The Labyrinth Oracle
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Scheherazade
SCHEHERAZADE The MPC Literary Magazine Issue 9 Scheherazade Issue 9 Managing Editors Windsor Buzza Gunnar Cumming Readers Jeff Barnard, Michael Beck, Emilie Bufford, Claire Chandler, Angel Chenevert, Skylen Fail, Shay Golub, Robin Jepsen, Davis Mendez Faculty Advisor Henry Marchand Special Thanks Michele Brock Diane Boynton Keith Eubanks Michelle Morneau Lisa Ziska-Marchand i Submissions Scheherazade considers submissions of poetry, short fiction, creative nonfiction, novel excerpts, creative nonfiction book excerpts, graphic art, and photography from students of Monterey Peninsula College. To submit your own original creative work, please follow the instructions for uploading at: http://www.mpc.edu/scheherazade-submission There are no limitations on style or subject matter; bilingual submissions are welcome if the writer can provide equally accomplished work in both languages. Please do not include your name or page numbers in the work. The magazine is published in the spring semester annually; submissions are accepted year-round. Scheherazade is available in print form at the MPC library, area public libraries, Bookbuyers on Lighthouse Avenue in Monterey, The Friends of the Marina Library Community Bookstore on Reservation Road in Marina, and elsewhere. The magazine is also published online at mpc.edu/scheherazade ii Contents Issue 9 Spring 2019 Cover Art: Grandfather’s Walnut Tree, by Windsor Buzza Short Fiction Thank You Cards, by Cheryl Ku ................................................................... 1 The Bureau of Ungentlemanly Warfare, by Windsor Buzza ......... 18 Springtime in Ireland, by Rawan Elyas .................................................. 35 The Divine Wind of Midnight, by Clark Coleman .............................. 40 Westley, by Alivia Peters ............................................................................. 65 The Headmaster, by Windsor Buzza ...................................................... 74 Memoir Roller Derby Dreams, by Audrey Word ................................................ -
Session Packet
SESSION PACKET Stated Session Meeting February 17, 2014 Trinity Presbyterian Church SESSION AGENDA • TRINITY PRESBYTERIAN CHURCH • February 17, 2014 CALL TO WORSHIPFUL WORK MODERATOR PAM DRIESELL SPECIAL ORDER—BUDGETING PROCESS SCOTT WOLLE SPECIAL ORDER—COMMITMENT Overview RICHARD DuBOSE Commitment campaign TOM ADAMS, JR. & ELINOR JONES SPECIAL ORDER—TELC MEREDITH DANIEL & ANNE HOFFMAN Brief update Revised covenant presented for Session approval SPECIAL ORDER—NOMINATING COMMITTEE UPDATE ANNIE CECIL MODERATOR’S REPORT PAM DRIESELL CLERK’S REPORT MICHAEL O’SHAUGHNESSEY Called meeting of the Session to receive new members—2/23/14 STAFF REPORT CRAIG GOODRICH APPROVE MINUTES OF PRIOR SESSION MEETING Minutes of the Stated Meeting of January 21, 2014 APPROVE MINUTES OF CONGREGATIONAL MEETING Minutes of the Congregational Meeting of January 12, 2014 ANNOUNCEMENTS/UPCOMING DATES—see table on next page Reminder: Permanent Session Time Change: 6:30 Worship / 7pm Dinner / 7:30 Business Meeting REPORTS FROM MINISTRIES AND COMMITTEES Mission Ministries REBEKAH GROOVER P Denominational/Larger Church Activities update Strategic Ministries Strategic Planning (no written report) ANN SPEER Personnel (no written report) HALSEY KNAPP Youth and Family Ministries ANNIE CECIL Children and Family Ministries SARAH WILLIAMS Trinity Presbyterian Preschool CANDI CYLAR Worship and Music Ministries (no written report; will have for next meeting) STEVEN DARST Adult Education and Spiritual Formation Ministries Education DAVE HIGGINS Spiritual Formation CHARLOTTE -
Everdell Rulebook Web.Pdf
A NEW YEAR BEGINS... “Everdell” Within the charming valley of Everdell, beneath the boughs of towering trees, among Wandering the woods meandering streams and mossy hollows, a Gathering the stones civilization of forest critters is thriving and Wearing in the path expanding. Ever since famed adventurer Corrin That leads to our home Evertail discovered the hidden realm long ago, Laying down the floors the citizens have prospered under the shelter Raising up the walls of the enduring Ever Tree. Working through the days Winter through to fall From Everfrost to Bellsong, many a year have come and gone, but the time has come for And we’ll play down new territories to be settled and new cities Where the grass is thick established. You will be the leader of a group From the river drink of critters intent on just such a task. There are