09/26/21 HA3463 B-films and serials | readinglists@leicester HA3463 B-films and serials View Online Abel, Richard. (2006). Americanizing the movies and ‘movie-mad’ audiences, 1910-1914. University of California Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10132126 Abrams, Jerold J. (2007). The philosophy of Stanley Kubrick: Vol. Philosophy of popular culture. University Press of Kentucky. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10443240 Aizenberg, E. (n.d.). I Walked with a Zombie: The Pleasures and Perils of Postcolonial Hybridity. World Literature Today, 73(3), 461–466. http://lion.chadwyck.co.uk/searchFulltext.do?id=R01238134&divLevel=0&area=abell&for ward=critref_ft Allain, Marcel, Souvestre, Pierre, & Ashbery, John. (2006). Fantômas: Vol. Penguin classics. Penguin Books. Andrew, Geoff. (1998). Stranger than paradise: maverick film-makers in recent American cinema. Prion Books. Bansak, Edmund G. (2003). Fearing the dark: the Val Lewton career. McFarland. Barefoot, G. (2011). Who Watched that Masked Man? Hollywood’s Serial Audiences in the 1930S. Historical Journal of Film, Radio and Television, 31(2), 167–190. https://doi.org/10.1080/01439685.2011.572604 Beebe, Ford, Crabbe, Buster, Rogers, Jean, & Middleton, Charles. (1938). Flash Gordon’s trip to Mars: Vol. Flash Gordon. Image Entertainment. Beebe, Ford, Goodkind, Saul A., & Crabbe, Buster. (1939). Buck Rogers. VCI Entertainment. Beebe, Ford, Taylor, Ray, Crabbe, Buster, Hughes, Carol, & Middleton, Charles. (1940). Flash Gordon conquers the universe: Vol. Flash Gordon. Image Entertainment. Berke, William A., Lowery, Robert, Gwynne, Anne, & Brophy, Edward. (1949). Arson Inc: Vol. Forgotten noir. Series 1. VCI Entertainment. Berke, William A., Wade, Russ, MacDonald, Edmund, & Barnett, Vince. (1947). Shoot to kill: Vol. Forgotten noir. Series 1. VCI Entertainment. Berra, John. (2008). Declarations of independence: American cinema and the partiality of independent production. Intellect. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=117235 1/20 09/26/21 HA3463 B-films and serials | readinglists@leicester Bogdanovich, P. (1975). Edgar G. Ulmer, Chapter. In Kings of the Bs: working within the Hollywood system : an anthology of film history and criticism (pp. 377–409). E.P. Dutton & Co., Inc. bogdanovitch, peter. (1968). Targets [DVD] [1968]. http://www.amazon.co.uk/Targets-DVD-Boris-Karloff/dp/B00018HTTG/ref=sr_1_1?s=dvd&ie =UTF8&qid=1374767064&sr=1-1&keywords=targets Bordwell, D. (2005). Feuillade, or Storytelling: Chapter. In Figures traced in light: on cinematic staging (pp. 43–82). University of California Press. Britton, Andrew, & Grant, Barry Keith. (2008). Detour, Chapter. In Britton on film: the complete film criticism of Andrew Britton: Vol. Contemporary approaches to film and television series (pp. 194–205). Wayne State University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664782390002746&institutionId=2746&customerId=2745 Brooker, Will, & British Film Institute. (2009). Star Wars: Vol. BFI film classics. BFI. Brookner, W. (1999). Batman: One Life, Many Faces: Chapter. In Adaptations: from text to screen, screen to text (pp. 185–197). Routledge. Brook, Vincent. (2009). Driven to darkness: Jewish émigré directors and the rise of film noir . Rutgers University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10367248 Brower, Otto, Eason, Breezy, Kane, Joseph, Brannon, Fred C., Autry, Gene, Darro, Frankie, Corrigan, Ray, Wilde, Lois, Wallace, George, & Towne, Aline. (n.d.). The science fiction cliffhanger collection. Passport Video. Buckland, W. (1998). A Close Encounter with Raiders of the Lost Ark: Notes on Narrative Aspects of the New Hollywood Blockbuster: Chapter. In Contemporary Hollywood cinema (pp. 166–177). Routledge. Buckland, W. (2006). Serials, Chase Scenes, and Off-Screen Presences: Raiders of the Lost Ark (1981): Chapter. In Directed by Steven Spielberg: poetics of the contemporary Hollywood blockbuster (pp. 131–153). Continuum. Burton, Tim, Depp, Johnny, Landau, Martin, & Parker, Sarah Jessica. (n.d.). Ed Wood. Touchstone Home Entertainment. Butler, K. J. (2002). Irma Vep, Vamp in the City: Mapping the Criminal Feminine in Early French Serials: Chapter. In A feminist reader in early cinema: Vol. Camera obscura book (pp. 195–220). Duke University Press. Callaghan, V. (n.d.). Sight & Sound | The Innovators 1910-1920: Detailing The Impossible. http://old.bfi.org.uk/sightandsound/feature/154 Callahan, Vicki. (2005). Zones of anxiety: movement, Musidora, and the crime serials of Louis Feuillade: Vol. Contemporary