Scheherazade
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lucifer, the Brother of Jesus?
Lucifer, the Brother of Jesus? In times past, anti-Mormons have picketed numerous events, from While considering this, it should not be overlooked that Latter-day LDS temple dedications to the 2002 Olympics held in Salt Lake Saints believe Jesus was indeed unique and special among all of City. If you have ever witnessed such a gathering, you might God’s children. As has been stated by the First Presidency, “Let it remember—amongst the picket signs, scattered pamphlets, not be forgotten, however, that He is essentially greater than any and sensational statements yelled through megaphones, etc.—a all others.”5 There are four key points that distinguish Jesus from His declaration proclaiming, “Mormons believe in the wrong Jesus: A spiritual siblings: Jesus that is BROTHERS with Lucifer.” This criticism is arguably the most common of all made against the LDS Church. • He has seniority as the firstborn. • He is literally the Father’s only begotten Son in the flesh. While it is unfortunate that many critics use such “shock talk” to • He was foreordained to be the only Savior and Redeemer scare people from investigating the LDS Church further, there is no of the world. question that the tactic can be effective. Karl Keating gives his • He was sinless. opinion regarding similar tactics used against the Catholic Church: “It must be admitted,” he says, “they enjoy a certain tactical (if short- term) advantage in that they can get away with presenting bare-bones Sons of God and Jesus’ Brothers? claims such as these: they wear out Catholicism’s defenders by In numerous instances, the Bible explicitly speaks of mortal men and inundating them with short remarks that demand long 1 angels as being the “sons,” “children,” and “offspring of God.” The explanations.” scriptures additionally reveal more subtle implications of our shared divine sonship to the Father, by distinguishing Jesus’ Father as “our Since the “long explanation” required for thoroughly addressing this Father.”6 topic won’t fit this simple brochure, I am somewhat limited in what I can share with you. -
Beyond the Bodice Ripper: Innovation and Change in The
© 2014 Andrea Cipriano Barra ALL RIGHTS RESERVED BEYOND THE BODICE RIPPER: INNOVATION AND CHANGE IN THE ROMANCE NOVEL INDUSTRY by ANDREA CIPRIANO BARRA A dissertation submitted to the Graduate School—New Brunswick Rutgers, the State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Sociology Written under the direction of Karen A. Cerulo And approved by _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ New Brunswick, New Jersey OCTOBER 2014 ABSTRACT OF THE DISSERTATION Beyond the Bodice Ripper: Innovation and Change in the Romance Novel Industry By ANDREA CIPRIANO BARRA Dissertation Director: Karen A. Cerulo Romance novels have changed significantly since they first entered the public consciousness. Instead of seeking to understand the changes that have occurred in the industry, in readership, in authorship, and in the romance novel product itself, both academic and popular perception has remained firmly in the early 1980s when many of the surface criticisms were still valid."Using Wendy Griswold’s (2004) idea of a cultural diamond, I analyze the multiple and sometimes overlapping relationships within broader trends in the romance industry based on content analysis and interviews with romance readers and authors. Three major issues emerge from this study. First, content of romance novels sampled from the past fourteen years is more reflective of contemporary ideas of love, sex, and relationships. Second, romance has been a leader and innovator in the trend of electronic publishing, with major independent presses adding to the proliferation of subgenres and pushing the boundaries of what is considered romance. Finally, readers have a complicated relationship with the act of reading romance and what the books mean in their lives. -
Wallace Stegner and the De-Mythologizing of the American West" (2004)
Digital Commons @ George Fox University Faculty Publications - Department of Professional Department of Professional Studies Studies 2004 Angling for Repose: Wallace Stegner and the De- Mythologizing of the American West Jennie A. Harrop George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/dps_fac Recommended Citation Harrop, Jennie A., "Angling for Repose: Wallace Stegner and the De-Mythologizing of the American West" (2004). Faculty Publications - Department of Professional Studies. Paper 5. http://digitalcommons.georgefox.edu/dps_fac/5 This Dissertation is brought to you for free and open access by the Department of Professional Studies at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of Professional Studies by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. ANGLING FOR REPOSE: WALLACE STEGNER AND THE DE-MYTHOLOGIZING OF THE AMERICAN WEST A Dissertation Presented to The Faculty of Arts and Humanities University of Denver In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Jennie A. Camp June 2004 Advisor: Dr. Margaret Earley Whitt Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ©Copyright by Jennie A. Camp 2004 All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. GRADUATE STUDIES AT THE UNIVERSITY OF DENVER Upon the recommendation of the chairperson of the Department of English this dissertation is hereby accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Profess^inJ charge of dissertation Vice Provost for Graduate Studies / if H Date Reproduced with permission of the copyright owner. -