See stars come out to meet us buildings to construct, lively characters to When all I need to do meet, events to host—it will be a busy year! Is be near to you Will the sun shine brightest on your city In the evening breeze before the winter moon rises? By the Ever Tree Prepare to be enchanted by the wondrous Farmer in the field world of Everdell. Once you are here, you Miner in the mud might never, ever, want to leave. King up in his castle With berry blue blood Schoolhouse in a tree Chapel in a stream We are side by side Building up our dream And we’ll lay down Where the grass is thick From the river drink See stars come out to meet us When all I need to do Is be here with you ‘Neath the changing leaves Of the Ever Tree 1 2 CONTENTS 1 Game Board 4 Basic Event Tiles Point Tokens (10 3-point, 20 1-point) 20 Occupied Tokens 1 8-sided Die (for Solo Game) 33 11 Forest Cards 16 Special 128 Critter & Construction Cards event Cards 1 Victory Card 30 Berries 30 Twigs 25 Resin 20 Pebbles 24 workers (6 per player) 1 Ever tree 4 SET UP 1) Place the board on the table. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Download the Manual in PDF Format
/ 5Pectrum HdaByte1M division of Sphere, Inc. 2061 Challenger Drive, Alameda, CA 94501 (415) 522-3584 solitaire royale concept and design by Brad Fregger. Macintosh version programmed by Brodie Lockard. Produced by Software Resources International. Program graphics for Macintosh version by Dennis Fregger. Manual for Macintosh version by Bryant Pong, Brad Fregger, Mark Johnson, Larry Throgmorton and Karen Sherman. Editing and Layout by Mark Johnson and Larry Throgmorton. Package design by Brad Fregger and Karen Sherman. Package artwork by Marty Petersen. If you have questions regarding the use of solitaire royale, or any of our other products, please call Spectrum HoloByte Customer Support between the hours of 9:00 AM and 5:00PM Pacific time, Monday through Friday, at the following number: (415) 522-1164 / or write to: rbJ Spectrum HoloByte 2061 Challenger Drive Alameda, CA 94501 Attn: Customer Support solitaire royale is a trademark of Software Resources International. Copyright © 1987 by Software Resources International. All rights reserved. Published by the Spectrum HoloByte division of Sphere, Inc. Spectrum HoloByte is a trademark of Sphere, Inc. Macintosh is a registered trademark of Apple Computer, Inc. PageMaker is a trademark of Aldus Corporation. Player's Guide FullPaint is a trademark of Ann Arbor Softworks, Inc. Helvetica and Times are registered trademarks of Allied Corporation. ITC Zapf Dingbats is a registered trademark of International Typeface Corporation. Contents Introduction .................................................................................. -
Slayage, Number 16
Roz Kaveney A Sense of the Ending: Schrödinger's Angel This essay will be included in Stacey Abbott's Reading Angel: The TV Spinoff with a Soul, to be published by I. B. Tauris and appears here with the permission of the author, the editor, and the publisher. Go here to order the book from Amazon. (1) Joss Whedon has often stated that each year of Buffy the Vampire Slayer was planned to end in such a way that, were the show not renewed, the finale would act as an apt summation of the series so far. This was obviously truer of some years than others – generally speaking, the odd-numbered years were far more clearly possible endings than the even ones, offering definitive closure of a phase in Buffy’s career rather than a slingshot into another phase. Both Season Five and Season Seven were particularly planned as artistically satisfying conclusions, albeit with very different messages – Season Five arguing that Buffy’s situation can only be relieved by her heroic death, Season Seven allowing her to share, and thus entirely alleviate, slayerhood. Being the Chosen One is a fatal burden; being one of the Chosen Several Thousand is something a young woman might live with. (2) It has never been the case that endings in Angel were so clear-cut and each year culminated in a slingshot ending, an attention-grabber that kept viewers interested by allowing them to speculate on where things were going. Season One ended with the revelation that Angel might, at some stage, expect redemption and rehumanization – the Shanshu of the souled vampire – as the reward for his labours, and with the resurrection of his vampiric sire and lover, Darla, by the law firm of Wolfram & Hart and its demonic masters (‘To Shanshu in LA’, 1022). -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 -
Goodbye, Kant!
