood cinema in the 1970s (pp. 165–194). Amsterdam University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664733140002746&institutionId=2746&customerId=2745

Kael, P. (n.d.). Trash, Art, and the Movies. http://www.paulrossen.com/paulinekael/trashartandthemovies.html

Kalat, D. (2009). The Long Arm of Fantomas: Chapter. In Third person: authoring and exploring vast narratives (pp. 211–224). MIT Press.

Keil, Charlie, & Singer, Ben. (2009). American cinema of the 1910s: themes and variations: Vol. Screen decades. Rutgers University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10281504 Kerr, P. (1983). My Name Is Joseph H Lewis. Screen, 24(4-5), 48–67.

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https://doi.org/10.1093/screen/24.4-5.48

Kerr, P. (1986). Out of What Past: Notes on the B-Film Noir: Chapter. In The Hollywood film industry: a reader: Vol. BFI readers in film studies (pp. 220–246). Routledge & Kegan Paul in association with the British Film Institute.

King, Geoff. (2000). Spectacular narratives: Hollywood in the age of the blockbuster. I.B. Tauris. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10133070 King, Geoff. (2005). American independent cinema. Indiana University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10132973 King, Geoff, Molloy, Claire, & Tzioumakis, Yannis. (2012). American independent cinema: indie, indiewood and beyond. Routledge. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664089600002746&institutionId=2746&customerId=2745

Kinnard, Roy. (1998). Science fiction serials: a critical filmography of the 31 hard SF cliffhangers : with an appendix of the 37 serials with slight SF content. McFarland.

Kinnard, Roy, Crnkovich, Tony, & Vitone, R. J. (2011). The Flash Gordon serials, 1936-1940: a heavily illustrated guide. McFarland.

Kleinmans, C. (1998). Independent Features, Hopes and Dreams: Chapter. In The new American cinema (pp. 307–327). Duke University Press.

Klinger, B. (1984). ‘Cinema/Ideology/Crititicism’ Revisited: The Progressive Text. Screen, 25 (1), 30–44. https://doi.org/10.1093/screen/25.1.30

Kolker, Robert Phillip. (2000). A cinema of loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman (3rd ed). Oxford University Press.

Kramer, P. (2012). The limits of autonomy: Stanley Kubrick, Hollywood and independent filmmaking, 1950-1953. In American independent cinema: indie, indiewood and beyond (pp. 153–164). Routledge. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5665081770002746&institutionId=2746&customerId=2745

Krutnik, F. (1997). Something More Than Night: Tales of the Noir City: Chapter. In The cinematic city (pp. 83–109). Routledge.

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Kubrick, Stanley, Silvera, Frank, Smith, Jamie, & Kane, Irene. (2011). Killer’s kiss: Vol. Criterion Collection. Criterion.

Kubrick, Stanley, White, Lionel, Hayden, Sterling, Gray, Coleen, & Edwards, Lionel. (1956). The killing: Vol. Criterion Collection. Criterion.

Kuhn, A. (2002). Jam Jars and Cliffhangers: Chapter. In An everyday magic: cinema and cultural memory: Vol. Cinema and society. I.B. Tauris.

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Kuhn, A. (2007). Universal. In The cinema book (3rd ed, pp. 42–44). British Film Institute.

Kuhn, Annette. (1995). Queen of the ‘B’s: Ida Lupino behind the camera: Vol. Cinema voices. Flicks Books.

Lambert, J. (2009). ‘Wait for the Next Pictures’: Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips. Cinema Journal, 48(2), 3–25. https://doi.org/10.1353/cj.0.0076

Lanfield, Sidney, Greene, Richard, Rathbone, Basil, Barrie, Wendy, Bruce, Nigel, & Doyle, Arthur Conan. (1939). The hound of the Baskervilles: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.

Lee, Spike, & Johns, Tracy Camilla. (1986). She’s gotta have it. MGM.

Levine, Lawrence W. (1988). Highbrow/lowbrow: the emergence of cultural hierarchy in America: Vol. William E. Massey, Sr. lectures in the history of American civilization. Harvard University Press. http://site.ebrary.com/lib/leicester/Doc?id=10314334

Levy, Emanuel. (1999). Cinema of outsiders: the rise of American independent film. New York University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10032497 Lewis, J. H. (1942). The Silver Bullet.

