Committee on Evaluation of Comic Books Collection
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
ROY THOMAS Chapter Four
Captain Marvel Jr. TM & © DC Comics DC © & TM Jr. Marvel Captain Introduction by ROY THOMAS Chapter Four Little Boy Blue Ed Herron had come to Fawcett with a successful track record of writing Explosive is the best way to describe this iconic, colorful cover (on opposite page) by and creating comic book characters that had gone on to greater popularity, Mac Raboy, whose renditions of a teen-age super-hero with a realistic physique was noth- including work on the earliest stories of Timely’s colorful Captain America— ing less than perfect. Captain Marvel Jr. #4, (Feb. 19, 1943). Inset bottom is Raboy’s first and his kid sidekick Bucky. It was during the fall of 1941 that Herron came cover for Fawcett and the first of the CMJr origin trilogy, Master Comics #21 (Dec. 1941). Below up with the idea of a new addition to the Fawcett family. With Captain is a vignette derived from Raboy’s cover art for Captain Marvel Jr. #26 (Jan. 1, 1945). Marvel sales increasing dramatically since his debut in February 1940, Fawcett management figured a teenage version of the “Big Red Cheese” would only increase their profits. Herron liked Raboy’s art very much, and wanted a more illustrative style for the new addition, as opposed to the C. C. Beck or Pete Costanza simplified approach on Captain Marvel. The new boy-hero was ably dubbed Captain Marvel Jr., and it was Mac Raboy who was given the job of visualizing him for the very first time. Jr.’s basic attire was blue, with a red cape. -
Exception, Objectivism and the Comics of Steve Ditko
Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. -
List of American Comics Creators 1 List of American Comics Creators
List of American comics creators 1 List of American comics creators This is a list of American comics creators. Although comics have different formats, this list covers creators of comic books, graphic novels and comic strips, along with early innovators. The list presents authors with the United States as their country of origin, although they may have published or now be resident in other countries. For other countries, see List of comic creators. Comic strip creators • Adams, Scott, creator of Dilbert • Ahern, Gene, creator of Our Boarding House, Room and Board, The Squirrel Cage and The Nut Bros. • Andres, Charles, creator of CPU Wars • Berndt, Walter, creator of Smitty • Bishop, Wally, creator of Muggs and Skeeter • Byrnes, Gene, creator of Reg'lar Fellers • Caniff, Milton, creator of Terry and the Pirates and Steve Canyon • Capp, Al, creator of Li'l Abner • Crane, Roy, creator of Captain Easy and Wash Tubbs • Crespo, Jaime, creator of Life on the Edge of Hell • Davis, Jim, creator of Garfield • Defries, Graham Francis, co-creator of Queens Counsel • Fagan, Kevin, creator of Drabble • Falk, Lee, creator of The Phantom and Mandrake the Magician • Fincher, Charles, creator of The Illustrated Daily Scribble and Thadeus & Weez • Griffith, Bill, creator of Zippy • Groening, Matt, creator of Life in Hell • Guindon, Dick, creator of The Carp Chronicles and Guindon • Guisewite, Cathy, creator of Cathy • Hagy, Jessica, creator of Indexed • Hamlin, V. T., creator of Alley Oop • Herriman, George, creator of Krazy Kat • Hess, Sol, creator with -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
{Dоwnlоаd/Rеаd PDF Bооk} Huntress Kindle
HUNTRESS PDF, EPUB, EBOOK Malinda Lo | 384 pages | 05 May 2011 | Little, Brown Book Group | 9781907411090 | English | London, United Kingdom Huntress PDF Book In Lego Batman 2: DC Super Heroes , Huntress is an unlockable character in free play mode and can be found by constructing a Gold Brick archway after collecting the requisite number of gold bricks on the roof of a building in the south east of the top island on the map, south east of the encounter with Ra's al Ghul. In this iteration of the character, she was kidnapped as a child aged 6 and raped by a rival mafia don purely to psychologically torture her father and is a withdrawn girl. After she witnesses the mob-ordered murder of her parents at the age of 19, she crusades to put an end to the Mafia. Arkham Knight. Bruce Wayne. She helps him to take down the enemies including Lyle Bolton and back Felicity. Fictional character. Gardner Fox. Dinah Drake Dinah Laurel Lance. Jones V-Man Wonder Man. During the League's restructuring following the Rock of Ages crisis, Batman sponsors Huntress' membership in the Justice League , [6] hoping that the influence of other heroes will mellow the Huntress, and for some time, Huntress is a respected member of the League. Members Only Merchandise Grow your collection with a wide range of exclusive merchandise—including the all-new Justice League Animated Series action figures —available in our members only store. Batgirl and the Birds of Prey. The stadiums may be empty, but believe it or not, the MLB playoffs have arrived. -