Here I Am, Lord Cultivating a Tender Heart for the Lost
Here I Am, Lord Cultivating a Tender Heart for the Lost by Luis Palau HERE I AM, LORD Cultivating a Tender Heart for the Lost Copyright © 2009 Luis Palau All rights reserved. “Here I Am, Lord” Text and music © 1981, OCP. Published by OCP. 5536 NE Hassalo, Portland, OR 97213. All rights reserved. Used by permission. In the summer of 2009, Luis Palau spoke to a small group of ministry friends in Sunriver, Oregon. This booklet is a transcription of that message. CULTIVATING A TENDER HEART FOR THE LOST Here I Am, Lord I want to read just a few verses from Matthew 18: 1-6. Keep an eye for what Jesus did here in this chapter: At that time the disciples came to Jesus and asked, “Who is the greatest in the kingdom of heaven?” He called a little child and had him stand among them. And he said: “I tell you the truth, unless you change and become like little children, you will never enter the kingdom of heaven. Therefore, whoever humbles himself like this child is the greatest in the kingdom of heaven. “And whoever welcomes a little child like this in my name welcomes me. But if anyone causes one of these little ones who believe in me to sin, it would be better for him to have a large millstone hung around his neck and to be drowned in the depths of the sea.” And in another passage a bit further down (Matthew 18: 10-14) Jesus is still speaking: “See that you do not look down on one of these little ones. -
S H a P E S O F a P O C a Ly P
Shapes of Apocalypse Arts and Philosophy in Slavic Thought M y t h s a n d ta b o o s i n R u s s i a n C u lt u R e Series Editor: Alyssa DinegA gillespie—University of Notre Dame, South Bend, Indiana Editorial Board: eliot Borenstein—New York University, New York Julia BekmAn ChadagA—Macalester College, St. Paul, Minnesota nancy ConDee—University of Pittsburg, Pittsburg Caryl emerson—Princeton University, Princeton Bernice glAtzer rosenthAl—Fordham University, New York marcus levitt—USC, Los Angeles Alex Martin—University of Notre Dame, South Bend, Indiana irene Masing-DeliC—Ohio State University, Columbus Joe pesChio—University of Wisconsin-Milwaukee, Milwaukee irina reyfmAn—Columbia University, New York stephanie SanDler—Harvard University, Cambridge Shapes of Apocalypse Arts and Philosophy in Slavic Thought Edited by Andrea OppO BOSTON / 2013 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved. ISBN 978-1-61811-174-6 (cloth) ISBN 978-1-618111-968 (electronic) Book design by Ivan Grave On the cover: Konstantin Juon, “The New Planet,” 1921. Published by Academic Studies Press in 2013 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
The Seventeenth Sunday After Pentecost
Feast of the Virgin Mary Mother of Our Lord 15 August 2021 9:30 am The Liturgy at Calvary Mary’s role is not limited to giving birth to Jesus and mothering him in his childhood. In John’s gospel, she is among the women standing near the cross; in Acts, she is among the disciples awaiting the gift of the Spirit. Through all that happened she continued to see how God was at work through her son, keeping the ancient promises to her ancestors, brushing aside the rich and powerful, and focusing on those as poor and powerless as Mary herself. PRELUDE Sing of Mary Pure and Lowly Skinner Chavez-Melo Please stand & face the Baptismal font & turn to face the cross in procession PENETENTIAL RITE The Angel Gabriel from Heaven Came (ELW 265) vs. 1-3 before, vs. 4 after 2 Text: Basque carol, para. Sabine Baring-Gould, 1834-1924. Music: GABRIEL’S MESSAGE, Basque carol. L God has shown strength with his arm; he has scattered the proud in the thoughts of their hearts. He has brought down the powerful from their thrones, and lifted up the lowly; he has filled the hungry with good things, and sent the rich away empty (Luke 1:51-53). Let us confess our pride and chasing after power that we might look to God alone for strength. Silence is kept for confession and reflection L Let us greatly rejoice in the LORD, C May my whole being rejoice in my God; for he has clothed me with the garments of salvation; he has covered me with the robe of righteousness… (Isaiah 61:10). -
Pdf, 306.93 KB
00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Jesse Host I’m Jesse Thorn. It’s Bullseye. Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team plays. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:22 Jesse Host My guest, Steve Buscemi, doesn’t need that much of an introduction. He is one of the most memorable actors ever. He’s had hundreds of parts—leading parts in stuff like Reservoir Dogs, Ghost World, Boardwalk Empire. Iconic supporting parts in Fargo, The Sopranos, and—of course—30 Rock. So, we’ll skip the long intro and talk about his newest work. [Music fades out.] It’s a TV show called Miracle Workers, a comedy created by the hilarious Simon Rich—the same person behind Man Seeking Woman and a bunch of brilliantly written works you might have seen in The New Yorker, or on one of his many books, or heard on this show. Each season, Miracle Workers tells a different story with the same cast. Season one was set in Heaven, which is run kind of like a soulless megacorporation with an absentee CEO. Steve played God. Literally God. 00:01:14 Sound Transition Music swells and fades. Effect 00:01:15 Clip Clip Music: Peaceful, serene music. -