Lewis, Joseph H., Conway, Tom, Armstrong, Robert, & Brophy, Edward. (1945). The Falcon in San Francisco: Vol. Hollywood Studio Collection. Odeon Entertainment.

Lewis, Joseph H., Kantor, MacKinlay, Trumbo, Dalton, Cummins, Peggy, & Dall, John. (1949). Gun crazy. Warner Home Entertainment.

Lewis, Joseph H., Lugosi, Bela, Young, Polly Ann, & McGuire, John. (1941). Invisible ghost. Marengo Films.

Lewton, Val, Nasr, Constantine, Conway, Tom, & Brooks, Jean. (1943). : Vol. Val Lewton horror collection. /Warner .

Loock, Kathleen, & Verevis, Constantine. (2012). Film remakes, adaptations and fan productions: remake/remodel. Palgrave Macmillan.

Lucas, George, Hamill, Mark, Ford, Harrison, & Fisher, Carrie. (1997). Star wars: Vol. Star wars trilogy ([Special edition]). 20th Century Fox.

Lugosi, Bela, Herman, Albert, & Clark, Colbert. (1933). : Vol. Classic movie serials. .

Lynch, David, Nance, Jack, Stewart, Charlotte, & Near, Laurel. (1977). Eraserhead. Universal.

Mann, Anthony, Ireland, John, Ryan, Sheila, & Beaumont, Hugh. (1947). Railroaded: Vol. Noir : the dark side of Hollywood. Kino on video.

Manthia Diawara. (1993). Noir by Noirs: Towards a New Realism in Black Cinema. African

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Mark L. Berrettini. (2001). Bad Blood: Epistemological Conflict, the Color Line, and ‘One False Move’. Journal of Narrative Theory, 31(1), 106–128. http://www.jstor.org/stable/30225755?&Search=yes&searchText=%2522one+false+move %2522&list=hide&searchUri=%252Faction%252FdoBasicSearch%253FQuery%253D%252 522one%252Bfalse%252Bmove%252522%2526acc%253Don%2526wc%253Don%2526fc %253Doff&prevSearch=&item=1&ttl=116&returnArticleService=showFullText

Marks, Martin, Simmon, Scott, & National Film Preservation Foundation (United States). (1915). Hazards of Helen, Episode 26: More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks]. In More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks]. National Film Preservation Foundation.

Marlow-Mann, A. (2002). British Series and Serials in the Silent Era: Chapter. In Young and innocent?: the cinema in Britain, 1896-1930: Vol. Exeter studies in film history (pp. 147–161). University of Exeter Press.

MARY BETH HARALOVICH. (1979). Sherlock Holmes: Genre and Industrial Practice. Journal of the University Film Association, 31(2), 53–57. http://www.jstor.org/stable/20687476

Mason, Fran. (2011). Hollywood’s detectives: crime series in the 1930s and 1940s from the whodunnit to hardboiled noir: Vol. Crime files. Palgrave Macmillan. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5663395810002746&institutionId=2746&customerId=2745

Mather, P. D. (2006). Stanley Kubrick: Photography and Film. Historical Journal of Film, Radio and Television, 26(2), 203–214. https://doi.org/10.1080/01439680600691719

Mather, Philippe. (2013). Stanley Kubrick at Look magazine: authorship and genre in photojournalism and film. Intellect. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664316270002746&institutionId=2746&customerId=2745

Mathijs, Ernest, & Mendik, Xavier. (2008). The cult film reader. Open University Press.

Mathijs, Ernest, & Sexton, Jamie. (2011). Cult cinema: an introduction. John Wiley & Sons Ltd. http://site.ebrary.com/lib/leicester/Doc?id=10575561

Mayer, R. (2012). Image power: seriality, iconicity and The Mask of Fu Manchu. Screen, 53 (4), 398–417. https://doi.org/10.1093/screen/hjs036

Mayer, Ruth. (2013). Serial Fu Manchu: the Chinese supervillain and the spread of Yellow Peril ideology: Vol. Asian American History and Culture. Temple University Press.