approaches to film and television series. Wayne State University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664141030002746&institutionId=2746&customerId=2745 2/20 09/26/21 HA3463 B-films and serials | readinglists@leicester Canjels, R. (2010). Seriality Unbound: Distributing silent film serials: local practices, changing forms, cultural transformation. In Distributing silent film serials: local practices, changing forms, cultural transformation: Vol. Routledge advances in film studies (pp. 5–23). Routledge. Cantor, P. A. (2006). Film Noir and the Frankfurt School: America as Wasteland in Edgar Ulmer’s Detour: Chapter. In The philosophy of film noir (pp. 139–162). University Press of Kentucky. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10438034 Carradine, David, Stallone, Sylvester, Bartel, Paul, & Corman, Roger. (1975). Death race 2000. Optimum Home Releasing. Castle, William, Hunter, Kim, & Mitchum, Robert. (1944). Betrayed: Vol. Archive collection. Warner Bros. Caughie, John. (1981). Theories of authorship: a reader: Vol. British Film Institute. Routledge in association with the British Film Institute. Chapman, J. (2009). Calling Dr Jones: Raiders of the Lost Ark (1981): Chapter. In Projecting empire: imperialism and popular cinema: Vol. Cinema and society series (pp. 169–188). I. B. Tauris. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10359149 Charles Scruggs. (2004). The Pastoral and the City in Carl Franklin’s ‘One False Move’. African American Review, 38(2), 323–334. http://www.jstor.org/stable/1512294?&Search=yes&searchText=%2522one+false+move% 2522&list=hide&searchUri=%252Faction%252FdoBasicSearch%253FQuery%253D%25252 2one%252Bfalse%252Bmove%252522%2526acc%253Don%2526wc%253Don%2526fc%2 53Doff&prevSearch=&item=2&ttl=116&returnArticleService=showFullText Chion, Michel. (2001). Kubrick’s cinema odyssey. British Film Institute. Cholodenko, A. (n.d.). The ‘ABCs’ of B, or: to B and not to B: Article. Film-Philosophy. http://www.film-philosophy.com/index.php/f-p/article/view/102 Cline, William C. (1994). Serials-ly speaking: essays on cliffhangers. McFarland. Cline, William C. (1998). In the nick of time: motion picture sound serials. McFarland. Cocks, Geoffrey. (2004). The wolf at the door: Stanley Kubrick, history, and the Holocaust: Vol. Contemporary film, television, and video. Peter Lang. Cook, P. (1976). Film Culture: ‘Exploitation’ films and feminism. Screen, 17(2), 122–127. https://doi.org/10.1093/screen/17.2.122 Cooling, C. (2003). Ed Wood, Glen or Glenda and the Limits of Foucauldian Discourse: Chapter. In Horror at the drive-in: essays in popular Americana (pp. 141–154). McFarland & Co. Corman, Roger, Birch, Paul, & Garland, Beverly. (1957). Not of this earth. In2film. Corman, Roger, Bronson, Charles, Cabot, Susan, & Amsterdam, Morey. (1958). Machine-gun Kelly. Umbrella Entertainment. 3/20 09/26/21 HA3463 B-films and serials | readinglists@leicester Corman, Roger, & Jerome, Jim. (1998). How I made a hundred movies in Hollywood and never lost a dime. Da Capo Press. Corman, Roger, Lund, John, & Malone, Dorothy. (1955). Five guns west. MGM. Corman, Roger, & Nasr, Constantine. (2011). Roger Corman: interviews: Vol. Conversations with filmmakers series. University Press of Mississippi. Craig, Rob. (2009). Ed Wood, mad genius: a critical study of the films. McFarland & Co. Creeber, Glen. (2004). Serial television: big drama on the small screen. BFI Publishing. Cull, N., & Chapman, J. (2012). No Time for Sorrow: Star Wars (1977): Projecting tomorrow: science fiction and popular cinema. In Projecting tomorrow: science fiction and popular cinema (pp. 161–179). I.B. Tauris. Dahlquist, Marina. (2013). Exporting perilous Pauline: Pearl White and serial film craze. University of Illinois Press. Davis, B. (2008). Small Screen, Smaller Pictures: Television Broadcasting And B-Movies In The Early 1950s. Historical Journal of Film, Radio and Television, 28(2), 219–238. https://doi.org/10.1080/01439680802077279 Davis, B. (2012). Notes from the Underground: The Legacy of the 1950s B-Movie: Chapter. In The battle for the Bs: 1950s Hollywood and the rebirth of low-budget cinema (pp. 201–215). Rutgers University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664782360002746&institutionId=2746&customerId=2745 Davis, Blair. (2012). The battle for the Bs: 1950s Hollywood and the rebirth of low-budget cinema. Rutgers University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5663961130002746&institutionId=2746&customerId=2745 De Palma, Brian, De Niro, Robert, Warden, Jonathan, & Graham,