Slayage, Number 16
Roz Kaveney A Sense of the Ending: Schrödinger's Angel This essay will be included in Stacey Abbott's Reading Angel: The TV Spinoff with a Soul, to be published by I. B. Tauris and appears here with the permission of the author, the editor, and the publisher. Go here to order the book from Amazon. (1) Joss Whedon has often stated that each year of Buffy the Vampire Slayer was planned to end in such a way that, were the show not renewed, the finale would act as an apt summation of the series so far. This was obviously truer of some years than others – generally speaking, the odd-numbered years were far more clearly possible endings than the even ones, offering definitive closure of a phase in Buffy’s career rather than a slingshot into another phase. Both Season Five and Season Seven were particularly planned as artistically satisfying conclusions, albeit with very different messages – Season Five arguing that Buffy’s situation can only be relieved by her heroic death, Season Seven allowing her to share, and thus entirely alleviate, slayerhood. Being the Chosen One is a fatal burden; being one of the Chosen Several Thousand is something a young woman might live with. (2) It has never been the case that endings in Angel were so clear-cut and each year culminated in a slingshot ending, an attention-grabber that kept viewers interested by allowing them to speculate on where things were going. Season One ended with the revelation that Angel might, at some stage, expect redemption and rehumanization – the Shanshu of the souled vampire – as the reward for his labours, and with the resurrection of his vampiric sire and lover, Darla, by the law firm of Wolfram & Hart and its demonic masters (‘To Shanshu in LA’, 1022). -
Racial Violence and the Mystical Imaginary in Contemporary
THINKING THE BODY TRANSCENDENT: RACIAL VIOLENCE AND THE MYSTICAL IMAGINARY IN CONTEMPORARY AMERICAN LITERATURE by ERICK SAMUEL SIERRA A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Literatures in English Written under the direction of John A. McClure And approved by ______________________________ ______________________________ ______________________________ ______________________________ New Brunswick, New Jersey May, 2010 ABSTRACT OF THE DISSERTATION THINKING THE BODY TRANSCENDENT: RACIAL VIOLENCE AND THE MYSTICAL IMAGINARY IN CONTEMPORARY AMERICAN LITERATURE by ERICK SAMUEL SIERRA Dissertation Director: John A. McClure Twentieth-century literature and theory have offered no shortage of challenges to the unity of personal identity. What these undertakings leave largely unquestioned, however, is the prevailing understanding that personal identity is sealed within the confines of the physical body—the final uncontested frontier of Cartesian identity. Emerging from a matrix of recent American literature—by Don DeLillo, Charles Johnson, Tony Kushner, Toni Morrison, among others—is a counter-argument to the notion that the materially bounded self is separate from other such selves in space. For the “individual” to take shape as such, it must locate itself within a specific social identity, disavowing its connection with those who identify themselves differently: a process, these texts suggest, that can unleash racial and ideological violence. My dissertation explores six late twentieth-century American novels and plays (1982 to 1998) that both dramatize this violent process and propose an alternative through images of humans dislocated from their bodies and fusing metaphysically with other open selves across space. -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 -
Goodbye, Kant!
1 Kant’s revolution1 Why start a revolution When he died at the age of eighty on the February 12, 1804, Kant was as forgetful as Ronald Reagan was at the end of his life.2 To overcome this, he wrote everything down on a large sheet of paper, on which metaphysical reflections are mixed in with laundry bills. He was the melancholy parody of what Kant regarded as the highest principle of his own philosophy, namely that an “I think” must accompany every representation or that there is a single world for the self that perceives it, that takes account of it, that remembers it, and that determines it through the categories. This is an idea that had done the rounds under various guises in philosophy before Kant, but he crucially transformed it. The reference to subjectivity did not conflict with objectivity, but rather made it possible inasmuch as the self is not just a disorderly bundle of sensations but a principle of order endowed with two pure forms of intuition—those of space and time—and with twelve categories—among which “substance” and “cause”—that constitute the real sources of what we call “objectivity.” The Copernican revolution to which Kant nailed his philosophical colors thus runs as follows: “Instead of asking what things are like in themselves, we should ask how they must be if they are to be known by us.”3 It is still worth asking why Kant should have undertaken so heroic and dangerous a task and why he, a docile subject of the enlightened despot the King of Prussia, to whom he had once even dedicated a poem,4 should have had to start a revolution.