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McBride, Joseph. (2010). Steven Spielberg: a biography (2nd ed). University Press of Mississippi. http://site.ebrary.com/lib/leicester/Doc?id=10463162

Meisel, M. (1975). Edgar Ulmer: the Primacy of the Visual: Chapter. In Kings of the Bs: working within the Hollywood system : an anthology of film history and criticism (pp. 147–152). E.P. Dutton & Co., Inc.

Mendik, Xavier, & Schneider, Steven Jay. (2002). Underground U.S.A.: filmmaking beyond the Hollywood canon: Vol. AlterImage. Wallflower Press.

Miller, Michael, Demme, Jonathan, Corman, Roger, Mimieux, Yvette, Jones, Tommy Lee, Carradine, Robert, Brown, Juanita, Collins, Roberta, & Gavin, Erica. (n.d.). Jackson County Jail, and Caged heat: Vol. Roger Corman’s cult classics. Shout! Factory.

Morris, Nigel. (2007). The cinema of Steven Spielberg: empire of light: Vol. Directors’ cuts. Wallflower.

Nanette L. Fornabai. (2005). Criminal Factors: ‘Fantômas’, Anthropometrics, and the Numerical Fictions of Modern Criminal Identity. Yale French Studies, 108, 60–73. http://www.jstor.org/stable/4149298

Naremore, J. (2008). Low is High: Budgets and Critical Discrimination. In More than night: film noir in its contexts (Updated and expanded ed, pp. 136–166). University of California Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664682220002746&institutionId=2746&customerId=2745

Naremore, James, & British Film Institute. (2007). On Kubrick. British Film Institute.

Nasr, Constantine. (2005). Shadows in the Dark: The Val Lewton Legacy: Vol. Val Lewton horror collection. Turner Entertainment/Warner Home Video.

Neill, Roy William, Rathbone, Basil, Bruce, Nigel, Atwill, Lionel, & Doyle, Arthur Conan. (1943). Sherlock Holmes and the secret weapon: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.

Neill, Roy William, Rathbone, Basil, Bruce, Nigel, Brooke, Hillary, Daniell, Henry, & Doyle, Arthur Conan. (1945). The woman in green: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.

Neill, Roy William, Rathbone, Basil, Bruce, Nigel, Daniell, Henry, Zucco, George, & Doyle, Arthur Conan. (1943). Sherlock Holmes in Washington: Vol. Sherlock Holmes : the definitive collection. Orbit Media Ltd.

Neill, Roy William, Rathbone, Basil, Bruce, Nigel, Hamer, Gerald, Cavanagh, Paul, & Doyle, Arthur Conan. (1944). The scarlet claw: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.

Neill, Roy William, Rathbone, Basil, Bruce, Nigel, Hoey, Dennis, Ankers, Evelyn, & Doyle, Arthur Conan. (1944). The pearl of death: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.

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Neill, Roy William, Rathbone, Basil, Bruce, Nigel, Hoey, Dennis, Margetson, Arthur, & Doyle, Arthur Conan. (1943). Sherlock Holmes faces death: Vol. Sherlock Holmes : the definitive collection. Orbit Media Ltd.

Neill, Roy William, Rathbone, Basil, Bruce, Nigel, Mather, Aubrey, Hoey, Dennis, & Doyle, Arthur Conan. (1945). The house of fear: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.

Neill, Roy William, Rathbone, Basil, Bruce, Nigel, Morison, Patricia, Bréon, Edmond, & Doyle, Arthur Conan. (1946). Dressed to kill: Vol. Sherlock Holmes : the definitive collection . Optimum Home Entertainment.

Neill, Roy William, Rathbone, Basil, Bruce, Nigel, Riordan, Marjorie, Ivan, Rosalind, & Doyle, Arthur Conan. (1945). Pursuit to Algiers: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.

Neill, Roy William, Rathbone, Basil, Bruce, Nigel, Sondergaard, Gale, Hoey, Dennis, Doyle, Arthur Conan, & Doyle, Arthur Conan. (1944). The spider woman: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.

Neill, Roy William, Rathbone, Basil, Mowbray, Alan, Hoey, Dennis, Bruce, Nigel, & Doyle, Arthur Conan. (1946). Terror by night: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.