Západočeská Univerzita V Plzni Fakulta Pedagogická
Západočeská univerzita v Plzni Fakulta pedagogická Bakalářská práce VZESTUP AMERICKÉHO KOMIKSU DO POZICE SERIÓZNÍHO UMĚNÍ Jiří Linda Plzeň 2012 University of West Bohemia Faculty of Education Undergraduate Thesis THE RISE OF THE AMERICAN COMIC INTO THE ROLE OF SERIOUS ART Jiří Linda Plzeň 2012 Tato stránka bude ve svázané práci Váš původní formulář Zadáni bak. práce (k vyzvednutí u sekretářky KAN) Prohlašuji, že jsem práci vypracoval/a samostatně s použitím uvedené literatury a zdrojů informací. V Plzni dne 19. června 2012 ……………………………. Jiří Linda ACKNOWLEDGMENTS I would like to thank to my supervisor Brad Vice, Ph.D., for his help, opinions and suggestions. My thanks also belong to my loved ones for their support and patience. ABSTRACT Linda, Jiří. University of West Bohemia. May, 2012. The Rise of the American Comic into the Role of Serious Art. Supervisor: Brad Vice, Ph.D. The object of this undergraduate thesis is to map the development of sequential art, comics, in the form of respectable art form influencing contemporary other artistic areas. Modern comics were developed between the World Wars primarily in the United States of America and therefore became a typical part of American culture. The thesis is divided into three major parts. The first part called Sequential Art as a Medium discusses in brief the history of sequential art, which dates back to ancient world. The chapter continues with two sections analyzing the comic medium from the theoretical point of view. The second part inquires the origin of the comic book industry, its cultural environment, and consequently the birth of modern comic book. -
BERNARD BAILY Vol
Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. Plus: SPECTRE & HOUR-MAN 6 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck AT LAST! Comic Crypt Editor ALL IN Michael T. Gilbert Editorial Honor Roll COLOR FOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind. 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power. 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” . -
The Portrayal of Women in American Superhero Comics By: Esmé Smith Junior Research Project Seminar
Hidden Heroines: The Portrayal of Women in American Superhero Comics By: Esmé Smith Junior Research Project Seminar Introduction The first comic books came out in the 1930s. Superhero comics quickly became one of the most popular genres. Today, they remain incredibly popular and influential. I have been interested in superhero comics for several years now, but one thing I often noticed was that women generally had much smaller roles than men and were also usually not as powerful. Female characters got significantly less time in the story devoted to them than men, and most superhero teams only had one woman, if they had any at all. Because there were so few female characters it was harder for me to find a way to relate to these stories and characters. If I wanted to read a comic that centered around a female hero I had to spend a lot more time looking for it than if I wanted to read about a male hero. Another thing that I noticed was that when people talk about the history of superhero comics, and the most important and influential superheroes, they almost only talk about male heroes. Wonder Woman was the only exception to this. This made me curious about other influential women in comics and their stories. Whenever I read about the history of comics I got plenty of information on how the portrayal of superheroes changed over time, but it always focused on male heroes, so I was interested in learning how women were portrayed in comics and how that has changed. -
Captain Marvel