1 Kant’s revolution1 Why start a revolution When he died at the age of eighty on the February 12, 1804, Kant was as forgetful as Ronald Reagan was at the end of his life.2 To overcome this, he wrote everything down on a large sheet of paper, on which metaphysical reflections are mixed in with laundry bills. He was the melancholy parody of what Kant regarded as the highest principle of his own philosophy, namely that an “I think” must accompany every representation or that there is a single world for the self that perceives it, that takes account of it, that remembers it, and that determines it through the categories. This is an idea that had done the rounds under various guises in philosophy before Kant, but he crucially transformed it. The reference to subjectivity did not conflict with objectivity, but rather made it possible inasmuch as the self is not just a disorderly bundle of sensations but a principle of order endowed with two pure forms of intuition—those of space and time—and with twelve categories—among which “substance” and “cause”—that constitute the real sources of what we call “objectivity.” The Copernican revolution to which Kant nailed his philosophical colors thus runs as follows: “Instead of asking what things are like in themselves, we should ask how they must be if they are to be known by us.”3 It is still worth asking why Kant should have undertaken so heroic and dangerous a task and why he, a docile subject of the enlightened despot the King of Prussia, to whom he had once even dedicated a poem,4 should have had to start a revolution. -
Game Design Concepts
Game Design Concepts: An experiment in game design and teaching Ian Schreiber Syllabus and Schedule 3 Level 1: Overview / What is a Game? 6 Level 2: Game Design / Iteration and Rapid Prototyping 15 Level 3: Formal Elements of Games 21 Level 4: The Early Stages of the Design Process 33 Level 5: Mechanics and Dynamics 47 Level 6: Games and Art 61 Level 7: Decision-Making and Flow Theory 73 Level 8: Kinds of Fun, Kinds of Players 86 Level 9: Stories and Games 97 Level 10: Nonlinear Storytelling 109 Level 11: Design Project Overview 121 Level 12: Solo Testing 127 Level 13: Playing With Designers 134 Level 14: Playing with Non-Designers 139 Level 15: Blindtesting 144 Level 16: Game Balance 149 Level 17: User Interfaces 160 Level 18: The Final Iteration 168 Level 19: Game Criticism and Analysis 174 Level 20: Course Summary and Next Steps 177 Syllabus and Schedule By ai864 Schedule: This class runs from Monday, June 29 through Sunday, September 6. Posts appear on the blog Mondays and Thursdays each week at noon GMT. Discussions and sharing of ideas happen on a continual basis. Textbooks: This course has one required text, and two recommended texts that will be referenced in several places and provide good “next steps” after the summer course ends. Required Text: Challenges for Game Designers, by Brathwaite & Schreiber. This book covers a lot of basic information on both practical and theoretical game design, and we will be using it heavily, supplemented with some readings from other online sources. Yes, I am one of the authors. -
Cynthia Fuchs Epstein the City of Brotherly (And Sisterly) Society, Especially in the Current Political Love Welcomed an Onslaught of More Climate
VOLUME 33 SEPTEMBER/OCTOBER 2005 NUMBER 7 th Profile of the ASA President. The ASA Celebrates Its 100 Birthday Pushing Social Boundaries: in the Nation’s Birthplace Cynthia Fuchs Epstein The City of Brotherly (and sisterly) society, especially in the current political Love welcomed an onslaught of more climate. by Judith Lorber, Graduate School Cynthia’s father graduated from than 5000 sociologists to the 2005 The political undertones of the theme and Brooklyn College, Stuyvesant High School and had one American Sociological Association were reflected in two of the plenary City University of New York year of college, where he became a Annual Meeting. The centennial meeting sessions. The first discussed the impor- socialist. He outgrew some of his early proved to be busy, successful, and tant shifts in the political terrain of the In 1976, Cynthia Fuchs Epstein and idealism about the possibility of creating historical for being the second largest nation—most notably a new surge Rose Laub Coser were in England an egalitarian society, but he was an meeting in ASA history and only the rightward in our major political institu- organizing an international conference untiring worker in the reform wing of second to top 5,000 registrants. This tions—in the 21st century. The session, on women elites at King’s College, the Democratic Party until his death at number is quite an improvement over which featured distinguished historian Cambridge. Because they also shared a the age of 91. the 115 attendees at the inaugural ASA Dan T. Carter, two well-known legal love of gourmet food, they thought they Cynthia participated in a Zionist meeting. -
A Comparison of Ratings of the Clinical Competency of Recent Graduates of Associate and Baccalaureate Degree Programs in Nursing
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1982 A comparison of ratings of the clinical competency of recent graduates of associate and baccalaureate degree programs in nursing Carol Joan Magby Stanton College of William & Mary - School of Education Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Nursing Commons Recommended Citation Stanton, Carol Joan Magby, "A comparison of ratings of the clinical competency of recent graduates of associate and baccalaureate degree programs in nursing" (1982). Dissertations, Theses, and Masters Projects. Paper 1539618284. https://dx.doi.org/doi:10.25774/w4-hfd0-ax70 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. -
A Cultural History of Tarot
A Cultural History of Tarot ii A CULTURAL HISTORY OF TAROT Helen Farley is Lecturer in Studies in Religion and Esotericism at the University of Queensland. She is editor of the international journal Khthónios: A Journal for the Study of Religion and has written widely on a variety of topics and subjects, including ritual, divination, esotericism and magic. CONTENTS iii A Cultural History of Tarot From Entertainment to Esotericism HELEN FARLEY Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © Helen Farley, 2009 The right of Helen Farley to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN 978 1 84885 053 8 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Printed and bound in Great Britain by CPI Antony Rowe, Chippenham from camera-ready copy edited and supplied by the author CONTENTS v Contents