Nemerov, Alexander. (2005). Icons of grief: Val Lewton’s home front pictures. University of California Press.

Nevins, Francis M. (1998). Joseph H. Lewis: overview, interview, and filmography: Vol. Filmmakers series. The Scarecrow Press.

Newman, K. (1996). Exploitation and the Mainstream: Chapter. In The Oxford history of world cinema (pp. 509–515). Oxford University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664782330002746&institutionId=2746&customerId=2745

Newman, Kim. (1999). Cat people: Vol. BFI film classics. British Film Institute.

Newman, Michael Z. (2011). Indie: an American film culture: Vol. Film and culture. Columbia University Press. http://site.ebrary.com/lib/leicester/Doc?id=10457811

Noah Isenberg. (2004). Perennial Detour: The Cinema of Edgar G. Ulmer and the Experience of Exile. Cinema Journal, 43(2), 3–25. http://www.jstor.org/stable/1225912

Nochimson, Martha P. (2006). Val Lewton at RKO: The Social Dimensions of Horror. Cineaste, 31(4), 9–17. http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505185591&site=ehost-l ive

O’Keefe, Dennis, Dix, Richard, Tourneur, Jacques, Robson, Mark, & Lewton, Val. (1943). The leopard man: Vol. Val Lewton horror collection. Turner Entertainment/Warner Home Video.

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Okuda, Ted. (1989). Grand National, Producers Releasing Corporation, and Screen Guild/Lippert: complete filmographies with studio histories. McFarland & Co.

Pitts, Michael R. (1997). Poverty row studios, 1929-1940: an illustrated history of 53 independent film companies, with a filmography for each. McFarland.

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Rawlins, John, Rathbone, Basil, Bruce, Nigel, Ankers, Evelyn, Denny, Reginald, & Doyle, Arthur Conan. (1942). Sherlock Holmes and the voice of terror: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.

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Rhodes, Gary Don. (2008). Edgar G. Ulmer: detour on poverty row. Lexington Books. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=256129

Richardson, M. (2010). The Myth of the Zombie. In Otherness in Hollywood cinema (pp. 121–136). Continuum. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5665081740002746&institutionId=2746&customerId=2745

Robert S. Birchard. (1995). Edward D. Wood, Jr.: Some Notes on a Subject for Further Research. Film History, 7(4), 450–455. http://www.jstor.org/stable/3815384

Robson, Mark, Drew, Ellen, Cramer, Marc, Karloff, Boris, & Lewton, Val. (1945). Isle of the dead and ‘Bedlam’: Vol. Val Lewton horror collection. Turner Entertainment/Warner Home Video.

Robson, Mark, & Lewton, Val. (1943). : Vol. Val Lewton horror collection. Turner Entertainment/Warner Home Video.

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Lugosi, Bela, Atwill, Lionel, Carradine, John, & Poe, Edgar Allan. (n.d.). Universal horror: classic movie archive. Universal.

Romero, George A., & Jones, Duane. (1968). Night of the living dead (30th anniversary edition). .

Rothman, Stephanie, Blodgett, Michael, & Miles, Sherry. (1971). The velvet vampire. Cheezy Flicks Entertainment.

Rubin, Martin. (1999). Thrillers: Vol. Genres in American cinema. Cambridge University Press.

Sarris, Andrew. (1996). The American cinema: directors and directions, 1929-1968. Da Capo Press.

Schaefer, Eric. (1999). ‘Bold! Daring! Shocking! True!’: a history of exploitation films, 1919-1959. Duke University Press.

Schatz, T. (1997). Duals, Bs, and the Industry Discourse about its Audience. In Boom and bust: American cinema in the 1940s: Vol. History of the American cinema (pp. 72–78). University of California Press.

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Schwartz, R. (2001). Detour (1945, 1992): Chapter. In Noir, now and then: film noir originals and remakes, (1944-1999): Vol. Contributions to the study of popular culture (pp. 13–16). Greenwood Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664782380002746&institutionId=2746&customerId=2745

Sconce, J. (1995). ‘Trashing’ the academy: taste, excess, and an emerging politics of cinematic style. Screen, 36(4), 371–393. https://doi.org/10.1093/screen/36.4.371

Sconce, Jeffrey. (2007). Sleaze artists: cinema at the margins of taste, style, and politics. Duke University Press.