Roy Thomas’On-The-Marc Comics Fanzine AND $8.95 In the USA No.119 August 2013 A 100th Birthday Tribute to MARC SWAYZE PLUS: SHELDON MOLDOFF OTTO BINDER C.C. BECK JUNE SWAYZE and all the usual SHAZAM! SUSPECTS! 7 0 5 3 6 [Art ©2013 DC7 Comics Inc.] 7 BONUS FEATURE! 2 8 THE MANY COMIC ART 5 6 WORLDS OF 2 TM & © DC Comics. 8 MEL KEEFER 1 Vol. 3, No. 119 / August 2013 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreaders Rob Smentek William J. Dowlding Cover Artists Marc Swayze Cover Colorist Contents Tom Ziuko Writer/Editorial: Marc Of A Gentleman . 2 With Special Thanks to: The Multi-Talented Mel Keefer . 3 Heidi Amash Aron Laikin Alberto Becattini queries the artist about 40 years in comics, illustration, animation, & film. Terrance Armstard Mark Lewis Mr.Monster’sComicCrypt!TheMenWhoWouldBeKurtzman! 29 Richard J. Arndt Alan Light Mark Arnold Richard Lupoff Michael T. Gilbert showcases the influence of the legendary Harvey K. on other great talents. Paul Bach Giancarlo Malagutti Comic Fandom Archive: Spotlight On Bill Schelly . 35 Bob Bailey Brian K. Morris Alberto Becattini Kevin Patrick Gary Brown throws a 2011 San Diego Comic-Con spotlight on A/E’s associate editor. Judy Swayze Barry Pearl re: [correspondence, comments, & corrections] . 43 Blackman Grey Ray Gary Brown Warren Reece Tributes to Fran Matera, Paul Laikin, & Monty Wedd . -
Xero Comics 3
[A/katic/Po about Wkatto L^o about ltdkomp5on,C?ou.l5on% ^okfy Madn.^5 and klollot.-........ - /dike U^eckin^z 6 ^Tion-t tke <dk<dfa............. JlaVuj M,4daVLi5 to Tke -dfec'iet o/ (2apta Ln Video ~ . U 1 _____ QilkwAMyn n 2t £L ......conducted byddit J—upo 40 Q-b iolute Keto.................. ............Vldcjdupo^ 48 Q-li: dVyL/ia Wklie.... ddkob dVtewait.... XERO continues to appall an already reeling fandom at the behest of Pat & Dick Lupoff, 21J E 7Jrd Street, New York 21, New York. Do you want to be appalled? Conies are available for contributions, trades, or letters of comment. No sales, no subs. No, Virginia, the title was not changed. mimeo by QWERTYUIOPress, as usual. A few comments about lay ^eam's article which may or lay not be helpful. I've had similar.experiences with readers joining fan clubs. Tiile at Penn State, I was president of the 3F‘Society there, founded by James F. Cooper Jr, and continued by me after he gafiated. The first meeting held each year packed them in’ the first meeting of all brought in 50 people,enough to get us our charter from the University. No subsequent meeting ever brought in more than half that, except when we held an auction. Of those people, I could count on maybe five people to show up regularly, meet ing after meeting, just to sit and talk. If we got a program together, we could double or triple that. One of the most popular was the program vzhen we invited a Naval ROTO captain to talk about atomic submarines and their place in future wars, using Frank Herbert's novel Dragon in the ~ea (or Under Pressure or 21 st Century Sub, depending upon where you read itj as a starting point. -
The Trail to LOBO: the First Afrian-American Comic Book Hero
Details: Amazon rank: #1,870,800 Price: $25.75 bound: 132 pages Publisher: CreateSpace Independent Publishing Platform (March 17, 2017) Language: English ISBN-10: 1544614721 ISBN-13: 978-1544614724 Weight: 9 ounces The Trail to LOBO: the First Afrian-American Comic Book Hero by Tony & Tony Tallarico rating: 5.0 (1 reviews) ->>->>->>DOWNLOAD BOOK The Trail to LOBO: the First Afrian-American Comic Book Hero ->>->>->>ONLINE BOOK The Trail to LOBO: the First Afrian-American Comic Book Hero 1 / 6 2 / 6 3 / 6 4 / 6 . Warner Bros. Has 11 DC Comics Movies . with additional superhero films having . DC currently has a total of eleven comic book film adaptations in .Top 5 Biggest Rip-Off Characters in Comics. They just got the comic book . If everyones going to bitch about who was first then every super hero is a .. Wonder Woman represents not just the first blockbuster helmed by a female superhero, but also the first . The comic book adaptation game is . first black .how is the first black superhero i all comic books? . How is the first black superhero i all comic . Lobo from Dell Comics is the first black .Moved Permanently. The document has moved here. Critical Mention.Watchmen is a twelve-issue comic book limited . of the Black Freighter comic . of the contemporary superhero comic book," is "a domain he .Image of the day: Old school Lobo returns . (duh, hes in every book these days), Black Canary . Fangrrls Wonder Woman Shea Fontana DC Superhero Girls DC .Characters; Comics; Movies; TV; Games; Collectibles; . the first and most influential super hero of all time has inspired us across comic books, .Vintage Lobo #1 Dell Western 1965 1st African American Comic Hero .