Scorsese, Martin, Reitman, Ben L., Hershey, Barbara, Carradine, David, & Corman, Roger. (1972). Boxcar Bertha. MGM Entertainment.

Scott Higgins. (2008). Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film. Cinema Journal, 47(2), 74–96. http://www.jstor.org/stable/30137703

Sears, F. (1956). Earth vs. the Flying Saucers DVD.

Seed, David. (1999). American science fiction and the Cold War: literature and film. Edinburgh University Press.

Siegel, Joel E., & British Film Institute. (1972). Val Lewton: the reality of terror: Vol. Cinema one. Secker and Warburg in association with the British Film Institute.

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Silver, Alain, & Ursini, James. (2006). Roger Corman: metaphysics on a shoestring. Silman-James Press.

Singer, Ben. (2001). Melodrama and modernity: early sensational cinema and its contexts: Vol. Film and culture. Columbia University Press.

Smith, Kevin, O’Halloran, Brian, Anderson, Jeff, & Ghigliotti, Marilyn. (1994). Clerks. Miramax.

Smith, Sarah J. (2005). Children, cinema and censorship: from Dracula to the Dead End Kids: Vol. Cinema and society series. I. B. Tauris. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10132995 Soister, John T. (n.d.). Of gods and monsters: a critical guide to Universal Studios’ science fiction, horror and mystery films, 1929-1939. McFarland & Co Inc.

Spielberg, Steven, Ford, Harrison, Allen, Karen, Rhys-Davies, John, Elliott, Denholm, & George, Lucas. (1981). Indiana Jones and the raiders of the lost Ark (Special edition). Lucasfilm/Paramount.

Spielberg, Steven, Ford, Harrison, Blanchett, Cate, Allen, Karen, LaBeouf, Shia, Winstone, Ray, Hurt, John, Broadbent, Jim, & Lucas, George. (n.d.). Indiana Jones and the kingdom of the crystal skull (Special edition). Lucasfilm/Paramount.

Spielberg, Steven, Ford, Harrison, Capshaw, Kate, Quan, Jonathan Ke, & Lucas, George. (n.d.). Indiana Jones and the temple of doom (Special edition). Lucasfilm/Paramount.

Spielberg, Steven, Ford, Harrison, Connery, Sean, Elliott, Denholm, Doody, Alison, Rhys-Davies, John, Phoenix, River, & Lucas, George. (n.d.). Indiana Jones and the last crusade (Special edition). Lucasfilm/Paramount.

Stamp, S. (2004). An awful struggle between love and ambition: Serial heroines, Serial Stars and their female fans: Chapter. In The silent cinema reader (pp. 210–225). Routledge.

Stamp, Shelley. (2000). Movie-struck girls: women and motion picture culture after the nickelodeon. Princeton University Press.

Stapleton, Alex. (2012). Corman’s world: exploits of a Hollywood rebel. Anchor Bay.

Stephani, Frederick, Crabbe, Buster, Rogers, Jean, & Middleton, Charles. (1936). Flash Gordon: Vol. Flash Gordon. Image Entertainment.

Stevens, Brad. (2003). Monte Hellman: his life and films. McFarland & Co.

Stevenson, Jack. (2003). Land of a thousand balconies: discoveries and confessions of a B-movie archeologist: Vol. Critical vision book. Headpress/Critical Vision.

Tarantino, Quentin, Keitel, Harvey, Roth, Tim, Penn, Christopher, Buscemi, Steve, Tierney, Lawrence, & Madsen, Michael. (1992). Reservoir dogs. Momentum Pictures.

Tarantino, Quentin, Rodriguez, Robert, McGowan, Rose, Rodriguez, Freddy, Brolin, Josh, Russell, Kurt, Ball, Zoë, & Dawson, Rosario. (2010). Grindhouse (Collector’s ed). Alliance

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Telotte, J. P. (1985). Dreams of darkness: fantasy and the films of Val Lewton. University of Illinois Press.

Telotte, J. P. (1995). A ‘Charming’ Interlude: Of Serials and Hollow Men: Chapter. In Replications: a robotic history of the science fiction film (pp. 91–110). University of Illinois Press.

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Thompson, K. (2003). The dispersal of narrative: adaptations, sequels, serials, spinoffs and sagas: Storytelling in film and television. In Storytelling in film and television. Harvard University Press.

Thompson, K. (2010). The Brief Heyday of the Serial: Chapter. In Film history: an introduction (3rd ed). McGraw-Hill.

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Tzioumakis, Yannis. (2006). American independent cinema: an introduction. Edinburgh University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5663962750002746&institutionId=2746&customerId=2745

Tzioumakis, Yannis. (2012). Hollywood’s indies: classics divisions, specialty labels and American independent cinema. Edinburgh University Press.

ULF JONAS BJORK. (1989). DOUBLE FEATURES AND B MOVIES: EXHIBITION PATTERNS IN SEATTLE, 1938. Journal of Film and Video, 41(3), 34–49. http://www.jstor.org/stable/20687867

Ulmer, Edgar G., & Agar, John. (1957). Daughter of Dr Jekyll: Vol. Edgar G. Ulmer archive. Image Entertainment.

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Ulmer, Edgar G., Alix, Marin, Allain, Donald, Kirkwood, James, Harris, Buddy, & Green, Cora. (1939). Moon over Harlem: Vol. Edgar G. Ulmer archive. Image Entertainment.

Ulmer, Edgar G., Goldsmith, Martin, Neal, Tom, Savage, Ann, & Drake, Claudia. (1945). Detour: Vol. Film noir thrillers. Siren.

Ulmer, Edgar G., Langton, Paul, Payton, Barbara, & Shayne, Robert. (1955). : Vol. Archive collection. Warner Bros.

Ulmer, Edgar G., Lugosi, Bela, & Karloff, Boris. (1934). The black cat [1934]. Second sight films.

Ulmer, Edgar G., Talbott, Gloria, Agar, John, Carradine, John, & Parker, Jean. (1944). Bluebeard: Vol. Edgar G. Ulmer archive. Image Entertainment.

Velvet Light Trap, Special issue on Feuillade and the silent serial. (n.d.). 37. http://go.galegroup.com/ps/publicationSearch.do?lm=&inPS=true&prodId=EAIM&userGrou pName=leicester&method=doLinkDirectedSearch&searchType=AdvancedSearchForm&qt =PU%7E%22Velvet Light Trap%22%7E%7EDA%7E119960322

Walz, R. (1996). Serial killings: ‘Fantomas’, Feuillade, and the mass-culture genealogy of surrealism. Velvet Light Trap, 37, 51–57. http://go.galegroup.com/ps/i.do?id=GALE%7CA90190435&v=2.1&u=leicester&it=r&p=EAI M&sw=w

Walz, Robin. (2000). Pulp surrealism: insolent popular culture in early twentieth-century Paris. University of California Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10057100 Wasser, Frederick. (2010). Steven Spielberg’s America. Polity.

Wayne, John, Beebe, Ford, McGowan, J. P., Schaefer, Armand, Clark, Colbert, Gulliver, Dorothy, Hearn, Edward, Grey, Shirley, Marshall, Tully, Mulhall, Jack, & Hatton, Raymond. (n.d.). The John Wayne cliffhanger collection (Collector’s edition). Passport Video.

Werker, Alfred L., Rathbone, Basil, Bruce, Nigel, Lupino, Ida, Zucco, George, & Doyle, Arthur Conan. (1940). The adventures of Sherlock Holmes: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.

White, Pearl, Gasnier, Louis J., & MacKenzie, Donald. (1914). The perils of Pauline. Grapevine Video.

WILLIAM COVEY. (2003). The Genre Don’t Know Where It Came From: African American Neo-Noir Since the 1960s. Journal of Film and Video, 55(2), 59–72. http://www.jstor.org/stable/20688414?&Search=yes&searchText=%2522one+false+move %2522&list=hide&searchUri=%252Faction%252FdoBasicSearch%253FQuery%253D%252 522one%252Bfalse%252Bmove%252522%2526acc%253Don%2526wc%253Don%2526fc %253Doff&prevSearch=&item=4&ttl=116&returnArticleService=showFullText

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